Genre: relationship fiction

Review: The Beach Reads Bookshop by Lee Tobin McClain

Posted on by Marlene Harris | Author : | B Reviews> blog tours> book reviews
Review: The Beach Reads Bookshop by Lee Tobin McClainThe Beach Reads Bookshop by Lee Tobin McClain
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, relationship fiction, women's fiction
Series: Hometown Brothers #3
Pages: 352
Published by HQN Books on April 25, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Running a bookstore on a quaint Chesapeake island is exactly the life Deena Clark would have chosen for herself--but helping billionaire businessman Luis Dominguez figure out fatherhood is part of the package. Can bonding over books and one little girl help them open their hearts to each other?

My Review:

“When one door closes another opens; but we often look so long and so regretfully upon the closed door that we do not see the one which has opened for us.” At least according to Alexander Graham Bell. But what if, as occurs in – and at – The Beach Reads Bookstore, it’s not the looking forward and back that does you in, but rather looking next to you at the person who needs to walk through that new door with you – and not trusting them well enough – or at all – when it comes to crossing that next threshold with them at your side.

Two doors have shut behind 50something Carol Fisher. She lost her job and her husband on the same day to the same cause, stupidity. Institutional stupidity on the part of the college where she is suddenly no longer employed in the tutoring center – which is slated to go online. Testosterone-induced middle-age midlife crisis stupidity on the part of her soon-to-be ex-husband, who she caught carrying his nurse through the house on the way to some hanky-panky. A piece of stupidity he’s going to pay for in more ways than one, as he’s currently collecting disability that is going to stop the minute his duplicity is revealed.

An entirely different set of doors has closed for Deena Clark. Her best friend and roommate has died, leaving Deena with custody of her friend’s baby girl, who shows signs of fetal alcohol spectrum disorder. Deena loves Willow, and wants more than anything to be her mother. But she’s also at the end of her rope. She was barely scraping by financially when she was sharing the apartment, but now that she’s on her own and responsible for a baby who needs extra care, she knows that she doesn’t have the resources to get Willow the help she needs. And that’s just not good enough for little Willow.

Deena sees only one option – to take Willow to her sperm donor and hope that the rich entrepreneur will provide the child support he didn’t know he was responsible for. But Luis Dominguez, once he accepts that Willow is incontrovertibly his, has no plans to pay Deena to make the baby and her caregiver go away.

He intends to be Willow’s father – and he’s willing to cajole or connive in order to make that happen. With all the best intentions – because he’s that kind of Type-A steamroller who believes he always knows best.

His plan is to buy the old, dilapidated bookstore on Teaberry Island, the place where he grew up and where his family still lives, and pay Deena an exorbitant amount of money to manage the bookstore and take care of his daughter – with the able and conveniently nearby assistance of his mother, his two brothers and their wives. His plan keeps Deena with him, gives him something to do on Teaberry Island, and most importantly, gives him time to be a real father to his little girl. All he has to do is tear himself away from his high stakes, high pressure, big time consulting firm in DC.

That his plan to open a door for Willow, Deena and himself runs headlong into Carol’s plan to reopen that same dilapidated bookstore that her family still owns isn’t even on his radar – and he wouldn’t care if it was and doesn’t care when he finds out.

But Teaberry Island is a small town, and everybody pitches in to get the bookstore open again under Luis’ plan for Deena. Except for Carol and her new-found friends, who have plans to take things in an entirely different situation.

Let the games begin!

Escape Rating B: At first it seems as if Carol – along with her friends – is being set up as the villain of this story. Which is entirely unfair, as she’s in every bit as big of a mess when the story begins as Deena is.

But the “A” plot in The Beach Reads Bookshop is Deena’s slow-burn romance with Luis and their pretty inevitable shift from being strangers to becoming a family. It’s cute and it’s sweet and they each have some lessons to learn along the way – but where they’re going to end up is obvious from the beginning so it’s not exactly a surprise when they get there.

Carol’s story, that “B” plot, on the other hand, had a few more twists and turns. (It also went into one nasty corner that I’ll get to in a minute). Carol is the character who is doing a lot of that “regretting the closed door” at least at the beginning, that the quote is talking about. It’s not just that she misses her job and is mourning the end of her marriage, but she’s looking back even further, all the way back to when her grandfather owned the bookstore and the world was just a bit different.

But her sister sold the bookstore out from under her before she even knew Carol wanted it. Which is the point where Carol barged into Deena’s life.

At first it’s that long ago nostalgia that Carol is really trying to recapture – no matter how badly she goes about it. And no matter how much trouble it gets her into. It’s only as she embraces the new life she’s creating on Teaberry Island that her situation really gets interesting – even as it nearly takes a sharp left turn into “grand theft bookstore”.

Once she starts looking forward instead of back she realizes what a fantastic opportunity all of the doors that slammed behind her really were. And while it wasn’t a surprise that her soon-to-be-ex tried – badly – to get her back, it was great that she did not let herself get sucked back into that boring, unfulfilled and unsatisfactory life.

That her journey brings her around to a point where she and Deena are running that bookstore together – and enjoying it and each other’s company – brought everything full circle and tied the story up with a pretty – and somewhat unexpected – bow.

Reviewer’s Note: There was one fly in the sweet-smelling potpourri of this story, at least for this reader, that lies in the way the conflict over the bookstore played out. As ironic as this may sound, in the beginning, both Carol and the local librarian indulged in more than a bit of reader-shaming over the idea that the bookstore would focus on light, fluffy, “beach read” type books. There is a debate, even in library circles, over the question of whether libraries should push people to read “better” books, or if it’s just terrific that people are reading and enjoying it no matter what they choose to read. It’s a debate that was resolved long ago in favor of being happy that people are reading and that it is REALLY bad karma to shame people for what they read. So it left a really bad taste in this reader’s – and librarian’s – to see that debate played out in a rather snide fashion in the earlier parts of this book, especially the way the local librarian was reader-shaming her own patrons. Your reading mileage, of course, may vary. But I hope that whatever you read and love, that we all stop trying to shame other readers for their choices. 

Review: Happy Place by Emily Henry

Posted on by Marlene Harris | Author : | B+ Reviews> book reviews
Review: Happy Place by Emily HenryHappy Place by Emily Henry
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, relationship fiction, women's fiction
Pages: 400
Published by Berkley on April 25, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Harriet and Wyn have been the perfect couple since they met in college—they go together like salt and pepper, honey and tea, lobster and rolls. Except, now—for reasons they’re still not discussing—they don’t.
They broke up six months ago. And still haven’t told their best friends.
Which is how they find themselves sharing the largest bedroom at the Maine cottage that has been their friend group’s yearly getaway for the last decade. Their annual respite from the world, where for one vibrant, blue week they leave behind their daily lives; have copious amounts of cheese, wine, and seafood; and soak up the salty coastal air with the people who understand them most.
Only this year, Harriet and Wyn are lying through their teeth while trying not to notice how desperately they still want each other. Because the cottage is for sale and this is the last week they’ll all have together in this place. They can’t stand to break their friends’ hearts, and so they’ll play their parts. Harriet will be the driven surgical resident who never starts a fight, and Wyn will be the laid-back charmer who never lets the cracks show. It’s a flawless plan (if you look at it from a great distance and through a pair of sunscreen-smeared sunglasses). After years of being in love, how hard can it be to fake it for one week… in front of those who know you best?
A couple who broke up months ago make a pact to pretend to still be together for their annual weeklong vacation with their best friends in this glittering and wise new novel from #1 New York Times bestselling author Emily Henry.

My Review:

Ironically, Harriet’s “happy place” isn’t all that happy when she arrives – no matter how much everyone, including Harriet, tries to recapture the happiness they all always feel when they get there.

Once upon a time, all the way at the beginning of their freshman year at Mattingly College, the algorithm that matches up roommates matched three girls who, on the surface, couldn’t have been more different.

A serendipitous match that gave Harriet, Cleo and Sabrina the ‘sisters from another mister’ that none of them had ever had. They belonged together in a way that was so profound that it took them through college, graduate school, and beyond, culminating every summer at Lobster Fest in a tiny coastal town in Maine where Sabrina’s extended birth and step-family owned a gigantic, fully stocked summer house. (Honestly, more like a summer mansion or a compound. It’s vast and sprawling and perfect – except for one teensy little problem which we’ll get to in a minute.)

Every summer, the girls share one fantastic week together, a tradition that has not wavered as they have each found other roommates, friends and lovers along life’s way. As this summer visit begins, the three have been six for several years, and they are all thirty years old or on the cusp of it.

Sabrina, the great organizer of the group, has pulled them all together – in spite of more than one person’s reluctance – because this is going to be the last summer of their happy place. Her dad has sold the house.

But that’s not the only rain on this particular parade. On the one hand, there’s the good news that Sabrina and her lover, Parth, are getting married that weekend, on the beach near the house, with all their besties around them.

Sabrina and Parth’s good news – if it actually happens – is overshadowed by whatever is eating at Cleo and her girlfriend Kimmy – which is in its turn eating at Sabrina. Harriet, in the second year of a medical residency, has pushed everyone away, partly out of exhaustion but mostly in denial over her own depressing secret.

A secret that greets her at the door, when her long-term ex-fiance is waiting, intending to help her keep up the deception that they are still together. When they’re not. And haven’t been for several months but haven’t managed to tell anyone.

Because they fear it will affect the dynamic of the group – a group which has become a family they both need – whether separately or together.

And because they don’t really want to let each other go – no matter how much they each believe the other is better off without them.

Escape Rating B+: I went into Happy Place hoping for another Book Lovers – which I utterly adored. When I didn’t get that, I found this to be a tough read for most of its length, but now that I’ve finished the book I keep thinking about it and it’s turning out to be one of those cases where the whole is absolutely greater than the sum of its parts.

The story as it progresses seemed like a giant misunderstandammit for the longest time. But the thing about those kinds of books is that what makes them so awkward is that it’s obvious to the reader that all it would take would be one frank conversation to clear up the mess.

That’s not true here. While a bit of frankness would go a long way, it would take WAY more than one conversation to clear things up. All of them are bottling up how they really feel or what is really going on in order to keep the peace – and it’s not working for anyone.

Just as occurred in Book Lovers, this mess needs to build up to an explosion for that air to get cleared. It just takes a week of heating up before it all boils over.

On top of that, what really got to me about this story as I looked back at it was just that, the looking back. Because this is the last summer at their ‘happy place’ they are all aware that an era is ending. That, in combination with all of them turning 30 this year, makes all of them realize that life is changing and that this family that sustains all of them could come to an end if they don’t figure things out and learn to adapt to the changes they are all going through.

And yet, with the secrets hanging over them, they are in danger of not figuring things out. With all the nostalgia on tap on this trip, and with all of the music they play because it is the background of their lives together, (and because they mention Bruce Springsteen’s “Dancing in the Dark” playing on the radio) I realized that this is the summer where they are all aware that whatever happens next for any of them, the years they spent together are the “Glory Days” they will be looking back on for the rest of their lives.

The question in the story is whether they can get beyond what’s driving them apart to find a new way to hold each other together – no matter where the future takes each of them.

In the end, I didn’t love Happy Place the way I did Book Lovers. But once I finished I realized that I liked it quite a bit more than I initially thought!

Review: The Sister Effect by Susan Mallery

Posted on by Marlene Harris | Author : | A- Reviews> blog tours> book reviews
Review: The Sister Effect by Susan MalleryThe Sister Effect by Susan Mallery
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, ebook, audiobook
Genres: contemporary romance, relationship fiction, women's fiction
Pages: 416
Published by Hqn on March 7, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Beloved bestselling author Susan Mallery brings readers an emotional, witty, and heartfelt story that explores the nuances of a broken family’s complex emotions as they strive to become whole in this uplifting story of human frailty and resilience.
Finley McGowan is determined that the niece she’s raising will always feel loved and wanted. Unlike how she felt after her mom left to pursue a dream of stardom, and when the grandfather who was left to raise them abandoned her and her sister, Sloane, when they needed him most. Finley reacted to her chaotic childhood by walking the straight and narrow—nose down, work hard, follow the rules.
Sloane went the other way.
Now Sloane is back, as beautiful and as damaged as ever…and she wants a relationship with her daughter. She says she’s changed, but Finley’s heart has been burned once too often for her to trust easily. But is her reluctance to forgive really about Sloane or worry over losing what she loves the most? With the help of a man who knows all too well how messy families can be, Finley will learn there’s joy in surrendering and peace in letting go.
 

My Review:

Supposedly, “love bears all things, believes all things, hopes all things, endures all things and [it] never fails. But love is a feeling. It’s not the emotion that does anything. It’s PEOPLE who love and do all the other things in this famous list from the Bible.

In dysfunctional families such as the ones in this story, it’s the strongest members of the family who do most of that bearing and enduring – even after their hope is gone. The story in The Sister Effect (technically it should have been The Sibling Effect but that’s not nearly as catchy a title) is told from the perspective of that person in two initially separate families, that one who stands tallest and is supposed to forgive everyone else all their many and very real trespasses – even as they deal with the trauma that bearing inflicts. On top of dealing with the original trauma and the dysfunction and broken trust that followed it.

Jericho Ford is still grieving the sudden loss of his father as well as having to assume the helm of the family construction company a couple of decades before he thought he was ready. He thought his family had finally found their way to the other side of that grief when their dysfunction manifested in a way that honestly deserves its own episode of the Jerry Springer Show.

Jericho’s wife Lauren and his brother Gil didn’t just have an affair, they managed to fall in love and get pregnant. Jericho is supposed to forgive, forget, give his blessing AND be his brother’s best man. Jericho’s lack of grief over the end of his marriage is so easy to get past that he realizes that it had been over for a long time.

The way that his brother betrayed his trust is a LOT harder to get over. And he’s having a LOT of trouble over it. That betrayal cut deep, and he’s still righteously angry about the whole thing. His mother wants peace in what remains of her family, while Jericho wants to stop having to be the bigger man about damn near everything.

But Jericho’s righteous anger provides the lighter moments in this one. The bigger trauma, the larger betrayals, and the huge tragedy in the story belongs to Finley McGowan as she is forced to keep her own trauma and broken trust at bay every single day.

Because Finley’s sister Sloane is an alcoholic whose last great binge before entering rehab derailed all of Finley’s plans for a future that she was working damn hard for. At least until Sloane stole Finley’s pickup truck filled with $100,000 of supplies for the house she was flipping, sold off those supplies and wrecked the truck. Along with Finley’s credit rating, her job and her relationship with her fiance. (He turned out to be no great loss, but still…)

And left Finley, always the responsible one, to take guardianship of Sloane’s then 5-year-old daughter Aubrey while Sloane tried to accept both her alcoholism and the steps she’d need to take to deal with it for the rest of her life. An acceptance she’s having difficulty reaching no matter how hard or how faithfully she performs the steps to achieve it.

Like Jericho’s mother, Finley and Sloane’s mother expects Finley to accept the apologies and keep on believing that Sloane will turn her life around no matter how damn tired Finley is of having to pick up the pieces of the wreck Sloane makes of Finley’s life – over and over and over.

Both Finley and Jericho begin the story in a place of being resentful as hell. They’re both right. It’s not fair to them. They’re the ones who have to set their own emotions aside, over and over again, for the benefit of people they’re not really sure ARE sorry for what they’ve done. And they’re both really tired of their respective messes – which are SO not their fault.

But holding on to their anger and resentment isn’t doing either of them any good. It’s only when they reach out to each other that they find much, much better feelings to hold onto.

Escape Rating A-: So often, stories like this one focus on the journey of the person who has committed the wrong or is on the road to recovery from their issues. Stories that focus on redemption and healing. What I really liked about The Sister Effect was that instead of focusing on Sloane’s redemption arc or Gil’s transgression turned epic romance (not that both aren’t important parts of this story), the story instead focused on the people picking up the pieces of their destruction, Finley and Jericho.

Their anger, resentment and distrust felt oh-so-righteous. It’s a perspective that’s sometimes missing in redemption stories, that the people wronged are entitled to their feelings and that “sorry” doesn’t wipe it all away. Their trust has been abused and broken, and they have to process that loss before they can move on with their lives.

They both need to forgive, if not forget, for their own healing, but it’s a hard journey and the difficulty of it made the characters shine – even while they ranted and vented and cried.

While Finley’s story was so much more traumatic and heartbreaking, Jericho’s was a necessary part of the whole. The farcical nature of his family’s difficulty both managed to balance out the heavier nature of hers while giving them common ground for reaching their own happy ever after with their respective – and combined – dysfunctional families.

The Sister Effect turned out to be a wonderful story about the ties that bind – and sometimes strangle – within families that have been to hell and back together and separately and still manage to find a way forward – more or less together. That their journey resolves into just the right mix of hopeful ‘happy for now’ for Sloane’s on her journey while giving Finley and Jericho as well as Gil and Lauren the happy ever after they’ve finally earned.

Review: Nora Goes Off Script by Annabel Monaghan

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Review: Nora Goes Off Script by Annabel MonaghanNora Goes Off Script by Annabel Monaghan
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: contemporary romance, relationship fiction, women's fiction
Pages: 272
Published by G.P. Putnam's Sons on June 7, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Nora's life is about to get a rewrite...
Nora Hamilton knows the formula for love better than anyone. As a romance channel screenwriter, it's her job. But when her too-good-to work husband leaves her and their two kids, Nora turns her marriage's collapse into cash and writes the best script of her life. No one is more surprised than her when it's picked up for the big screen and set to film on location at her 100-year-old-home. When former Sexiest Man Alive, Leo Vance, is cast as her ne'er do well husband Nora's life will never be the same.
The morning after shooting wraps and the crew leaves, Nora finds Leo on her porch with a half-empty bottle of tequila and a proposition. He'll pay a thousand dollars a day to stay for a week. The extra seven grand would give Nora breathing room, but it's the need in his eyes that makes her say yes. Seven days: it's the blink of an eye or an eternity depending on how you look at it. Enough time to fall in love. Enough time to break your heart.
Filled with warmth, wit, and wisdom, Nora Goes Off Script is the best kind of love story--the real kind where love is complicated by work, kids, and the emotional baggage that comes with life. For Nora and Leo, this kind of love is bigger than the big screen.

My Review:

This initially anti-romantic Nora actually writes those made-for-TV-sponsored-greeting-card-company romances that the Nora in yesterday’s book initially believed cast her as an unfeeling villain in every single outing. Unlike the romances that either of them reads, writes, agents or even watches, the particular script that this Nora is dealing with when this story begins is the story of her own life, and it’s about to be filmed in her very own picturesque but slightly run down home.

Or rather, it’s about to be filmed on her lawn and in “The Tea House” on the grounds where she does her writing. It’s a bit of art imitates life imitates art, as that Tea House was her emotional escape from an emotionally abusive but otherwise absent husband. It was the place where she wrote the scripts that literally kept their life afloat – because the asshole was just too “good” – at least by his own definition – to go out and get a damn job to contribute to the household.

Which also wasn’t good enough for him in any way, shape or form. Not Nora, and not their two kids. So he upped and left and she was actually pretty damn happy about it. She chose not to be a victim of any of her circumstances, and that’s her story and it sold and it’s being filmed and just the fees from using her house for part of the movie shoot is going to get her out of the debt the asshat left her in.

But her asshat ex is being played by the Sexiest Man Alive, and Nora is just a bit smitten. Or at least her fantasy life has suddenly taken on some new dimensions. Still, Leo Vance’s invasion of her life and occasionally her house is just a bit of excitement in her otherwise pretty ordinary and pretty contented life.

And she can’t wait for the film crew to be gone so she can get back to writing. But when the film crew leaves, Leo decides to stay. And stay. And STAY.

That’s where what was merely a blip – although a pretty damn big blip – of excitement turns into a whole lot more. Leo doesn’t just camp out in her tea house, he becomes part of her life and the lives of her two kids, Arthur and Bernadette. In a few short weeks, they become a family.

It’s easy for all of them to fall for him. He’s more involved in all their lives than the asshat EVER was. And it’s not an act. He’s not playing a part. So when Nora and Leo finally give in to the simmering tension between them, it seems like something that shouldn’t be possible might be possible after all. They might, just maybe and possibly, have some kind of future. No matter how much that seems like a fairytale.

But just when they do – they don’t. Leo gets a call, jets off to LA and then to Asia to film a big movie, and he ghosts the whole family. He misses all the things he promised he’d come back for and just disappears out of their lives if not out of their hearts.

Howsomever, this isn’t Nora’s first time on this particular merry-go-round. She wasn’t a victim before, and she isn’t going to be one now. She knows what to do. She writes her pain. She picks up the pieces and moves on. She survives.

It’s then, and only then, that the truths finally come out. The only question is whether or not it’s too late.

Escape Rating A: I fell into this one nearly as hard as I did Book Lovers, and that’s saying a lot. The two romances have a lot in common, particularly in the way that they both mix in a lot of relationship elements. Because this isn’t just a romance between the scriptwriter and the actor, it’s also a love story about the actor and the scriptwriter’s kids. They have to be able to become, not just a couple but actually a family in order for this to even possibly work.

And Nora is as surprised as anyone – if not a bit more so – that it might possibly work. So she’s not surprised at all when it doesn’t. Heartbroken this time around, but not surprised.

One of the things that makes celebrity romances so much fun – especially when they work as well as this one does, is that we’ve probably all had that daydream at least once or twice – if not a whole lot more times. It’s not remotely likely or even plausible, but it’s fun to dream.

But to make it work as in a novel that dream has to at least seem like it might possibly come true in this one particular case. (Spoiler Alert and All the Feels, both by Olivia Dade, also play with this idea but in a completely different way.) And it does seem to be working in Nora Goes Off Script – at least from Nora’s perspective.

Howsomever, because the story is told entirely from Nora’s point of view, we get why it works but we also see exactly how much she questions whether the relationship has ANY long term potential whatsoever. She knows she wants it to, but she’s realistic about wondering whether it can. That we don’t see things from Leo’s point of view means that we share her doubts and totally get why, when he disappears it’s disappointing but not as surprising as either she – or we – want it to be.

(Some of the folks in my reading circle saw these events as a giant misunderstandammit. While it’s true that the mess might have been cleared up by a conversation or a series of texts in their particular case, because of the agency in the middle of things it was easy to see that that conversation actually couldn’t happen. YMMV, as theirs obviously did.)

That all of Nora’s justified angst does lead to both another big money script sold to Hollywood AND to an HEA without her having to compromise a thing – because she shouldn’t – was a surprise and a delight. The ending fed the fantasy in a way that made this reader end the book with a big smile on my face – although probably not as big a smile as the one on Nora’s daughter Bernadette’s face.

Nora Goes Off Script is the author’s debut adult novel, although she has previously published both YA fiction and grown-up nonfiction. I’m so very happy that there is more where this one came from, and I’m looking forward to reading her sophomore adult romance, Same Time Next Summer, coming out THIS summer!

Review: Book Lovers by Emily Henry

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
Review: Book Lovers by Emily HenryBook Lovers by Emily Henry
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, relationship fiction
Pages: 377
Published by Berkley on May 3, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

One summer. Two rivals. A plot twist they didn't see coming....
Nora Stephens’ life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby.
Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small-town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute.
If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.

My Review:

When it comes to Happy Ever Afters, one size definitely doesn’t fit all – even if a certain ubiquitous type of romance movie leads you to believe it does.

You know the ones I mean, on the channel created by the equally ubiquitous greeting card company, where a City Person™ is forced by circumstance to spend a month (or two) in a (very) small town and discovers true love, happiness and fulfillment in the welcoming embrace of that small town and particularly in the arms of one of the handsomest or most beautiful people there who loves the place and everyone in it that all that love converts the City Person into a country person.

This is not one of those stories.

This is a story about the city people that former City Person left behind back in the big city. Because there’s always someone in that city who they were supposed to marry as soon as they got back – which they never do. Whether that other City Person just doesn’t really understand or love them after all, or whether that person is the reincarnation of Cruella de Vil (whether male or female, doesn’t matter), that person who thought they knew where their life was going and who it was going with is left in the lurch, scrambling to put things back together.

Nora Stephens has been that ‘left behind’ person four times now. She’s a highly respected, perhaps just a teensy bit cutthroat book editor who will do anything and everything for her clients – but doesn’t leave much time, energy or effort for herself. She’s been left behind in love so many times that she’s given up on the idea.

The one person in her life that she always makes time for – even if not nearly fast enough or often enough – the one person she loves without reservation is her younger sister Libby. So when Libby entreats, inveigles and somewhat emotionally manipulates Nora into taking a vacation, together, just the two of them, away from Nora’s all-consuming job and Libby’s beloved husband and two little girls, Nora caves. Pretty much instantly. Libby has that effect on her.

Nora can sense there’s something that Libby’s not telling her. And whatever it is, she needs to get to the bottom of it so she can fix it for her sister. Because that’s what Nora always does, one way or another.

Because she can’t fix the one thing that both of them want more than anything. She can’t bring back the mother who died and left her girls behind. So she’ll give everything else instead. Including her own dreams of a Happy Ever After.

Unless, just this once, Libby can fix things so that it’s Nora who finally gets to have it all. While still managing to remain that City Person. But finally a City Person with her very own, fitted just for her, HEA.

Escape Rating A+: I loved this one for all the reasons that made Nora’s HEA seem so impossible to her at the beginning. Because her HEA fits her and doesn’t fit the cookie-cutter mold. And I loved her for it every bit as her sometimes-nemesis (but not really) does. So there’s a reason Book Lovers won so many plaudits and was on so many “Best of the Year” lists and I’m there for every single one of them.

The story is a bit meta, but in a terrific way. It’s a book about romance tropes and a romance between two people who love books, fall for each other, and have a romance that appears to be casting against all those romance tropes, only to learn that they’ve been happening while they haven’t been looking at anything but each other.

There’s also a bit of a relationship fiction/women’s fiction/chick lit story going on very much in the foreground of the story, as the only long-term relationship in Nora Stephens’ life isn’t a romance – because she’s been avoiding those or failing at them (or a bit of both) – right, left and center.

The sustaining relationship in Nora’s life is her love for her younger sister Libby. Normally, I don’t like misunderstandammits, but it’s fascinating in this book because the misunderstandammit in Book Lovers isn’t in Nora’s very slowing brewing romance with Charlie Lastra, but rather with her sister Libby.

There’s something wrong between them, and Nora knows it but doesn’t know what it is. Libby’s keeping something important from her, but she doesn’t know what that is, either. It’s only when the blowup actually happens that we – and Nora – finally understand why it needed to happen. AND why it had to reach such a huge boiling point so that Nora could finally hear it instead of trying to fix it. That what it’s about is so very real was a big part of why this book was just so damn good.

This is a story with not just one beating heart for the romance, but actually two – one for the romance and one for their sisterhood. It gives the story the kind of balance that it needs to make it work. Because Nora can’t be truly happy unless things are alright with Libby, which can’t happen until Nora stops playing “mom” so she can just live being “sister”.

And then there’s the romance. As much as the romance in this story doesn’t fit a lot of the usual tropes as Nora describes them early on, it does fall very nicely into the enemies to lovers trope. Not that Nora and Charlie Lastra ever were truly enemies. They’re not rivals or competitors in any way. They just met on what turned out to be a terrible day for each of them. Every single word of their entire conversation wasn’t heard without being filtered through their respective miseries. They gave each other good snark but just couldn’t get past their own admittedly terrible crap to see the person on the other side of the table.

Two years later, unbeknownst to each other, in the middle of trips that they’ve each been separately strong-armed into, they run into each other in the tiny town of Sunshine Falls, NC, to discover that their enmity isn’t really all that strong, but their bantering snarkitude is excellent.

It’s not every couple who gets to say they bonded over truly terrible Bigfoot erotica. But when you’re both book lovers, the bad ones are THE MOST FUN to giggle over. Together. (If there’s any truly great Bigfoot erotica I doubt that either of them would want to know. And neither do I.)

I loved Book Lovers very, very hard. Which means I’m now very much looking forward to the author’s next romance with relationships story, Happy Place. It’s coming in April so happily I don’t have that long to wait!

Review: The Very Secret Society of Irregular Witches by Sangu Mandanna

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: The Very Secret Society of Irregular Witches by Sangu MandannaThe Very Secret Society of Irregular Witches by Sangu Mandanna
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: contemporary romance, paranormal romance, relationship fiction
Pages: 336
Published by Berkley Books on August 23, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A warm and uplifting novel about an isolated witch whose opportunity to embrace a quirky new family--and a new love--changes the course of her life.
As one of the few witches in Britain, Mika Moon knows she has to hide her magic, keep her head down, and stay away from other witches so their powers don't mingle and draw attention. And as an orphan who lost her parents at a young age and was raised by strangers, she's used to being alone and she follows the rules...with one exception: an online account, where she posts videos pretending to be a witch. She thinks no one will take it seriously.
But someone does. An unexpected message arrives, begging her to travel to the remote and mysterious Nowhere House to teach three young witches how to control their magic. It breaks all of the rules, but Mika goes anyway, and is immediately tangled up in the lives and secrets of not only her three charges, but also an absent archaeologist, a retired actor, two long-suffering caretakers, and...Jamie. The handsome and prickly librarian of Nowhere House would do anything to protect the children, and as far as he's concerned, a stranger like Mika is a threat. An irritatingly appealing threat.
As Mika begins to find her place at Nowhere House, the thought of belonging somewhere begins to feel like a real possibility. But magic isn't the only danger in the world, and when a threat comes knocking at their door, Mika will need to decide whether to risk everything to protect a found family she didn't know she was looking for....

My Review:

What would happen if people discovered that there really were witches in the world, and that magic really did work – if only for a privileged few? Most of the urban fantasy/paranormal stories that use this premise in the world we know tend to look at how witches were treated historically – whether the women (and it was almost always women) – who got burned, stoned or drowned could actually practice magic or not and take the Harry Potter option of a Statute of Secrecy or equivalent prohibitions.

It’s not an unreasonable fear. Even without the possibility of witchcraft, humans already find plenty of reasons to persecute each other over perceived differences that mostly total up to some people hate and fear others and will latch on to any excuse to practice that hate in the hopes of putting that fear to sleep. People who are different because they have actual, real, mysterious powers? The line to pick up torches and pitchforks forms on the right. Please maintain an orderly queue.

In The Very Secret Society of Irregular Witches, the witches in question, irregular or otherwise, have taken that very reasonable fear and run a bit too far with it. Pretty much running away from each other into the mixed results at best bargain.

Mika Moon is a witch. And she’s lonely. She is forced to live a secret, and fears staying anywhere long enough to put down roots or develop friendships for fear that if people get to know her they’ll figure out what she’s hiding. Or they’ll simply decide that she’s just not worth their time, their care or their friendship.

Her entire life is a sad song of just not being enough to make anyone want to stay. Unless, of course, they have a USE for her powers.

So she’s sure that the advertisement she’s seen on the interwebs, that someone is searching very specifically for a witch, is probably a scam of some kind – at best. Howsomever, between losing her most recent job, not having enough money to pay rent and feeling like it’s time to move on from her current location, Mika is at loose ends.

The job, if it really exists, comes with room and board – along with the mystery of why someone is looking so specifically for something and someone that isn’t supposed to exist. That the location of this puzzling offer is called “Nowhere House” adds to the sensation that Mika is probably being pranked.

At least until she gets there, and meets the job head on. Three little witches, all gathered together in a way that Mika’s been taught is never supposed to happen, need an adult witch to teach them how to do magic. And more importantly, how and when NOT to do it.

Mika’s never been a teacher before. She’s been taught that witches are NEVER supposed to gather together – and certainly never to practice magic together. But the girls need her, and Mika needs a refuge where, for once in her life she can be exactly who and what she is without having to keep so many secrets.

That the adults in the house all know about magic, and seem to have a Mika-shaped hole in their lives and their hearts is the icing on a cake that Mika never thought she’d even get to taste.

Everything about Nowhere House seems like it’s made of magic. The answer that Mika has to discover for herself is whether or not it’s real – or just another illusion.

Escape Rating A-: The Very Secret Society of Irregular Witches was absolutely charming – and I was utterly charmed by it. It’s a heartwarming read with just the right touch of magic to keep you turning pages, both to be part of this wonderful if extremely irregular household and to see what happens next.

It’s also a story that sits very comfortably on the border between cozy fantasy, paranormal romance and relationship fiction, snuggled right next to The House in the Cerulean Sea by TJ Klune – with both Witch, Please by Ann Aguirre and Small Town, Big Magic by Hazel Beck looking on with stern disapproval.

By that I mean that the magical household is centered around the care of the children, in this case the three young witches. Their caretakers are not magical themselves, but they obviously love the children very much, and have gone more than a bit overboard in protecting them. They are, for the most part, an utterly delightful gang, including the young, grumpy librarian, Jamie, while the madcap Ian felt more than a bit like an homage to Tom Baker’s Doctor Who, particularly in his later incarnation as “The Curator”.

And just as in The House in the Cerulean Sea, there is more than the possibility of a romantic relationship in the air – which Ian is delightfully encouraging with mad abandon – to the consternation of Jamie, Mika and his own husband Ken.

But amongst the joy of Mika finding her place in the world, the girls learning magic and the adults making an eclectic but warm and loving home for the children and each other, there are clouds on the horizon. Just as in Witch, Please and Small Town, Big Magic, the forces of official witchdom, in the persons of the elderly ladies who have overshadowed Mika’s life as a witch from childhood, are ever present as the voice in Mika’s head telling her that everything she is doing is wrong and will be punished. Severely. Because she is breaking ALL THE RULES.

At the same time, it’s obvious fairly early on that a secret is looming over the entire household, and that secret, with all of its accompanying chickens, must come to roost before the story can reach anything like a happy ending.

So the Sword of Damocles casts a long shadow over everything – at least until it crashes down and cuts through all the hidden issues and agendas, including all the secrets standing in the way of pretty much everything. And, while it may seem like everything wraps up just a bit too neatly, by this point in our investment in the story that’s kind of what we want.

And in the end, that happy ever after, for the girls, for Mika and Jamie, and quite possibly, eventually, for witches everywhere, is utterly magical.

Review: Pets of Park Avenue by Stefanie London

Posted on by Marlene Harris | Author : | B Reviews> blog tours> book reviews
Review: Pets of Park Avenue by Stefanie LondonPets of Park Avenue (Paws in the City, #2) by Stefanie London
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, relationship fiction, romantic comedy, women's fiction
Series: Paws in the City #2
Pages: 336
Published by HQN Books on December 6, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

"One of the year's most delightful rom-coms."—New York Times bestselling author Julia London on The Dachshund Wears Prada
The perfect romcom for dog lovers! Pets of Park Avenue is the story of a self-confessed hot mess who learns that life is more fun when things don't go according to plan.

What do you do when The One is also the one who broke your heart?

Self-proclaimed hot mess Scout Myers is determined to prove she’s finally got her act together. Raised by grandparents who saw her as her wayward mother’s wayward daughter, Scout’s used to being written off. So when the opportunity for a promotion arises at Paws in the City, the talent agency where she works, Scout is desperate to rise to the occasion. With shared custody of her little sister also on the line, Scout can’t afford a single mistake…like suddenly needing a canine stand-in for an important photoshoot. Luckily (or not) she knows the owner of the perfect pup replacement: the estranged husband she walked out on years ago.
On the surface, it appears Lane Halliday’s life has been blissfully drama free without Scout, but she suspects her handsome-as-ever not-quite-ex-husband doth protest too much. Working together even feels like old times—except for all that lingering, unresolved tension. But Scout’s not sure she’s ready to confront the reasons she left Lane, and when their plans to finalize the divorce become very real, Scout starts to wonder whether second chances might be worth a little hot mess.
Paws in the CityBook 1 - The Dachshund Wears Prada

My Review:

Pets of Park Avenue combines a second chance at love romance with a bit of a comedy of errors wrapped around the paws of an adorably fluffy little Bichon Frisé who seems to be experiencing nearly as much sad fluff as her people.

Both the one she still has and the one that only thinks she got away.

This followup to The Dachshund Wears Prada follows the second member of the Paws in the City media team, that self-proclaimed hot mess – and Isla’s best friend – Scout Myers. When the small agency’s star Bichon Frisé, Sasha, is accidentally dyed hot pink in the middle of a big opportunity for both the dog and the agency, Scout is the one sorta/kinda in charge of their canine charge.

At least, she’s the one who feels responsible for the accidental dye-job. Because being held responsible for every accident that happens in her vicinity and taking the blame for all the fallout is just what her cold, rule-bound, hidebound grandparents have conditioned her to do.

Theirs was not a house in which the phrase “shit happens” was ever even uttered, let alone believed. If Scout was nearby, it must have been her fault – whether it was or not. Because Scout was just like her mother, their wayward daughter, and had to be straight-jacketed into proper behavior no matter how much it broke her spirit.

Reining Scout in was the only way her grandparents could hope to save Scout’s little sister Lizzie from her terrible influence. So they did. At every opportunity. Until they kicked her to the curb at age 21. For not being properly obedient and respectful and for not following every last one of their stifling and arbitrary rules.

So Scout feels responsible for the temporarily pink Bichon, and needs a well-behaved substitute until the dye and the resulting buzz-cut grow out. Which is where her not-exactly-ex-husband, and his suddenly not-exactly-perfectly-behaved Bichon come in.

Scout ran out on both the man and the dog five years ago because, well, reasons. Reasons that they never told each other. They were together for one glorious month and have been separated for five years of limbo but Scout needs a dog just like Sasha, and Twinkle Stardust (yes, really) is her best chance to fix what’s broken.

With the agency and possibly with herself.

What she really needs is to either put her past behind her or, perhaps, put it back in front of her again. She’s a bit older, possibly wiser, and trying to be more responsible. Because she wants custody of her teenage sister. Because she needs to start adulting.

And because she’s never found anyone to remotely match the one that she left behind.

Escape Rating B: The thing about Pets of Park Avenue that made this one so interesting was that it’s Scout’s discovery that she doesn’t need to get it together because she’s had it together all along. It’s also about the difference between what is said and what is meant, and that’s a sad and often hard lesson to learn.

In other words, Pets of Park Avenue isn’t as light and fluffy as one of the Bichon Frisés. I missed The Dachshund Wears Prada, at least the social media account that both establishes Isla as a media influencer AND gets her in so much trouble. Because the voice of the Dachshund that Isla puts out there is wry, funny and so very sharply observant that it gives the book a lighter tone than this one in spite of just how much Isla also needs to overcome.

Scout IS a hot mess in this book, but not for any of the reasons she thinks she is. She’s a hot mess because that’s all she’s ever been told she can be, and she’s taken that lesson so very much to heart. Throughout the story, it seems as if her grandparents are the villains of the piece. And they kind of are.

But they also kind of aren’t. Or at least, they didn’t intend to be. But what they meant versus what they said and how they said it, how much they saw AND treated Scout as if she was a carbon copy of her mother, sent their relationship and Scout herself off in some terrible directions that she spends the whole story dealing with.

The second-chance-at-love romance was, at first, heartbreaking. But as the story continues, they are both forced to acknowledge that they were just too young and too impulsive. The bitter turns to sweet as they look back at themselves and look now at each other in order to figure out what direction they need to go, together or apart. Either way would have made a satisfying ending, but I preferred the direction they chose – if only to give Twinkle Stardust her own happy ever after.

So The Dachshund Wears Prada had a whole lot more lightness in it. Pets of Park Avenue was leavened with a bit more bittersweet. I’m looking forward to seeing what just what kind of canine and human drama we’ll get in Confessions of a Canine Drama Queen next summer!

Review: A Wish for Winter by Viola Shipman

Posted on by Marlene Harris | Author : | B Reviews> book reviews
Review: A Wish for Winter by Viola ShipmanA Wish for Winter by Viola Shipman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: Chick Lit, holiday fiction, holiday romance, relationship fiction, women's fiction
Pages: 416
Published by Graydon House on November 15, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

“I love this book—funny, perfect and wonderfully good. A not-to-be-missed delight.” —New York Times bestselling author Susan Mallery
With echoes of classic Hollywood love stories like Serendipity and An Affair to Remember, Viola Shipman’s latest winter charmer following the USA TODAY bestseller The Secret of Snow is sure to tug on heartstrings and delight readers who love books about books, missed connections and the magic of Christmas.
Despite losing her parents in a tragic accident just before her fourteenth Christmas, Susan Norcross has had it better than most, with loving grandparents to raise her and a gang of quirky, devoted friends to support her. Now a successful bookstore owner in a tight-knit Michigan lakeside community, Susan is facing down forty—the same age as her mother when she died—and she can’t help but see everything she hasn’t achieved, including finding a love match of her own. To add to the pressure, everyone in her small town believes it’s Susan’s destiny to meet and marry a man dressed as Santa, just like her mother and grandmother before her. So it seems cosmically unfair that the man she makes an instant connection with at an annual Santa Run is lost in the crowd before she can get his name.
What follows is Susan and her friends’ hilarious and heartwarming search for the mystery Santa—covering twelve months of social media snafus, authors behaving badly and dating fails—as well as a poignant look at family, friendship and what defines a well-lived and well-loved life.
“Viola Shipman has written a captivating story for anyone whose memories run deep… This book keeps faith and hope alive!” —New York Times bestselling author Sherryl Woods

A Country Living Magazine Best Christmas Book to Read This Holiday Season!

My Review:

First of all, A Wish for Winter is a heartfelt love letter to the entire Mitten State of Michigan. Every single square inch and winter snowflake of it, from the hungry lakes to the deep bays to the very rocks, specifically the Petoskey stones that are foundation, the bedrock, the official state rock and the name for the tiny tourist town where the Claus family, officially known as the Norcross family, make their home.

Second, this is very much a paean to the spirit of Christmas – not necessarily in the religious sense but rather in the faith and belief that is strangely but sometimes beautifully displayed by the more ‘Hallmark-y’ aspects of the season. The idea that with a bit of belief in the magic of the season, it is more than possible to reach out and pluck a star – or at least a happy ending – down from the heavens, the top of a tree, or the place where dreams really do come true.

It is also a sometimes heartbreaking but ultimately uplifting story of Susan Norcross, the owner of the Sleigh by the Bay bookstore in beautiful Petoskey, Michigan, where her grandparents play the part of Mr. and Mrs. Claus every December in the front window of the store she inherited from them.

Susan’s grandparents may keep Christmas in their hearts all year round, and display it pretty much every chance they get, but Susan hasn’t felt all the joy of the holiday since she was ten years old. Because that’s the holiday season when her parents were killed by a drunk driver. Susan is now forty, the age her mother was when she died, and she’s been stuck cycling through the first four stages of grief (denial, anger, bargaining and depression) for the past thirty years without ever reaching acceptance.

Without ever managing to forgive either the drunk driver – in a coma all these years – or herself.

Not that Susan hasn’t had her own version of a wonderful life. Her grandparents are everything anyone could ever have wanted in mentors, parents AND grandparents. She’s an integral part of a town that loves and supports her and her bookstore, she’s respected in the publishing industry to the point where authors, their agents and their publishers court her for appearances at her store and cover quotes.

And she has the best, most supportive even if sometimes a bit too up in her business best friend in the world. Along with excellent colleagues who have become the greatest found family she could ever have imagined.

As her 40th year approaches she’s becoming aware that there’s something missing. Both her mother and her grandmother met their perfect matches when said matches were wearing Santa suits. As a child, Susan expected to do the same. Then her parents were taken from her and she walled herself off from getting too involved and being too hurt.

But those friends, those wonderful, loving, a bit too intrusive friends, have a solution to Susan’s missing ‘Single (Kris) Kringle’ by putting Susan’s search for the Santa of her dreams on social media and inviting the entire country to watch her hunt for her very own one true Santa.

They’re going to pull Susan out of her uncomfortably comfortable rut – no matter how many likes and ‘thumbs up’ emojis it takes to make it happen.

Escape Rating B: If you’ve ever heard of “sad fluff” and wondered what it was, look no further because A Wish for Winter is a perfect example of the type. “Sad fluff” is a story where a whole lot of sad stuff happens but at the same time there’s an earned happy ending – whether romantic or not – and there are plenty of happy or even funny bits in the story. There’s lots of good support for the main character, but that character is still going through the story with a sucky place inside and the tone of the book is ultimately just a bit, well, sad.

And that’s A Wish for Winter in a nutshell. Susan has plenty of reasons to be sad, reasons that still overwhelm her at times even after 30 years. And there’s no one process or amount of time needed for an individual to process their grief, which in Susan’s case is not just real but also overwhelming. Because Susan suffered such a big loss so young, it has affected her entire life. It’s not something she’s ever going to get over or get past, nor should she. But she’s well past the point where she needs to reach the acceptance stage of grief and not hold onto it quite so tightly because the only person it’s hurting is herself.

The story of Susan taking those two steps forward, one step back towards that acceptance is a bit halting – not in the pacing sense but because her journey is supposed to be halting and uncertain. Still, her journey through that slough of despond hangs over all of the lighter moments in the book.

Although there certainly are plenty of those lighter moments. Her friends are an absolute delight even as they are invading her comfort zone, pushing her out of it and making her hesitant search for her HEA go viral.

I also adored the love of books and reading and bookstores, and the transformative power of all of the above that practically shines through every page. This story has all the elements of being a book lover’s delight from the very beginning.

As a reader, I found the sadness of the sad fluff took a bit too much of the joy out of a story that is ultimately joyful. For me, that pall took a bit too long for the book to process – making no comments whatsoever on how long it took the character to process it because no one can go there for another.

In the end, I liked the book, I liked some aspects of it quite a lot, but didn’t quite love it as much as I did my first exposure to the author’s work in The Clover Girls. Your reading mileage, of course, may vary.

Review: The Book Haters’ Book Club by Gretchen Anthony

Posted on by Marlene Harris | Author : | B- Reviews> blog tours> book reviews
Review: The Book Haters’ Book Club by Gretchen AnthonyThe Book Haters' Book Club by Gretchen Anthony
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: books and reading, relationship fiction, women's fiction
Pages: 352
Published by Park Row on September 13, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

All it takes is the right book to turn a Book Hater into a Book Lover…
That was Elliott’s belief and the reason why he started The Book Haters’ Book Club—a newsletter of reading recommendations for the self-proclaimed “nonreader.” As the beloved co-owner of Over the Rainbow Bookstore, Elliott’s passion and gift was recommending books to customers. Now, after his sudden death, his grief-ridden business partner, Irma, has agreed to sell Over the Rainbow to a developer who will turn the cozy bookstore into high-rise condos.
But others won’t give up the bookstore without a fight. When Irma breaks the news to her daughters, Bree and Laney, and Elliott’s romantic partner, Thom, they are aghast. Over the Rainbow has been Bree and Laney’s sanctuary since childhood, and Thom would do anything to preserve Elliott’s legacy. Together, Thom, Bree and Laney conspire to save the bookstore, even if it takes some snooping, gossip and minor sabotage.
Filled with humor, family hijinks and actual reading recommendations, The Book Haters' Book Club is the ideal feel-good read. It’s a celebration of found family and a love letter to the everyday heroes who run bookstores.

My Review:

Elliot Gregory is watching from somewhere over the rainbow – or somewhere in the ‘Great Beyond’ – as his business partner, her daughters and his domestic partner all flail together and separately in the aftermath of his sudden death.

Yes, this is one of those stories that starts, to paraphrase Dickens’ A Christmas Carol, Elliot was dead, to begin with.

He left behind a mess. He also was a mess. And he’s left behind a whole bunch of people who all loved him in one way or another to clean it up. But first they have to find the depths of that mess.

And then they have to find the true depths within themselves and each other.

Things don’t begin auspiciously. Irma Bedford meets her daughters, Laney and Bree, along with the late Elliot’s domestic partner Thom, at the offices of a real estate development firm to inform them that she has already sold the bookstore and the land it sits on to said investment firm for a sum that does not remotely look like the true value of the business and its real estate.

And that it’s a done deal that closes in less than a month.

What Irma doesn’t tell them is why – no matter how many sneaky and not so sneaky ways they ask. As far as Irma is concerned, it’s her business and not theirs. And an argument could be made for that. (Elliot and Thom were not married, Elliot didn’t leave a will, so as the surviving business partner the bookstore is legally Irma’s to continue to operate or dispose of as she pleases. Or as she feels compelled to. Or whatever the hell is motivating her at this point.)

But it makes no sense. It’s clear from the outset that the development firm is shady AF and that they seriously lowballed the offer. Even if Irma does want to sell she’s being taken advantage of while she’s at a low place. And even if she does want to retire – and she might – she’s been grooming her younger daughter to take over the bookstore for Bree’s entire life. The change in direction is abrupt to say the least.

And the more Laney, Bree and Thom dig, the fishier the whole thing seems. So they fight back with everything they have, banding together and stepping way out of their collective comfort zones to get the developers to back off of the deal before it’s too late.

But just when they think they’ve won, they discover that they had lost the war long before they began the first battle. Now they’ll have to fight on an entirely different front – before it really is too late after all. Again.

Escape Rating B-: I expected to fall in love with The Book Haters’ Club, but I left – or rather I middled – with a whole lot of mixed feelings.

I say middled because the first half of the book is all about Laney’s, Bree’s and Thom’s all-out, no-holds barred campaign to save the bookstore – no matter what Irma thinks. While what Irma thinks, feels and for that matter what in the hell she’s doing this for is all a deep, dark secret that makes absolutely no sense at all.

At the midpoint, the story turns itself around, because it’s only then that the first layer of the secret is revealed. But it kind of feels like that slog to save the store was all a waste. It is a waste for Laney, Bree and Thom, but it’s at that point where the first half of the story feels like it was pointless for the reader as well.

But once that first, brittle, outer skin of that onion of secrets gets cracked and peels away, the story finally starts getting somewhere. Because, while Elliot may have left them all with his big, untidy mess of secrets, they all have plenty that they need to reveal, not just to each other, but to themselves.

So the first half of the story was a whole lot of frenetic action that led nowhere, The second half is a whole lot of introspection and grief and the work of opening up and letting friends in to help with your mess.

While turning a group of people who were once a roiling mass of resentment at each other – and honestly for good reason – into a surprisingly cohesive found family.

The biggest part of the charm of this story is in the characters, once we’re finally able to start getting to know them – and they’re back to getting to know each other. One of the odder things about this story is the way that dear, dead Elliot breaks the fourth wall from on high (presumably) to inject himself into both the storytelling and the proceedings in a way that just didn’t work for me. Your reading mileage, of course, may vary.

So there’s plenty to love in this story about secrets, partnerships, quirky neighborhoods and found families. And if you love books about books and reading filled with terrific book recommendations, there are plenty of those here to savor. I just wish the whole thing had gotten to its point a whole lot sooner.

Review: Remarkably Bright Creatures by Shelby Van Pelt

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: Remarkably Bright Creatures by Shelby Van PeltRemarkably Bright Creatures by Shelby Van Pelt
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: literary fiction, magical realism, relationship fiction
Pages: 360
Published by Ecco on May 3, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A novel tracing a widow's unlikely connection with a giant Pacific octopus.
After Tova Sullivan's husband died, she began working the night shift at the Sowell Bay Aquarium, mopping floors and tidying up. Keeping busy has always helped her cope, which she's been doing since her eighteen-year-old son, Erik, mysteriously vanished on a boat in Puget Sound over thirty years ago.
Tova becomes acquainted with curmudgeonly Marcellus, a giant Pacific octopus living at the aquarium. Marcellus knows more than anyone can imagine but wouldn't dream of lifting one of his eight arms for his human captors--until he forms a remarkable friendship with Tova.
Ever the detective, Marcellus deduces what happened the night Tova's son disappeared. And now Marcellus must use every trick his old invertebrate body can muster to unearth the truth for her before it's too late.

My Review:

Remarkably Bright Creatures is a story about higher numbered chances than merely second and the long tentacle of coincidence that helps them happen.

Initially, they don’t seem to have much in common. A man whose prime isn’t very prime, who seems to have thrown away all his chances. An aging woman who has lost both her husband and her son, living lonely but determinedly in the house her parents built. And a giant Pacific octopus eking out his final days in the tiny Sowell Bay Aquarium on Puget Sound.

But Marcellus the octopus, whose placard outside his tank lists him as a “remarkably bright creature”, is as clever as he is bright. He’s also an intelligent observer of human behavior and a bit of an escape artist. There isn’t much else to do, all alone in his tank.

So he occasionally squeezes himself out to graze on the sea cucumbers – or even hazard a trip to the staff break room when the smell of leftover Chinese takeaway is too tempting to resist.

Which is how Tova Sullivan finds him, outside of his tank, caught in a tangle of wires and electrical cords and about to suffer what Marcellus calls “The Consequences” of being out of a tank for more than 20 minutes. Which he can calculate.

Marcellus is, after all, a remarkably bright creature.

Tova rescues him from the tangle. Not only that, but she doesn’t report Marcellus nighttime excursions to the aquarium’s director. It’s their little secret and the beginning of their unlikely friendship.

A friendship that ultimately results in both of them achieving the dreams they never admitted that they held. Not even to themselves.

Giant Pacific Octopus at the National Aquarium in Washington DC

Escape Rating A-: This book turned out to be WAY more charming than I expected. It was recommended by someone in my reading group so I was expecting a decent to good read, but this turned out to be just lovely.

This is kind of a quiet story, where things happen slowly and truths emerge over time. To the point where it borders on literary fiction a bit. But instead of being dark and gloomy where nothing happens and everyone argues a lot – which is how I tend to see litfic – the situations all start out a bit gloomy but everyone gets better. Even Marcellus.

At first you kind of wonder how Cameron’s story is going to link up to Tova’s and Marcellus’. And that coming together takes a while and goes off on a couple of tangents as it meanders along. But once it does, it all fits together beautifully.

What holds the story together – besides Marcellus’ tentacles – is Tova. Her son disappeared without a trace when he was just 18. Her husband has passed away. She’s alone – and yet she’s not. She has friends, she has a job, she makes sure she has purpose. And yet she also has concerns about what will happen to her when she can’t live on her own anymore.

Being Tova, she doesn’t wallow. Instead, she takes steps to determine her own future for her own self. In her situation I’d want to be her when I grew up. She’s a character to both admire and empathize with. To the point where we want her to get a better ending than it looks like she’s headed for when the story begins.

Cameron is not initially all that likable. He’s not bad, and he’s taken some seriously rough knocks, but he’s not good at taking responsibility for himself. And at 30 it’s past time he did. He arrives in Sowell Bay searching for his sperm donor in the hopes of a big financial score. He’s doomed to be disappointed – and it’s the making of him.

Marcellus – who is much more present as a character than one might think – is an absolute gem. At the same time, his intellectual presence in the story, his perspective on the events that he helps to bring about, is both fascinating and a bit equivocal. Anyone who wants to believe that all of the thoughts and actions ascribed to Marcellus are in the minds of Tova and Cameron – in the same way that we all believe we know what our pets are thinking when we most likely don’t – the story still works – and works well.

But it’s so much better if you let yourself believe that Marcellus is helping Tova and Cameron all along – and that they are helping him as well.

I enjoyed Remarkably Bright Creatures a whole lot more than I ever expected to. And in that way that when you are conscious of something you suddenly start seeing it everywhere – like getting a new car and being aware of all the cars of the same make and model sharing the road with you – I liked this so much that I started seeing books with octopi characters everywhere. In addition to Sy Montgomery’s The Soul of an Octopus from a few years ago there’s The Mountain in the Sea by Ray Nayler coming out in October, and Sea Change by Gina Chung next year.

I’m going to hunt me down some more octopi to read about while I look forward to seeing what this author comes up with next!