Review: Into the Riverlands by Nghi Vo

Review: Into the Riverlands by Nghi VoInto the Riverlands (The Singing Hills Cycle, #3) by Nghi Vo
Narrator: Cindy Kay
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy
Series: Singing Hills Cycle #3
Pages: 112
Length: 2 hrs 21 mins
Published by Tantor Audio, Tordotcom on October 25, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Wandering cleric Chih of the Singing Hills travels to the riverlands to record tales of the notorious near-immortal martial artists who haunt the region. On the road to Betony Docks, they fall in with a pair of young women far from home, and an older couple who are more than they seem. As Chih runs headlong into an ancient feud, they find themselves far more entangled in the history of the riverlands than they ever expected to be.
Accompanied by Almost Brilliant, a talking bird with an indelible memory, Chih confronts old legends and new dangers alike as they learn that every story-beautiful, ugly, kind, or cruel-bears more than one face.

My Review:

The entire Singing Hills Cycle is a story about stories; the collection of them, the interpretation of them, and especially the way in which that interpretation changes over time as those stories fade in and out of conscience and memory.

Cleric Chih has come to the Riverlands to learn what the Riverlanders themselves have to say about the many, many martial arts legends that once walked the Riverlands, only to find themselves in the middle of one.

Or perhaps two. Or even an infinite number of interpretations of the very same one.

Chih, with their friend, mascot and memory recorder, the neixin bird Almost Brilliant, are on the road to Betony Docks, intending to wind their way home to Singing Hills to deliver their report of the stories and legends they have found along their most recent journey.

It’s who they are. It’s what they do. It’s what Singing Hills is all about.

Chih sees the opportunity to travel with the young martial arts master Wei Jintai, her sworn sister Mac Sang, and the middle-aged couple Lao Bingyi and Mac Khanh as a way of traveling the rather dangerous road through the Riverlands in somewhat greater safety while taking the opportunity to hopefully learn some new stories to take home.

However, the stories come to life – and death – as they travel into the lands of the Hollow Hand sect of bandits, thugs and marauders. The Hollow Hand is supposed to have been wiped out long ago, and the martial heroes who did the wiping, Wild Pig Yi and Gravewraith Chen, are assumed to be long dead.

But legends never die. Sometimes they don’t even fade away. They just become different legends. Over and over and over again. Even as they hide in plain sight and boss everyone around.

Escape Rating A+: At first, Into the Riverlands seems as if it’s a play on the Canterbury Tales, with Cleric Chih taking the place of Geoffrey Chaucer himself (who, come to think of it, by certain definitions was himself a ‘cleric’). Into the Riverlands is a journey, and every person in the party has at least one story to tell. It’s Chih’s duty to record those stories – not to become a part of one themselves.

Which most definitely doesn’t stop that from happening anyway.

It’s pretty clear from the beginning of their trip that Lao Bingyi and Khanh are more than they seem – a devoted middle-aged married couple where the wife knows everyone and everything and can’t stop from bossing people around and telling them all about themselves, while her husband is a man of few words who indulges her every whim.

And that portrait is manifestly true – while still only being one face that they wear. It’s who people expect them to be at this point in their lives. But it’s not who they have been, or even who they ARE. Those are faces they reveal only in part, and only when they must.

It’s only when the crisis comes upon them – or they come upon it – that Chih gets a glimpse of those true faces, and even those are masks that conceal one or more truths that they are not ready to reveal – if they ever will be.

It’s as though Li Mu Bai and Yu Shu Lien, the protagonists of the film Crouching Tiger, Hidden Dragon, had managed to survive their tragic story and outlive their legends into middle age. If they had, or if their tragic ending was either smoke and mirrors on their parts or literary license on the part of some chronicler, they might have become Mac Khanh and Lao Bingyi. And perhaps they did.

Certainly Lao Bingyi lies at the heart of a whole host of tales that Chih gets the barest glimpse of and is informed in no uncertain terms that it’s all they are entitled to get. That the story is hers and not theirs and NOT the Singing Hills Abbey’s.

And that’s the right ending of this tale, which was lovely in the telling even if a bit nerve-wracking for the participants in the doing.

But, as I said in last week’s review of Mammoths at the Gates, throughout the Singing Hills Cycle Chih has been moving steadily from the periphery of the story to the center of the narrative. Their own story is in Mammoths at the Gates, and it was marvelous to finally see their perspective on their own world rather than merely being a witness and recorder to others.

I read Into the Riverlands before it came out in 2022 for a Library Journal review and loved it at the time but didn’t take the opportunity to write it up for Reading Reality while it was still fresh in my memory. After re-reading Mammoths at the Gates last week in the same circumstance, I wasn’t ready to leave Chih’s world and decided to take a trip back through audio. It seemed appropriate as the stories that Chih records are stories that they are being told and I wanted to experience them the same way.

I’m very glad I went back, as Into the Riverlands made an excellent audiobook, thanks to the expert narration of Cindy Kay. And the story had added depth and meaning after reading Mammoths at the Gates and exploring the neixen birds in general, and Almost Brilliant in particular, in a story that better showcased her talents and personality. On the whole I enjoyed this book even more the second time around, to the point where it’s making me think I might want to pick up the audiobooks for the first two books in the series, The Empress of Salt and Fortune, and When the Tiger Came Down the Mountain, and go all the way back to the very beginning!

One final note in reference to the ‘neixin’ and the audiobook. The thing about reading without hearing the words is that you learn how to spell words like ‘neixin’ without knowing how they sound. Listening to an audiobook is the reverse, in that you hear the word without knowing how it’s spelled (which can be frustrating when writing a review!) ‘Neixin’ does not sound at all like I thought it did, and I’m glad to sit corrected.

So reading/re-reading the Singing Hills Cycle has been lovely, and I’m already looking forward to the next book in the series, The Brides of High Hill. But listening to the story, as I think it’s meant to be told, has been a delight.

Review: Starter Villain by John Scalzi

Review: Starter Villain by John ScalziStarter Villain by John Scalzi
Narrator: Wil Wheaton
Format: audiobook, eARC
Source: publisher, supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: science fiction, superheroes
Pages: 272
Length: 8 hrs 5 mins
Published by Audible Studios, Tor Books on September 19, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Following the bestselling The Kaiju Preservation Society, John Scalzi returns with Starter Villain, another unique sci-fi caper set in the strangest of all worlds, present-day Earth.
Inheriting your mysterious uncle's supervillain business is more complicated than you might imagine.
Sure, there are the things you'd expect. The undersea volcano lairs. The minions. The plots to take over the world. The international networks of rivals who want you dead.
Much harder to get used to...are the the sentient, language-using, computer-savvy cats.
And the fact that in the overall organization, they're management...

My Review:

It’s a truism that “dogs have owners, cats have staff” and in that context, Charlie Fitzer is absolutely the staffer for ‘his’ cat, Hera, and her newly adopted kitten sister Persephone. In fact, Charlie is more Hera’s pet than she is his, something that he is forced to become all too aware of as Charlie’s situation sinks its teeth into him – figuratively and even literally.

As the story begins, Charlie is so far down that he can’t even see ‘up’ from where he’s standing. He’s a journalist without a job because journalism is dying. He’s divorced. The dad he spent the last several years taking care of is dead, and Charlie is living in his dad’s house but only owns one quarter of said house – while his three siblings want him OUT so they can sell it. He wants to buy a local bar so he can get out of substitute teaching and maybe build a life again.

And his great uncle Jake just died, which Charlie only knows about because he used to be a finance journalist – and a good one – and he still can’t resist listening to the finance news. He’s not expecting a legacy from Uncle Jake because Charlie hasn’t seen Uncle Jake since he was FIVE and barely remembers the man nearly 30 years later.

But Uncle Jake, who Charlie always believed was a parking lot magnate – which he was – was also something else. Something Charlie gets more than a glimpse of when he attends Uncle Jake’s funeral and one of the other attendees attempts to stab the corpse.

Uncle Jake was clearly not just in the parking lot business. And now, neither is Charlie. Which is how he discovers that Hera isn’t just a cat, and that truth is not only infinitely stranger than fiction – but that it downright inspires it in ways that Charlie could never have imagined.

At least not until he found himself mediating labor disputes between the management of the not-exactly-secret, über high-tech, super villain headquarters that Charlie himself is now in charge of and a pod of genetically engineered, super-intelligent and seriously pissed off dolphins who are planning to go on strike.

Escape Rating A: Charlie starts out Starter Villain in WAY, WAY over his head. Part of his charm is that he never loses sight of that fact. He’s always aware that he hasn’t got a clue, and isn’t likely to get one any time soon, and is secretly panicking about it every other minute. Which is a big chunk of why we like him and end up rooting for him so hard, because his inner voice is asking the same questions that a lot of us would be asking in his place.

The setup of Charlie’s world is hilarious and frightening AF at the same time. So much of what happens is utterly silly and bizarre, but with Charlie as our window into this universe we get to secretly giggle – sometimes guffaw – and Kermit-flail in panic right along with him. What makes it work is that the only thing about the over-the-top-ness of it all that Charlie takes seriously are the murders and death threats – which are legion. The trappings of wealth and power are hollow – at least as they apply to him – and he takes all of it with a grain of salt and a look behind the curtain.

So Starter Villain starts out looking like a short course in how to become a supervillain in a few, not so easy, morally ambiguous lessons, only for both Charlie and the reader to ultimately learn that they’ve been outvillained every single hilarious step of the way – and so has everyone else.

There are a couple of niggles that kept this from being an A+ grade, and one that almost put it over the top anyway, because in the end I had an absolute ball with Starter Villain, and not just because of the cats. Although they certainly helped – in exactly the way that cats always do.

The early part of the story is a really hard read – pretty much right up to the point where ‘Tobias the Stabber’ tries to stab Uncle Jake’s corpse to make sure the old man is really dead this time. It’s hard because Charlie is just so far down during that first part of the story, and circumstances continuously hammer that point home to both Charlie and the reader to the point where it feels a bit like ‘piling on’. That’s probably intentional, but it still makes that first part a bit more of a slog than I generally expect from this author.

Speaking of whom, the other niggle that is not a ‘me’ thing but may be a ‘you’ thing is that Charlie is very much the author’s avatar in this one. The bleed through from the author’s public persona to Charlie’s character is obvious. I like the author’s public persona, I’ve been to a whole bunch of his readings and events and often read his blog, Whatever, for his signature brand of giggles, snark and well-thought-out malleting. But I recognize that he’s an acquired taste. I’ve been rather thoroughly infected, and clearly so have a lot of others or his books wouldn’t make the New York Times Bestseller list on the regular. But if you’re not at least neutral to that taste, Charlie Fitzer may not be your jam. If so, I think you’re missing out but YMMV.

The thing that almost put Starter Villain over the top into an A+ anyway is that this is my second ‘read’ of Starter Villain. The first time around, I read it for a Library Journal review, which turned out to be Starred Review and the SFF Pick of the Month that month. So I did love it but that first bit was just hard. (I liked Charlie too much to enjoy watching him suffer – especially from inside his own head.)

This time around I was able to listen to the audiobook (THANK YOU TOR BOOKS!), narrated by Wil Wheaton of Star Trek: Next Gen fame. Wheaton is channeling the author’s public persona so hard and so well that I nearly caught myself checking a couple of times that it really was him and not the author himself – who does do an excellent job of reading his own work at conventions and on book tours.

But all of the above means that, as the character reads like an avatar of the author’s public persona, and the actor is excellent at channeling that same voice, the reading feels almost seamless, like we’re directly in Charlie’s head the whole time and Kermit-flailing right along with him.

In short – which I realize I haven’t been AT ALL – this means that you really, really need to read Starter Villain – especially if you like cats and are sure they’re the ones really in charge of you, your house, and pretty much everything else in the world. And if you have or can create an opportunity where listening to this book in audio will work for you, make it so because it’s even better in audio.

Review: The Quiet Room by Terry Miles

Review: The Quiet Room by Terry MilesThe Quiet Room (Rabbits, #2) by Terry Miles
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: science fiction, technothriller, thriller
Series: Rabbits #2
Pages: 432
Published by Del Rey on October 3, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The lore and legends around the underground game known as Rabbits gain new dimensions in this twisty tale set in the world of the hit Rabbits podcast.
After nearly winning the eleventh iteration of Rabbits, the mysterious alternate reality game so vast it uses the entire world as its canvas, Emily Connors suddenly finds herself trapped in a dimensional stream where the game does not exist. At all. Except . . . why do sinister figures show up to stop her every time she goes looking? Does Rabbits truly not exist, or is it being hidden? And if it’s being hidden, why—and by whom?
Meanwhile, architect and theme park designer Rowan Chess is having the weirdest month of his life, full of odd coincidences and people who appear one moment and vanish the next, with no trace they ever even existed. The game that is hiding from Emily seems to have found Rowan—with a vengeance.
But only when Rowan and Emily meet do things start to get dangerous, for together they uncover a conspiracy far deeper and deadlier than either of them expected—one that could forever change the nature not only of the game, but of reality itself.

My Review:

R U playing Rabbits? Or is Rabbits playing you – along with the rest of the multiverse? That’s the question at the heart of The Quiet Room, a wild ride that is anything but quiet. Or peaceful. And only sorta/kinda a room.

The story is, as one of the chapter headings put is, “a Bumpy Fucking Ride” every single step of its sometimes meandering but always terrifyingly dangerous way.

Fair warning, there be “wibbly wobbly timey-wimey stuff” here, with absolutely no Doctor in sight – even if this version of the multiverse could definitely use one.

Emily Cooper, one of the protagonists of Rabbits, seems to have dimensionally shifted into a corner of the multiverse where Rabbits is hiding – not in plain sight as it was in the first book – but so completely underground and under the radar that even Emily can’t find it.

There’s clearly something very, very wrong going on, and the ‘Rabbit Police’ all too frequently mess with any progress that she makes in figuring out what.

They’re not really called the ‘Rabbit Police’, in fact Emily doesn’t know what they ARE called. What she does know is that they operate a bit like a cross between the Men in Black, and SPECTRE or some secret super-spy organization. They show up in suits and masks, kidnap her or one of her friends, sedate her, imprison her and ask her questions about Rabbits. Over and over and over again.

While Emily is running from the ‘Rabbit Police’, Rowan Chess seems to be running straight towards them. The extreme coincidences that form the backdrop of Rabbits seem to be chasing him down in that same world where Rabbits is emphatically not being played. Except by him – even if he has no clue what it is.

As the Rabbits players scurry, and the Rabbit Police chase after them, Emily & Co., discover that the end of this world is coming – even as the ongoing playing of Rabbits in other dimensions is intended to save the rest of it.

They have to find their way to the Quiet Room, the one place where this dying stub of a world connects to the rest of the multiverse. But they have no clue where it is – or even when it is – and no idea who is with them or against them.

Or even if one of them is the entire reason that the AI that controls Rabbits has decided that the whole stub – and everyone in it – should be shut down for the greater good. Or even whether that greater good is greater or good or even halfway well defined at all.

Escape Rating B: I honestly did not expect to like The Quiet Room. The first book in the series, titled Rabbits after the game at the heart of the podcast series of the same title, was a bit of a confused mess that didn’t completely gel for me as a story. I wanted it to, but it just didn’t quite.

The Quiet Room is still a very wild and chaotic ride, but the action is, for the most part, confined to a single stub of the multiverse, and the problem that the characters have to solve is a bit more contained and refined as a result. Meaning that the story hangs together better and makes considerably more sense to a reader looking for a story with at least a somewhat defined beginning, middle and end.

The Quiet Room does a considerably better job at particularly the beginning and the middle, although the end it reaches isn’t so much an end as it is an opening for further adventures. Still, the cast of characters is a bit smaller and their motivations are a bit easier to suss out, so the story feels like it’s on a fast set of rails that keeps the reader on their toes, guessing what comes next, and hanging on for the next corkscrew without flying off into the walls and ceiling.

The ending is only the ending to this particular adventure, but the way it delivers its last twist means that there’s plenty of room for the series to continue. And I’m rather surprised to say that I’ll be more interested in reading that continuation than I ever imagined when I first poked my way into The Quiet Room.

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 9-17-23

After last Sunday’s picture of poor Tuna standing lonely on the inside of the house while Luna and George tease him from out on the catio, I had to post this picture this weekend to show that Tuna’s life is actually pretty darn good most of the time.

Seriously, is that a face, or is that a face? He’s adorable when he’s being a clown.

Also in reference to last Sunday’s Post, I did manage to actually finish ALL the books I’d planned on reviewing. I think it’s been a while since THAT happened. This week is looking pretty good too, because I’ve already finished the first three books and The Book Club Hotel is for a blog tour so that settles that. I’ve been really looking forward to The Last Devil to Die so I think I’m set but we’ll certainly see in the week ahead!

Current Giveaways:

$10 Gift Card or $10 Book in the Summer 2023 Seasons of Books Giveaway Hop
$10 Gift Card or $10 Book in the Hello Autumn Giveaway Hop
$10 Gift Card or $10 Book in the Holiday Kickoff Giveaway Hop

Winner Announcements:

The winner of the Glam and Glits Giveaway Hop is Darlene

Blog Recap:

9/11 2023: Remember the Sky (Guest Post by Galen)
B Review: Fury Brothers by Anna Hackett
A+ Review: Mammoths at the Gates by Nghi Vo
B Review: An Unsuitable Heiress by Jane Dunn
A+ Review: Prophet by Sin Blaché and Helen MacDonald
Stacking the Shelves (566)

Coming This Week:

The Quiet Room by Terry Miles (review)
Starter Villain by John Scalzi (audio review)
Into the Riverlands by Nghi Vo (audio review)
The Book Club Hotel by Sarah Morgan (blog tour review)
The Last Devil to Die by Richard Osman (review)

Stacking the Shelves (566)

I think the book I’m most looking forward to in this stack is The Missing Witness by Allison Brennan. It’s the 5th book in the Quinn & Costa series and so far they’ve all been terrific. So we’ll see if that streak continues. The one I’m most curious about is At First Spite by Olivia Dade. I adored her Spoiler Alert series, so I’m hoping that her new series continues in that fine tradition even as I wonder if she can capture the lightning in the bottle again without the added attraction of the nerdy, fanfiction-based, ripped from the complaints about the ‘real’ series to match the fake one, vibe of Spoiler Alert. We’ll see.

The one bringing the biggest smile to my face is the  Into the Riverlands audio by Nghi Vo, read by Cindy Kay. I finished listening to it Friday afternoon by driving around the neighborhood for ten minutes so I could just get that last bit. I loved the story in text and loved it even more in audio, as you’ll see from my review early this coming week.

For Review:
At First Spite (Harlot’s Bay #1) by Olivia Dade
The Book of Love by Kelly Link
A Duke’s Introduction to Courtship (Gentlemen Authors #2) by Sophie Barnes
Kairos by Jenny Erpenbeck
The Missing Witness (Quinn & Costa #5) by Allison Brennan
Shadow Speaker (Desert Magician’s Duology #1) by Nnedi Okorafor (audio)
The Weavers of Alamaxa (Alamaxa Duology #2) by Hadeer Elsbai
Wicked Problems (Craft Wars #2) by Max Gladstone
Wild and Distant Seas by Tara Karr Roberts

Purchased from Amazon/Audible/Etc.:
The Blighted Stars (Devoured Worlds #1) by Megan E. O’Keefe (audio)
Into the Riverlands (Singing Hills Cycle #3) by Nghi Vo (audio)


If you want to find out more about Stacking The Shelves, please visit the official launch page

Please link your STS post in the linky below:

Review: Prophet by Sin Blache and Helen MacDonald

Review: Prophet by Sin Blache and Helen MacDonaldProphet by Sin Blaché, Helen Macdonald
Narrator: Jake Fairbrother, Ryan Forde Iosco, Charlotte Davey
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: espionage, mystery, science fiction, thriller
Pages: 480
Length: 17 hours and 1 minute
Published by Grove Press, Recorded Books on August 8, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Daring, surprising and superbly plotted, this is a fresh, thrilling page-turner from a dynamic new duo in genre fiction
Your happiest memory is their deadliest weapon.
THIS IS PROPHET.
It knows when you were happiest. It gives life to your fondest memories and uses them to destroy you. But who has created it? And what do they want?
An all-American diner appears overnight in a remote British field. It's brightly lit, warm and inviting but it has no power, no water, no connection to the real world. It's like a memory made flesh - a nostalgic flight of fancy. More and more objects materialise: toys, fairground rides, pets and other treasured mementos of the past.
And the deaths quickly follow.Something is bringing these memories to life, then stifling innocent people with their own joy. This is a weapon like no other. But nobody knows who created it, or why.
Sunil Rao seems a surprising choice of investigator. Chaotic and unpredictable, the former agent is the antithesis of his partner Colonel Adam Rubenstein, the model of a military man. But Sunil has the unique ability to distinguish truth from lies: in objects, words and people, in the past and in real time. And Adam is the only one who truly knows him, after a troubled past together. Now, as they battle this strange new reality, they are drawn closer than ever to defend what they both hold most dear.
For Prophet can weaponise the past. But only love will protect the future.

My Review:

From the opening of Prophet, two things are immediately clear. Sunil Rao and Adam Rubenstein are both FINE, and the situation they are in is already FUBAR.

Whatever is going on – which neither they nor the reader know yet – Adam and Rao are both Fucked-up, Insecure, Neurotic (and) Egotistical (although Rao is way more of the last than Adam) and the world is already Fucked Up Beyond All Recognition. FINE and FUBAR to the max, both of them and all of it.

In other words, they’re both hot messes and not a single thing that happens in Prophet helps either of them get any better.

Pretty much the opposite, in fact.

Calling Sunil Rao a human lie detector isn’t nearly enough of a description. It is TRUE, which matters a lot because that’s what Rao, as he prefers to be called, really does. He can tell when someone or something is true. Which explains why Rao gets called in – and out of a psychiatric institute after a suicide attempt – to the sight of something that so clearly does not belong even as he’s staring at the manifestation of it.

Come to think of it, Rao’s ‘gift’, for lack of a better word, also explains the psych hold, as well as why his work partner/keeper, Lt. Colonel Adam Rubenstein, has been brought in to make sure that Rao doesn’t go off the rails, again, no matter how much the situation they have been dragged into might justify it.

And that’s where both the thriller and the SFnal aspects come into this story. Prophet isn’t a person, there is no one predicting the future. And it’s not ‘profit’, which is what I first thought when I heard the title and hadn’t yet seen it in print.

Although, that’s for select definitions of both of those things, as there is a cabal that intends to make profit on Prophet in the long run, and they do believe that they can control the future with it. They’re oh-so-far off base on both counts.

Prophet is a drug. It’s an attempt to weaponize nostalgia. Which would be one hell of a power IF the side effects could be dealt with. At least the side effects that are a bug and NOT an actual feature. (As we already know because it’s already sorta/kinda happening IRL)

But Prophet isn’t exactly what anyone thought it was, and Rao’s special talent isn’t exactly what anyone has been led to believe, while Adam’s motivations for letting himself get roped into this FUBAR are not what anyone who thinks they are in charge of the whole thing has any reason to have a clue about.

Which leads to this story about finding those clues, the truth about Prophet, who thinks they’re behind it and what actually is. The truth about what Rao can really do. The truth about who Rao and Adam really are. The truth about the relationship between them that they have spent years trying to hide from themselves and each other.

And especially the truth about the nature of the universe, which is not a place that anyone would have predicted this story would go – but is oh-so-utterly fascinating once it gets there.

Escape Rating A+: The thing about Prophet as a story is that it is damn difficult to categorize. It’s kind of like Michael Crichton and Robert Ludlum had a book baby, and as wild and crazy as that thought is the whole thing still needs a lot of midwives and stepparents to get a glimpse at just how much is packed into the story.

But still, that’s a start. (It’s also a clue that any expectations that Prophet will have any resemblance at all to co-author Helen MacDonald’s H is for Hawk are going to be thoroughly disappointed.)

At first it all seems a bit SFnal, of the laboratory school of science fiction – much like Michael Crichton’s Jurassic Park and The Andromeda Strain. Prophet is created in a laboratory, and tested in a more-or-less scientific fashion. Or at least a scientific fashion for scientists who had their ethics surgically removed – which would also be science fiction. (We hope, we really, really do!)

But the way the story works is as a kind of mystery/thriller, particularly of the spy thriller school. Which is interesting because espionage fiction is usually about governments spying on other governments and that’s not what’s happening here. It’s not even, exactly, corporate espionage. Although it’s not exactly not either. (There are a LOT of things in Prophet that are not exactly what they seem but not exactly not what they seem, all at the same time.)

It’s more that Adam and Rao are kind of but not exactly undercover within the organization that is working with Prophet, playing with things they don’t understand, and trying their damndest to figure out what the hell is going on.

Which leads to the mystery. At first it’s the mystery of what created a 1950s era, American-style diner in the middle of the English countryside in a literal instant with someone actually watching the whole time. And what keeps happening to the people who get exposed to Prophet, whether accidentally or on purpose. Mostly on purpose.

Along with the mystery of why Adam Rubenstein is immune and Sunil Rao can safely extract it from people who have been exposed. It’s all a puzzle and a mystery and Adam and Rao become deeply invested in solving it – because they must.

Mixed in with ALL of that, and it’s a lot, is the relationship between Rao and Adam that is, that isn’t, that might be, that can’t be, and that is always more and different than anyone thinks it is. Which includes themselves. And quite possibly, the multiverse.

The inability to figure out what box Prophet falls into will drive some readers bananas. Certainly it gave the reading group that recommended it to me a whole bunch of very mixed reactions because it’s not easily defined. They collectively liked it and were not sure about it at the same time.

What carries the story, and carries the reader through the story, is the ever-evolving, often hidden, always on the verge of heartbreak relationship between Sunil Rao and Adam Rubenstein. They are not who they appear to be – not even to each other. Their histories are both shared and opaque to each other. And they’re both so FINE (in the sense of the acronym) that they are on the edge of mutually assured destruction almost all the time. And yet, they’re always on the same page and always have the same goals, even if it doesn’t seem that way at first, not even to them.

If the reader falls for them and their relationship, and I did, the story is an absolute WOW from beginning to end. An end which still manages to be a bit deus ex machina in spite of the reader being able to see it coming a mile away AND the way that it’s not the deus that saves the day. It’s the machina.

I listened to this one all the way to the end, and the readers were terrific every step of the way, even when they were voicing each other’s characters because the story is told in three, sometimes dueling, first person perspectives. This is the kind of first-person narration I love listening to, because the readers were so good and the story so compelling and the characterization, both in the text and in voice was so very much each of them individually that I really did feel like I was in their heads. Which made for an awesome listening experience.

One of my ongoing frustrations with multiple narrators in audiobooks, as much as I utterly love the style and how much it adds to the storytelling, is that while the list of narrators is credited, it’s seldom detailed into precisely who narrates whom. In this particular production, I believe that Jake Fairbrother ‘played’ Rao and Ryan Forde Iosco took Adam’s part, but I can’t be 100% certain of that in the way that I’m sure that Charlotte Davey voices Veronica, the absolutely psychopathic researcher in charge of Prophet R&D.

To sum things up, Prophet is absolutely bonkers in the best of all possible ways. If you like laboratory-based SF, the implications of the story are fascinating. If you love espionage fiction, especially if you miss it and wonder how those kind of stories are going to be told post-Cold War, this is a fantastic exploration of who might still be spying on whom and why. And if you love a good bromance/buddy thriller, especially one that has the potential for more, Prophet could be your jam across the board, and even better in audio.

It absolutely, positively was mine.

Review: An Unsuitable Heiress by Jane Dunn

Review: An Unsuitable Heiress by Jane DunnAn Unsuitable Heiress by Jane Dunn
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical romance, regency romance
Pages: 350
Published by Boldwood Books on May 22, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

'Do you realise, Corinna, just how hard it is for a young woman of irregular birth, without family, fortune or friends in the world? Marriage is the only way to get any chance of a life.' Following the death of her mother, Corinna Ormesby has lived a quiet life in the countryside with her cantankerous Cousin Agnes. Her father's identity has been a tantalising mystery, but now at nineteen Corinna knows that finding him may be her only way to avoid marriage to the odious Mr Beech. Deciding to head to London, Corinna dons a male disguise. Travelling alone as a young woman risks scandal and danger, but when, masquerading as a youth, she is befriended by three dashing blades, handsome and capable Alick Wolfe, dandy Ferdinand Shilton and the incorrigible Lord Purfoy, Corinna now has access to the male-only world of Regency England. And when she meets Alick's turbulent brother Darius, a betrayal of trust leads to deadly combat which only one of the brothers may survive. From gambling in gentleman's clubs to meeting the courtesans of Covent Garden, Corinna's country naivety soon falls away. But when she finds her father at last, learns the truth about her parentage and discovers her fortunes transformed, she must quickly decide how to reveal her true identity, while hoping that one young man in particular can see her for the beauty and Lady she really is. Sunday Times bestselling author Jane Dunn brings the Regency period irresistibly to life in a page-turning novel packed with romance, scandal, friendship and colour. Perfect for fans of Jane Austen. Janice Hadlow, Gill Hornby, and anyone with a Bridgerton-shaped hole in their lives.

My Review:

We tend to think of the Regency period, popularized by Georgette Heyer’s glittering comedies of manners and romance, and the Napoleonic Wars, producer of so many dark and brooding romantic heroes to be separate – when they absolutely were not, as is brought home to both the reader and the Earl of Ramsbury in the opening chapter.

An Unsuitable Heiress opens with that self-same Earl feeling a bubble of utmost joy in the news that Napoleon has been defeated at Waterloo, and, considerably more important for the Earl, that his only son and heir is NOT on the battle’s long casualty lists. Only for that hope to crash to the ground a few mornings later, when he receives a dispatch that his son was killed in action in the waning hours of the war.

His title will go to a cousin who, at least as the story begins, is not worthy of it. The title and the lands that go with it are entailed, and no one has any choice in the matter. But the Earl has been fortunate in his fortunes, and has personal holdings he can bequeath wherever he wishes. He wishes to leave his personal holdings to his illegitimate daughter.

He just has to find her before his own heart gives out. Literally.

But Corinna Ormesby is not sitting around waiting to be found. Corinna has left the cousin who reluctantly took her in, out of fear that she’ll be forced into a marriage that will take away what little independence of thought and mind she possesses, and kill her dreams of a life of her own choosing.

So she runs away – by borrowing her best friend’s clothing and pretending to be a man. Because young men have the freedom to go where they want – if they can afford it – and work how they choose. Without requiring a chaperone at every turn. Without being coddled and ‘protected’ in every instance.

As a young woman, as Corinna Ormesby, her life is never, ever her own. As a young man, as mere Cory Ormesby, ‘he’ can buy a ticket on the stage and take ‘himself’ to London to teach drawing at a school to make ‘his’ way, and take the opportunity to search for the mysterious father whose name ‘he’ never knew.

She sees her chance, and she takes it. Straight into a fight with a man three times her size beating his horse, and from there, into the coach of a group of young dandies who are happy to take her under their wing, show her the town, help her find her father and give her the chance she needs to become the person she was always meant to be.

As long as her ruse holds up.

Escape Rating B: If Someone to Love by Mary Balogh (the first book in the Westcott series) and Unmasked by the Marquess by Cat Sebastian had a book baby, it would be An Unsuitable Heiress. (I’ve just realized that this works on two levels, as An Unsuitable Heiress IS a blend of the two books and that by certain measures all of the heiresses in all three books are judged to be a bit – or more than a bit – unsuitable as their respective stories unfold.)

The fun of this story is in Corinna’s eye- and mind-opening introduction to what life is like as a man, or at least a moderately well-off or well-sponsored man, in the Regency period. But that’s not where the drama of this story came in – although that’s certainly where I expected it to be.

At first I saw Corinna as a bit of a sister to Charlotte Sloane in the Wrexford and Sloane series, which also takes place in this same period. They initially seemed like kin not just because Charlotte Sloane frequently dons young male attire in order to have the freedom to go where she wants and do what she needs, but also because she makes her living under a male pseudonym. (At the point I currently am reading in the series, she is kicking and screaming, at least internally, as her increasingly rising profile and finances curtail her freedom to do as she wills and as she must.)

I expected a bit more drama, or at least a bit more of that same kicking if not the screaming, over the reveal of Corinna’s true identity, but as plucky as she is, she’s just not that sort. I also thought that there would be more drama and pathos when Corinna and her father finally did meet, but that was also more of a whimper than a bang – as his heart gave out soon after.

The drama in this story, as the blurb very much alludes to, comes in the long-simmering sibling rivalry between the cousin who inherited her father’s earldom and his younger brother, who just so happens to be one of the group of friends that took ‘Cory’ under their collective wing.

A rivalry which traps Corinna at its center, as cousin Darius wants Corinna in order to get possession of the other half of what he sees as HIS inheritance – no matter how many people he has to ruin along the way – while his younger brother Alick just wants Corinna. Although in the best romantic tradition, he hasn’t figured that out yet.

That Darius has already found a very unsuitable heiress – or at least countess – of his own makes his plans to ‘ruin’ Corinna just that much more dastardly. That this story manages to drive itself into a happy ending in spite of its characters’ actions just adds to the fun, and makes for a delightfully frothy conclusion to the story.

Review: Mammoths at the Gates by Nghi Vo

Review: Mammoths at the Gates by Nghi VoMammoths at the Gates (The Singing Hills Cycle, #4) by Nghi Vo
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy
Series: Singing Hills Cycle #4
Pages: 123
Published by Tordotcom on September 12, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The Hugo and Crawford Award-Winning Series!
The wandering Cleric Chih returns home to the Singing Hills Abbey for the first time in almost three years, to be met with both joy and sorrow. Their mentor, Cleric Thien, has died, and rests among the archivists and storytellers of the storied abbey. But not everyone is prepared to leave them to their rest.
Because Cleric Thien was once the patriarch of Coh clan of Northern Bell Pass--and now their granddaughters have arrived on the backs of royal mammoths, demanding their grandfather’s body for burial. Chih must somehow balance honoring their mentor’s chosen life while keeping the sisters from the north from storming the gates and destroying the history the clerics have worked so hard to preserve.
But as Chih and their neixin Almost Brilliant navigate the looming crisis, Myriad Virtues, Cleric Thien’s own beloved hoopoe companion, grieves her loss as only a being with perfect memory can, and her sorrow may be more powerful than anyone could anticipate. . .
The novellas of The Singing Hills Cycle are linked by the cleric Chih, but may be read in any order, with each story serving as an entrypoint.

My Review:

When the Cleric Chih returns home to the Singing Hills Abbey after three years on the road collecting stories, they are astonished to discover that there really are mammoths at the gates of the abbey. It’s not exactly like saying there are barbarians at the gates – but as Chih learns it’s not exactly unlike, either.

Because in the stories that the clerics of the Singing Hills Abbey collect, mammoths ALWAYS come at the end. After they’ve trampled everyone and everything that stood in their way.

So Cleric Chih already knows that something terrible has happened even before they walk through the gates of the Abbey. And it doesn’t take them long to learn at least the tip of the iceberg of the rest.

Discovering that under the trumpeting of mammoths, it’s grief and stories all the way down.

The abbey is virtually empty, as most of the chroniclers and archeologists rushed to the site of a temporarily uncovered village, located in a valley that has been flooded for years, has been temporarily and briefly unflooded, and will be flooded again in just a few short months. Stories are what the Singing Hills Abbey is, and what it does, and there have been stories sunken in that village for decades that won’t survive the re-flooding.

So away they went.

In their absence, Chih’s best friend Ru has been made temporary Abbot, making the divide between the two lifelong friends even deeper than it has been, as Chih’s duty is to leave the Abbey to gather stories, while Ru, disabled in childhood by disease, is left behind to learn how to administer the place.

Which he is, and has, but…nearly the first thing that happened after most of the abbey’s population was out of reach was the death of the most senior cleric, Cleric Thien. Thien was both Chih’s and Ru’s mentor and father-figure. But before he became a Cleric, Thien was a high-ranking advocate (read lawyer) in the Empire.

Thien was disowned by his family and stripped of his imperial status when he became a Cleric. But the mammoths at the gate demonstrate that someone official, at least, has not forgotten Thien’s imperial service. And now they want him back. Dead or alive.

Escape Rating A+: I love the Singing Hills Cycle, and have from its very beginning in The Empress of Salt and Fortune. At first, it seemed like this series was a bit of an exercise in mythmaking, fantasy not because there’s any particular magical system, but because it feels like fantasy and doesn’t fit, neatly or otherwise, into any other box.

Also the writing is utterly lovely every step of the way, and it’s easy to get caught up in Cleric Chih’s world and the stories in it, even if we’re never quite sure whether or not it has any relationship to our own. There’s magic in these stories, they’re magically compelling, and that’s all that’s necessary to make for a captivating read.

Howsomever, while each story is complete in and of itself, the series as a whole is Chih’s literal journey around their world to learn and record the stories they find in that world, and that overarching frame provides a vehicle for telling fantastic adventures.

One of the fascinating points about that overarching story is the way that Chih began very much on the periphery of it. In The Empress of Salt and Fortune, Chih seemed merely to be the vessel into which the handmaiden Rabbit poured her tale of the Empress that she served, loved and hated, all at the same time, while Chih was there to make a record of it and explicitly not become a part of it.

But the following stories, When the Tiger Came Down the Mountain and Into the Riverlands, nudged Chih towards the center, as they spend the night When the Tiger Came Down the Mountain telling the tiger of the tale the tale of the tiger as it is remembered among humans, in the hope that said tiger won’t eat them and their companions before morning. While in Into the Riverlands it almost seems as if the tale is happening around them even as the villagers tell that tale to Chih.

The tale in Mammoths at the Gates is Chih’s own story, it’s happening TO them as we read it. It’s a story about love and loss, a story about friendship and compromise, and a story about growing up and letting go.

It’s also a heartbreakingly beautiful tale of a truth that sets no one free, and a love that both transcends and transforms death.

This was my second read of Mammoths at the Gates, and it was even better this second time around, as I had more time to savor it. I didn’t want to leave Chih and their world when I turned that final page, and I’m happy to say that I won’t be. I picked up the audio of Into the Riverlands, which I read when it came out but didn’t review here, because I wanted a chance to experience the Singing Hills Cycle as it feels like it’s meant to be, as a story being told and recorded.

AND, and I’m oh-so-happy about this, a fifth book in the Singing Hills Cycle, The Brides of High Hill, just popped up on Edelweiss last night as coming out in May, 2024. I’m thrilled and already looking forward to it!

Review: Fury Brothers: Fury by Anna Hackett

Review: Fury Brothers: Fury by Anna HackettFury: A Fake Dating Workplace Romance (Fury Brothers Book 1) by Anna Hackett
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: action adventure romance, contemporary romance, romantic suspense
Series: Fury Brothers #1
Pages: 286
Published by Anna Hackett on September 3, 2023
Purchasing Info: Author's WebsiteAmazon
Goodreads

I’m not looking for a hero, and definitely not a fake relationship with my new boss, nightclub owner Dante Fury—over six feet of dark, hot, and dangerous.
But he isn’t taking no for an answer.
The plan was to run, live under the radar, survive. My life’s been destroyed by some very bad people and everything I know is gone—career, friends, family. I thought I could hide as a bartender at New Orleans’ hottest new club, Ember.
I can’t trust anyone, but after I’m attacked, Dante is determined to play protector by claiming me as his. No one would dare touch the woman of one of the Fury brothers. Suddenly, I’m living at his place, and he’s touching me, kissing me, taking care of me…
Dante makes it very hard to remember this relationship isn’t real. He makes my heart race, but he’s way out of my league, and he’s protecting his own broken pieces.
Nothing this fake should feel this right.
The bad guys won’t give up, but I’m starting to think the biggest danger to me is Dante Fury.
The Fury fierce, loyal, and live by their own code. Five men who grew up in foster care and became brothers by choice. They vow to always have each other’s backs; no questions, no doubts, no hesitation. They protect their own…always.

My Review:

In spite of the subtitle, the ‘fake dating’ between Mila Clifton and Dante Fury doesn’t last very long at all because there is nothing fake about their attraction to each other even before they attempt to ‘fake date’.

The only people they are really ‘faking’ are each other, as Mila is on the run from some very bad people who have left a trail of dead bodies behind her in their pursuit of a woman who worked too hard and heard too much on one dark night she wishes she could get back.

Dante Fury doesn’t seem to believe in love – or at least doesn’t believe that it’s for him and his four brothers, men who survived foster care by sticking together and protecting themselves from anyone and everything.

Now the Fury Brothers protect their corner of New Orleans from anyone who thinks they can bring bad shit onto their turf. Cleaning up ALL of NOLA is WAY beyond even the Fury Brothers’ capacity, but keeping their own territory secure is right up their alley.

At first Dante does his level best to convince himself that he’s only looking after Mila because she’s ‘one of his’, a bartender who works at his nightclub, Ember. But he’s only fooling himself and it doesn’t take him long to realize it.

Mila, on the other hand, has seen every person she’s turned to while she’s been on the run get murdered, one after another. She trusts herself, and fears for anyone that her pursuers might believe she’s gotten close to. So she doesn’t.

Not until Dante Fury wraps his protection around her and refuses to let go – or to let her slink off into the night. No matter who or what stands in his way. Not even Mila herself.

Escape Rating B: It’s no secret that this author’s science fiction romances are my favorites, but that doesn’t mean I don’t get a lot of reading pleasure out of her contemporary, action-adventure romances, sometimes in spite of myself.

Fury is one of those ‘in spite of myself’ kinds of reads. Which means that any negatives I bring up are a ‘me’ thing and quite possibly not a ‘you’ thing.

Except maybe this first one. Fury is told in alternating first-person perspectives that switch between Mila Clifton and Dante Fury – which makes sense because at the beginning they aren’t on the same page with each other. Come to think of it, at the beginning they aren’t even on the same page as themselves!

But I didn’t really feel like I was in either of their heads, so the ‘I’ voice didn’t quite work for me. It’s also not the author’s usual style and I wasn’t expecting it. I DO like first-person narratives, even dual or dueling ones, as you’ll see in my review of Prophet later this week, but I couldn’t get into either Mila’s or Dante’s heads in spite of being, well, in their heads.

I do have to say, and this is completely a me thing, that being in Mila’s head was particularly uncomfortable because of the ‘heroine in jeopardy reacting by running’ trope isn’t one of my favorites, although I was grateful that this time it didn’t go all the way into the trope by having Mila on the run from a stalker or an abusive ex. Still, it makes for a reactive rather than a proactive heroine, and that’s just not my jam.

Which means I liked the whole thing a LOT better once Mila started standing up for herself and standing her ground. Especially because she was totally, completely and utterly in the right – it just took the Fury Brothers standing with her to get her to take back her life and I was absolutely there for that part.

Two things I do love about this series so far are the setting AND the vibe between the Fury Brothers. I always love a story set in New Orleans, and even the glimpse we get of the city in this first outing has me itching for more.

And the Fury Brothers themselves are fascinating, both in their origin story and in the way they’ve pulled together and pulled themselves up in spite of their rough starts in life. The whole concept of them creating a solidly bound family of choice and the way they maintain it and even add to it is fantastic, and I’m really looking forward to seeing more of them.

Which means I’m looking forward to the next book in the series, Keep, which is looking like it will be Colt Fury’s story about raising his niece while running away from the paperwork involved in his own business – along with the determined woman who will hunt him down and make him take care of ALL his business – including, most definitely, herself.

9/11 2023: Remember the sky #rememberthesky #neverforget911

As it did in 2021 and 2022, this year the 9/11 Memorial and Museum asks people to mark the anniversary of the fall of the World Trade Center by posting a picture of the sky, wherever you are. All this in memory of that bright, clear day twenty-two years ago.

So here, the sky in suburban Atlanta today:

Picture of a blue sky through a tree canopy.

 

An excerpt from the poem by “Remember” by Jo Harjo of the Este Mvskokvlke. This poem was written nearly 20 years before the towers fell.

Remember the sky that you were born under,
know each of the star’s stories.

Remember the earth whose skin you are:
red earth, black earth, yellow earth, white earth
brown earth, we are earth.
Remember the plants, trees, animal life who all have their
tribes, their families, their histories, too. Talk to them,
listen to them. They are alive poems.
Remember the wind. Remember her voice. She knows the
origin of this universe.
Remember you are all people and all people
are you.
Remember you are this universe and this
universe is you.

We who are here, no matter the degree of connection or not to that day 22 years ago, can at least do this: remember.