I realized a couple of things this week. Because I finished Endgames, the 12th book in the Imager Portfolio over the weekend, I discovered that I really, really want to read the first three books in the series again. Not just because it’s been 10 years since I read them, but because Endgames is the end of the middle sequence in the world chronology. The series as a whole started at what is now the endpoint of that chronology. I’m really curious to see how what we know now matches up with what the author wrote then.
I also figured out that now that I’ve stopped depressing myself by listening to the news on the radio, I have about 5 extra hours of audiobook listening every week. Plenty of time to run through a whole lot of books! So I grabbed the first three Imager books in audio. I think I must have listened to one or more books in the series at some point, so I’m looking forward to hearing the reader again – and hearing how some of the more tongue-twisting names are actually pronounced!
Putting the Science in Fiction: Expert Advice for Writing with Authenticity in Science Fiction, Fantasy, & Other Genres by by Dan Koboldt, Chuck Wendig , Gareth D. Jones, Bianca Nogrady, Kathleen S. Allen, Mike Hays, William Huggins, Abby Goldsmith, Benjamin Kinney, Danna Staaf, Sylvia Spruck Wrigley, Judy L. Mohr, Anne M. Lipton, Jamie Krakover, Rebecca Enzor, Stephanie Sauvinet, Philip Kramer, Gwen C. Katz Format read: eARC Source: publisher via NetGalley Formats available: paperback Genre: science, science fiction Pages: 266 Published by Writer’s Digest Books on October 16th 2018 Purchasing Info:Author’s Website, Publisher’s Website, Amazon, Barnes & Noble, Book Depository Goodreads
Science and technology have starring roles in a wide range of genres–science fiction, fantasy, thriller, mystery, and more. Unfortunately, many depictions of technical subjects in literature, film, and television are pure fiction. A basic understanding of biology, physics, engineering, and medicine will help you create more realistic stories that satisfy discerning readers.
This book brings together scientists, physicians, engineers, and other experts to help you:
Understand the basic principles of science, technology, and medicine that are frequently featured in fiction.
Avoid common pitfalls and misconceptions to ensure technical accuracy.
Write realistic and compelling scientific elements that will captivate readers.
Brainstorm and develop new science- and technology-based story ideas.
Whether writing about mutant monsters, rogue viruses, giant spaceships, or even murders and espionage, Putting the Science in Fiction will have something to help every writer craft better fiction.
Putting the Science in Fiction collects articles from “Science in Sci-fi, Fact in Fantasy,” Dan Koboldt’s popular blog series for authors and fans of speculative fiction (dankoboldt.com/science-in-scifi). Each article discusses an element of sci-fi or fantasy with an expert in that field. Scientists, engineers, medical professionals, and others share their insights in order to debunk the myths, correct the misconceptions, and offer advice on getting the details right.
The Science of Science Fiction: The Influence of Film and Fiction on the Science and Culture of Our Times by Mark Brake Format read: eARC Source: publisher via Edelweiss Formats available: paperback, ebook Genre: science fiction, history Pages: 272 Published by Skyhorse Publishing on October 9th 2018 Purchasing Info:Author’s Website, Publisher’s Website, Amazon, Barnes & Noble, Book Depository Goodreads
We are the first generation to live in a science fiction world.
Media headlines declare this the age of automation. The TV talks about the coming revolution of the robot, tweets tell tales of jets that will ferry travelers to the edge of space, and social media reports that the first human to live for a thousand years has already been born. The science we do, the movies we watch, and the culture we consume is the stuff of fiction that became fact, the future imagined in our past–the future we now inhabit.
The Science of Science Fiction is the story of how science fiction shaped our world. No longer a subculture, science fiction has moved into the mainstream with the advent of the information age it helped realize. Explore how science fiction has driven science, with topics that include:
Guardians of the Galaxy Is Space Full of Extraterrestrials? Jacking In: Will the Future Be Like Ready Player One? Mad Max Is Society Running down into Chaos? The Internet: Will Humans Tire of Mere Reality? Blade Runner 2049 When Will We Engineer Human Lookalikes? And many more!
This book will open your eyes to the way science fiction helped us dream of things to come, forced us to explore the nature and limits of our own reality, and aided us in building the future we now inhabit.
I have served on various book judging committees over the years. Recently I was part of a group picking the best science fiction for the year. I’m not going to say where or when, but it’s a list where the jury is still out.
But it made me think about what makes good science fiction – and conversely what doesn’t. Which led me to not one but two books in the virtually towering TBR pile, Putting the Science in Fiction and The Science of Science Fiction, both of which have been released this month.
It seemed like a golden opportunity to do a compare and contrast instead of a more traditional review.
I thought that these books would work together well. Putting the Science in Fiction was all about the inputs. It is exactly what I expected it to be. Much fiction, both written and filmed, includes some science in some form. Police dramas and mysteries deal with forensic science. Medical dramas – and not a few mysteries – deal with medical science. Science fiction, of course, is all about taking science out to the nth degree and then playing with it.
But lay people often get things wrong. There are lots of things about science that get shortchanged or simplified in order to make better drama. Anyone who is an expert in whatever has just gotten completely screwed up will cringe and just how far off-base the writer or director has just taken the science in their story.
We all do it for our own fields. And when it happens it throws the knowledgeable reader out of the story – no matter how good the rest of it might be.
Putting the Science in Fiction turns out to be a surprisingly readable collection of essays by science and engineering experts explaining the very, very basics of their fields to those of us whose expertise is somewhere else. It serves as a terrific guide for any writer who wants to follow the dictum of “write what you know” by learning more so they know more so they have more to write about.
On my other hand, The Science of Science Fiction is not what I expected it to be. I was kind of expecting it to be about SF that did well – not necessarily in the science aspect at the time so much as in the way that it captured the imagination – even to the point where the SF created the science it postulated.
There is a famous story about Star Trek: The Original Series and the invention of the cell phone that comes to mind.
But that’s not where this book went. Although that would be a great book and I hope someone writes it.
Instead, The Science of Science Fiction reads more like a history of SF written thematically rather than chronologically. It takes some of the basic tenets and tropes of SF and lays out where they began – sometimes surprisingly long ago – to where they are now.
It’s an interesting approach but it didn’t quite gel for this reader.
By way of comparison, both books talk about the science and the influences of Michael Crichton’s classic work of SF, Jurassic Park.
Putting the Science in Fiction does two things, and it does them really well. First, it conveys that “sensawunder” that SF does when it is at its best. The author of the essay is a microbiologist, who puts the science of the book in context – both the context of what was known at the time it was written (OMG 1990!) and what has been discovered since, and comes to the conclusion that he didn’t do too badly based on what was known at the time. Discoveries since have made his science fictional extrapolation less likely than it originally seemed. It’s hard to fault the author for that.
But what the author of the essay also does is to show how the book not only grabbed his interest and attention but continues to hold it to the present day, even though he knows the science isn’t remotely feasible. The book does a great job of taking just enough of the science in a direction that we want to believe is possible.
After all, who wouldn’t want to see a real live dinosaur? Under very controlled conditions. Much more controlled conditions than occur in the book, of course.
The Science of Science Fiction also discusses Jurassic Park. (A classic is a classic, after all) But instead of talking about the science of cloning the author goes into a couple of other directions. First he sets Jurassic Park within the context of other “lost world” works of science fiction. That’s a tradition that goes back to Jules Verne and even further. But it feels like the fit of Jurassic Park as part of that lost world tradition doesn’t quite fit.
The other part of this Jurassic Park discussion has to do with the way that scientists are portrayed in SF. Science makes the story possible. Scientists in fiction tend to work toward proving they can do something – in this particular case proving they can clone dinosaurs from preserved DNA. It takes a different kind of scientist, someone dealing in chaos theory, to posit that just because it CAN be done doesn’t mean it SHOULD be done. That’s a discussion I would love to see expanded. And I’d have liked this book more if it had been expanded here.
Reality Ratings: These two books struck me completely differently. Putting the Science in Fiction is both readable and does what it sets out to do – excellent points for a work designed to help writers do a more informed job of including science in their fiction. I therefore give Putting the Science in Fiction a B+.
Howsomever, The Science of Science Fiction doesn’t work nearly as well. It reads much more like a history of SF than it treats with the science of SF. That it breaks that history up into themes rather than treat it chronologically makes it jump around a bit. As SF history, it’s not nearly as readable as Astounding or An Informal History of the Hugos or What Makes This Book So Great?. While I will be tempted to dip back into Putting the Science in Fiction again when I need some explanatory material on a particular science in SF, I won’t be inclined to go back to The Science of Science Fiction. I give The Science of Science Fiction a C+
One final recommendation. Do not read the chapter in Putting the Science in Fiction about plausible methods for kicking off the Zombie Apocalypse at breakfast. Or any other meal!
The new novel by NBA All-Star Kareem Abdul-Jabbar, starring brothers Mycroft and Sherlock Holmes.
Now a force to be reckoned with in the War Office, the young Mycroft Holmes is growing his network of contacts and influence, although not always in a manner that pleases his closest friend, Cyrus Douglas. A Trinidadian of African descent, Douglas has opened a home for orphaned children, while still running his successful import business.
When a ship carrying a cargo in which Douglas was heavily invested runs aground on the Dorset coast, Mycroft convinces his brother Sherlock to offer his services at the orphanage while Douglas travels to see what can be salvaged. Sherlock finds himself surprisingly at home among the street urchins, but is alarmed to discover that two boys show signs of drug addiction. Meanwhile Douglas also finds evidence of opium use on two dead sailors, and it becomes clear to Mycroft that the vile trade is on the ascent once again.
Travelling to China on the trail of the drug business, Mycroft and Douglas discover that there are many in high places willing to make a profit from the misery of others. Their opponents are powerful, and the cost of stemming the deadly tide of opium is likely to be high...
Combine “portrait of the detective as a young truant” with “portrait of the spider at the heart of the British government as a young bureaucrat” and you get a couple of the parts of Mycroft and Sherlock.
This is also a story where we begin to see our heroes becoming the people that we know they will become. Not merely Sherlock the intelligent, intolerant, sociopathic detective, but also Mycroft as the rather bloated and nearly agoraphobic spider at the heart of the government’s web – a web that he himself will spin in the decades to come.
And part of what makes this work, both the first book in the series, Mycroft Holmes, and this latest, is that the authors tell a story about these much-beloved brothers that is new to our eyes while still fitting into the canon that we already know – the world that they will eventually inhabit but that for them is yet to come.
But this story is a followup to the authors’ Mycroft Holmes – a book that was published in 2015 but that I didn’t get around to until earlier this year. I enjoyed it so much that I actually bought Mycroft and Sherlock when it came out – there were no ARCs and I really wanted to see what happened next.
Not that we don’t know what happens eventually to the Holmes Brothers, but I wanted to see the next steps that this story would take to get from here to there.
This is both a sequel and not. The events of the first book do have consequences in this one, but not the case itself. And it’s fascinating and if you enjoy Holmes’ pastiches I definitely recommend it.
Those consequences are rather surprising – because they revolve around the health of the protagonists and not further involvement in that particular case. At the end of the first story Douglas survived a near-fatal gunshot wound, resulting in a couple of slugs sitting uncomfortably near his heart. For the man of action that he has been, his need to either restrict his actions or attempt to protect his vulnerability is not easy.
Mycroft is just not feeling well – surprisingly unwell for a healthy young man in his mid-20s. That last messy case included an untreated bout of malaria, resulting in a weakened heart. So both Mycroft and his friend Douglas suffer from similar ailments, albeit from different causes.
And with different results. Mycroft (and Sherlock) both know about Douglas’ condition. But Mycroft, secret-keeper that he is, keeps his condition to himself – even when it would behoove him to reveal it. He can’t stand to admit to a weakness – particularly when he feels that his work is not yet done.
But his reticence adds to the distance in his relationship with his brother -a distance that will continue to have consequences for the rest of their lives.
There is a case here, and it’s a typical Holmesian farrago of convoluted means and hidden motives, with the addition of the right hand (in this case Mycroft) not knowing what the left hand (in this case Sherlock) is doing – and vice versa. With nearly fatal results – multiple times.
It is also a case where the story explores conditions at the time. As the saying goes, “The past is another country, they do things differently there.” The heart of this case is the drug trade – which is surprisingly legal for the most part yet still has aspects that are hidden in dark shadows.
But the soul of the case is about family, and the infinite number of ways in which trying to help can go oh so terribly wrong.
Escape Rating A-: I liked this every bit as much as the first book. Which was a lot. This was certainly another case of right book, right time. I was just in the mood for more Holmes (I have another one in the queue as well) but this was just right.
Part of what makes these two books so good is the addition of Cyrus Douglas. For the most part, the original canon dealt with the Victorian era from an upper-middle class white point of view. The addition of Douglas as a main character forces Mycroft and Sherlock to deal with the parts of the world that men of their race and class generally ignored.
At the same time, Douglas also serves as the adult in the room. In his mid-40s by this point in the story, he has a wealth of real-life experience – and the scars to go with it – that the Holmes boys lack. Douglas can be a voice of reason that makes the brothers stop and think for a minute – or at least make Mycroft stop and think for a minute – in ways that they wouldn’t otherwise do.
Both of the Holmes are a bit melodramatic at this point in their lives. We never think of them as young because they were not in the canon, but in these stories, with Mycroft in his mid-20s and Sherlock in his late teens, they are very young indeed – and it shows in their actions as well as their thought-processes.
At the same time, we are able to see the elements of what will become their known personas beginning to gel. Mycroft is beginning to retreat from the wider world, becoming more focused on his governmental duties and on the forces that only he can see. While this case brings him temporarily out of himself, we can also see that it is temporary.
Sherlock’s methods are clearly under development in this case, but his personality is nearly set. And we see both happen as he learns how to handle disguises and starts the seeds that will become the Irregulars while at the same time he is still wearing his heart on his sleeve – and learning to hide it.
If you want to find yourself up to the neck in the Victorian era and several steps behind two of the most famous detectives in history, this book is a really fun read. I hope there will be more!
When archeologist January’s plane is shot down over the Guatemalan jungle, she knows she’s being hunted for the invaluable Mayan artifacts she’s carrying. Only one man and his team can save her…the covert, black ops Team 52, and the distrusting former CIA operative who drives her crazy…
Dr. January James has a motto: live life to the fullest. A terrible incident in her past, where she lost both her mother and her innocence, taught her that. Now she spends her days on archeological digs doing the work she loves. When her team uncovers a pair of dangerous artifacts in an overgrown temple, she knows they need to be secured and safeguarded. But someone else knows about the artifacts…and will kill to get them.
Working for the CIA, Seth Lynch learned the hard way that people lie and will always stab you in the back. He has the scars to prove it. He lives for his work with Team 52—ensuring pieces of powerful ancient technology don’t fall into the wrong hands. When he learns that the feisty, independent archeologist who works his last nerve has died in a plane crash, he makes it his mission to discover who the hell is responsible.
Deep in the jungle, Seth rescues a very-much alive January and it is up to him to keep both her and the artifacts safe. Hunted from every side, their attraction is explosive and fiery, but with January’s life on the line, Seth must fight his own demons in order to rescue the woman he can no longer resist.
In this followup to the first book in the series, Mission: Her Protection, the circumstances are just a bit different but the outcome ends up being very, very similar. Archaeologist January Jones already knows who and what Team 52 is and does – because they “appropriated” an artifact from one of her previous digs.
This time she’s on her way to Area 52 willingly, because she knows that whatever her team has found its every bit as much their bailiwick as it is hers. Meaning that while the two solid jade orbs are certainly a priceless archaeological treasure, there is also something uncanny about them. They may be the key to the power of the ancient and secretive Snake Kings, but that key is also trouble that Team 52 is better equipped to deal with than she is.
A conclusion that is proved beyond a shadow of a doubt when her plane back to civilization from the jungles of Guatemala is shot down in the middle of said jungle by a group intent on killing her and taking the orbs. January is rescued in the nick of time by Team 52, who are equally intent on saving both her and the orbs – particularly Team 52 agent Seth Lynch, who is more intent on January than those orbs.
Seth and January have tangled before – on that previous occasion when Team 52 tried to take her artifacts first and talk second. January clipped him upside the head with a metal pipe in the process and no one has let him forget it. Not that he could forget. Something about January gets right under his skin and pisses him off every time they meet.
They dislike each other with an intensity that is clearly hiding a lot of other things that neither of them is ready or willing to feel. But sharing a near-death experience does have a way of stripping the inhibitions – especially when those are inhibitions that a person really, really needs to let go of.
In spite of the flare of heat that rises between them, they are coming from very opposite perspectives. January’s response to tragedy is to live life to the fullest, and feel things to the utmost. Seth’s response has been to emotionally cut himself off from trusting other people – and that includes January. That especially includes January.
A mistake that nearly costs both of them everything.
Escape Rating B+: I still find the titles of this series to be endlessly cheesy – however the stories are anything but. Unless one considers the cheese to be well-toasted over a very hot flame – because there’s plenty of heat between the hero and heroine.
At least so far, this is not a series where you need to read from the beginning. I enjoyed Mission: Her Protection a lot, it’s a terrific action-adventure romance – as is Mission: Her Rescue – but the stories don’t build on one another very much. There’s more of an introduction to the team and its work in the first book but not so much that a new reader can’t pick it up from context in this one.
Team 52 is also a spinoff of the author’s previous action-adventure romance series, Treasure Hunter Security. But again, prior knowledge of that series isn’t required for this one. There are a couple of mentions of people from THS, but they are minor mentions. It was enough to give a fan reader like myself a smile of recognition, but not knowing wouldn’t take anything away from enjoying this book.
The two things outside of THS that the Team 52 series reminds me of are Stargate and M.L. Buchman’s military romances, particularly his Night Stalkers series. Team 52, both the way that it seeks out previously hidden advanced tech and the way that its base operates – as well as where it operates – seem very similar to the Earth-bound parts of Stargate Command. There’s just no gate. Stargate also had a warehouse in Area 51 – right next door to the Team 52 operation and warehouse in Area 52.
The romances remind me of the Night Stalkers series quite a bit. Seth Lynch in particular is very similar to Colonel Michael Gibson in Bring On the Dusk. Both of them are secret operatives and both have serious trust issues. But the whole Night Stalkers series are military romance where the heroes and the heroines are equals in every single way, and that is the feeling that is also captured in Team 52. No damsels ever get rescued – they rescue themselves and sometimes they rescue the hero as well, and not just in the emotional sense.
One of the other ways that Team 52 resembles military romance as well as action-adventure is that all of the protagonists, both male and female are scarred in one way or another. Sometimes emotionally, sometimes physically, sometimes both. These are all people who have been seriously carved up by life, whether because they live life on the edge or because their previous experience has pushed them that way. A big part of each story is the way that they make each other strong in their broken places.
That they often end up fused together by the heat they make together is icing on a very delicious cake!
In Marjorie Herrera Lewis’s debut historical novel the inspiring true story of high school teacher Tylene Wilson—a woman who surprises everyone as she breaks with tradition to become the first high school football coach in Texas—comes to life.
"A wonderfully touching and beautiful story…Tylene makes me laugh, cry, and cheer for her in ways I have not done in a long time.”—Diane Les Bocquets, bestselling author of Breaking Wild
It's a man's game, until now...Football is the heartbeat of Brownwood, Texas. Every Friday night for as long as assistant principal Tylene Wilson can remember, the entire town has gathered in the stands, cheering their boys on. Each September brings with it the hope of a good season and a sense of unity and optimism.
Now, the war has changed everything. Most of the Brownwood men over 18 and under 45 are off fighting, and in a small town the possibilities are limited. Could this mean a season without football? But no one counted on Tylene, who learned the game at her daddy’s knee. She knows more about it than most men, so she does the unthinkable, convincing the school to let her take on the job of coach.
Faced with extreme opposition—by the press, the community, rival coaches, and referees and even the players themselves—Tylene remains resolute. And when her boys rally around her, she leads the team—and the town—to a Friday night and a subsequent season they will never forget.
Based on a true story, When the Men Were Gone is a powerful and vibrant novel of perseverance and personal courage.
This is an absolute awesome story – and it is all the better for being based on a true one. It also has a surprising amount of resonance. The more things change, the more they remain the same.
Tylene Wilson was a real person. She really did coach men’s football in Brownwood Texas during World War II, as the title says, when all the men were gone. One of the differences between the fictional Tylene and the factual Tylene was that the real Tylene coached college football, not high school.
But, as has so often happened, the real Tylene’s achievements, like so many women’s achievements, has been lost to history – and that’s in the spite of the fact that WW2 is still in living memory – albeit for a decreasing number of people. The author of this book was inspired by the case of a real, 21st century woman who is following in Tylene’s fading footsteps, coaching men’s college football.
Without nearly enough historical documentation, the author was forced to fictionalize Tylene’s achievement – and the struggles that she went through to achieve it. The fictionalized version of her story is compelling AND has plenty of resonance with today.
Tylene knows football. And she knows it really, really well. Her dad taught her, both how to play and how to analyze plays. Not because he had a not-to-secret yearning for a son, but because Tylene had rickets as a child. The cure for rickets is Vitamin D, most easily found in good old sunshine.
Girls didn’t play a lot outside, even in small-town Texas, in the early 20th century. But boys certainly did. So Dad learning football and baseball and any other sport or activity that would make his little girl eager to get out into the sunshine – and get well and stay well. It worked.
And it gave Tylene a lifelong love of the sport.
World War II was a period when all the young men went to war – and all the young women went into the factories. I have my parents’ high school annuals from that period, and the teachers all had, as the saying went at the time, “one foot in the grave and the other one on a banana peel”. There were no young teachers. It is easy to imagine that in a small town like Brownwood, there were no young men, period, who were not either medically ineligible (and therefore would have been medically ineligible to have played football) or had served and been invalided out.
There do seem to be plenty of older men. But just because someone can “Monday Morning Quarterback” with the best of them doesn’t mean that they have any of the actual knowledge required to coach a real team, even a high school team. The lack of real knowledge may stop them from volunteering to coach or being qualified to do so. Of course it does not stop them from complaining that a woman can’t possibly know enough to coach – even if she does.
Her situation feels real – only because it was. What adds to the poignancy is that this story takes place in the fall of 1944. She wouldn’t have known it the time, but her desire to keep the high school football program going for one more year would save the lives of those boys who would have enlisted instead of hanging around tiny Brownwood. She just wanted to give them one more year of adolescence before they went to war. She probably saved their lives.
But the forces arrayed against her, while couched in the even more overt misogyny of the mid-century, sound all too similar to the voices that every 21st century woman has heard in her life about why women are unsuited to this, that, or the other thing because whatever it is is supposed to be the province of men.
All those men sound shrill and frightened and very, very real. And they haven’t changed a bit in all the years since.
Escape Rating A-: This was an incredible book – and a very fast read. This is also one of those times when I wish there had been just a bit more of the story. While it does end on a paradoxically high note, I wanted more. At least an epilog where we get to find out how the season went and witness the announcement of the end of the war and the impact on the school, students and town. (Yes, I know it’s fiction. I still wanted more closure.)
Which does not mean that I did not enjoy the book, because I certainly did. And the ending, while it felt a bit premature, was definitely at a high point. Not because her team won the game, but because she won the team – and, it seemed, the town.
But it’s the chorus of naysayers that stick with me, because it all sounded so damn familiar.
Tylene faced endless amounts of sexual harassment – from every side – all the time. The opposing coach for her team’s season opening game was ready to forfeit. He was convinced that it would be less embarrassing for his team to forfeit the game and take a loss than it would have been to play the game and win in a rout. He never considered that it would be a fair and close game, win or lose. He couldn’t believe that a woman could possibly coach that well, or that a team would support a woman coach that well.
While her husband was supportive, he was also very, very shaken. There were points when the negativity and the pressure were so intense that he also wanted her to give in and give up. His best friend and the mainstay of his business refused to do business with him after Tylene became the coach. The school board held a special meeting to remove her from the job – and no one in town told her about the meeting in advance.
And any woman who does not hear the echoes of those scared, shrill male voices rising against Tylene shouting in today’s news hasn’t been paying attention. That kept me riveted to the book from beginning to end – and haunts me still.
Halloween is creeping closer and closer. That means it’s time for the Spooktacular Giveaway Hop, hosted by Bookhounds!
That also means that ’tis the season for pumpkin spice everything. OMG.
Are you Team Pumpkin Spice Everything?
Or are you Team Pumpkin Spice NOOOOOO?
Lucifer (not actually MY Lucifer but his evil twin!) and I will be over here while you decide. Answer in the Rafflecopter below for a chance at your choice of a $10 Amazon Gift Card or a $10 Book. If you decide to buy pumpkin spice ANYTHING with the gift card, please do not let me know!
Yesterday the Caffeinated Reviewer and I kicked off the sign up for this year’s Black Friday Book Bonanza Giveaway Hop. YAY! Black Friday just seems like a perfect day for a bloghop. While you’re doing all of your other online holiday shopping, be sure to stop by and maybe pick up something for yourself!
This was going to be another teeny-tiny stack – until Macmillan did a dump into Edelweiss and suddenly I have books! I’ve already started reading Endgames. I’ve loved that series for ten years, and always gobble up the new one as soon as I get my hands on the ARC. I have to wait until February to post the review, but I couldn’t let my treat remain unread for another second.
It’s that time again! Welcome back to the EIGHTH annual Black Friday Book Bonanza.
Even if you think it’s too soon for the holidays, they are right around the corner!
Just like last year (and the year before that, and the year before that) Black Friday is a great day for a hop. It’s the perfect opportunity to share a bookish prize or two, and also to stay home and surf the web instead of crowd-surfing at the mall.