Stacking the Shelves (497)

And here we are again, with another edition of “as the overstuffed bookcase collapses”.  The overstuffed-ness of my stacks is probably going to keep going through June. The “judging year” for the Overachievers’ Book Club ends on Halloween, so things should start slowing down. On my own, I do get more books than I can read, because the tsundoku is strong and the books are shiny, but usually not quite this much!

For Review:
Alias Emma by Ava Glass
All Good People Here by Ashley Flowers
Always the First to Die by R.J. Jacobs
Bindle Punk Bruja by Desideria Mesa
Black Cloud Rising by David Wright Falade
The Butcher and the Wren by Alaina Urquhart
The Chosen Twelve by James Breakwell
The Codebreaker’s Secret by Sara Ackerman
Dead Water by C.A. Fletcher
The Devil Takes You Home by Gabino Iglesias
Good Morning, Love by Ashley M. Coleman
The Heroine with 1,001 Faces by Maria Tatar
A History of Wild Places by Shea Ernshaw
The Hollow Kind by Andy Davidson
The Homewreckers by Mary Kay Andrews
How the Wallflower Was Won (Last Chance Scoundrels #2) by Eva Leigh
The Latinist by Mark Prins
The Lost Kings by Tyrell Johnson
Master of Furies (Firemane #3) by Raymond E. Feist
Nora Goes Off Script by Annabel Monoghan
The Old Place by Bobby Finger
The Recovery Agent (Gabriela Rose #1) by Janet Evanovich
The Roguish Baron (Diamonds in the Rough #9) by Sophie Barnes (REVIEW!)
Station Eternity (Midsolar Murders #1) by Mur Lafferty
Ten Thousand Stitches (Regency Faerie Tales #2) by Olivia Atwater
Thistlefoot by GennaRose Nethercott
Up Against It by Laura J. Mixon
The Yeoman’s Tale (Geoffrey Chaucer Mystery #2) by M.J. Trow

Borrowed from the Library:
House of Sky and Breath (Crescent City #2) by Sarah J. Maas


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Review: Beach House Summer by Sarah Morgan

Review: Beach House Summer by Sarah MorganBeach House Summer by Sarah Morgan
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: contemporary romance, relationship fiction, women's fiction
Pages: 384
Published by HQN Books on May 17, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

USA Today bestselling author Sarah Morgan returns with the ultimate beach read, as one woman forges the most unlikely friendship of all, and embarks on a summer of confronting her past in order to build the future she wants...
When Joanna Whitman's famous ex-husband dies in a car accident, she doesn't know what to feel. Their dysfunctional marriage held more painful secrets than she cares to remember. But when she discovers that the young woman with him in the crash is pregnant, Joanna feels compelled to act, knowing exactly how brutal the media spotlight will be on celebrity chef Cliff Whitman's ex-wife and his mysterious female friend.
Ashley Blake can't believe it when Joanna shows up in her hospital room and suggests they hide away at her beach house on a sleepy stretch of California coast. Joanna should be hating her, not helping her. But alone and pregnant, Ashley can't turn down Joanna's offer. Yet she knows that if Joanna ever found out the real reason Ashley was in that car, their tentative bond would shatter instantly.
Joanna's only goal for the summer is privacy, but her return causes major waves in the local community, especially for the man she left behind years ago. All Ashley wants is space to plan for her and her baby's future, and to avoid causing any trouble for Joanna. But as secrets spill out under the hot summer sun, this unlikely friendship is about to be put to the test.

My Review:

There can be a huge difference between the truth and “the story”. In this era of 24/7 “news” where everyone has an opportunity to voice their opinions using social media as a megaphone, it’s “the story” that keeps people interested and engaged – the truth be, well, not so much damned as ignored in favor of whatever slant gathers the most eyeballs and sells the most advertising.

So when celebrity chef and serial philanderer Cliff Whitman dies in a car crash with a young woman in his car, the media sharks already know where the story is, because “the story” of Cliff’s sexcapades has never been about him. The story has always been about his now ex-wife Joanna.

There’s way more interest in making her a victim yet again, ad infinitum, ad nauseum, than there is in finding out the truth about the crash. After all, Cliff was a celebrity, and let’s not forget male and charismatic. People are always willing to believe that whatever a famous man does wrong is somehow the woman’s fault. Even if they’re divorced. Even if she was nowhere near the place or the person at the time.

Even Joanna’s non-reaction is a story, and the vultures (read that as reporters) are more than willing to stake out her house and harass her neighbors to get it.

That there was a young woman in Cliff’s car when he crashed just adds fuel to the fire. After all, everyone knows that Cliff liked them young and younger as he got older. And the girl survived, which makes her fair game as far as the vultures are concerned.

Which is where the story gets interesting. Everyone assumes that the young woman, Ashley Blake, was Cliff’s latest fling. Or that she was about to be. She was certainly his type.

So no one expects Joanna Whitman to sweep into Ashley’s hospital room and rescue her from the schooling piranhas staking out the hospital just waiting for her to be discharged. They’ve already breached her privacy once, so it’s only a matter of time until they can find a patient, a visitor or even a hospital staffer to give one of them the juicy scoop.

Joanna, who has already evaded the swarm of stalkers outside her house, sweeps Ashley away to somewhere no one will look – at least for a little while. They both need a bit of peace, a time to heal, and a chance to figure out what happens next.

But the place Joanna has taken Ashley is her own hometown on the California Coast, to the beach house that sits on the land she once called home.

Joanna thinks she’s helping Ashley. And she is. But Ashley is also helping her. And by returning to her roots, Joanna finally gives herself a chance to take stock of her own life – and to explore the road not taken, the one that everyone, including Joanna herself, expected to take all those years ago.

Escape Rating A: Beach House Summer isn’t so much a romance as it is women’s fiction or relationship fiction. Not that a romance doesn’t eventually occur in the story, but the romance is not the center of the story.

The heart of Beach House Summer is in the relationship between Joanna and Ashley, and then Joanna’s relationships with all the people she left behind in Silver Point, especially her childhood best friend Melanie and Mel’s twin brother Nate – who was, once upon a time, the love of Joanna’s life.

More than anything else, though, the story is about Joanna’s hesitant reaching out to, well, anyone at all.

For the 19 years of her marriage, and the year of her divorce, Joanna has been the media’s punching bag whenever one of Cliff’s affairs was exposed. Which happened often. Extremely often. Even after their divorce, she was still the one who got stalked whenever he was seen with anyone. Because after each and every affair, she went back to him. Over and over and over. The speculation and innuendo, as occurs whenever a famous man is involved with a less famous woman, was vicious. Every single time.

And every single time Joanna’s response was “no comment” if she gave a response at all. She trusts no one because she knows they’ll either stab her in the back with the press or turn away from her in pity or even horror whenever the press comes stalking. Because they inevitably will.

Joanna’s reaction is to make like a turtle and hide all her vulnerable bits. Which is pretty much all of them. But bringing Ashley into her life opens a door that she realizes she doesn’t want to close. Letting one person in lets in others. Going back to her hometown lets her see that there ARE people who love her and people who can be counted on – no matter what her vicious stepmother used to tell her.

As much of the joy of this book is wrapped around Joanna’s relationships with both her new and her old friends, as lovely as it is that she does get back the friendships and the love she left behind, the part of the story that kept me turning pages in fury was the part about the relentless stalking behavior of the media.

Cliff is the one who cheated, Cliff is the one who lied, Cliff is the one who crashed his own car because he thought the speed limit on a cliffside road was a suggestion and not a warning. But Joanna is the one who suffers for it. Every. Single. Time. Even after their divorce. He’s the guilty party but she’s always the one to blame because that’s the story that people want to read.

It reminds me of a story going on right now that seems to be distracting the entire country from pretty much every substantive issue that should be getting more attention. So I wasn’t surprised at all that Joanna did her level best to hide and hope it would all blow over, and I saw so many parallels with the way she was treated and the way that the sharks circle any woman who speaks up about rich and/or famous men. What did surprise me was that when she finally stood up and refused to be a victim any longer, that it actually worked. I wish that was true in real life – at least more of the time.

Wrapping up, I loved Beach House Summer for its story about love and friendship and second chances. But its ripped from the headlines background is what really put it over the top for this reader.

Review: The Roguish Baron by Sophie Barnes

Review: The Roguish Baron by Sophie BarnesThe Roguish Baron by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical romance, holiday romance, regency romance
Series: Diamonds in the Rough #9
Pages: 180
Published by Sophie Barnes on May 24, 2022
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

When a rakish scoundrel decides to pursue the woman he loves in this friends to lovers Regency romance, he risks his father's disapproval...and the consequence this will have on his future.

He had to risk losing her so he would realize how much he loved her...

Jack Lancaster, Baron Hawthorne, hasn't been home in four years. He's been too busy running from his emotions. So when he finally does return and discovers his childhood friend, Sophia Fenmore, has gotten engaged, he's not only shocked, but determined to change her mind and make her his.

Sophia has always known Jack was out of her league. But she valued his friendship, until he broke her heart. Now he's back, as eager to charm her as she is to thwart him.For as much as she'd like to believe Jack has changed, she cannot risk taking a chance on a rogue. Unless of course, he proves himself worthy.

A daring forbidden love romance from a USA Today bestselling author

*Previously published as part of The Rogue Who Stole Christmas anthology*

My Review:

The way that the romances are intertwined and misdirected in this latest book in the Diamonds in the Rough series reads like the kind of convoluted plot that Shakespeare would have loved.

The Lancaster children, Jack, Felicity, and Kaitlin, and the Fenmore siblings, Edward and Sophia, grew up together as one romping tangle of friends. But the Lancasters are the offspring of the Earl of Turner, while the Fenmores are the children of the local vicar. There’s an even larger gap in station between Sophia Fenmore and the others, as Sophia is an orphan who was found wrapped in a blanket in the church that the Fenmores’ father is the vicar of. They raised her as their own, but with her origins obscure at best, she’s not quite the social equal of the others.

A difference that makes no difference when they are all children, but drives a wedge in the close friendship between Jack and Sophia when they reach the cusp of adulthood. Not that either of them cares one whit, they are the best of friends even if Sophia is just beginning to understand that she wants more.

But to Jack’s father the Earl, it matters a great deal. To the point where the Earl threatens to cut off Jack’s inheritance if he marries Sophia. Something that Jack hadn’t even thought of up to that point. (The title and the estate are entailed, Jack will inherit those whatever his father wants. But the money is his father’s own to dispose of as he pleases. Inheriting the estate without the money for the upkeep of the stately pile is a recipe for bankruptcy.)

Jack runs away to London for four years, earning enough money to no longer need anything his father doesn’t want to give. He ALSO earns a well-deserved reputation as a rake as he cuts a wide and smiling swath through the female population of London in an attempt to deny his father’s accusation – that he’s in love with Sophia. Even though he is.

Jack returns home to a mess. Sophia is more beautiful than he remembered, and even more captivating. But she’s also engaged to, of all people, her adopted brother Edward. Who is in love with Jack’s sister Felicity. But Edward and Felicity both believe that their love is doomed, that Felicity’s father would never consent to a match between them.

In other words, everyone is being self-sacrificing – except Jack’s father who is still being an ass.

And just when it seems like they’ve all gotten past all of the roadblocks they’ve put in their own way, the truth about Sophia’s origins finally comes to light. And those roadblocks just get higher.

Escape Rating B: The Diamonds in the Rough series has been charming romantic fluff from the very first book, A Most Unlikely Duke (still my favorite in the series) to this 9th book in the series. And this one feels like the last. Not that it doesn’t stand alone, because it most certainly does, but because all of those Diamonds and their equally happy spouses are guests at the wedding that ends this entry in the series. It felt like closure, although I’ll be happy if I’m proven wrong!

The best part of The Roguish Baron isn’t the Baron. It’s Sophia. What made her interesting was that, in spite of some of her over-the-top descriptions of her feelings, her thoughts and actions were very, very pragmatic. And she wasn’t shy about letting Jack know when he’d stepped in it and on them. She doesn’t cry and expect to be patted and soothed, she speaks up and uses her words very clearly and forthrightly.

Her situation in this story is very much “one down”. She’s female in a time and place where she has no rights and her only hope of a comfortable future is to marry and hope that her husband isn’t a brute or a gambler or a spendthrift. And she may not have a say in who she marries, and then she’ll basically be property in the marriage.

Under those circumstances, her acceptance of Edward’s proposal may not be the best of all possible worlds, but it is far, far, far from the worst. With her origins obscured, it may be the only offer she’ll get, and she knows it. Whatever dreams she might have of marrying Jack, she’s not wrong to think that society will look down upon them both and that his father will not be forgiving. She’s doomed before she starts.

Jack loves her and wants her but takes, not so much convincing as beating about with a clue-by-four to get that if they’re going to untangle the mess their in that there are no half-measures. And that if he can’t commit to this course he needs to leave her alone. Which he has a hard time even imagining, let alone actually doing.

The thing that made this work was the way that Jack was forced to grovel, publicly, for the mess he’d made of his life, and the mess he’d very nearly made of both their lives. Sophia may have forgiven him, but he still had to earn back the respect he’d squandered when he was punishing both himself and his father – who honestly didn’t grovel enough.

That Sophia does learn who she came from was lovely, even though it did seem like a bit of deus ex machina. And I have some mixed feelings about whether that was the right way to solve things.

But this was still a lovely, frothy bit of holiday Regency romance. If this is the end of the series, it provides a charming bit of closure to five years of romantic reads. If it turns out there are still more to come, I’d be happy to watch more of these unconventional couples find their HEAs..

Review: Captain of the Guard by Anna Hackett

Review: Captain of the Guard by Anna HackettCaptain of the Guard (Galactic Kings #3) by Anna Hackett
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: science fiction romance
Series: Galactic Kings #3
Pages: 290
Published by Anna Hackett on May 17, 2022
Purchasing Info: Author's WebsiteAmazon
Goodreads

An alien warrior and a fierce shapeshifter who drive each other crazy must work together to save an entire planet from a terrifying evil.

First Claw Annora Rahl is tough, fierce, and loyal. She stands at her emperor’s side to protect the wolf shapeshifters of the planet Damar, and she isn’t afraid to use her claws. Stopping an evil king from a neighboring planet, who’s intent on enslaving all the planets in their system, is her top priority. She won’t fail her family, her people, or her emperor. Even if it means joining forces with an infuriating rival warrior…one who she isn’t sure if she wants to kill or kiss.

Captain Thadd Naveri is strong, unyielding, and dedicated. As captain of the guard for the overlord of the planet Zhalto, he lets nothing threaten his king or his people. He’s still recovering from his capture and torture by the enemy, but he readily accepts a top-secret mission into enemy territory. He’s less than pleased to share that mission with Annora—the one woman in the galaxy who fills him with scalding hot anger…and burning desire.

To save their allies on the planet Taln, Thadd and Annora must sneak into the enemy’s most feared science labs. As they fight side by side, they are forced to face their overwhelming attraction. But as the enemy closes in, it is a race against time to save not only Taln but themselves.

My Review:

We met First Claw Annora Rahl and Captain Thadd Naveri in earlier books in the Galactic Kings series. Annora is the leader of Emperor Brodin Damar Sarkany’s elite shapeshifting warriors, while Thadd is the captain of Overlord Rhain Zhalto Sarkany’s guard (hence the title). As their respective rulers have begun working more closely together to throw their sperm donor’s evil minions off of their respective planets in the first two books in this series, Overlord and Emperor, Annora and Thadd keep getting thrown together.

When they do, explosions happen. The First Claw and the Captain get along about like kerosene and matches. It’s always a combustible combination, but until the end of Emperor all of that explosive energy manifested as explosive temper. They could manage to work together to accomplish assigned goals – but it wasn’t easy for either of them. Or for anyone around who had to listen to them bicker.

But all that energy had to go someplace. At the very end of Emperor it went into a kiss that rocked both of their worlds – even if neither of them was willing to admit it – either at the time or as this entry in the series opened.

It does mean, however, that neither of them is all that enthused to be assigned to take a small ship and infiltrate the top-secret research base where the minions working for Rhain, Brodin and Graylan’s sperm donor carry out their genocidal research experiments.

Dear old dad, or rather, his chief scientist Naberius (the scientists in this series make the Nazis look like fluffy bunnies in comparison) is making biological weapons on that station that are genetically engineering to decimate the population of Taln, the planet where Graylan rules.

It’s up to Thadd and Annora to destroy the research along with any samples that have been made – and even the base if they can manage it. If they can manage to eliminate the scientist as well, so much the better.

But first, they have to get past all of his tricks and traps that are genetically engineered specifically for their people’s individual biology – along with Thadd’s simmering PTSD after his previous encounter with Naberius. An encounter where he was tortured and implanted with alien devices, and where his own personal powers were irrevocably changed.

In spite of the pressure they are under – and all the battles yet to come, Thadd and Annora finally let themselves acknowledge what’s been simmering between them all along. Whether their new-found bond makes them stronger or merely gives them each a hostage to fortune is something that can only be tested in the heat of battle.

And they are not, either of them, found wanting.

Escape Rating A-: I’m not sure what I was expecting with Captain of the Guard beyond the rollicking good reading time that I always get when I pick up one of Anna’s books. And I most definitely got that!

What I mean is that normally, my favorite book in any series is the one that features the leader of the gang, or band, or company, or whatever. But in this series, the Galactic Kings, the heroes have all been those kings. In other words, they’re all leaders.

This book, Captain of the Guard, is the one that’s different. Both Thadd and Annora ARE leaders, but they’re not the ‘alpha’ of this series. I think what made this book a bit different from the others so far is what made this one special.

Also because unlike the previous books in the series – and from the way this book ended, the next book in the series – is that they keep finding women from Earth all the way over on the other side of the galaxy near Carthago, the setting for the Galactic Gladiators series(es). So part of what made Captain of the Guard so much fun was that Annora and Thadd are not traumatized and forced ‘immigrants’ to this side of the galaxy. Not that both of them haven’t had their share of trauma.

But their positions give them perspective into each of their societies in a way that still involves them with the movers and shakers but doesn’t put them at the top of their respective pyramids. Not that they’re not high up, but they both had normal childhoods for their worlds and were not raised in the rarified – and in the kings’ cases deadly – atmosphere of any palace.

It was also excellent that they are peers and equals. That a woman is the leader of one planet’s elite warriors, that she holds exactly the same position as a man and garners exactly the same amount of respect.

Which also meant that in order for them to truly get an HEA they had to find a solution that let both of them keep their high ranking jobs. I always love a romance of equals, and this is certainly that.

All of the above made Captain of the Guard an excellent entry in this long-running series of series. And, as is the author’s style, the ending of this book set up the beginning of the next book in the series, Conqueror, which looks like it will be Graylan’s story. It’s just too bad I’ll have to wait until November to see what happens next!

Review: Last Exit by Max Gladstone

Review: Last Exit by Max GladstoneLast Exit by Max Gladstone
Narrator: Natalie Naudus
Format: audiobook
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: fantasy, horror, urban fantasy
Pages: 400
Length: 21 hours and 3 minutes
Published by Tor Books on March 8, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Ten years ago, Zelda led a band of merry adventurers whose knacks let them travel to alternate realities and battle the black rot that threatened to unmake each world. Zelda was the warrior; Ish could locate people anywhere; Ramon always knew what path to take; Sarah could turn catastrophe aside. Keeping them all connected: Sal, Zelda’s lover and the group's heart.
Until their final, failed mission, when Sal was lost. When they all fell apart.
Ten years on, Ish, Ramon, and Sarah are happy and successful. Zelda is alone, always traveling, destroying rot throughout the US.
When it boils through the crack in the Liberty Bell, the rot gives Zelda proof that Sal is alive, trapped somewhere in the alts.
Zelda’s getting the band back together—plus Sal’s young cousin June, who has a knack none of them have ever seen before.
As relationships rekindle, the friends begin to believe they can find Sal and heal all the worlds. It’s not going to be easy, but they’ve faced worse before.
But things have changed, out there in the alts. And in everyone's hearts.
Fresh from winning the Hugo and Nebula Awards, Max Gladstone weaves elements of American myth--the muscle car, the open road, the white-hatted cowboy--into a deeply emotional tale where his characters must find their own truths if they are to survive.

My Review:

There was a serpent gnawing at the roots of the world. Zelda, June, Sarah, Ramon and Ish go on the road trying to do something to slow it down or keep it at bay or just stop it. If they can. Because they believe they must. Because they tried before – and they failed.

But, and it’s a very big but that fills the sky with thunder and lightning and cracks the ground all around them every place they go – is that “last exit” they’re searching for the last exit to get OFF the road that is heading TO hell, or is it the last exit to get ON that road. Differences may be crucial – and nearly impossible to judge when the critical moment arrives with the ring of boot heels on cracked and broken pavement.

Ten years ago, five college students (Sal, Zelda, Sarah, Ramon and Ish) who all felt like outsiders at their preppy, pretentious Ivy League school (cough Yale cough) discovered that they each had a ‘knack’ for exploring the multiverse. So, they decided to go on an adventure instead of heading out into the real world of adulting, jobs and families.

They wanted to make the world better – or find a world that was better – rather than settle for and in the world they had. So they went on ‘The Road’ and explored all the alternate worlds they could find within the reach of their “souped up” car.

They found adventure all right. And they were all young enough to shrug off the danger they encountered and the damage they took escaping it. But what they did not find was anyplace better. They didn’t even find anywhere that was all that good.

They helped where they could and escaped where they had to and generally had a good time together. But, and again it’s a very big but, all the worlds they found had given way to the same terrible applications of power and privilege and use and abuse that are dragging this world down. They found death cults and dictatorships and slavery and madness everywhere they went.

The multiverse was rotting from within, because there was a serpent gnawing at the roots of the world.

So together they embarked upon a desperate journey to the Crossroads at the heart of all the multiverses, the place where there might be a chance to not just shore up the forces of not-too-bad in one alternate world, but in all the alternate worlds all at the same time.

They failed. And they lost the woman who was their heart and their soul. Sal fell through the cracks of the world. She was lost to the rot that was destroying not just the alts but their own world as well.

That could have been the end of their story. And it almost was. Without Sal, they fell apart. Individually and collectively. Sarah went to medical school and raised a family. Ish raised a tech empire. Ramon tried to destroy himself, tried to forget, and ended up back where he started.

And Zelda stayed on the road, sleepwalking through ten years of loneliness, doing her best to plug the holes in this world where the rot was creeping in.

Because it was all their fault – it was all her fault. She lost Sal, the woman she loved – and then everything fell apart. She feels duty-bound, obligated and guilt-ridden, to fix it.

It takes ten years, and a kick in the pants from Sal’s cousin June, for Zelda to finally acknowledge that the only way she can fix what she broke, what they broke, is going to require more than a little help from their friends.

If they’re willing to take one final ride on the road.

American Gods by Neil GaimanEscape Rating A-: In the end, Last Exit is awesome. But it takes one hell of a long and painful journey to reach that end. Because it starts with all of them not just apart, but in their own separate ways, falling apart. And it ends with all of their demons coming home to roost – and nearly destroying them – as they relive the past and do their damndest to push through to either some kind of future – or some kind of sacrifice to balance out the one they already made when they lost Sal.

The reader – along with Zelda and Sal’s cousin June – starts out the story believing that it’s all about the journey. Or that it’s a quest to reach a specific destination that may or may not be Mount Doom. It’s only at the very, very bitter end that they – and the reader – figure out that it was about the perspective all along.

A lot of readers are going to see a resemblance to Stephen King’s Dark Tower series, but I haven’t read that so it wasn’t there for me. What I saw was a sharp comparison to American Gods by Neil Gaiman – both because it’s very much an “American Road Story”, even if most of the Americas are alts, but especially because of that sudden, sharp, shock at the end, where the reader has to re-think everything that came before.

I listened to Last Exit all the way through, and the narrator did a terrific job of differentiating the voices. There was a lyricism to the characters’ internal dialogs that she conveyed particularly well – it was easy to get caught up in each one’s internal thoughts and understand where they were coming from, even if the sheer overwhelming amount of angst most of them were going through was occasionally overwhelming – both for the characters and for the listener.

Part of what makes this a densely packed and difficult story and journey is that the main character and perspective is Zelda – who is just a hot mess of angst and guilt and regret. We understand why she blames herself for everything – whether anything is her fault or not – but there seems to be no comfort for her anywhere and you do spend a lot of the book wondering if she’s going to sacrifice herself because she just can’t bear it a minute longer.

The story feels a bit disjointed at points because the narrative is disjointed both because Zelda keeps telling and experiencing snippets of what happened before interwoven with what’s happening now and because the alts themselves are disjointed. It’s clear there’s some kind of organizing geography, but I just didn’t quite see it. To me, the alts all sounded like various aspects of the fractured future Earth in Horizon: Zero Dawn and I stopped worrying about what went where.

There were a lot of points where I seriously wondered where this was all going. Where it ended up wasn’t what I was initially expecting – at all. But it was one hell of a journey and I’m really glad I went, even if I needed a cocoa and a lie-down to recover from the sheer, chaotic wildness of the ride..

Moms Rock Giveaway Hop

Welcome to the Moms Rock Giveaway Hop, hosted by Mama the Fox!

I’m trying to imagine my mom anywhere near that guitar in the hop graphic and my mind just boggled. Not that my mom wasn’t plenty badass in her own way, but that was definitely not the way.

OTOH, some of my friends are moms now, and I can definitely see several of them possibly rocking that guitar.

But even moms that don’t rock certainly rule!

For those of you out there who are moms, what’s your best mom thing? Or, if you’re like me and didn’t go that route or haven’t yet, what’s the thing you remember your mom doing best?

a Rafflecopter giveaway

For more rockin’ prizes, be sure to visit the other stops on this hop!

MamatheFox and all participating blogs are not held responsible for sponsors who fail to fulfill their prize obligations.

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 5-15-22

Here’s that picture I promised yesterday. I present to you…George, Destroyer of Worlds! (Or at least, destroyer of boxes, packing paper, and OMG shoes!

After George had his fun we cleaned up after him. He has such a good time with the boxes and the packing materials that we can’t resist letting him play for a bit. We’re also grateful that the pair of slippers in the picture hasn’t been subject to his depredations – at least not yet. As they have neither straps nor shoelaces they are probably safe, but we don’t dare leave him with any shoes unsupervised.

Current Giveaways:

$10 Gift Card or $10 Book in the Life’s a Beach Giveaway Hop
$10 Gift Card or $10 Book in the May Flowers Giveaway Hop

Blog Recap:

A+ Review: When Blood Lies by C.S. Harris
Life’s A Beach Giveaway Hop
B Review: The Impossible Us by Sarah Lotz
A- Review: Heroic Hearts edited by Jim Butcher and Kerrie L. Hughes
May Flowers Giveaway Hop
Stacking the Shelves (496)

Coming This Week:

Moms Rock Giveaway Hop
Last Exit by Max Gladstone (audio review)
Captain of the Guard by Anna Hackett (review)
The Roguish Baron by Sophie Barnes (review)
Beach House Summer by Sarah Morgan (blog tour review)

Stacking the Shelves (496)

Tomorrow’ Sunday Post is going to include a positively demonic picture of George, in the midst of the destruction he has wrought among the empty book boxes. He clearly was having MUCH too good a time. Or perhaps I just get too many books.

Nah, that couldn’t be it. LOL

For Review:
Babel : Or the Necessity of Violence: An Arcane History of the Oxford Translators’ Revolution by R. F. Kuang
Bluebird by Genevieve Graham
Captain of the Guard (Galactic Kings #3) by Anna Hackett
The Dead Romantics by Ashley Poston
Desperate Undertaking (Flavia Albia #10) by Lindsey Davis
The Edge of Summer by Viola Shipman
Even Though I Knew the End by C.L. Polk
The Forty Elephants by Erin Bledsoe
Half a Soul (Regency Faerie Tales #1) by Olivia Atwater
High Times in the Low Parliament by Kelly Robson
An Indiscreet Princess by Georgie Blalock
Leech by Hiron Ennes
The Lives of Diamond Bessie by Jody Hadlock
Lute by Jennifer Marie Thorne
Motherthing by Ainslie Hogarth
Old Country by Matt Query and Harrison Query
The Oleander Sword (Burning Kingdoms #2) by Tasha Suri
Outside by Ragnar Jonasson
Raven Unveiled (Fallen Empire #3) by Grace Draven
Reluctant Immortals by Gwendolyn Kiste
The River of Silver: Tales from the Daevabad Trilogy by S.A. Chakraborty
Self-Portrait with Nothing by Aimee Pokwatka
The Stardust Thief (Sandsea Trilogy #1) by Chelsea Abdullah (audio)
The Unbalancing (Birdverse) by R.B. Lemberg
Wake by Shelley Burr
Where We End & Begin by Jane Igharo
Will Do Magic for Small Change by Andrea Hairston

Borrowed from the Library:
All Her Little Secrets by Wanda M. Morris


If you want to find out more about Stacking The Shelves, please visit the official launch page

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May Flowers Giveaway Hop

Welcome to the May Flowers Giveaway Hop this week, this time hosted by Review Wire Media and Chatty Patty’s Place!

If April Showers bring May Flowers, then what do Mayflowers bring? The correct answer is “pilgrims” but the wrong answers I got a couple of months ago were a lot funnier.

My favorite May flowers are peonies, even though they aren’t all that prevalent here in the Atlanta area. We don’t always get a cold enough winter for long enough for them to do well. But back in Chicago, they bloom in May and are always big and gorgeous and smell wonderful.

What about you? What are your favorite “may flowers”, or what flowers mean May or Spring to you? Answer in the rafflecopter for a chance at either a $10 Amazon Gift Card or $10 in books.

a Rafflecopter giveaway

For more beautiful prizes, blooming or otherwise, be sure to visit the other stops on this hop!

You are invited to the Inlinkz link party!

Click here to enter


Review: Heroic Hearts edited by Jim Butcher and Kerrie L. Hughes

Review: Heroic Hearts edited by Jim Butcher and Kerrie L. HughesHeroic Hearts by Jim Butcher, Kerrie Hughes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: fantasy, urban fantasy
Pages: 368
Published by Ace Books on May 3, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

An all-star urban fantasy collection featuring short stories from #1 New York Times bestselling authors Jim Butcher, Patricia Briggs, Charlaine Harris, Kelley Armstrong, and more . . .
In this short story collection of courage, adventure, and magic, heroes--ordinary people who do the right thing--bravely step forward.
But running toward danger might cost them everything. . . .
In #1 New York Times bestselling author Jim Butcher's "Little Things," the pixie Toot-Toot discovers an invader unbeknownst to the wizard Harry Dresden . . . and in order to defeat it, he'll have to team up with the dread cat Mister.
In #1 New York Times bestselling author Patricia Briggs's "Dating Terrors," the werewolf Asil finds an online date might just turn into something more--if she can escape the dark magic binding her.
In #1 New York Times bestselling author Charlaine Harris's "The Return of the Mage," the Britlingen mercenaries will discover more than they've bargained for when they answer the call of a distress beacon on a strange and remote world.
And in #1 New York Times bestselling author Kelley Armstrong's "Comfort Zone," the necromancer Chloe Saunders and the werewolf Derek Souza are just trying to get through college. But they can't refuse a ghost pleading for help.
ALSO INCLUDES STORIES BY Annie Bellet * Anne Bishop * Jennifer Brozek * Kevin Hearne * Nancy Holder * Kerrie L. Hughes * Chloe Neill * R.R. Virdi

My Review:

I was looking for a bit of a change of pace to wrap this week’s reviews, so I turned to my favorite pick-me-up genre, urban fantasy, and to this excellent collection of it, Heroic Hearts, which features stories by some of the stars in the genre, while giving me a chance to explore worlds both familiar and not.

Four of the stories were set in worlds that I am at least somewhat familiar with; Jim Butcher’s Little Things, set of course in the Dresden Files, The Dark Ship by Anne Bishop in previously unexplored part of her World of the Others, Fire Hazard by Kevin Hearne in the Iron Druid Chronicles and Patricia Briggs’ Dating Terror in her Alpha & Omega spinoff of Mercy Thompson’s world.

What made both Little Things and Fire Hazard so much fun to read wasn’t just their familiarity but the way that both stories gave that familiarity a bit of a twist by telling the story from alternate points of view.

Harry Dresden is too busy to be the main character or narrator of Little Things. That role is reserved for the pixie Toot-Toot who leads the castle’s forces of pixies and other small creatures to fend off a gremlin invasion. While Toot-Toot and his minions start out just defending their beloved pizza, by the time the story is baked to its conclusion they’ve saved the whole castle and everyone in it – with a bit of assistance from Dresden’s cat Mister. Even if they can’t manage to help Dresden with his angst about the terrible “conomee” and his regular fight with the dread monster “budget”.

Fire Hazard, which deals with the very serious issue of the wide-spread fires in Australia, is both lightened and made a bit more profound – surprisingly so! – by being told from the perspective of Oberon, Atticus’ Irish wolfhound. While the fires were started through either natural causes or human error, there is something supernatural that is, quite literally, fanning the flames. That Atticus can take care of. But it’s Oberon’s meditations on the nature of courage and sausage that give this story both its heart and its humor.

The Dark Ship is one of the darker stories in the World of the Others, and that’s saying something because the world as a whole is often plenty dark. But what makes this one chilling isn’t the looming threat of the Others, it’s that the evil that men do is so terrible that the reader completely understands why the Others get involved – even though on this occasion the Others are not the target of that evil. I still think there’s reading crack somehow embedded into this series, because even in ebook form once I start one I can’t put the damn thing down.

I haven’t kept up – at all – with the Mercyverse. I read the series as it stood a long time ago, including the first Alpha & Omega book, and that was enough to make the world of this story feel familiar. In the end Dating Terror is a story about taking control of your own life with a bit of help from your friends, but it does it through a fake dating agency scenario that blends a subtle bit of humor with the righteous takedown of a monster.

The rest of the stories in this collection are either standalones or set in worlds I’m not familiar with. And for the most part that didn’t matter either way. Except for one story, Silverspell by Chloe Neill. It’s part of her Heirs of Chicagoland series. I liked it well enough as a standalone but I think there would have been more there, there if I were familiar with the series.

The one story that didn’t work for me was The Vampires Karamazov. There were plenty of villains in this one, but no real hero and the story was just dark and grim.

On the other hand, my favorite stories in the collection, Troll Life by Kerrie L. Hughes, Grave Gambles by R.R. Virdi and The Necessity of Pragmatic Magic by Jennifer Brozek were all set in worlds completely new to me.

Troll Magic features the troll probationary station master of a train line that takes paranormal creatures from one realm to another. It’s part of his magic to manage the station, make sure that no one is aboard who shouldn’t be, and keep the vending machines stocked. When a couple of runaways – and the villains who are chasing them – use his station for their confrontation, it’s up to the station master and his pet barghest to see justice done and evil get its just desserts, along with some help from some sentient and surprisingly gossipy trains.

Grave Gambles was interesting as a kind of paranormal variation on Quantum Leap – which seems apropos as that classic series might be coming back. But instead of science powering the leaps, it’s magic. Specifically the magic of meting out deathly justice to those who have escaped the earthly kind. It’s a quietly atmospheric story with a fascinating premise.

I liked The Necessity of Pragmatic Magic because it features two elderly ladies, one of whom would probably be excellent friends with the protagonist of An Elderly Lady is Up to No Good. It’s the story of two old witches who are comrades a bit more than they are friends, bringing their magical power to bear on an ancient terror that wants to consume their favorite museum – along with, most likely, the town it sits in.

I had mixed feelings about Return of the Mage by Charlaine Harris, and based on the reviews I’m not alone. I did rather like it, even though it isn’t really urban fantasy, but that’s because it reminds me a lot of episodes of both Stargate and Star Trek. It’s a story about a mage who has settled down on a primitive planet and made himself king, emperor and god even though he really ought to know better. The mage/mech/merc forces that come to pry him out of his cozy, exploitative little nest certainly do.

The last two stories are Train to Last Hope by Annie Bellet and Comfort Zone by Kelly Armstrong.

Comfort Zone reminded me a bit of the Harper Connelly series by Charlaine Harris, in that Chloe sees – and speaks to – dead people. So the story is about helping a ghost save his little sister from the mess he got her in before he died because of said mess.

Train to Last Hope is the kind of Weird West story that haunts. Two women go on a quest to find out what happened to their daughter. They broke up a decade ago, because one accepted that the girl was dead while the other refused to let go. Not that either of them truly ever has let go of the girl or each other. One became a Reaper to harvest the souls of the dead in order to extend her search, while the other waits at Last Hope, the last stop of the train of the dead, hoping that one day her daughter will pass by. This story about closure is bittersweet and sticks with the reader once it’s done. It also reminds me more than a bit of T.J. Klune’s Under the Whispering Door.

Escape Rating A-: This was a collection with plenty of great reading but surprisingly just the one story that didn’t work for me. There’s always at least one, but usually it’s more, so I’m very happy to have picked this up and read the lot. I do think the ones that are set in established worlds work better with at least some familiarity, but it is a great way to sample and see if you like what those worlds have to offer.

To make a long story short, if you love urban fantasy, this collection is fantastic – pun certainly intended. If you’re curious, this is a great place to start!

Mister rules, as cats always do, but Oberon, as always, is a very good boy indeed.