In the Spirit of French Murder (An American In Paris Mystery, #4) by Colleen Cambridge Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: culinary mystery, foodie fiction, historical mystery, mystery
Series: American in Paris Mystery #4
Pages: 272
Published by Kensington on April 28, 2026
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads
After moving to France, Tabitha Knight has a new friend in fellow expat and Cordon Bleu student Julia Child, whose culinary tips can come in quite handy. But something’s cooking in postwar Paris, and it isn’t just cheese soufflé…
Tabitha has enjoyed an entertaining afternoon in Julia’s kitchen, but her return home is a bit jarring. As she arrives at her grandfather’s rue de l’Université mansion, a woman bursts out the door babbling about messages from spirits and a warning Grand-père must heed. Oncle Rafe angrily sends the woman on her way, and neither man will answer Tabitha’s questions.
It’s not the last she sees of the mysterious visitor. While she’s on a date that evening, she’s accosted by her again—and learns that Madame Vierca is a medium who claims to have visions of a dark fate that awaits Grand-père and Oncle Rafe. The very next night, Tabitha’s messieurs host a soiree at their new restaurant, inviting fellow Resistance fighters from the war known as the Nine Bluets. To commemorate the work of the Resistance network, the vase on the dinner table sports nine of the pretty blue flowers.
But shortly after the revelers leave the restaurant, one of Grand-père’s old friends is found dead on the street . . . and one of the nine flowers is missing from the vase. When a second member of the Nine Bluets is found poisoned the next day, and a bluet flower is left with the body, Tabitha cannot ignore Madame Vierca’s frightening predictions about her dear messieurs. She has no choice but to share her suspicions and fears with the enigmatic and unruffled Inspecteur Merveille.
Tabitha soon finds herself caught up in an investigation that takes her and Merveille to the seediest, most dangerous parts of the Left Bank—home of strange, fantastical legends, disquieting events, and unusual people. As she and Merveille desperately try to find a killer, they know they don’t have much time before the rest of the Nine Bluets are targeted . . . including Grand-père and Oncle Rafe.
My Review:
Five years hasn’t been nearly enough time for Parisians to heal from the devastation of World War II and the brutal occupation of their city and country by the Nazis. As this fourth story in the American in Paris series begins, American expat Tabitha Knight hopes that the re-opening of her messieurs’ restaurant, Maison de Verre, is at least a sign that the healing has begun.
Or that at least it heals something for her beloved grand-père and his life partner ‘Oncle’ Rafe, as well as the gang of their old colleagues from the Resistance who are gathering to celebrate their new but well-loved and well-remembered old haunt. It’s just one link in the chain of Paris reclaiming her nickname as the “City of Light” they all love.
But the first complete gathering of their Resistance cell, “Les neuf bleuets”, after the war tragically turns out to be their last. The evening ends with the murder of one of these old clandestine warriors, the man’s throat slit just down the street where the party is still winding down.
The murder is not as much of a surprise to Tabitha as she wishes it were – and not only because she has an unfortunate tendency to trip over dead bodies. This time, it’s not just her penchant for discovering death, it’s that a creepy but rather formidable old fortune teller visited her messieurs just the day before, attempting to warn them that death was coming for all of their old comrades. Very, very soon.
Once the prediction is proven true, Tabitha, along with her best friend and sometime sidekick, the larger-than-life, not-yet-famous, soon-to-be chef Julia Child, hunt down that fortune teller near the old – and infamous – rue des Maléfices. The street of witches.
Madame Vierca may not actually be a witch, but her predictions are frighteningly accurate. So accurate that the killer eliminates her along with as many of the original members of the old Resistance cell as they can get their hands on.
It eventually becomes clear that the killer is re-enacting Agatha Christie’s 1939 classic, And Then There Were None. Which means that one of the supposed early victims is most likely the killer. It’s up to Tabitha, with the able assistance of Inspecteur Étienne Merveille of the Paris police – or the other way around – to unmask the murderer before Tabitha’s beloved messieurs are numbered among the victims.
Escape Rating A+: The title is more apt than it first appears. In the Spirit of French Murder is a story about hauntings. Not ghosts – well, not exactly ghosts – but the haunting of the spirit. And possibly, haunting by spirits.
And all of that is intriguing and fascinating, making this a, pardon the pun, haunting fourth entry in the American in Paris series.
From the outset, this story is about the way that World War II and the Occupation still haunt both the city and the people within it. Everyone was touched by the Occupation. Everyone did things they regret. Everyone lost people they deeply miss. Ultimately, the murder spree in this story is wrapped around one person who survived but lost everyone they loved along that terrible way. A person who, as people often do, assigned blame to those who were still available for retribution instead of the vast anonymous machinery of the war and the dark souls of those who enabled its brutality.
Alongside the murders and the investigation that stalks Tabitha, her messieurs and all the remaining members of ‘les neufs bleuets’ there’s another type of haunting. The story is also haunted by the spirits that both hide and embody the soul of a place where the veil is thin and porous to both memory and the disturbing myths and legends of the weird and the wonderful that can’t be explained – only told and re-told until they become part of the, well, spirit of the place.
As part of her investigation, Tabitha is exposed to many of those old legends, as they loom over the story every bit as much as the late war. One of those myths even comes to life, right before her eyes, and then vanishes in the smoke. As all the best legends do.
I initially picked up this series with Mastering the Art of French Murder for Julia Child. As, I’m sure, did a LOT of readers. She was a fascinating figure, and even more so after the records of her wartime exploits with the OSS were declassified. In this series, she serves as a terrific introduction to life in post-war Paris as an American in Paris.
But if Julia is the bait, Tabitha Knight and her messieurs are the hook that keeps the reader coming back for more, from A Murder Most French through A Fashionably French Murder and now into the dark haunting of In the Spirit of French Murder.
Tabitha Knight is a fascinating amateur detective. On the one hand, she is very much an outsider, an American expat coming to Paris for a fresh start as the city is itself experiencing the same. OTOH, she has connections both to the city’s past and present through her messieurs and an introduction to her new home through Julia.
Between Julia’s friends at Le Cordon Bleu and her messieurs’ wide circle of friends and colleagues, Tabitha is well-within those six degrees of separation to anything and everything. And yet she’s still just a bit outside and sees things through fresh eyes. So she’s both charmed and scared by those Parisian spirits, and yet determined to keep her loved ones safe – even from themselves and their dangerous assumptions about their old friends.
The case is as twisted as the narrow rues and alleys of the old quartiers of Paris. The red herrings are as tasty as anything served up by Julia Child. Julia herself is a marvelously fluting addition to every scene in which she appears – particularly as she introduces Tabitha and the reader to the delights of post-war Paris, especially its open-air markets, its tiny kitchens, and its delicious food. But Tabitha’s quest is dark and dangerous and pokes into shadows that someone does not want to have exposed. That she has a police Inspecteur at her side – or he has her – for the nearly deadly denouement makes the whole misadventure just that much more captivating – and even more impossible for this reader to put down until the last page was turned.
Hopefully, Tabitha will eventually manage to find a way into the heart of that handsome police Inspecteur, who often sees her as an infuriating nuisance. This series cannot stop until they figure themselves out. After all, as much as Paris is the “City of Light”, it is also the “City of Love”.
On a Rogue Planet (Phoenix Adventures) by
The first time around, I said this book combined bits of
On my two other hands, I have to admit that I liked the original cover better. More importantly, and this is a “me” thing, the background plot twist about saving the women of Centax from being sold into slavery for breeding purposes is starting to ring a bit hollow. It works in the story, and it provides one hell of a motivation for throwing the evil usurper OFF Centax, but the whole “women in the fridge in jeopardy” is just getting old for me. He was plenty evil without that added incentive to remove him from his stolen power. But, as I said, that’s a “me” thing.
A Long and Speaking Silence (The Singing Hills Cycle, #7) by
This review is a bit early, as it won’t be out for another couple of weeks. But that’s fitting as this story takes place early in Cleric Chih’s career. Not just before the events of 


Trouble's Turn to Lose (Carolina Tales, #3) by
P.I. Hadley Cooper and her significant other, SLED (South Carolina Law Enforcement Division) Agent Cash Reynolds, promised each other NOT to get involved in each other’s cases. (Even though that’s EXACTLY how they met in the first place in
Escape Rating A-: I looked for comfort reads this week, and so far I’ve definitely found them! Admittedly, my search combined the list of “guaranteed good reads” in the back of my mind with the list of what’s just come out or is coming soon that I KNEW would be just what I was looking for.
Which is where that blast from the author’s past series, in the form of P.I. Liz Talbot and her husband and partner Nate come in. Liz and Nate were once in a similar quandary (in Liz’s terrific series which starts with
Fierce Poison (Barker & Llewelyn, #13) by
Escape Rating A: Last week ended on a ‘flail and bail’, which is the point where I turn to comfort reads to get back into the swing of reading and reviewing. The
The case was fascinating because, in the end, justice was served by someone to whom justice had once been denied. And because once the truth was revealed, everyone recognized that his cause was just even though his methods were reprehensible. And it’s a case that went on longer than it might have – but still compellingly so – because the killer was close and hiding in plain sight behind Barker’s and Llewelyn’s own assumptions – just as the victim once did.
Time Will Tell by
Escape Rating A-: There’s history, and then there’s history. I chose this story because it appealed on multiple levels. I am just as fascinated with history as Georgia and her prized student Phaedra were. Time capsules are weird and fascinating in their own right as well, especially when they turn up something unexpected like Bonnie and Martha’s long-hidden secret.
Lightning Runes (City of Shadows, 2) by
Escape Rating B: The cover of Lightning Runes sums up my mixed feelings a whole lot better than I ever expected. First, vampire Dora Urban wouldn’t be caught alive, unalive or dead in that dress or with that ridiculous expression on her face. Even after centuries – or more – as a vampire she’s still too much of an aristocrat for either. Meanwhile, there’s something wrong, like uncanny valley wrong or human bodies don’t quite work that way wrong, with the man standing in for Jack Mitchell. The story was like that too for me, a sense of ‘almost but not quite’ right – or at least not quite as good as the first book.
Stay for a Spell by
There’s a saying that every cloud has a silver lining. As this story begins, Princess Tanadelle has just been cursed – which really should have been the cloud. But not for Tandy. Being cursed to be confined to a bookshop in the tiny town of Little Pepperidge wouldn’t exactly be a curse for any lifelong reader – and Tandy certainly is that.
Which doesn’t stop her parents from sending a literal rain of princes to her shop to cure her curse with a kiss. Because that’s the way fairy tales are supposed to work. But this isn’t and it doesn’t while the town benefits GREATLY from the princes, their entourages, and all the tourists who come to see the cursed princess and all the princes.
I especially enjoyed the way that the ‘parade of princes’ was handled for how it subverted so many tropes. Tandy dreads the princes. Not because they’re evil, not because anything bad is going to happen, but for the string of disappointments. Especially the issues surrounding the last prince, which is built up to be terrible – and is, but not in any of the ways that the reader expects and it’s charmingly done.
Death Meets Cute by
What’s a witch to do when a blessing has curdled into a curse? Not that the Weyward Sisters generally have much to do with blessings because they have a well-earned reputation for evil to maintain. After all, they’re the ones responsible for the recent mess with that Scottish King who came to such a terrible end.
Escape Rating A-: I had a good time with the author’s
The part of this that’s most purely interesting, at least to this reader, revolves around the question of what it means to be ‘evil’ along with the question of whether evil and villainy are in the eyes of the beholder. At first, that part of the story made me think of both
Double Shadow (Splinter Effect, #2) by
Escape Rating A: I did read the first book in this series,