Stacking the Shelves (458)

Today (Friday as I write this) has just been one of those days. It feels like I take two steps forward and one step back – or possibly the other way around. Or both! It’s a dance! No wait, it’s just the usual insanity.

So many books, so many reviews to write, so little time. C’est la vie. Like I said, one of those days. I just love deadlines. I love the sound they make as they go whizzing by!

For Review:
The Bone Shard Emperor (Drowning Empire #2) by Andrea Stewart
The Exiled Fleet (Divide #2) by J.S. Dewes
First Love, Take Two by Sajni Patel
Hunt the Stars (Starlight’s Shadow #1) by Jessie Mihalik
The Resting Place by Camilla Sten
Scorpica (Five Queendoms #1) by G.R. Macallister
Spear by Nicola Griffith
Termination Shock by Neal Stephenson

Purchased from Amazon/Audible:
Beneath the Sugar Sky (Wayward Children #3) by Seanan McGuire
Come Tumbling Down (Wayward Children #5) by Seanan McGuire
Down Among the Sticks and Bones (Wayward Children #2) by Seanan McGuire
The Last Smile in Sunder City (Fletch Phillips Archives #1) by Luke Arnold (audio)
The Madness of Crowds (Chief Inspector Gamache #17) by Louise Penny
The Rage of Dragons (Burning #1) by Evan Winter (audio)
The Scavenger Door (Finder Chronicles #3) by Suzanne Palmer (audio)


If you want to find out more about Stacking The Shelves, please visit the official launch page

Please link your STS post in the linky below:



Review: Murder in the Dark by Simon R. Green

Review: Murder in the Dark by Simon R. GreenMurder in the Dark (Ishmael Jones, #6) by Simon R. Green
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: horror, paranormal, suspense, urban fantasy
Series: Ishmael Jones #6
Pages: 192
Published by Severn House Publishers on December 1, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads


The sudden appearance of a sinister black hole in the English countryside leads to a baffling murder investigation for Ishmael Jones.

"The past is England's dreaming, and not all of it sleeps soundly..."
Ishmael Jones and his partner Penny have been despatched to assist a group of scientists who are investigating a mysterious black hole which has appeared on a Somerset hillside. Could it really be a doorway to another dimension, an opening into another world?
When one of the scientists disappears into the hole — with fatal consequences — Ishmael must prove whether it was an accident — or murder. But with no clues, no witnesses and no apparent motive, he has little to go on. Is there an alien predator at large, or is an all-too-human killer responsible? Only one thing is certain: if Ishmael does not uncover the truth in time, more deaths will follow...

My Review:

There’s an uncanny, unnatural hole in the fabric of the universe, and it’s up to an almost-but-not-quite-completely human to close this extremely dangerous door in the space-time continuum.

In a nutshell, that’s the premise of Murder in the Dark, this sixth book in the Ishmael Jones urban fantasy/paranormal/SF series.

What’s even weirder is that, at least so far, it’s also the plot of The Scavenger Door, the book I’m currently listening to. Considering that I started Murder in the Dark because I wanted to keep on reading Scavenger Door but couldn’t for a variety of reasons, I was really surprised to discover that I sorta/kinda was anyway.

The Ishmael Jones series exists at an uncanny crossroads between urban fantasy, paranormal and science fiction. The SFnal element is Ishmael himself. He’s an alien who crash landed his spaceship on Earth in the early 1960s. His ship did its level best to transform him into a human, but it glitched a few of the details. He hasn’t aged a day since he crashed. And he doesn’t remember a thing about his life before the crash. Both of these “glitches” come into play a bit in this story.

The stories in this series, for the most part, have been a play on the old country house murders. Ishmael met his romantic and investigative partner Penny Belcourt in the first book in the series, The Dark Side of the Road, when Ishmael was sent by his mysterious and secretive employers, The Organization, to look into the eerie and uncanny goings on at the country house where Penny lived with her parents. Penny was the sole survivor of that investigation.

In fact, most of Ishmael and Penny’s investigations turn out that way, the way that Agatha Christie’s And Then There Were None turned out. Ishmael and Penny manage to walk away, but seldom do many – or sometimes any – of the people they are sent in to save. Even though they always manage to solve the original mystery.

Ishmael is starting to get a bit of survivor’s guilt over that fact.

But this story is a bit off of Ishmael and Penny’s beaten path, as they are sent in to secure a hole in the side of a hill in a seriously remote bit of countryside. No country houses in sight. Just a hole that swallows up everything that gets a bit too close – including one of the archaeologists that found it in the first place.

The Organization has sent a team of crackerjack scientists to investigate the unnatural hole, and sent Ishmael and Penny to keep the scientists safe while they investigate. When they arrive, both Ishmael and Penny believe that they are there to keep the scientists safe from the hole, and the hole safe from the scientists – along with anyone else who might happen to wander by.

It doesn’t take long for both of them to figure out that their real job is keeping the scientists safe from themselves – and each other.

Escape Rating B+: This was the right book at the right time, and not just for its surprising resemblance to The Scavenger Door. After yesterday’s terrific book, I was looking for something that also had a high snark quotient, and this author has always been good for that, no matter which of his many, many sandboxes he happens to be playing in at the time. And I was looking forward to swiftly sinking into a world that I already knew, and the Ishmael Jones series certainly has that box ticked off as well.

Last but not least, because I love this series and this author, I was hoping that this entry in the series would redeem the previous book, Into the Thinnest of Air, because that one didn’t quite live up to my expectations. But Murder in the Dark, even though it went to a different locale than the series usually does, was just a much better book.

All of the above being said, this is the sixth book in an ongoing series. I’m not certain that you need to have read them ALL to get stuck into this one, but reading at least the series opener, The Dark Side of the Road, would probably help a lot. Also it’s very good if you like creepy country house mysteries with even creepier monsters hiding in the shadows.

There are three mysteries in the dark in this story. One is the mystery that brings Ishmael and Penny into the picture, the mystery of the mystery of the unnatural hole. Who or what created it? What is it? Where does it go? What is its purpose?

The second mystery seems like it’s part of the first, at least at first. Who or what is killing the scientists?

And then there’s that third mystery, the one that lies behind the entire series. Who was Ishmael Jones before he became Ishmael Jones? Where did he come from? Why was he near Earth? How did he crash?

Ishmael has learned very few answers to those questions about himself. But he has learned that he really doesn’t want to know. Whoever he was and wherever he came from, right here and right now he’s exactly where he belongs, with Penny.

What’s surprising about those three mysteries is that they are not neatly tied up with a single bow. Rather, they are individually tied with separate bows, no matter how much someone tries to make it seem like the hole is responsible for the murders, possibly via the agency of someone who is a blast from Ishmael’s unremembered past.

The thing that makes this series work is that in spite of any supernatural or extraterrestrial red herrings that may appear while Ishmael and Penny are desperately trying to figure out who’s bumping off the people they’re supposed to save, the reality turns out to be that the biggest, baddest and deadliest monsters in any setting are human. The evil that people are capable of doing to each other is much, much scarier than any mythical beast or raygun toting alien. That in the end the most horrible monsters are just people doing bad things because they’re selfish and greedy. And it’s that grounding in human monsters and human evil that keep the whole thing from flying over the top, jumping the shark, and landing in a cesspit full of slime monsters.

This is a series that when I’m in the mood for it, I’m really in the mood for it and nothing else will do. So I’ll be back with Ishamel Jones and Penny Belcourt in Till Sudden Death Do Us Part the next time I need a story with the creep factor on high and the snark turned up to eleven.

Review: The Gurkha and the Lord of Tuesday by Saad Z. Hossain

Review: The Gurkha and the Lord of Tuesday by Saad Z. HossainThe Gurkha and the Lord of Tuesday by Saad Z. Hossain
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: fantasy, mythology, science fiction
Pages: 167
Published by St. Martin's Press on August 13, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

When the djinn king Melek Ahmar wakes up after millennia of imprisoned slumber, he finds a world vastly different from what he remembers. Arrogant and bombastic, he comes down the mountain expecting an easy conquest: the wealthy, spectacular city state of Kathmandu, ruled by the all-knowing, all-seeing tyrant AI Karma. To his surprise, he finds that Kathmandu is a cut-price paradise, where citizens want for nothing and even the dregs of society are distinctly unwilling to revolt.
Everyone seems happy, except for the old Gurkha soldier Bhan Gurung. Knife saint, recidivist, and mass murderer, he is an exile from Kathmandu, pursuing a forty-year-old vendetta that leads to the very heart of Karma. Pushed and prodded by Gurung, Melek Ahmer finds himself in ever deeper conflicts, until they finally face off against Karma and her forces. In the upheaval that follows, old crimes will come to light and the city itself will be forced to change.

My Review:

Karma is a stone cold bitch. Of course, we all already know that. It’s one of the fundamental laws of the universe, right up there with Murphy.

But when the djinn King Melek Ahmar waks up after a 4,000+ year nap, the version of Karma who is running the nearby city/state/corporation of Kathmandu is more literally a bitch than he, or even we, imagined.

It’s also true that mankind creates their gods in their own image. Based on Kathmandu, we also create our utopias in our image as well. The difference is that we create deities in the image of what we actually are, while we create utopias in the image of what we’d like to be.

When the Lord of Tuesday and his Gurkha sidekick (or perhaps that’s the other way around) arrive in Kathmandu, those two contradictory images come into sharp and broken-bottled conflict. Karma, the AI running the city, gives everyone what they need. Melek Ahmar games the system by using his power to give everyone what they want. No matter how perverse or destructive it might be.

What the Gurkha Bhan Gurung wants is what he’s wanted for over 40 years. He wants revenge on the man who sold his family into distant death, who stole his home and his property and who has lived off the riches he amassed from the misery he caused every day since.

More than that, Bhan Gurung wants to deliver karma, up close and personal, on the AI Karma who made it all possible.

No matter how much blood and how many bodies he has to wade through to make it happen.

Escape Rating A: This is a book that has repeatedly popped up for me as a possible read, but hadn’t quite leapt to the top of the TBR pile. But in this week of constant doomscrolling, it suddenly seemed like the time.

And now I understand why this got so much buzz and was nominated for so many awards when it came out two years ago. Because it’s just awesome. It’s also a story that does not go where you think it will, which just adds to the fun. And it has a high snark quotient, which just makes it even more my jam than I expected it would be.

At first, it seems like Melek Ahmar is going to be a figure of either fun or terror. Or possibly the first right up until he turns into the second. But he is, to at least some extent, laughing at himself. After all, what he seems to want most is a bunch of people to get drunk and have a party – or possibly a drunken orgy – with.

What he finds is a world vastly different from when he went to sleep. To the point where he is a bit lost and easy prey for a single-minded manipulator like Bhan Gurung. Gurung wants to move the city, and Melek Ahmar looks like a really big lever.

Or possibly just a really big tool. Either way, Gurung thinks Melek will be useful. And he’s right.

What makes this story, however, is the way that it manages to comment on so much of the present, no matter its futuristic setting.

The AI Karma is a fair and impartial tyrant, and she’s created a utopia for the people who live within her boundaries. When Melek and Gurung “invade” Kathmandu, they set off a cascade of events that pokes holes in the beliefs about Karma’s impartiality, her fair-mindedness, and her benevolence.

And in the process we end up questioning her purpose, her intent and especially her value system. A value system that is the heart of her seemingly benevolent dictatorship. If you squint, it makes the reader question both capitalism and consumerism, along with a whole bunch of other -isms that are currently powering our world towards unstoppable climate change, extremes of income inequality and other outcomes that look so dire in the future because no one in the present is willing to upset the status quo.

Which in a way is what Karma enforces even as she seems to be doing the opposite. The way she operates points out to the reader that maintaining the status quo is never truly neutral.

And that no one who operates in the political sphere, not even a supposedly impartial AI, can keep their hands clean.

There have been a few books in the last couple of weeks where the sum of their individual parts did not manage to equal up to a whole. Take yesterday’s book as an example, although that’s not the only one in recent memory. This one, however, managed that feat of the whole being greater than the sum of the parts, to the point where it feels like this one is still adding itself up and talking back at me about more and more ideas that it touched on.

All of which is making me even more excited for the two books by this author that are now rapidly moving up my TBR pile, Kundo Wakes Up, set in a different part of this same world, and Cyber Mage, which promises to be completely different. I’m very much looking forward to reading both. Soon!

Review: Star Eater by Kerstin Hall

Review: Star Eater by Kerstin HallStar Eater by Kerstin Hall
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: Dark Fantasy, fantasy, horror
Pages: 448
Published by Tordotcom on June 22, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

All martyrdoms are difficult.
Elfreda Raughn will avoid pregnancy if it kills her, and one way or another, it will kill her. Though she’s able to stomach her gruesome day-to-day duties, the reality of preserving the Sisterhood of Aytrium’s magical bloodline horrifies her. She wants out, whatever the cost.
So when a shadowy cabal approaches Elfreda with an offer of escape, she leaps at the opportunity. As their spy, she gains access to the highest reaches of the Sisterhood, and enters a glittering world of opulent parties, subtle deceptions, and unexpected bloodshed.
A phantasmagorical indictment of hereditary power, Star Eater takes readers deep into a perilous and uncanny world where even the most powerful women are forced to choose what sacrifices they will make, so that they might have any choice at all.

My Review:

If absolute power corrupts absolutely, Star Eater is the story of a world that has put that absolute power in the hands of a mean girl clique. And it’s working about as well as one might think it would, because these mean girls have real power and are using it to destroy people’s lives AND play with politics, sometimes at the same time.

Once the reader is as far on that train as the worldbuilding will allow, the situation gets even more dire and much, much stranger, all at the same time, until the story reaches a conclusion that doesn’t quite feel like it was part of the book that we started with.

When the story opens, the protagonist, the point of view from which we will view this world, is about to be raped. It’s her duty as an Acolyte of the Sisterhood of Aytrium to present herself to the “Renewal Wards” once every few months in order to, well, propagate the species. Not the human species, but specifically the “Lace”-wielding (read as magic) members of the Sisterhood by allowing herself to be raped – and it is rape even though she gives forced consent for it to happen – by a man who has already been infected with the disease that men contract when they have sex with a woman who has “lace”.

If her visit to the Renewal Wards results in a pregnancy, if the child is male he will either be given away or killed. If the child is female, the birth of her daughter begins the countdown on her mother’s life. Because the only way that lace can be renewed is for women to literally eat the flesh of their comatose mothers.

You’re probably already creeped out. The person I attempted to describe this story to certainly was. It is seriously creepy and this world is utterly fucked up. There’s no other word for it.

The thing is, as bad as Elfreda’s situation is, and the situation of every single one of her Sisters, the situation on Aytrium as a whole is even worse than you’re imagining. The Sisterhood controls everything in Aytrium because they are the ones keeping the place literally afloat. All of Aytrium and the land that supports the city and everyone in it was jerked out of the crust of the planet below by the very first Sister of the Order. If they don’t keep pouring their power into the spells that keep the city floating, it will crash back down.

And maybe it should.

Escape Rating C+: This story is a hot mess and so is its protagonist Elfreda Raughn. And the story is not nearly as high-falutin’ or well-put together as the blurb would lead one to believe.

Elfreda is a rather unreliable narrator, and not necessarily in a good way. She’s unreliable both because there are so many things she doesn’t know, and because there are just so many things that she doesn’t LET herself know. So she gets surprised a lot, and so do we, and it’s pretty much never the good kind of surprise.

Although there are plenty of things about this world that honestly, I wish I didn’t know now that I’ve read the book. Or had it read to me. In the end, a bit of both.

In the beginning, the focus seems to be on Elfrida’s relationship with the Sisterhood, and that’s where the mean girls vibe comes in. Power corrupts, absolute power corrupts absolutely, and the Sisterhood has absolute power over the lives of everyone on Aytrium, especially the Sisters. While the power over everyone else is ordinary temporal power, the power over the other Sisters has a weird feel to it. It’s not just that Elfreda and the other Sisters regularly eat bits of their mothers, but the way that their mothers are kept comatose is referred to as martyrdom. And that Elfreda’s mother was martyred for political reasons and not because it was her time.

At the same time, the whole setup leads to the Sisterhood, and all of Aytrium, being ruled by a group of middle-aged women who are more interested in playing power games against each other than they are in running the place. Also, it feels like there are no elders among the Sisterhood because of the martyrdoms. Which feels like it matters more than it should, because it removes the possibility of hard-earned wisdom as a bit of a check on how bad things are both for the Sisters and for everyone else.

So part of the story is the poisonous internal politics of the Sisterhood. A second part wraps around a threat to that power, in the form of a semi-organized resistance movement made up of regular people, particularly but not exclusively men, who seem to be just about completely disenfranchised.

An organization, using the term loosely, which Elfreda’s best friends, Millie and Finn, seem to be an integral part of every bit as much as they are Elfreda’s life. Millie is Elfreda’s counselor (read Sisterhood-licensed therapist) and Millie’s brother Finn is the love of Elfreda’s life and vice versa, even if that relationship can never be acknowledged or consummated.

Either of those two scenarios would have been enough for a book. The repressive government and the resistance thereto, or the internal political squabbling of the all-powerful Sisterhood with its religious underpinning and its combination of “corrupt church” and “religion of evil” tropes fully on display.

Except that it gets crazier and weirder from there in ways that didn’t seem predicated on what happened so far and needed a bit of deus ex machina plot and character rescue at the end to make the whole thing tie itself up in a very messy bow.

In spite of all of the above, I have to admit that there were plenty of points where as much as I marveled at just how much shit this protagonist could manage to get herself into, and just how fucked up her world was, I felt compelled to keep reading after kind of a slow start. Elfreda’s story is the “Perils of Pauline” on steroids, out of the frying pan, into the fire and then jumping from one active volcano to another.

This is a trainwreck book, as in I knew it was going to have LOTS of awful things in it to see and read but I couldn’t turn my eyes away even when I wanted to. Hence that C+ rating. I was riveted even as I was appalled, and not in a good way. More like I couldn’t stop turning pages or sitting in the garage listening because I just couldn’t believe how much weirder and crazier it was going to get.

I mostly listened to this in audio through the NetGalley app. As I said above, the story is a hot mess. I have issues with the app. But the reader did an excellent job. I’d be happy to listen to her again, hopefully in a better story.

Review: A Terrible Fall of Angels by Laurell K. Hamilton

Review: A Terrible Fall of Angels by Laurell K. HamiltonA Terrible Fall of Angels by Laurell K. Hamilton
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: paranormal, urban fantasy
Series: Zaniel Havelock #1
Pages: 400
Published by Berkley on August 17, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Angels walk among us, but so do other unearthly beings in this brand new series by #1 New York Times Bestselling author Laurell K. Hamilton.
Meet Detective Zaniel Havelock, a man with the special ability to communicate directly with angels. A former trained Angel speaker, he devoted his life to serving both the celestial beings and his fellow humans with his gift, but a terrible betrayal compelled him to leave that life behind. Now he’s a cop who is still working on the side of angels. But where there are angels, there are also demons. There’s no question that there’s evil at work when he’s called in to examine the murder scene of a college student—but is it just the evil that one human being can do to another, or is it something more? When demonic possession is a possibility, even angelic protection can only go so far. The race is on to stop a killer before he finds his next victim, as Zaniel is forced to confront his own very personal demons, and the past he never truly left behind.
The first in a new series from the author of the Anita Blake and Merry Gentry series.

My Review:

First, I have to say that I’m surprised at just how good this book is. Pleased as punch, but also surprised as Heaven, as the characters in the book would say.

Second, I feel the need to say upfront that nobody gets laid in this book. I know that’s a strange place to start a review, but as one of the many readers who loved the first few Anita Blake books before they got to be a sex-fest, I felt like that needed to be said early on because it became such an overwhelming feature of both the Anita Blake and Merry Gentry series.. Not that there isn’t a potential romance brewing – actually more than one – but this book goes back to the good old days of urban fantasy, back when the main character had a magical or mysterious crime to solve and a love life like a sinking ship. When the focus was on the story and the world and the insanely powerful beings who were out messing things up and not on how many people the protagonist could get between the sheets.

The above is probably going to disappoint some readers who are expecting more of like her other series, but it was a relief to me. Your reading mileage may vary.

Zaniel “Havoc” Havelock is a detective in the Metaphysical Coordination Unit of the City of Angels, which is probably a stand-in for the city of Los Angeles, whose name literally translates from Spanish as “the Angels”. His world, and his city, are a variation of our own, not just a place where magic works, as is so often the case in urban fantasy, but a place where angels manifest in the world and where specially talented children, including Zaniel once upon a time, are recruited by the hierarchy that serves the Angels to be their representatives here on Earth.

Zaniel was trained to be an angel-speaker. But something broke – it seems like a lot of things broke – just as he was about to take his final vows. So he left, joined the army, and eventually became a cop who deals with crimes that involve angels and/or demons. And that’s where we meet him, called into a case because an angel has deliberately left a feather at the scene of a rape/murder that otherwise has no ethereal or infernal overtones whatsoever.

Until the angel who left that feather tells Zaniel that circumstances are not at all what they appear, and that there is something infernal going on in the City of Angels that not just should not be happening but that should not even be capable of happening.

And that it is up to Zaniel to pick up the mantle he left behind, or at least as much of it as he is willing to carry, figure out what has gone so terribly wrong, and fix it – along with possibly himself – before the impossible-to-exist demon gets too big for anyone to possibly stop.

First Anita Blake book, cover circa 1993

Escape Rating A: I have to say that I picked this up because my curiosity bump itched something fierce. I loved the early Anita Blake books, back when in the day when they were urban fantasy with just a hint of paranormal romance, but I kept on reading long after they turned into recitations of just how much sex Anita had. At least the Merry Gentry series started out that way, so I knew what I was getting into. But for me, at least, there’s a point where other people’s sex lives gets boring, and Anita passed that somewhere earlier in the series than when I finally stopped reading it.

So I came into this book with a whole lot of reading baggage in the hopes I might get to drop some of it. And I’m extremely happy to say that I was able to drop pretty much all of it. Because A Terrible Fall of Angels harkens back in the best way to the early Anita Blake books. It’s solidly urban fantasy, with terrific setup and just enough otherworldly world building to create a strong foundation for a new series.

And in Zaniel “Havoc” Havelock the author has created an appropriately tormented detective with a fascinating background and a foot in both camps. He’s a veteran police detective in the unit that handles crimes that are wrapped around the axle of angels and demons, who are real and manifest entirely too frequently in our world – to both their and our cost.

Because what’s good for the demons, and even what’s good for the angels, might not be what’s good for humanity. As Havoc knows entirely too well. As the story opens, we don’t know what happened in Havoc’s past to tear him away from his upbringing in the College of Angels and place him on the streets of the city as a cop. We just know that whatever it was it was heartbreaking in a way that is still echoing through his life like the tolling of a bell.

The other thing we know about Havoc is that his current personal life is a mess. He’s separated from the wife and child that he loves because she can’t handle being a cop’s wife. They’re still in counseling but even though there seems to be some hope at the end of this story I honestly hope they don’t make it. It reads like there’s something wrong with her – or wrong with the way she treats him – that can’t be fixed.

On the other hand, and very different from the author’s previous series, Zaniel is still married, still hopeful, and still in love with his wife. He finds other women attractive, and he’s tempted but he never crosses that line. And that was a huge surprise throughout the entire book.

One of the things that fascinated me about the way that this world and its magic systems are set up is that in spite of the influence of angels and demons, all faiths and belief systems are recognized as not just valid but as having actual power – by everyone except those who serve the angels. A conflict that I suspect is going to become more overt and more problematic as the series continues. Or at least I hope so.

This turned out to be a fast one-day read for me. I absolutely could not put it down. It reminded me of the early Anita Blake books in all the best ways, particularly the way that it seemed like there was a force embedded between the pages that kept me reading late into the night because I was so caught up in the story and it was just so good.

The world here is complex and compelling. Even as Havoc keeps unravelling the case and the case keeps on unravelling all the trauma in his past, there’s just so much going on and it was all just so captivating that I kept reading long after the point where I should have called it a night because I could not stop. I loved Zaniel as a character and really liked the cop shop vibe of the people who surround him at work in spite of not really liking his wife at all but still loving his continuing to try to make things better.

And the creeping evil of the crime spree put just the right amount of shiver up my spine. This was just very well done all the way around. I want more! Please!

Old School Giveaway Hop

Welcome to the Old School Giveaway Hop, hosted by Mama the Fox!

Is it just my imagination, or does it seem like school starts earlier and earlier every year?

When I went to school – admittedly back in the dark ages – we started right after Labor Day. And that still seems right in my head. After all, Labor Day is when summer is unofficially over, and nothing says summer being over – at least to a kid – as much as going back to school. Of course, this was back in the dark ages, I grew up in Cincinnati, which has all four seasons with a bit of a vengeance, so summers were hot and muggy and schools weren’t air conditioned yet.

The schools here in the Atlanta metro area have mostly already started. Gwinnett County, where I live, started on August 4, which just seemed unconscionably early, even to some of my friend who have kids in school.

At least the schools are air conditioned!

What about where you live? When did everyone go back? Did it feel early, late or just right? Answer in the rafflecopter for a chance at the winner’s choice of a $10 Amazon Gift Card or $10 in books.

a Rafflecopter giveaway

For more terrific prizes, be sure to visit the other stops on this hop!

MamatheFox and all participating blogs are not held responsible for sponsors who fail to fulfill their prize obligations.

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 8-15-21

First, here’s a picture of George in his very serious pose. It’s been that kind of week.

Second, this week kind of threw itself into a blender at one point. During a workout I managed to hit myself in the face with an exercise ball, cut up the inside of my mouth, and gave myself a couple of days of a terrible headache. Thankfully I didn’t chip any teeth! It’s amazing how much of a pain it is to mess up your mouth that way even if you don’t do any permanent damage. The entire experience also makes me seriously wonder why anyone plumps their lips, because wow everything hurt for a while. It’s mostly healed at this point but it made for a weird kind of week. Lots of good reading though, at least once my head stopped hurting!

And see what’s coming this week! Giveaways are back after the long, hot summer!

Blog Recap:

A- Review: Over the Woodward Wall by A. Deborah Baker
B Review: Wait for It by Jenn McKinlay
B- Review: Dead with the Wind by Miranda James
A- Review: In the Watchful City by S. Qiouyi Lu
A- Review: The Bookseller’s Secret by Michelle Gable
Stacking the Shelves (457)

Coming This Week:

Old School Giveaway Hop
A Terrible Fall of Angels by Laurell K. Hamilton (blog tour review)
Star Eater by Kerstin Hall (review)
Half Sick of Shadows by Laura Sebastian (review)
Velvet Was the Night by Silvia Moreno-Garcia (review)

Stacking the Shelves (457)

There are some series, particularly fantasy and science fiction series, that just work better for me in audio. Sometimes it’s because they’re narrated in the first person, like the Iron Druid Chronicles, and I just really like that feeling of the protagonist telling me a story. Others I started in audio and now those series are just fixed in my head as audiobooks. And then there are stories like The Blacktongue Thief that just manage to be so marvelous in audio that I’m still hearing them in my head months later. But one of those series that I just can’t resist in audio finally popped up on Audible, and I picked them up even though I already have eARCs for both. I’m still trolling Audible for the third. Jade Legacy won’t be out until November 30, and I have the eARC but I love that series in audio so I’ll wait. A bit.

Patience may be a virtue, but it isn’t one I was blessed with.

For Review:
Activation Degradation by Marina J. Lostetter
The Autobiography of Mr. Spock by Una McCormack
The Blood Trials (Blood Gift Duology #1) by N.E. Davenport
Brothers of the Wind by Tad Williams
The Children’s Blizzard by Melanie Benjamin
Daughter of the Moon Goddess by Sue Lynn Tan
The Love Hypothesis by Ali Hazelwood
The Paradox Hotel by Rob Hart
The Riverwoman’s Dragon (Owen Archer #13) by Candace Robb
The Sweetest Remedy by Jane Igharo
These Toxic Things by Rachel Howzell Hall
Too Good to Be True by Carola Lovering
The Woman in the Library by Sulari Gentill

Purchased from Amazon/Audible:
When the Goddess Wakes (Ring-Sworn Trilogy #3) by Howard Andrew Jones (audio)

Borrowed from the Library:
Pursuit of the Truth (West Investigations #1) by K.D. Richards


If you want to find out more about Stacking The Shelves, please visit the official launch page

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Review: The Bookseller’s Secret by Michelle Gable

Review: The Bookseller’s Secret by Michelle GableThe Bookseller's Secret by Michelle Gable
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, women's fiction, World War II
Pages: 400
Published by Graydon House on August 17, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The Bookseller's Secret is a delight from start to finish, a literary feast any booklover will savor!”—Kate Quinn, New York Times bestselling author of The Rose Code
ARISTOCRAT, AUTHOR, BOOKSELLER, WWII SPY—A THRILLING NOVEL ABOUT REAL-LIFE LITERARY ICON NANCY MITFORD
In 1942, London, Nancy Mitford is worried about more than air raids and German spies. Still recovering from a devastating loss, the once sparkling Bright Young Thing is estranged from her husband, her allowance has been cut, and she’s given up her writing career. On top of this, her five beautiful but infamous sisters continue making headlines with their controversial politics.
Eager for distraction and desperate for income, Nancy jumps at the chance to manage the Heywood Hill bookshop while the owner is away at war. Between the shop’s brisk business and the literary salons she hosts for her eccentric friends, Nancy’s life seems on the upswing. But when a mysterious French officer insists that she has a story to tell, Nancy must decide if picking up the pen again and revealing all is worth the price she might be forced to pay.
Eighty years later, Heywood Hill is abuzz with the hunt for a lost wartime manuscript written by Nancy Mitford. For one woman desperately in need of a change, the search will reveal not only a new side to Nancy, but an even more surprising link between the past and present…
“With a vivid cast of unforgettable characters, Gable expertly and cleverly delivers wit, humor, and intrigue on every page. What a delightful escape.”—Susan Meissner, bestselling author of 

The Nature of Fragile Things


“A triumphant tale that highlights the magic of bookshops and literature to carry people through even the darkest days of war.”—Kristina McMorris, New York Times bestselling author of Sold on a Monday

My Review:

The secret that the bookseller is keeping forms a link between the lives of two women who are facing the same crisis in the same location – eighty years apart.

When Nancy Mitford and Katharine Cabot each step through the doors of the Heywood Hill Bookshop in London, they are writers who seem to have lost their writing mojo – even if Nancy Mitford wouldn’t have known what that term meant.

Both have had moderate success, along with a couple of books that sank nearly without a trace. In 1942, Mitford was still smarting from the failure of timing that was the publication of Pigeon Pie, a book lampooning the “Phoney War” of 1939. Unfortunately for Mitford, the book was released just as the Sitzkrieg became the Blitzkrieg, making the book not just passe but in very poor taste.

(The sinking of Pigeon Pie got a brief mention in another recent WW2 book set in a bookstore, The Last Bookshop in London, as the unsold copies got summarily returned to the publisher. If you liked that book you’ll probably like this one and vice versa.)

As each of the women crosses the threshold of Heywood Hill they are facing variations of the same crossroad. In the midst of the war, Mitford feels as if she’s lost both the time and the inclination to write. Katie, in the wake of multiple personal losses, isn’t sure she has it in her to write again, and is even less certain that it’s worth trying.

We follow their stories back and forth, from Nancy during the war years working in the bookshop to keep body and soul together in a material sense while worried that she’ll ever find time to write anything ever again. She’s somewhat desperately in search of both a few spare minutes a day to write and a muse to inspire her to write.

It’s that search for inspiration, or rather what she seems to have found to fill it, that links Mitford to Katie. Peter Bailey has scraps of evidence that Mitford was writing an autobiography about her war work with refugees, a story that would feature his own grandmother. He’s searching for the manuscript of that book – if it even exists.

Katie, who wrote her thesis on Mitford, is willing to help him search for that manuscript so she can continue procrastinating over her own empty pages. That Bailey is intelligent, interesting and incredibly handsome doesn’t impact Katie’s desire to help him in the slightest.

Right.

In the past, we follow Mitford during the war years – a period that she did not write about herself – as she uses that attempted autobiography to get out of her slump – even if it never sees the light of day.

In the present Katie uses her search for the manuscript and her flirtation with Bailey to inspire her to pick up her own pen – or in her case open her word processor.

While the current manager of Heywood Hill looks on and hopes that he is doing the right thing. It’s left up to the reader to be the judge of that!

Escape Rating A-: I was a lot more charmed by this than I expected to be, and also a lot less lost than I thought I might be. I have not read Mitford at all, so when I came into this the only background I had were some of the better-known historical bits, that her family was involved in leftist politics before, during and after the war. I did think this might be a bit more like The Last Bookshop in London than it turned out to be, so that reference to Pigeon Pie did link the two a bit.

My lack of background about Mitford wasn’t really an issue as this story is very much a “what if?” kind of story. It’s not biographical because little is known about Mitford’s activities during the war, particularly her work at Heyward Hill. So all of the parts from Mitford’s perspective are meant to look and sound and act like her, but may or may not bear huge resemblance to what she actually did during those years.

Nancy Mitford

Whatever she truly did during the war, it’s clear that Nancy Mitford was a complex individual who mined the triumphs and tragedies of her life – and there were plenty of both – in her fiction. Her best known works, The Pursuit of Love and Love in a Cold Climate, both published after the end of the war, managed to tell and retell different variations of her life in a way that let her explore her past and possibly expiate it without making relationships with her family any worse or more strained than they already were.

But when this story takes place, those bestselling books weren’t even a gleam in the author’s eye. Her success was still in the future and her present was a bit bleak in more ways than one.

And that’s where Katie’s story comes in. She has one bestselling book under her authorial belt and zero inspiration for a second. She turns to Mitford for both comfort and inspiration, comfort in the re-reading of her favorites and inspiration because Mitford went through a 15-year dry spell and Katie’s isn’t nearly that long yet. What she hopes for but doesn’t expect to find is a way forward for herself in both her life and her art.

Both parts of this story weave the personal with the professional, the difficulty of getting out of a slump, the relentless pressures of time and just plain life in general, and the way that real life intrudes and inspires at the same time. Katie both feels for Mitford and gains perspective from her at the same time.

I think that’s the part that charmed me. Coming into this cold, so to speak, I didn’t have any preconceptions about Mitford so was able to see the ways in which the two women were alike in spite of the difference of nearly a century. Both independent, both sometimes bowed under the weight of other people’s expectations, both having an approach/avoidance conflict about their work and everything else in their lives. They seemed like sisters under the skin and I wanted a happy ending for them both, but on their terms. Mitford seems to have more or less gotten hers, so Katie definitely has a chance!

Because that bookseller kept his secret after all.

Review: In the Watchful City by S. Qiouyi Lu

Review: In the Watchful City by S. Qiouyi LuIn the Watchful City by S. Qiouyi Lu
Format: eARC
Source: supplied by publisher via NetGalley
Genres: biopunk, cyberpunk, fantasy, science fiction
Pages: 192
Published by Tordotcom on August 31, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In the Watchful City explores borders, power, diaspora, and transformation in an Asian-inspired mosaic novella that melds the futurism of Lavie Tidhar’s Central Station with the magical wonder of Catherynne M. Valente’s Palimpsest.
The city of Ora uses a complex living network called the Gleaming to surveil its inhabitants and maintain harmony. Anima is one of the cloistered extrasensory humans tasked with watching over Ora's citizens. Although ær world is restricted to what æ can see and experience through the Gleaming, Anima takes pride and comfort in keeping Ora safe from all harm.
All that changes when a mysterious visitor enters the city carrying a cabinet of curiosities from around the world, with a story attached to each item. As Anima’s world expands beyond the borders of Ora to places—and possibilities—æ never before imagined to exist, æ finds ærself asking a question that throws into doubt ær entire purpose: What good is a city if it can’t protect its people?

My Review:

I’m not sure I got what I expected with this novella, but then I’m also not sure what I expected. I certainly didn’t get that the point of the story was supposed to be the question asked at the end of the blurb. And none of that mattered, because once I got into the story I was hooked.

This is knd of a Scherezade meets a Collector and facilitates a rescue type of story. Or an escape. Or simply an opening of the eyes story. Or even, if you squint, opening the bars of the gilded cage and letting the bird out story. Or perhaps all of the above.

There are interesting political questions that lie behind, and under, and all around the story of Vessel telling stories to Anima about the artifacts collected in the cabinet that has been illegally smuggled into Ora, but there wasn’t quite enough of that part for this reader to hold onto.

Just enough to glimpse that the underlying story would be fascinating if we got it, but it’s not necessary to enjoy the stories, poems, vignettes and thought-pieces that Vessel relates to Anima.

But as much as I wondered about the world that produced this situation, that Anima is just one node in an ever-watchful neural network that observes and protects the city-state of Ora, what I loved were those little stories and the way that they opened Anima’s eyes to possibilities of other lives and other futures – not for the city but for Anima alone – if Anima is willing to cut Ærself off from the network that has sustained Ær whole life.

Escape Rating A-: As I said, I loved this one for the stories, but puzzled a bit – okay, a lot of bits – about the universe in which they are set. There’s a biopunk AND cyberpunk feel to the whole thing, as Anima is both an individual with individual thoughts and feelings AND a node on a city-wide network with the capacity for omnipresence if not any other deity-like powers.

The intrusion of the psychopomp Vessel both upsets and opens Anima’s closed world-view. Vessel is a smuggler, who is not supposed to be in Ora, and is not supposed to have been able to enter Ora without being caught.

For Anima, Vessel is both a puzzlement and a siren, luring Anima into viewing other lives and other worlds, allowing the person-who-is-a-node to see that there are other possible ways and places to live.

The individual stories range from heartbreakers to morality tales. (The story about the difference between raising the dead and resurrecting the dead is dark and heartbreaking and a gem all at the same time.) They are little jewels, revealing ever more facets to the universe of possibilities if only Anima is willing to reach out and grab them. And it’s only at the end that the reader realizes that opening Anima’s eyes was the point all along, and that THAT was the thread that linked all the stories. Pulling all of the “might have beens” into a thread of possibility for Anima – and for Vessel.