Review: The Lady Has a Past by Amanda Quick

Review: The Lady Has a Past by Amanda QuickThe Lady Has a Past (Burning Cove #5) by Amanda Quick
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical romance, paranormal, romantic suspense
Series: Burning Cove #5
Pages: 352
Published by Berkley on May 4, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Beauty and glamour meet deception and revenge in this electrifying novel by New York Times bestselling author Amanda Quick.
Investigative apprentice Lyra Brazier, the newest resident of Burning Cove, is unsettled when her boss suddenly goes on a health retreat at an exclusive spa and disappears without another word. Lyra knows something has happened to Raina Kirk, and she is the only one who can track her down. The health spa is known for its luxurious offerings and prestigious clientele, and the wealthy, socialite background Lyra desperately wanted to leave behind is perfect for this undercover job. The agency brings in a partner and bodyguard for her, but she doesn't get the suave, pistol-packing private eye she expected.
Simon Cage is a mild-mannered antiquarian book dealer with a quiet, academic air, and Lyra can't figure out why he was chosen as her partner. But it soon becomes clear when they arrive at the spa and pose as a couple: Simon has a unique gift that allows him to detect secrets, a skill that is crucial in finding Raina.
The unlikely duo falls down a rabbit hole of twisted rumors and missing socialites, discovering that the health spa is a façade for something far darker than they imagined. With a murderer in their midst, Raina isn't the only one in grave danger—Lyra is next.

My Review:

All the ladies in this story have a past. Honestly, all the ladies in every Amanda Quick/Jayne Ann Krentz/Jayne Castle story have a past. It makes them all that much more interesting to read about – and just that much more fascinating for the heroes who oh-so-frequently come to rescue them – but generally end up fighting right alongside them.

Raina Kirk, who becomes the focus of the investigation rather than the heroine of this particular story, very definitely has a dark and dangerous past. A past that her lover Luther Pell –  hotel and casino owner and occasional government secret agent – thought he knew about.

But when that past reaches out and snatches Raina, Luther discovers that he didn’t know as much as he thought he did. He is, however, smart enough to know that as much as he wants to rush in guns blazing, that he’s a bit too close to the case – and more than a bit too high profile – to investigate Raina’s disappearance without tipping all the cards.

That’s where Simon Cage and Lyra Brazier come in.

Raina’s last known location was a luxurious and exclusive – read that as expensive – deluxe hotel, health spa and over-the-top beauty emporium. All done up in shades – and scents – of the exclusive violet perfume that the beauty products maven Madam Guppy has created as her signature perfume.

But that nearly overpowering smell of violets is covering up something rotten. It’s up to Simon and Lyra to get to the bottom of the stink and rescue Raina – before the poison miasma that surrounds the entire enterprise drags them under.

Escape Rating B+: This is the fifth book in the author’s Burning Cove paranormal historical romantic suspense series. (I dare you to try and say THAT three times fast!)

While it does tie in a bit with the previous books in the series, (which begins with The Girl Who Knew Too Much), and offers plenty of hints that it is somewhere in the recesses of the Arcane Society that the author invented as Quick, continued into the 20th and 21st centuries as Krentz and shipped out to the stars as Castle.

However, those are hints only, providing a smile for the reader if you’re in the know but not spoiling the enjoyment if you don’t. Although the entire collective series is wonderful and would make a great reading binge if you have not already indulged.

This would also be a plausible place to begin in Burning Cove, as Simon and Lyra are new to the place and the series in this volume, while we haven’t ever exactly seen Raina and Luther’s romance and probably won’t see it in full. They are VERY private people with extremely murky pasts.

But this story is about the pasts of all of the “ladies” that it touches upon. The case begins with the unrevealed parts of Raina’s already shady past but the real focus is on Lyra’s past and her present.

It’s between the wars, the Roaring 20s, and a time when young women had a bit more freedom than previous generations – especially wealthy young women such as Lyra. She’s not exactly running away, more like walking away swiftly and deliberately from a purely decorative life that did not suit her – while heading towards a life filled with both purpose and adventure – if she can just figure out exactly what that would be.

And one of the things that I love about anything tied to the Arcane Society, however tangentially as Burning Cove seems to be, is the way that the heroines are either forced to or decide to ignore the restrictions placed on women in every time period – at least so far – and live the lives they choose – damn the torpedoes and full speed ahead – even with the not-so-occasionally forced step back.

Something that this particular story displays in abundance is the way that Lyra insists on taking charge of her own life and her own talents. Simon wants to protect her – increasingly so and in spite of himself – but ends up acknowledging that while she is differently talented she is equally talented. They make good partners – in investigation, in adventure and in romance.

It will take both of them, and both of their talents, to get to the bottom of this messy, misdirected and multi-layered case. It begins with a missing person, but the trail of bodies, living and dead, leads to some very dark places hidden in the shadows of the once – and future – war. Which is perfect, at least story-wise, because it means that there will be more to come in this terrific series!

Review: The Venice Sketchbook by Rhys Bowen

Review: The Venice Sketchbook by Rhys BowenThe Venice Sketchbook by Rhys Bowen
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical fiction, historical romance, World War II
Pages: 412
Published by Lake Union Publishing on April 13, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.org
Goodreads

Love and secrets collide in Venice during WWII in an enthralling novel of brief encounters and lasting romance by the New York Times bestselling author of The Tuscan Child and Above the Bay of Angels.
Caroline Grant is struggling to accept the end of her marriage when she receives an unexpected bequest. Her beloved great-aunt Lettie leaves her a sketchbook, three keys, and a final whisper…Venice. Caroline’s quest: to scatter Juliet “Lettie” Browning’s ashes in the city she loved and to unlock the mysteries stored away for more than sixty years.
It’s 1938 when art teacher Juliet Browning arrives in romantic Venice. For her students, it’s a wealth of history, art, and beauty. For Juliet, it’s poignant memories and a chance to reconnect with Leonardo Da Rossi, the man she loves whose future is already determined by his noble family. However star-crossed, nothing can come between them. Until the threat of war closes in on Venice and they’re forced to fight, survive, and protect a secret that will bind them forever.
Key by key, Lettie’s life of impossible love, loss, and courage unfolds. It’s one that Caroline can now make right again as her own journey of self-discovery begins.

My Review:

This dual timeline story follows the adventures – and misadventures – of two women in two separate eras but in the same exact place, La Serenissima. Venice.

Their stories are linked, not just by the city, and not just by these two women’s relationship to each other, but also to a family that influences both of their lives.

They are also both at points in their lives when they are making fresh starts – and bittersweet endings.

As we meet Caroline, her marriage is ending, and so is the life of her beloved great aunt, Lettie. Lettie and her sister, Caroline’s grandmother Winnie, raised her after the death of her own parents in their tiny country town not too far from London. Caroline loves both women, but Lettie has been both her inspiration and her rock for all of her life, and now that support is gone.

Leaving behind one final request, that Caroline go to Venice, a place that Lettie seems to have loved but that Caroline never knew was such a part of her great-aunt’s life, along with enough money for Caroline to make the trip, scatter Lettie’s ashes, and perhaps figure out what made the request so important to the dying woman that she hung on long enough to make that one last request.

So Caroline goes to Venice to learn what she can, in hopes of figuring out what compelled Lettie, and to take the opportunity to figure out where her own road will lead her next.

What she discovers, or who she discovers, is the woman her staid, upright, prim, proper and utterly respectable great-aunt Lettie used to be. A young woman named Julietta, an art student trapped in Venice when Britain declared war on Italy.

A woman who became a spy, a mother, a prisoner of war and a refugee. A woman who left behind everything she loved and everything she held dear to make a new life back in her old home. A life that seemed to be a complete rejection – or a tomb – for the woman she had once been.

A woman determined, in her last moments, that it was time for someone she loved to uncover her truth.

Escape Rating B-: World War II is a rich period for historical fiction of all types and stripes. To the point where I have three books in a row that are set during the same period, Friday’s The Consequences of Fear, this book today, and tomorrow’s The Last Bookshop in London. This is also not the only book this year to be set in World War II Italy, the other being Our Darkest Night by Jennifer Robson, which is somewhere in my virtually towering TBR pile.

All that’s to say that it feels like parts of this story have been done before, and recently, and perhaps for this reader a bit of World War II historical fiction fatigue has set in. So I found this take on that historic conflict to be a bit too much like too many things I’ve read before, in spite of the change in setting.

And as a result of that fatigue I enjoyed Caroline’s side of the story more than I did Julietta’s. I’d rather have seen Caroline actually researching Lettie’s history rather than just reading Lettie’s diary.

I think that the issues I had with Lettie/Julietta’s part of the story was that so much of what she did has been written before, and the parts of the story that were unique to her were a bit too predictable, especially her doomed romance and its results.

Let’s just say it was a VERY good thing for Caroline that Lettie was her great-aunt and not her grandmother.

One piece of Caroline’s story that I felt a great deal of resonance for was the way that it intersected with 9/11 and its aftermath, both in the portrayal of how countries outside the US both viewed the tragedy and moved on, and the way that it impacted people who were not remotely close to the event. It echoed for a while for all of us, and that was captured well.

So this is a story I’m kind of on that painful fence about. I liked Caroline a lot, I ended up seeing Julietta as both heroic and  incredibly naïve at the same time, and I wanted the 21st century story more than I did the historic one. Your mileage may vary, especially if you’ve not experienced the same kind of WW2 historical fiction fatigue or you’ve not read much about that period in Italy as opposed to the more usual settings of France or Britain..

And on my other hand, I have previously enjoyed several of this author’s WW2 stories, particularly In Farleigh Field and The Victory Garden and will undoubtedly be back again the next time she returns to the period.

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Review: The Rakehell of Roth by Amalie Howard + Giveaway

Review: The Rakehell of Roth by Amalie Howard + GiveawayThe Rakehell of Roth (Regency Rogues, #2) by Amalie Howard
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: historical fiction, historical romance, regency romance
Series: Regency Rogues #2
Pages: 400
Published by Entangled: Amara on February 9, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In this game of seduction, the rules don't apply...
As owner of the most scandalous club in London, the last thing the notorious Marquess of Roth wants is a wife. Keeping up his false reputation as a rake brings in the clients with the deepest pockets—money he needs to fund a noble cause. Even though everything inside tells him not to leave his beautiful, innocent wife behind at his country estate...he must.
But three years later, tired of her scoundrel of a husband headlining the gossip rags, Lady Isobel Vance decides enough is enough. She is no longer a fragile kitten, but as the anonymous author of a women’s sexual advice column, she’s now a roaring tigress...and she can use her claws.
Isobel decides to go to him in London, channeling her powers of seduction to make him beg to take her back. But she didn’t expect her marauding marquess to be equally hard to resist. Now the game is on to see who will give in to the other first, with both sides determined like hell to win.

My Review:

There are marriages of convenience. And there are convenient marriages, which is more the case of the marriage between Winter Vance, Marquess of Roth, and his wife Lady Isobel.

But after  Roth conveniently weds her and beds her and leaves her at his father’s country estate in Chelmsford so he can return to London to run his gaming hell, the girl he leaves behind is most emphatically NOT the woman his father escorts to London three years later.

The little mouse in desperate rescue has grown up into a hell-cat bent on sinking her claws into her wayward husband – one way or another. Although she certainly knows which way she’d prefer she’ll take a win any way she can get one.

Almost any way.

What she wants is a husband and a real marriage, with the possibility of children – even if she has a hard time admitting that her young and innocent heart fell in love with her handsome husband – and that his subsequent dastardly behavior has not killed that love.

What he wants is to be left alone. Not just by Isobel, but also by the rest of his estranged family; his uptight father and his jealous younger brother. Winter’s heart is frozen in the past, with the sister he couldn’t protect and the mother who was betrayed and abandoned by her husband. Both women are dead, and Winter believes that if he couldn’t protect them, he shouldn’t let anyone else get close out of fear that he won’t be able to protect them either.

Winter is pretty much a complete mess. A successful businessman, but emotionally and psychologically more than a bit of a wreck – albeit a VERY well built one.

Isobel comes to London believing that she’s there to get revenge on her wayward husband for the disrespect he’s shown her. And that she’ll be able to return to the country – after he’s groveled at her feet, of course – with her heart intact.

Winter believes that all he has to do is keep pushing Isobel away until she finally gets the message that she’s better off as far away from him as possible. Back in the country at his father’s estate.

Of course, they’re both wrong, wrong, wrong. But watching them figure that out is a whole lot of sexy and scandalous fun!

Escape Rating B+: For all the people who are shying about from this book because the blurb reads as if he cheats – he really doesn’t – and that’s obvious early on so not a spoiler. This book is a fun romp and I’d hate for people who are interested to miss it because of something that doesn’t happen after all.

I have to say that the first chapter is very hard reading. Isobel is so naïve that her attitudes and internal dialog are sweet to the point of tooth decay, while Winter is a cold, jaded bastard – except in the bedroom – where he burns hot enough to immolate them both – only to abandon Isobel as soon as he’s spent. Calling him an ass is an insult to asses everywhere.

Fortunately, in fact very fortunately for the entire story, Isobel’s cloying innocent phase doesn’t last long at all. After Winter leaves immediately upon consummating their marriage (and I do mean IMMEDIATELY and not the next morning), the story picks up 3 years later and Isobel has changed a LOT and for the better.

This is where the story gets to be fun!

It’s not just that Isobel has grown up and gotten righteously angry at her situation, it’s the WAY she’s gotten angry. She and her best friend Clarissa have not just been rusticating at Chelmsford.

Together, they’ve become the early 18th century version of Dr. Ruth, writing and publishing a scandalous sex education column for women under the penname Lady Darcy. Under the guise of research, they’ve acquired a LOT of book knowledge about love, sex, what men want and more importantly, what women want and especially what women need to know. Not about pleasing men or capturing men, but about pleasing themselves. Possibly by capturing, or at least captivating, men.

But it’s sex writing and sex education centered on women. It’s marvelous. It’s scandalous. And it gives them both an independent income. It also gives Isobel the inner fortitude to go to London and confront – and possibly captivate – the husband who has just been featured in the gossip rags for fighting a duel over another woman!

The romance in this one is all about the push and pull between Isobel and Winter. Not just that they burn up the pages like fire, but that the burn has all of the sex positivity in it that The Rakess tried to have and just didn’t, or at least it didn’t for me. The romance between Isobel and Winter is all about the way that they explore every facet of what they have together, including more than a bit of totally consensual kink. And it’s wonderful.

On the other hand, after all of the asshattery that Winter has committed, he doesn’t grovel nearly enough when he finally does figure out that he is both capable of loving and that he really does love Isobel in spite of his protestations.

And that the scene where they save each other from thieves, kidnappers and murderers and then screw each other senseless was the only point where I missed having read the first book in the series, The Beast of Beswick. Because everything to do with their being in danger in the first place circled back to events from that book. Their mutual ravishment in a back alley did, however, make the scene end with a resounding climax even if I didn’t get all of the underlying causes of the fight.

There’s one thing keeping this from being a “Grade A” read for me. The hero who believes his unworthy of love is a tried and true trope that I enjoy when it’s done well. A lot of the reasons that Winter believes he’s unworthy make sense, that he couldn’t protect his mother and sister and has never been able to measure up to his father’s high expectations. But he’s also unwilling to love anyone because his mother was destroyed by her love for his father and his father’s lack of ability to return that love. He’s learned that love is a destoyer and he has no interest in being that vulnerable to anyone. Period.

Even before we discover the truth of that past, this part of Winter’s motivations didn’t quite work for me. Men had so many more options for, well, everything, in the early 19th century than women. Winter proves to be not nearly stupid enough or oblivious enough to NOT be aware of that fact, as some of his later actions prove. I just didn’t buy that part of his story.

But overall, The Rakehell of Roth is a terrific froth of a Regency romp with just enough serious bits to really keep the reader engaged – if occasionally also enraged at the hero along with the heroine. If this kind of story sounds like your cup of tea, it reminded me a lot of The Wildes of Lindow Castle series by Eloisa James and any of Eva Leigh’s three series, The Union of the Rakes, The London Underground and especially The Wicked Quills of London. The heroines of all of those series would find plenty of common cause with Isobel and her BFF Clarissa. So if you find yourself cheering Isobel on and want more like her then those ladies will fill your TBR pile nicely indeed.

~~~~~~ GIVEAWAY ~~~~~~

I’m giving a copy of The Rakehell of Roth to one lucky US commenter on this tour!

a Rafflecopter giveaway

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Review: Beauty Among Ruins by J’nell Ciesielski

Review: Beauty Among Ruins by J’nell CiesielskiBeauty Among Ruins by J'nell Ciesielski
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: historical fiction, historical romance, World War I
Pages: 416
Published by Thomas Nelson on January 12, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In Ciesielski’s latest sweeping romance, an American heiress finds herself in Scotland amid the fallout of the Great War, and a wounded Scottish laird comes face-to-face with his past and a woman he never could have expected.
American socialite Lily Durham is known for enjoying one moment to the next, with little regard for the consequences of her actions. But just as she is banished overseas to England as a “cure” for her frivolous ways, the Great War breaks out and wreaks havoc. She joins her cousin in nursing the wounded at a convalescent home deep in the wilds of Scotland at a crumbling castle where its laird is less than welcoming.
Alec MacGregor has given his entire life to preserving his home of Kinclavoch Castle, but mounting debts force him to sell off his family history bit by bit. Labeled a coward for not joining his countrymen in the trenches due to an old injury, he opens his home to the Tommies to make recompense while he keeps to the shadows. But his preference for the shadows is shattered when a new American nurse comes streaming into the castle on a burst of light.
Lily and Alec are thrown together when a series of mysterious events threatens to ruin the future of Kinclavoch. Can they put aside their differences to find the culprit before it’s too late, or will their greatest distraction be falling in love?

My Review:

Which would be the lesser of evils, an enemy in your face, with their knife (metaphorically or otherwise) obviously aimed at a vital organ – or a enemy who pretends to have your back while searching for the best place to stick their hidden knife into a vital organ?

Poor Alec MacGregor doesn’t get to choose which of those is the lesser evil, as his current circumstances have him caught between both, with an obvious enemy trying to bring him down and a hidden enemy pretending to be a friend in the hope of bringing him, quite literally, to his knees.

But this story does not begin as Alec’s story, although it gets itself to Kinclavoch Castle soon enough. Rather, the story begins with the flighty, impetuous and disobedient – at least according to her parents – young American socialite Lily Durham.

Lily is not so much irresponsible as she is a bird who is very much aware of the gilded cage in which she lives – and she resents every single bar of that cage. So when her upper-crust, Gilded Age New York City parents ship her off to her mother’s relatives in England, they think they’re forcing her into an even more restricted life than the one they already have wrapped tightly around her.

Lily’s parents have seriously misjudged, both the circumstances and Lily herself. Lily may leap before she looks, but that’s because if she looks first all she’ll see and hear are her parents misjudging her intelligence, her purpose and even her very person. They misjudge the circumstances even more, as Europe is on the verge of World War I. Once the war begins, it becomes unsafe for ships to cross the Atlantic, out of the very real fear of being sunk by German U-boats, leaving Lily “stuck” in England for longer than the year her parents originally intended.

But the war also brings opportunities for Lily – and her best friend and cousin Elizabeth (called Bertie) to escape the bars of their respective gilded cages. Bertie becomes a nurse. Lily takes the courses with her but doesn’t manage to pass them. Still, with Bertie’s qualifications and her parent’s generous patronage of the nursing service comes an opportunity that neither girl can resist. An opportunity to serve as nurses – or at least as a nurse’s aide in Lily’s case, to convalescing soldiers in a not-too-badly crumbling castle in the Scottish lowlands.

That very same castle that Alec MacGregor, Lord Strathem, is hanging onto, in the face of dangerous enemies and even more dastardly overdue bills and overeager tax collectors, by the skin of his teeth. Along with the fact that he hasn’t sold off all of his family’s accumulated treasures. Yet.

Lily, with her American optimism and her disregard for the rules, bursts into Kinclavoch like a gale force wind of fresh air that neither Alec nor the matron of the nursing service have any desire to accommodate.

But Lily shines her light into all the dark places at Kinclavoch, especially into the hearts of the soldiers she is there to help. And even more into the darkness that shadows bitter, wounded Alec MacGregor.

Escape Rating B: My feelings about this story are very solidly mixed, I think because the blurb leads the reader to expect that the romance is the primary storyline, and it actually isn’t. It’s definitely there, but it doesn’t feel like the primary plot thread. Or at least I found the romantic suspense plot thread more interesting.

After all, it’s Alec is facing threats on all sides, even if he believes those threats are only coming from one side. He sees the enemy in front of him, because that enemy is screamingly obvious about it. Alec may not know how, or especially why, at the beginning, but the who is right there in front of him, smirking. Alec just can’t figure out how to prove it.

The enemy behind him, well, let’s just say it’s obvious to the reader. Or at least it was equally, screamingly obvious to this reader. And that the how and why in this case were every bit as obvious as the who.

What made this part of the plot so interesting – also infuriating – is that it violates Occam’s Razor, that the simplest solution is usually the right solution. It’s the reason why there is usually only one villain in mysteries, because two villains for the same set of crimes – unless they are partners – stretches the long arm of coincidence a bit too long. It doesn’t here which does lead the reader to wonder if one of the enemies isn’t quite as effective or quite as dastardly as they BOTH initially appear.

The romance here is VERY slow burn. Both Lily and Alec are very wounded people, in both cases emotionally and in Alec’s case also physically. But neither of them expects or is remotely looking for a romance with anyone – let alone with each other. And they kind of get dragged into the realization that they are, after all, in love with each other, kicking and screaming. It’s very much not what either them expected or even wanted at the beginning of the story.

Alec’s situation was more interesting – or had more elements that made it a bit different – than Lily’s. Historical fiction and historical romance are rife with characters like her, birds in gilded cages who get sprung by the exigencies of war. She was a well-drawn character of her type, but didn’t feel like more than that. Alec, on the other hand, had plenty of interesting facets, between his childhood injury that kept him out of the war, the way he’s treated because of it, AND the threats that he faces on all sides, with his family issues with both his mother and his sister on top.

I will say that I was beginning to wonder if his sister suffered from Munchausen syndrome by proxy, but it wasn’t quite that dire. Still bad, but not THAT bad. Her condition certainly made the pile of woes that had been piled on Alec all that much higher.

One of the things that I really liked about this story was that it turned out to be a World War I story that isn’t really about the war itself. Instead, it’s a story about the effects of the war, and that makes it all the more affecting for the reader.

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Review: The Girl from the Channel Islands by Jenny Lecoat

Review: The Girl from the Channel Islands by Jenny LecoatThe Girl from the Channel Islands by Jenny Lecoat
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical fiction, historical romance, World War II
Pages: 304
Published by Graydon House on February 2, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

An extraordinary story of triumph against impossible odds
The year is 1940, and the world is torn apart by war. In June of that year, Hitler’s army captures the Channel Islands—the only part of Great Britain occupied by German forces. Abandoned by Mr. Churchill, forgotten by the Allies and cut off from all help, the Islands’ situation is increasingly desperate.
Hedy Bercu is a young Jewish girl who fled Vienna for the island of Jersey two years earlier during the Anschluss, only to find herself trapped by the Nazis once more—this time with no escape. Her only hope is to make herself invaluable to the Germans by working as a translator, hiding in plain sight with the help of her friends and community—and a sympathetic German officer. But as the war intensifies, rations dwindle and neighbors are increasingly suspicious of one another. Hedy’s life is in greater danger every day. It will take a definitive, daring act to save her from certain deportation to the concentration camps.
A sweeping tale of bravery and love under impossible circumstances, Hedy’s remarkable story reminds us that it’s often up to ordinary people to be quiet heroes in the face of injustice.

My Review:

The Girl from the Channel Islands is a fairly big story to come out of such a tiny place. After all, the totality of the Channel Islands is only 76 square miles, while the Island of Jersey is just a tad over half that, at 45.6 square miles.

Another way of looking at it is that this is a very complicated story, particularly for its relatively short 304 pages. A lot happens, a lot of conflicting things happen, a lot of terrible things happen, in a relatively small space and short time, not just in the pages but in the history that happens between them, the occupation of the Channel Islands during World War II, the part of Great Britain occupied by German forces.

This is a story that is further complicated by the knowledge that the bones of this story are based in history. Not just that the occupation happened, but that the main characters of this story were real people who are documented to have done at least the outlines of the events that happened in the book even if some of the details have been fictionalized.

And therein lies the biggest complication of all.

From one perspective, and a perspective that continues throughout the story, this is a “war is hell” story. Even further, war is hell and these people are all living through it, all of them to various degrees forced into the place and position that they are in during it.

It’s also a story about female friendship, the strength and saving grace of it, even in the darkest and most brutal of times. Whatever the exact daily details, Dorothea Weber really did hide her friend, the Jewish woman Hedy Bercu, from repeated German attempts to round up all of the Jews on the islands and ship them to concentration camps. Doro saved Hedy’s life multiple times over the course of the occupation, and has been honored for her actions at Yad Vashem.

Then there’s that third part of this story, and this is the part that didn’t sit too well with me, and that other readers may also find disturbing. That’s the romance between Hedy Bercu and the German officer Kurt Neumann. By saying that it didn’t sit well with me, I mean to the point that if this story weren’t based in fact the reveal of the romance would have turned this story into a wallbanger. Because it feels so wrong, even though, as is frequently stated and explicated and talked about in the book, Kurt is explicitly not a Nazi. He’s an engineer who was conscripted and doesn’t believe that part of the Nazi propaganda.

Even though he is naïve enough to believe that the Jews who were carted away from all of the German – and Austrian – cities were taken to farms and put to work.

But there’s still something squicky about their romance, and I desperately wish it had not been centered in this story, even though it had to be there in some form. Because after the war, after Kurt served as a POW in Britain, Hedy followed him to Britain and they got married. Post-war.

And that redeemed the idea of a romance in this story, because it really happened in real life (although the real-life person was named Kurt Rummele instead of Neumann), as unlikely as it seems. This feels like one of those cases where the truth stretches credulity, but is still the truth.

That being said, the romance in the story reads like insta-love with a whole lot of insta-lust thrown in. And it felt like it was treated a bit too romantically for a relationship that begins when he has the power to have her killed if she doesn’t go along. We discover later that he wouldn’t and won’t, but at the beginning she doesn’t know that yet and in the story it doesn’t feel like that gives her near enough pause.

I’d have enjoyed reading this a lot more if the friendship between Dorothea and Hedy had been the centerpiece instead of the romance.

That being said, the story of survival against increasingly desperate odds is stark and harrowing, even more so than The Guernsey Literary and Potato Peel Pie Society which is looking back at the occupation after the war is over. The Girl from the Channel Islands has an immediacy that isn’t present in the other story, and it’s certainly interesting to see the occupation from a different perspective.

Escape Rating B: This was obviously a mixed feelings review. The story of the occupation and the desperation of the inhabitants was absolutely harrowing. The development of the friendship between Dorothea and Hedy and the lengths that they go to in order to keep Hedy safe-ish and on the island, the deprivations they survive to keep each other going – that part is wonderful. I personally still find the treatment of the romance troublesome but ultimately not a turnoff because it really happened.

Your reading mileage, your taste for the different parts of this soup, may definitely vary.

One final thought, there’s a quote at the end from the Irish soldier that Dorothea marries after the war that has stuck with me. He doesn’t harbor any resentment or prejudice against the soldiers he fought against, no matter their country of origin, because, as he says, “I came across a ton of different nationalities fighting on both sides. Only thing they had in common was not one bugger actually wanted to be there.”

After all, “War is Hell”.

Review: The Secrets of Colchester Hall by Sophie Barnes + Giveaway

Review: The Secrets of Colchester Hall by Sophie Barnes + GiveawayThe Secrets Of Colchester Hall by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: Gothic, historical romance, regency romance
Pages: 148
Published by Sophie Barnes on January 12, 2021
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

As one of six possible candidates vying for Viscount Sterling's hand, Lady Angelica has been invited to stay at his grand manor for a week-long house party. But an unpleasant feeling lurks within Colchester Hall. It's almost as if someone's watching Angelica just beyond the edge of her vision. And while she tries to explain the chill creeping up behind her as merely a draft, she can't shake the feeling that something disturbing might be at play.
When Sterling decides she's the woman he wants, can Angelica accept her new home and the sinister secrets she fears it might hold, or will she give up on true love because of what could prove to be nothing more than her own imagination?
NOTE: This novella was previously included in the anthology, Wicked Liaison

My Review:

It’s not illogical that the result of a man discovering that his late wife was unfaithful would be for him to ensure that his next wife wouldn’t be tempted. Or in the case of Viscount Randolph Sterling’s search for a new bride, wouldn’t be tempting to others.

The problem is that his next viscountess really does need to be tempting to him.

It’s a conundrum that he intends to solve by inviting six women who are “on the shelf” to his home, with their chaperones, in the hopes that one will strike his fancy – even if it seems that the entire ton has labelled them as unmarriageable for one reason or another.

Three are shy to the point of paralysis, which explains their lack of previous offers. One is a bit shy, but is mostly disqualified because she’s already in love with someone else, who of course doesn’t seem to notice that she exists. (I really liked Lucy and wouldn’t mind seeing her story!)

One of the eligible ladies has the personality of a narcissistic velociraptor. And I might have just insulted velociraptors. It’s clear upon first meeting that the reason no one has offered marriage to Lady Seraphina is because she’s a vicious bitch. And again, that’s an insult to both vicious people and bitches. She’s a piece of work.

That leaves our heroine, Lady Angelica. She’s not shy. In fact, many might say that her lack of shyness, certainly her lack of what was considered decorum and proper behavior for ladies, was the reason that no one – at least so far – had wanted to marry her. Angelica speaks her mind, to the point where she is considered to be blunt to a fault.

Angelica is exactly what Randolph Sterling has been looking for. Over the course of a week where he “interviews” all of his prospective brides, he already knows that he has made his choice.

If Angelica will agree. And if the malign spirit that seems to haunt Colchester Hall will let her live long enough to reach the altar.

Escape Rating B+: For a surprisingly short book, The Secrets of Colchester Hall manages to encompass some seriously creepy Gothic chills while solving the mystery of those titular secrets and leading to a satisfactory – and heated – romantic happy ever after.

Of course, the protagonists need the heat of that HEA to get over the chills induced by those terrible secrets.

The Secrets of Colchester Hall is billed as a gothic romance, and was originally published as part of an anthology of gothics. Gothic romances are a subgenre that isn’t as popular as it was once upon a time, so it was fascinating to read one that invoked some of the classics of the genre.

There are hints of Jane Austen’s Northanger Abbey, to the point where that story is deliberately lampshaded in the bookstore when the hero recommends the book to the heroine. A heroine who is a fan of such gothic romances, as is the heroine of Northanger Abbey herself.

But it feels like the real inspiration for this foray into those secrets at Colchester Hall is Dame Daphne du Maurier’s classic creeper Rebecca. The story has several similar elements, enough to let a reader predict at least some of the outcome. But it stands more than well enough on its own to keep the reader shivering and turning pages to the very last.

What makes this one stand out is the character of Angelica. Her bluntness and plain-speaking make her easy for contemporary readers to identify with, and her willingness to say what she really thinks, no matter the social cost, provides the story with many of its best and most lighthearted moments – as well as providing Sterling with all the reasons he could ever want to ask Angelica for her hand.

Like most gothic romances, there is more than a bit of willing suspension of disbelief involved. The actual villain of the piece is flesh-and-blood and certainly among the living, and that person’s machinations are plausible. Sinister, murderous, manipulative, but still plausible. But there’s an element of paranormal woo-woo involved in most gothics and this one was no exception. Angelica is receiving messages from the beyond and those messages are getting her attention – as well as the attention of the villain. That the story requires her to believe those messages and for the hero to believe her and not have her committed, is a bit of a stretch.

A stretch that works, and chills the reader right to the bone.

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Review: An Unexpected Temptation by Sophie Barnes + Giveaway

Review: An Unexpected Temptation by Sophie Barnes + GiveawayAn Unexpected Temptation by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical fiction, historical romance, regency romance
Series: Townsbridges #5
Pages: 146
Published by Sophie Barnes on December 8, 2020
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads


No other woman compares...

Six years ago, Athena Townsbridge broke up a wedding. This worked out well for her brother and the lady he loved, but Athena has never forgiven herself for what it did to Robert Carlisle. No one has seen him since he fled the church in humiliation, so when she learns of his estate's proximity to the property she is staying at during a family visit, she sets out, determined to make amends.
When Robert, Marquess of Darlington, is reunited with Athena, she's no longer the troublesome girl he remembers, but rather a fully grown woman. Trapped with her when a blizzard sets in, he rediscovers her playful side, the laughter and joy she can bring to his life. But it is her willful nature that tempts him, both with the need to tame her and with the dream of making her his.

My Review:

At the very beginning of The Townsbridges story, all the way back in When Love Leads to Scandal, there were Robert and Athena. And now, at the end of the saga, tying everything together along with, eventually, the proverbial knot, are Robert and Athena.

But where they began is a far and unpredictable cry from where they ended.

When they began, Athena was only 14 and Robert was a grown man of 24 as well as being her older brother Charles’ best friend. There was no hint of a romance there – and there shouldn’t have been.

Athena was much too young, and Robert was engaged to someone else. In fact, Robert was engaged to the woman who eventually married his best friend, Athena’s brother Charles. An event that could, nearly in its entirety, be laid at Athena’s door.

After all, Athena was that rare person who, when faced with the preacher asking if anyone could show just cause why those two, in this case Robert and his fiancé-on-the-absolute-verge-of-becoming-his-wife Bethany, should not be joined in holy matrimony, Athena spoke up and brought the entire house of polite cards down with a thud. Athena said out loud the thing that everyone else was too polite – or too afraid of starting a scandal – or too worried about hurting Robert’s feelings – to say. That her brother Charles and Bethany had fallen in love with each other.

Six years later Robert is a bit of a recluse. After all, his engagement to Bethany was the second time the man got left at the altar. Six years later Athena is 20 and about to be paraded around the “marriage mart” herself. But both of them are still paying, at least in the social sense, for Athena’s breach of etiquette and manners at the wedding that did not happen.

Everyone thinks that Athena is headstrong and in need of taming, but no one believes that they are up for the job. Certainly not her own family, as much as they love her.

Athena wants someone to love her for herself, personality warts and all, and fears that she will never find such a person. As she hasn’t exactly found that kind of acceptance in the bosom of her own family, her fears are quite real and have done a bit of a number on her self-confidence. Her family would say not nearly enough of a number, which says a lot about that relationship.

So Athena concocts a scheme to repair both her and Robert’s slightly tarnished reputations. She takes herself off to his country house, in secret, to beg his forgiveness for her behavior all those years ago. Not that she thinks she did anything wrong in revealing the truth, but at least conscious that the way she went about it had severe repercussions all around.

Like so many of Athena’s clever schemes, the best laid plans of mice and in this case women very much “gang aft a-gley.”

She gets snowbound with Robert. Who does not want to forgive her or even see her or speak with her, but cannot resist the pull between them. No matter where, or how deep into the surrounding snowdrifts, it might lead them both.

Escape Rating B: The Townsbridges are both a lovely family and a delightful collection of Regency romance novellas. This final entry in the series is a fitting conclusion to every single unconventional romance that has made up the series – and the family.

The Townsbridges marry for love. That was true for Margaret and George (their story is in Once Upon a Townsbridge Story) and it has been true for every single one of their children. But Athena is beginning to suspect it’s not going to happen for her as this conclusion to the series opens.

This is, particularly, Athena’s journey, and with her having opened the series in her unconventional way, it’s possible to see the whole thing as Athena’s journey – just that her brothers and sisters managed to find their own HEAs along the way of Athena growing up and growing into herself.

The hard part of this particular entry in the series is the relationship between Athena and her family, and between Athena and Robert, and the way those two things feed into each other. Because in order for Athena to grow up she has to learn where the lines are. And in order for her to be happy she has to find someone who will help her figure out that terrible lesson without suppressing the core spark of her personality.

And at first we wonder if Robert is remotely up for that job. Athena’s family seems to have abdicated all responsibility in the matter. So on the one hand we have a family that loves her, but from their perspective very much in spite of herself, and on the other hand a man who seems to want to control her or at least manage her – because of course he knows best.

It’s only as the story goes on a bit that the reader, or at least this reader, gets past the uncomfortable bits where Robert talks about Athena needing a “firm hand” – and didn’t that make me squirm – to the point where he’s expressing that he loves her exactly as she is, that her spirit is a big part of what he admires in her, and that what she needs to learn is how to move in society so that she doesn’t either offend or run roughshod over pretty much everyone pretty much all of the time. It’s a bit more subtle than how he sounded at the beginning.

That switch is the making of this story and a fitting end for a lovely series.

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Review: The Formidable Earl by Sophie Barnes + Giveaway

Review: The Formidable Earl by Sophie Barnes + GiveawayThe Formidable Earl (Diamonds in the Rough, #6) by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical fiction, historical romance, regency romance
Series: Diamonds in the Rough #6
Pages: 416
Published by Sophie Barnes on November 17, 2020
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

He's breaking the rules for one woman, and coming dangerously close to falling in love…
Simon Nugent, Earl of Fielding, knows he's flawed. He's arrogant, possessive, and haunted by a terrible choice he made long ago. So when a former friend's daughter gives him the chance to do a good deed, he grabs it. Except he'd like to grab her as well and teach her a thing or two about kissing. If only she weren't so damn stubborn.
Ida Strong wants one thing – justice on behalf of her father. She has no room for anything else, in spite of her growing and (at times) inexplicable attraction toward a certain earl. But for a woman who knows what betrayal tastes like, placing her trust in others is hard. Risking her heart, would be downright foolish. Until it's the only thing that seems to make sense.

My Review:

The Formidable Earl harkens back to the first book in this series, A Most Unlikely Duke. In that first story, Raphe Matthews, the very unlikely duke, steals the Earl of Fielding’s fiancee. Not that it was actual theft, not that Gabriela didn’t go extremely willingly, and not that Simon was even remotely heartbroken.

The only parts of Simon that took any kind of hit were his pride and his reputation. Possibly along with the stick up his ass – although that may have become more firmly embedded as the years went by. After all, Simon only proposed to Gabriela because she’d make a perfect countess – not because he cared about her or even really knew her.

It was, after all, what the Earl of Fielding was expected to do. So he did. But fortunately for everyone both in that story and this one, SHE didn’t.

Considering that Simon has a terrible habit of doing what is expected instead of what he wants, well past the point of his own detriment, he’s actually better off without Gabriela, who wasn’t nearly as perfect for the role he imagined for her as he thought she was.

But she’s perfect as the Duchess of Huntley, and Raphe and Gabriela are perfect for each other.

Leaving Simon, in his mid-30s, alone and in need of a wife, or so he – and polite society – believe.

What Simon is really in need of is a LIFE. It’s only when he steps just a bit outside his comfort zone to get one that he finds everything he really needs. All he has to do is consign his starched and pristine reputation to the scrapheap where it belongs.

By marrying a woman who everyone insists is a traitor, a prostitute, and very nearly a murderess into the bargain.

Escape Rating B: There’s a theme to this series, and it’s pretty obvious from the series title. One protagonist or the other is just not “suitable” for marriage into the ton, whether it’s because they were raised outside it, because they were forced out of it, or because they were never part of it in the first place. The usual progress of each story is for the person who does belong to realize that what polite society thinks and believes is a whole lot of horseshit.

The books in the series are only kind of loosely linked, so it really isn’t necessary to read the previous books, or to read all of them, before diving into The Formidable Earl. (I just discovered I missed one along the way and now I WANT to go back to it, but I don’t HAVE to go back.)

The reason for, in this case, the heroine’s unsuitability was fascinating, but the hero’s reaction to it was at times just a bit squicky. Let me explain.

Ida Strong’s dilemma is a reminder that this series takes place at a time when the Napoleonic Wars were not far in the past at all, and that there were still a lot of hard feelings, wounded veterans and general all-around recriminations going on at the time. (The Napoleonic Wars, in a fictional sense, are a gift that just keeps on giving. So many dramatic possibilities both during the war and in the following years.)

Four years before this story begins, Ida Strong’s father, a celebrated British Army General, was convicted of treason in Napoleon’s escape from Elba. Matthew Strong was executed for a heinous crime that he did not commit, and his daughter vowed to find the men responsible and clear her father’s name.

In those intervening years, Ida lived in a brothel owned and operated by her mother’s sister. And that’s where Simon Nugent, the Earl of Fielding, discovers her the one time he decides to break away from his extremely priggish persona.

Simon’s exposure of Ida puts her life in danger from the men who connived at framing her father. The story here is Simon attempting to protect her while falling in love with this woman who is oh-so-wrong according to everyone who is anyone, but oh-so-right for Simon.

But, the exposure of Simon’s thoughts and feelings about the possibility that Ida is a prostitute is extremely uncomfortable to read. It’s not that it isn’t true to what we think of the Regency, it’s that, quite honestly, it just feels awful. It makes all kinds of sense for the era, but it still makes the reader, or at least this reader, squirm when reading it.

Which gives me mixed feelings that Ida has to reject the idea so forcefully in order to be considered “worthy” of becoming his heroine equally squirmy. Again, not that this isn’t true to what we believe of the era. But it still made me uncomfortable.

All of that being said, I really, really liked Ida. She’s a terrific heroine, forthright and proactive with plenty of agency. She was more middle-class to begin with, but society has completely rejected her so she’s pretty much said “to hell with it and the horse it rode in on.”

That Simon is both slavishly devoted to worrying about what people will think and falling desperately in love with Ida puts him on the horns of a delicious dilemma. That Ida has decided what she wants and what she doesn’t, and has no plans to settle, in contrast with Simon’s need to keep her with his initial unwillingness to buck society provides the romantic tension.

That someone really is out to get her, and that they nearly succeed, provides plenty of dramatic tension to keep the reader turning pages until the very last.

I’m certainly looking forward to the continuation of this series with Her Scottish Scoundrel in May of 2021. Not nearly soon enough!

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Review: The Duke Who Didn’t by Courtney Milan

Review: The Duke Who Didn’t by Courtney MilanThe Duke Who Didn't by Courtney Milan
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook, audiobook
Genres: historical fiction, historical romance
Series: Wedgeford Trials #1
Pages: 311
Published by Courtney Milan on September 22, 2020
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Miss Chloe Fong has plans for her life, lists for her days, and absolutely no time for nonsense. Three years ago, she told her childhood sweetheart that he could talk to her once he planned to be serious. He disappeared that very night.
Except now he’s back. Jeremy Wentworth, the Duke of Lansing, has returned to the tiny village he once visited with the hope of wooing Chloe. In his defense, it took him years of attempting to be serious to realize that the endeavor was incompatible with his personality.
All he has to do is convince Chloe to make room for a mischievous trickster in her life, then disclose that in all the years they’ve known each other, he’s failed to mention his real name, his title… and the minor fact that he owns her entire village.
Only one thing can go wrong: Everything.

My Review:

I couldn’t settle down to read any of the things I had planned this weekend (Gee, I wonder why?) and this looked like fun and fluff, and this was a good weekend to read something about a woman of color with agency in a time and place where it wasn’t the norm, because, again gee, there’s a lot of glass lying around from all the ceilings that got broken over the weekend.

The Duke Who Didn’t turned out to be the perfect thing to read this weekend. Not that it’s perfect, exactly, but that it had just the right mixture of fun, fluff, fantasy and romance to get me into it and encourage me to keep the smile that was already splitting my face.

There is just a bit of a fantasy feel at the beginning of The Duke Who Didn’t. That this story takes place in the southeast of England in 1891, in a village whose population is primarily British-Chinese seems just a bit outside readers’ expectations of late-Victorian era English-set historical romance. That the village has a well-known once-a-year contest – with slightly obscure rules – that temporarily explodes the population, sounds a bit like Brigadoon a place that only comes to life once a year. That’s not quite the situation here, but comparisons could be drawn.

That the contest has a basis in historical reality is kind of the icing on the cake. The story is definitely the cake. Or possibly it’s a delicious steam bun, a bao, filled with pork and exquisite sauce. Actually the story is a lot about the sauce. Because Chloe Fong is all about the sauce – especially when she’s trying not to be all about Jeremy Yu. And even when she is.

Escape Rating A-: I’m bringing in the rating early because this is a book that is just so much fun that I need to squee about the details. Not all the details, but enough to get you to pick up this book.

On the one hand, the community of Wedgeford doesn’t quite seem historically real, because of its mixed race, primarily Chinese-British, population. At the same time, I don’t care, although if such a community existed, I’d love to know. But if the options for representation in historical fiction involve a little bit of handwavium, I’m all for it. I don’t need historical accuracy in my historical fiction, I just need historical plausibility – and that is definitely present.

The story of the origins of Wedgeford as it exists in this story feels possible – maybe not likely – but possible. And it’s enough to make the leap into willing suspension of disbelief. Because the author doesn’t gloss over Jeremy’s, and Chloe’s, “acceptance” in the rest of British society – it’s every bit as awful as we imagine. The entire world isn’t different – just this one tiny corner of it.

A part of the premise of this story has been done before, and multiple times, including in A Duke in Disguise by Cat Sebastian. Jeremy Yu is the Duke of Lansing, the man who in fact owns the entire town of Wedgeford, lock, stock, barrel and every single house and building in the place. But his estate hasn’t collected rents in over 50 years, and he has no plans to ever start.

Jeremy has been coming to Wedgeford since he was 12 or so, once a year for the Wedgeford Trials. He’s never told anyone in Wedgeford that he’s the Duke. He doesn’t want anyone in Wedgeford to know that he’s the Duke, because they would treat him differently.

And he really, really doesn’t want to be treated differently. Wedgeford is the one place in England where he can be exactly who he is without apology, a young British-Chinese man who is proud of his heritage. ALL of his heritage and not just the bits that are acceptable to British so-called “polite” society.

In other stories, like the above mentioned A Duke in Disguise, the hidden Duke’s, well, ducalness, comes as a great shock to all when it is finally revealed. Jeremy’s story turns that on its head wonderfully in a way that I won’t reveal. It’s a way that should have been obvious to both Jeremy and the reader, but wasn’t. What it was was delightful. Absolutely.

Actually, delightful is the best word for the whole story. The portrait of the community is lovely, the trials themselves are an absolute hoot, and in the middle of it all is the oh-so-organized Miss Chloe Fong, her dreams, her ambitions and all of her lists, her love for her father and her need to help him get revenge on the British gentlemen who stole his work and his recipe and tossed him to the curb. And her lists. Have I mentioned her obsessive lists? Chloe certainly would. She’s never without them.

And then there’s the food. The descriptions of the food are absolutely mouth-watering, as is the romance between Jeremy and Chloe, the serious young woman and the trickster who adores her. To the point of willingly consuming endless meals of hot peppers in order to gain her father’s respect. Or at least his forbearance.

So come for the Trials, and stay for this saucy tale of love and tasty revenge. Revenge served not cold this time, but hot, flavored with the best sauce ever..

Review: The Light at Wyndcliff by Sarah E. Ladd + Giveaway

Review: The Light at Wyndcliff by Sarah E. Ladd + GiveawayThe Light at Wyndcliff (Cornwall, #3) by Sarah E. Ladd
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: historical fiction, historical romance, romantic suspense
Series: Cornwall #3
Pages: 320
Published by Thomas Nelson on October 13, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In the third book of this sweet Regency Cornwall series, one young man must search for truth among the debris of multiple shipwrecks on his newly inherited property.
When Liam Twethewey inherits the ancient Wyndcliff Hall in Pevlyn, Cornwall, he sets a goal of fulfilling his late great-uncle’s dream of opening a china clay pit on the estate’s moorland. When he arrives, however, a mysterious shipwreck on his property—along with even more mysterious survivors—puts his plans on hold.
Evelyn Bray has lived in Pevlyn her entire life. After her grandfather’s fall from fortune, he humbled himself and accepted the position of steward at Wyndcliff Hall. Evelyn’s mother, embarrassed by the reduction of wealth and status, left Pevlyn in search of a better life for them both, but in spite of her promise, never returns. Evelyn is left to navigate an uncertain path with an even more uncertain future.
When the mysteries surrounding the shipwreck survivors intensify, Liam and Evelyn are thrown together as they attempt to untangle a web of deceit and secrets. But as they separate the truths from the lies, they quickly learn that their surroundings—and the people in it—are not as they seem. Liam and Evelyn are each tested, and as a romance buds between them, they must decide if their love is strong enough to overcome their growing differences.

My Review:

The Light at Wyndcliff is lovely and slightly bittersweet, best categorized as historical fiction with romantic elements. A romance does happen, but it’s not the central point of the story.

The plot wraps around the sometimes exciting, sometimes dangerous and always criminal smuggling operations that the rougher bits of the Cornish coast are notorious for But this is not a story that romanticizes smuggling. Rather, it paints an all-too-clear portrait of the rot that burrows into the whole town when smuggling – and the protection of it – become the whole town’s economic mainstay.

But at its heart, it feels like this is a story about figuring out not just who you are, but who you want to be, and taking the steps to achieve that goal – no matter how difficult the road or how many people and institutions stand in your way.

For Liam Twethewey it seems as if that goal should be easy to achieve. He’s 22, he’s male, and he’s just come into his inheritance, Wyndcliff Hall on the Cornish Coast. His dream is to make the property profitable, and to make the area that surrounds it self-sustaining for the benefit of the people who live there.

He wants to provide good jobs at good pay. He wants to be someone who administers his land for the good of everyone, and not just his own profit. He wants to be a good man and a good steward of his property, just as his uncle and mentor has taught him to be.

Ironically, the person standing squarely in Liam’s way is his own steward. Once upon a time Rupert Bray was the owner of his own wealthy property, but either unwise investments or an addiction to gambling or some combination of both cost him his estate. Now he’s the steward of Wyndcliff, and has become the unofficial leader of the nearby town in the long interregnum between the death of the previous owner and Liam’s ascension.

It’s a power Bray doesn’t want to give up. Not over the estate, not over the town, and especially not over his grown-up granddaughter, Evelyn. Partially, that’s because Bray is, quite frankly, a petty tyrant. Much of it is because Bray has secrets that he fears that an active master at Wyndcliff will uncover.

And a whole lot of it is because Evelyn is female, and women didn’t have nearly as much as agency as men, a situation that was even more true in the 1820s setting of this story.

So an important but sometimes frustrating part of this story is Evelyn’s hesitant search for who she wants to be now that she is grown up. A quest that is under siege, caught between her grandfather’s desire to keep her safe, his secret plans for her, her absent mother’s ambitious plans for her future marriage to a man of her mother’s choosing – and the written and unwritten expectations of behavior that society holds over her head.

The more time that Liam and Evelyn spend together, no matter how publicly or how innocently, the more the townspeople judge her for her behavior. In their eyes, she is reaching above herself and consorting with an enemy – even though neither Liam nor Evelyn are aware that the villagers consider him such.

When the crisis finally comes to a head, everyone has fixed their places in the drama – except Evelyn. Everyone makes demands of her. Her grandfather – and the townspeople – expect her to lie for them. Liam, and the agents of the Crown, expect her to tell the truth. And her mother expects her to abandon all of them for the glittering future that she has always promised her daughter.

No matter what she decides, Evelyn is going to make someone she cares about absolutely furious with her. She has to find her own way in a life where she has been discouraged from doing just that at every turn.

Escape Rating A-: A romance between Liam and Evelyn does happen in this story, but it doesn’t feel like the romance is the point of the story. More like it’s the reward for doing the right thing. Figuring out what that right thing is, that feels like it’s the central point of the story. And that’s the story that swept me away.

The suspense and tension in this story come from Liam’s efforts to become the true master of Wyndcliff, in spite of Bray’s opposition. The more Liam digs into what’s really going on, the more obvious it is that Bray and the villagers are hiding a whole lot of skullduggery that no one – except Liam – wants to see brought to light.

This story’s treatment of smuggling, showing it as a criminal enterprise that leads to even more – and darker – criminal behavior reminded me of last year’s The Woman in the Lake by Nicola Cornick. So if the exposure of the smuggling ring and its corruption of the town is something that intrigued you, you might want to check that story out as well.

But Bray’s corruption and the town’s participation in it felt fairly obvious from the very beginning. The reader may not know at the outset exactly what he’s hiding but it’s exceedingly clear that he’s two-faced at best.

Liam’s perspective was interesting but not particularly new. I liked him as a character, and it was clear that he was trying to do his best – and that his best was going to turn out to be fairly good. But the story of a young man taking up his inheritance, feeling some uncertainty while facing some challenges is a story that’s been told many times and will be again.

The fascinating and frustrating part was Evelyn’s story. She was caught betwixt and between in so many ways, and was aware of it and often confused and flummoxed about it all. She knew what she was supposed to feel – and she knew that she didn’t feel it – while also being aware that she was hemmed in by so many conflicting expectations. It felt very much as if The Light at Wyndcliff is more Evelyn’s story than anyone else’s. She’s the character who is stuck in a role that everyone expects to be passive – and yet isn’t.

But speaking of expectations, this series is focused on Liam’s family, the Twetheweys. And his story is central to the book, even if it doesn’t feel as much his journey as it does Evelyn’s. He becomes the person he’s always been expected to be, while Evelyn’s journey has all the twists and turns.

That being said, Liam has moved away from his family, the protagonists of the first two books of this series, The Governess of Penwyth Hall and The Thief of Landwyn Manor, to take up the inheritance that kicks off this book. This distance from his family means that it isn’t necessary to have read the first two books to get immediately drawn into this one. He’s moved away and the story has moved away too.

So if you’re looking for a story that brings a small town to life, contains a bit of true-to-life historical suspense and features characters who manage to do the right thing, catch the bad guys, pay the emotional price AND get rewarded by a happy ever after, The Light at Wyndcliff is guaranteed to sweep you away to the Cornish Coast!

~~~~~~ GIVEAWAY ~~~~~~

I’m giving away a copy of The Light at Wyndcliff to one very lucky US commenter on this tour!

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