Review: The Glass Ocean by Beatriz Williams, Lauren Willig and Karen White

Review: The Glass Ocean by Beatriz Williams, Lauren Willig and Karen WhiteThe Glass Ocean by Beatriz Williams, Lauren Willig, Karen White
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: historical fiction
Pages: 408
Published by William Morrow on September 4, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

From the New York Times bestselling authors of The Forgotten Room comes a captivating historical mystery, infused with romance, that links the lives of three women across a century—two deep in the past, one in the present—to the doomed passenger liner, RMS Lusitania.

May 2013Her finances are in dire straits and bestselling author Sarah Blake is struggling to find a big idea for her next book. Desperate, she breaks the one promise she made to her Alzheimer’s-stricken mother and opens an old chest that belonged to her great-grandfather, who died when the RMS Lusitania was sunk by a German U-Boat in 1915. What she discovers there could change history. Sarah embarks on an ambitious journey to England to enlist the help of John Langford, a recently disgraced Member of Parliament whose family archives might contain the only key to the long-ago catastrophe. . . .

April 1915Southern belle Caroline Telfair Hochstetter’s marriage is in crisis. Her formerly attentive industrialist husband, Gilbert, has become remote, pre-occupied with business . . . and something else that she can’t quite put a finger on. She’s hoping a trip to London in Lusitania’s lavish first-class accommodations will help them reconnect—but she can’t ignore the spark she feels for her old friend, Robert Langford, who turns out to be on the same voyage. Feeling restless and longing for a different existence, Caroline is determined to stop being a bystander, and take charge of her own life. . . .

Tessa Fairweather is traveling second-class on the Lusitania, returning home to Devon. Or at least, that’s her story. Tessa has never left the United States and her English accent is a hasty fake. She’s really Tennessee Schaff, the daughter of a roving con man, and she can steal and forge just about anything. But she’s had enough. Her partner has promised that if they can pull off this one last heist aboard the Lusitania, they’ll finally leave the game behind. Tess desperately wants to believe that, but Tess has the uneasy feeling there’s something about this job that isn’t as it seems. . . .

As the Lusitania steams toward its fate, three women work against time to unravel a plot that will change the course of their own lives . . . and history itself.

My Review:

The Glass Ocean is the braided story of three women, separated by time, place, class or all of the above, whose lives are roiled by the wake of the RMS Lusitania, struck by a torpedo from a German U-boat off the coast of Ireland on May 7, 1915.

As with the previous book by the Team W, The Forgotten Room, the story of The Glass Ocean slips from character to character – from woman to woman – as the reader experiences each perspective and follows the treasure hunt as all three of the stories finally come together.

And the truth sets them all free. Freedom from obscurity in the past, and freedom from heartbreak and loss in the present.

In exploring the truth about her great-grandfather, a steward on the RMS Lusitania, Sarah thinks that she’s going to be writing a spy thriller – if not the biography of a man who wrote spy thrillers. But as we follow her on her treasure hunt through the life and archives of Robert Langford, a passenger on the Lusitania and the author of spy thrillers that Sarah thinks were even better than Ian Fleming’s, we also see those pivotal events on board the Lusitania through the eyes of two women who both loved him.

The story that Sarah thinks she’s looking for is not the one she finds. But that’s the one that she writes. And in the writing of it, she brings the lives and accomplishments of two fascinating women back into the light of day.

And rescues herself along the way.

Escape Rating A-: Today, as this review is posted, is the 18th anniversary of the 9/11 attacks. This book is an oddly appropriate read for today, as the sinking of the Lusitania and 9/11 were both human-created disasters that were intended to start a war. And both did, after their different fashions.

If you are interested in reading more about the Lusitania, I highly recommend – as does Team W in the afterword of The Glass Ocean, Dead Wake by Erik Larson. Dead Wake is the best kind of narrative nonfiction, in other words, a true story that reads as compellingly as if it were a novel.

But The Glass Ocean, like Dead Wake, confines itself to events that take place aboard the ocean liner, or that occurred to its survivors in the aftermath. The reader can and does speculate about the surrounding politics, but the story is the story of the doomed ship and what happened after.

While Caroline’s and Tess’ stories are part of that fateful voyage, Sarah’s is the story of the aftermath – nearly 100 years in the aftermath. I found Sarah’s story to be the most compelling – but then she’s the one doing the historical research. I always love the treasure hunt aspect of this kind of story, where the clues are revealed, sometimes slowly and carefully, and sometimes by “Eureka!” – and there are plenty of moments of both kinds in Sarah’s search.

Sarah’s story feels “present”, while Caroline’s and Tess’ stories feel almost as though they are leading the reader to the story behind those clues. And I was guessing right along with Sarah, sometimes, but not always correctly.

Part of what makes this so much fun is the way that in both time periods both end up as just the kind of spy thriller that Robert Langford used to write. Someone betrayed the Lusitania to the Germans. Someone smuggled a critical munitions formula on board the ship. Someone wanted to sell it to the Germans. Someone wanted to secure it for the British.

And over 1,000 people died for it.

But when Sarah unearths those secrets, she finds much more than she ever bargained for. Whether or not she’ll be able to keep what she’s found is a journey that is well-worth taking with her.

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Review: The Oysterville Sewing Circle by Susan Wiggs

Review: The Oysterville Sewing Circle by Susan WiggsThe Oysterville Sewing Circle by Susan Wiggs
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: women's fiction
Pages: 384
Published by William Morrow on August 13, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The #1 New York Times bestselling author brings us her most ambitious and provocative work yet—a searing and timely novel that explores the most volatile issue of our time—domestic violence.

At the break of dawn, Caroline Shelby rolls into Oysterville, Washington, a tiny hamlet at the edge of the raging Pacific.

She’s come home.

Home to a place she thought she’d left forever, home of her heart and memories, but not her future. Ten years ago, Caroline launched a career in the glamorous fashion world of Manhattan. But her success in New York imploded on a wave of scandal and tragedy, forcing her to flee to the only safe place she knows.

And in the backseat of Caroline’s car are two children who were orphaned in a single chilling moment—five-year-old Addie and six-year-old Flick. She’s now their legal guardian—a role she’s not sure she’s ready for.

But the Oysterville she left behind has changed. Her siblings have their own complicated lives and her aging parents are hoping to pass on their thriving seafood restaurant to the next generation. And there’s Will Jensen, a decorated Navy SEAL who’s also returned home after being wounded overseas. Will and Caroline were forever friends as children, with the promise of something more . . . until he fell in love with Sierra, Caroline’s best friend and the most beautiful girl in town. With her modeling jobs drying up, Sierra, too, is on the cusp of reinventing herself.

Caroline returns to her favorite place: the sewing shop owned by Mrs. Lindy Bloom, the woman who inspired her and taught her to sew. There she discovers that even in an idyllic beach town, there are women living with the deepest of secrets. Thus begins the Oysterville Sewing Circle—where women can join forces to support each other through the troubles they keep hidden.

Yet just as Caroline regains her creativity and fighting spirit, and the children begin to heal from their loss, an unexpected challenge tests her courage and her heart. This time, though, Caroline is not going to run away. She’s going to stand and fight for everything—and everyone—she loves.

My Review:

The Oysterville Sewing Circle turned out to be a lovely story with multiple themes – and everything I expected from this author. Particularly after last year’s marvelous Between You and Me.

First of all, this is a story about home – the Robert Frost version of home being the place that when you have to go there, they have to take you in. Because as the story begins, Caroline Shelby is returning to tiny Oysterville because she needs to take refuge. Her life has both fallen apart and moved in a direction that she never expected, and she needs help and a place to heal.

Secondly, this is most definitely a love story – in multiple senses of that phrase. Partly, it’s a lovely second-chance-at-love story. The love of Caroline’s life is also back in Oysterville. They missed their chance back in high school, but chance has come around again – and this time they are both mature enough to grab it and hang on tight.

There’s another kind of love in this story. Caroline has returned to Oysterville with two children in tow, children that she never expected or planned to have. But that she agreed to care for out of love for her best friend, suddenly dead of a drug overdose. Over the course of the story, she comes to love Addie and Flick not just for their mother’s sake, but for their own. And it’s Caroline’s metamorphosis from slightly reluctant and completely overwhelmed guardian to adopted “mom” that gives the story much of its heart.

The soul of this one comes from the darker circumstances that gave birth to both Caroline’s need to flee New York and her guardianship of Addie and Flick after their mother’s sudden death.

Because their mother Angelique was a top-tier fashion model who had been chewed up and spit out by the cutthroat fashion industry. As had her designer friend Caroline, who had seen her award-winning designs stolen by the man she believed was her mentor.

Once the truth finally comes out, Caroline discovers that she got off relatively easy, but that the damage that same man had done to Angelique was more than she could survive. Which leads to the three darker themes of the story.

Angelique was a high-functioning drug addict who hid her addiction well, until it killed her. Whether the man who regularly abused her got her hooked or simply drove her back to drugs when she couldn’t bear the beatings any longer is not known. But his physical abuse of Angelique as well as his deliberate destruction of Caroline’s career shines a bright light into the crawling darkness of the #MeToo movement.

And Caroline’s need to do something, anything, to give women like Angelique a safe place to talk, to be listened to, and to be heard, exposes the hidden-yet-not-hidden secret cesspool of domestic abuse, that it happens everywhere, even in small, seemingly perfect places like Oysterville.

And that both domestic abuse and addiction affect every person around the abuse and the addiction in ways that ripple out like a stone thrown into a pond.

Every town needs an Oysterville Sewing Club – and women like Caroline who stand up to become beacons of hope – and who receive hope themselves.

Escape Rating A: This was one of my airplane books on the way back from Ireland. I had 8 hours to kill, which meant plenty of time to read. The part of the trip I spent in Oysterville with Caroline absolutely flew by – pun definitely intended.

This is a story with a lot going on, taking a surprising dive into areas that don’t seem like the province of women’s fiction – particularly not so many all in the same WOW of a book.

There were a lot of things that I loved about this story. I think that the biggest was that Caroline never has all the answers. She just has questions – and the more she questions the more comes to light.

Caroline’s part of the story both echoes and illuminates the #MeToo movement. In her case, it was never about sex – only about exploitation. She had the ideas, but her supposed mentor had all the power. Her attempt to fight back against his blatant theft destroyed her career and left him even better off than before. And it’s both utterly disgusting and absolutely believable.

What made the story for me was Caroline’s attempt to understand what happened to her friend. Both because she feels guilty that she didn’t see the signs of the addiction, and because she didn’t speak up about the abuse that she suspected was going on. Out of her desire to understand, and admittedly to expiate some of her guilt, she starts the organization that becomes the Oysterville Sewing Society in order to give women in her old/new community a safe place. A place that she also needs.

And out of that comes her own healing, both emotionally and for the career that she thought was dead in the water. That she gets justice for her friend, and a happy ever after for herself and her children, is icing on a very lovely cake.

Bittersweet chocolate is my favorite, after all.

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Review: Lady in the Lake by Laura Lippman

Review: Lady in the Lake by Laura LippmanLady in the Lake by Laura Lippman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: historical fiction, mystery, thriller
Pages: 340
Published by William Morrow on July 23, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The revered New York Times bestselling author returns with a novel set in 1960s Baltimore that combines modern psychological insights with elements of classic noir, about a middle-aged housewife turned aspiring reporter who pursues the murder of a forgotten young woman.

In 1966, Baltimore is a city of secrets that everyone seems to know--everyone, that is, except Madeline "Maddie" Schwartz. Last year, she was a happy, even pampered housewife. This year, she's bolted from her marriage of almost twenty years, determined to make good on her youthful ambitions to live a passionate, meaningful life.

Maddie wants to matter, to leave her mark on a swiftly changing world. Drawing on her own secrets, she helps Baltimore police find a murdered girl--assistance that leads to a job at the city's afternoon newspaper, the Star. Working at the newspaper offers Maddie the opportunity to make her name, and she has found just the story to do it: a missing woman whose body was discovered in the fountain of a city park lake.

Cleo Sherwood was a young African-American woman who liked to have a good time. No one seems to know or care why she was killed except Maddie--and the dead woman herself. Maddie's going to find the truth about Cleo's life and death. Cleo's ghost, privy to Maddie's poking and prying, wants to be left alone.

Maddie's investigation brings her into contact with people that used to be on the periphery of her life--a jewelery store clerk, a waitress, a rising star on the Baltimore Orioles, a patrol cop, a hardened female reporter, a lonely man in a movie theater. But for all her ambition and drive, Maddie often fails to see the people right in front of her. Her inability to look beyond her own needs will lead to tragedy and turmoil for all sorts of people--including the man who shares her bed, a black police officer who cares for Maddie more than she knows.

My Review:

The lady in that lake in Baltimore isn’t actually the lady that everybody thinks is under the lake. She also isn’t the central character of this story about the discovery of said lady, or about all the ripples that discovery causes through the lives of all the people involved.

In spite of the title, and in spite of her ghost commenting on events, this story is not about the lady IN the lake, Cleo Sherwood. Rather, the story focuses on the woman who found that lady in the lake, Maddie Schwartz. And that’s exactly the way that Maddie would want it. Because it’s really all about her. It’s always all about her.

It’s so much all about her that she never seems to have a thought for all the people she leaves damaged in her wake. Not even the lady in the lake who catapults her to fame.

Escape Rating B: The pipes for that fountain in that lake must have one heck of a lot of suction going on somewhere. Because I got sucked into this book almost in spite of myself. I kept thinking I’d put it away for the night, but then just one more chapter, just one more person, and then I was done.

I also got just a bit weirded out at one point. Maddie and my mother were born the same year. Wondering if my mom ever had any of the internal thoughts and feelings that Maddie did kind of gave me the heebie-jeebies. Ironically, I wouldn’t be at all surprised if my mom had some of the same career thoughts and aspirations – although hopefully not the rest.

(Two things no one likes to think about – their parents having sex and their children having sex. We all know it happens, but that doesn’t mean we want to dwell on it even for a nanosecond.)

The structure of this story is interesting – and more than a bit distancing. Although Maddie is the main point of view character, she’s not the only one. The first time she interacts with someone, the reader is then given that person’s perspective on the encounter in general and Maddie in particular.

Those perspectives are not kind. Usually pretty spot on, but not kind. Maddie is not a likable protagonist. She’s more like the eye of a hurricane. Everyone focuses on her, and that’s what she wants, while she ignores all the trouble that her storm creates. Like that hurricane, Maddie’s story sucks you in and spits you out – but it isn’t a comfortable journey. Interesting, but not comfortable.

At the same time, the story manages to say quite a bit about a lot of things through those various perspectives. Seeing life in the mid-1960s through that variety of perspectives, we hear about still-rampant Antisemitism, the universality of structural racism, the intractable misogyny of work life in general and newspaper journalism in particular. Through all those thoughts and feelings we get a slice of life in the 1960s, and it rings true.

The story kind of sits at the boundary between mystery and thriller. Except for one brief but telling escapade, Maddie herself is never in true danger. No one is stalking her – this isn’t that kind of story. She puts plenty of other people in danger or at least distress – usually inadvertently. She doesn’t believe she’s really doing anything wrong – even when she is. That her single-minded self-centered laser focus puts other people at risk is never her fault.

But the slow unraveling of the two intertwined mysteries that make Maddie’s career are thrilling. Maddie literally does not know what she is doing most of the time – just that she has a driving need to be the center of it all, again and again and again. And she has an instinct about what parts of a story – or which people – are hiding something that she desperately wants to uncover – and just how to uncover it, no matter what it takes. Or who.

So that’s what she does. But the greatest secret of all, the one that really makes her career, turns out to be not what she expected. And it contains a truth that she can never reveal. After everything we’ve learned about Maddie, it feels like it serves her right.

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Review: The Summer Country by Lauren Willig

Review: The Summer Country by Lauren WilligThe Summer Country by Lauren Willig
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, ebook, audiobook
Genres: historical fiction
Pages: 480
Published by William Morrow on June 4, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The New York Times bestselling historical novelist delivers her biggest, boldest, and most ambitious novel yet—a sweeping, dramatic Victorian epic of lost love, lies, jealousy, and rebellion set in colonial Barbados.

1854. From Bristol to Barbados. . . .

Emily Dawson has always been the poor cousin in a prosperous merchant clan—merely a vicar’s daughter, and a reform-minded vicar’s daughter, at that. Everyone knows that the family’s lucrative shipping business will go to her cousin, Adam, one day. But when her grandfather dies, Emily receives an unexpected inheiritance: Peverills, a sugar plantation in Barbados—a plantation her grandfather never told anyone he owned.

When Emily accompanies her cousin and his new wife to Barbados, she finds Peverills a burnt-out shell, reduced to ruins in 1816, when a rising of enslaved people sent the island up in flames. Rumors swirl around the derelict plantation; people whisper of ghosts.

Why would her practical-minded grandfather leave her a property in ruins? Why are the neighboring plantation owners, the Davenants, so eager to acquire Peverills—so eager that they invite Emily and her cousins to stay with them indefinitely? Emily finds herself bewitched by the beauty of the island even as she’s drawn into the personalities and politics of forty years before: a tangled history of clandestine love, heartbreaking betrayal, and a bold bid for freedom.

When family secrets begin to unravel and the harsh truth of history becomes more and more plain, Emily must challenge everything she thought she knew about her family, their legacy . . . and herself.

My Review:

The first book by Lauren Willig that I read was The Secret History of the Pink Carnation, probably 15 years ago. It got me hooked on her lush historical books, and I dip into one whenever I have a bit of time.

And so we come to The Summer Country, another lush and sumptuous historical by Lauren Willig. Unlike her well-known Pink Carnation series, this story takes place not in late 18th century France, but in mid-19th century Barbados.

However, they are both time slip stories. But the time that is slipped in The Summer Country encompasses considerably fewer centuries. The Pink Carnation series tells its historical story through a 21st century frame. But The Summer Country interweaves the past of Barbados at two periods only a couple of generations apart. Its “past” is in the early 1810s, and its “present” in the mid 1850s.

In other words, more than close enough together that the events of the past directly shape events in the story’s present – whether the protagonists are aware of that shaping or not. Mostly not. The time periods are also more than close enough together that it is within living memory for many people who still have secrets they desperately feel the need to keep.

At any cost. At all the times.

Escape Rating A-: The Summer Country is an example of the kind of epic family saga that they don’t publish much anymore. Because it’s a marvelous example of that kind of sweeping story, it does make the reader wonder why not. It’s lovely and captivating and pulls the reader into its world, much as its Barbados setting pulls in the characters who find themselves navigating the exotic and unfamiliar colony in the wake of their grandfather’s death.

A death that sets the whole story in motion.

This is a story about secrets, the cost of keeping them, and the fear of letting them go. It’s also a story that unspools as lazily as a day in the colonial heat – complete with an overarching sense of menace that coats the skin like sweat – and bites like the local mosquitoes.

It’s not a book to rush through. It begins with Emily Dawson, doing her level best to make her own way in this new world, trying to unravel the mystery that her grandfather has left her with his bequest of the ruined Peverill plantation. We see Emily buck the tide of ALL the men in her life and her orbit who are just certain that a woman couldn’t possibly know her own mind.

And we see the past, when her grandfather was a young man at Peverills, not as the owner, but as the poor bookkeeper. And we see all the people who stood in both their ways – some of whom still do.

It’s enthralling, it’s delicious, it’s decadent and at times it’s downright chilling. This is a book to wallow in – and you’ll be glad you did.

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Review: Queen Bee by Dorothea Benton Frank

Review: Queen Bee by Dorothea Benton FrankQueen Bee by Dorothea Benton Frank
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: Chick Lit, women's fiction
Series: Lowcountry Tales #12
Pages: 432
Published by William Morrow on May 28, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

New York Times-bestselling author Dorothea Benton Frank returns to the American South in this latest novel about friendship and love that is full of heart, humor, and rich description.

A woman wounded by her past comes to Sullivan's Island, South Carolina to find new meaning in life and to find herself. As she takes up a new hobby of beekeeping, she begins to come into her own and rebuild her life. When a new friend comes in and she finally allows for something more than just "friendship", everyone will realize that life could use a little taste of sweetness.

In what is sure to be another classic, Dorothea Benton Frank weaves a fun tale of self-discovery, love, and friendship with her signature charming wit, indelible poignancy, and hallmark themes.

My Review:

This book is a fun read and a hot mess at the same time. I would have thought those two things would be mutually exclusive, but after reading Queen Bee, they definitely are not.

Let me explain…

But first, I’d like to perform a bit of public service. The blurb for this book bears virtually no resemblance to the actual book. The book the blurb represents might be a very good book, but it certainly isn’t this book. At all.

To begin with, Holly Jensen doesn’t come to Sullivan’s Island, she already lives there. In fact, she grew up there and hasn’t left except for college. Nor does just just “take up” beekeeping. She IS a beekeeper and she has been one for several years. In fact, she’s an established beekeeper who has well-maintained hives full of happy bees who give her plenty of honey to sell – as well as giving her a sympathetic ear – or a thousand ears – when life starts closing in..

That new friend isn’t new, either. They went to school together. They just seem to have lost touch with each other over the years. As happens, even in small towns.

It happens especially easily in this case because Holly has found herself shackled to Sullivan’s Island, taking care of her cantankerous mother, the actual Queen Bee of the title. That “friend” of hers is in the nearby town, a member of the local police.

The person who does come back to town, because she’s been wounded by her present, not her past, is Holly’s sister Leslie. Leslie married Charlie, a man Holly refers to as “the wallet”, and blithely moved to Charleston. It seemed like Leslie’s marriage was perfect – at least self-absorbed Leslie made it seem that way.

Then again, everything Leslie does is perfect, at least in the eyes of the Queen Bee. Holly resents her sister’s freedom, resents being stuck on Sullivan’s Island taking care of their mother, and resents her mother’s resentment that Holly isn’t “perfect” Leslie. Because it seems to Holly that Leslie can do no wrong and she, Holly, can do no right.

When Leslie comes home, the three lives of the three women get forcibly kicked out of the ruts they’ve all been stagnating in – in more ways than one.

Leslie’s back because her husband, Charlie the wallet, wants to make a new identity for himself as a female impersonator, and is off to a contest in Atlantic City to see if he has a chance. He expects Leslie to be enthusiastically supportive of his decision, even as Charlie begins changing their entire lives to live as Charlene rather than Charlie.

(And that’s the last time I’ll refer to Charlie as either Charlie or as “him”, because from this point forward a gender-neutral pronoun is required.)

Leslie is more than a bit confused by the changes, and both she and the Queen Bee are at the “not just no but hell no” stage of, let’s call it, non-acceptance.

Then things change. A lot. Charlene wins a prize in the contest, and decides to stretch their wings by moving to Las Vegas to participate in even more contests. Charlene want to make a career out of this, and really, seriously want to become a star.

Leslie, hesitatingly, reluctantly, moves from “hell no” to being more open-minded, and ultimately more supportive. Holly, completely open-minded about Charlene, is just plain grateful that Charlene’s need for a support team and especially a costume designer gets the Queen Bee out of the depressive, self-destructive funk she’s been living in for years and temporarily moves her from Sullivan’s Island to Vegas to help Charlene take the first steps into this new world.

Meanwhile, back home, Holly is on her own and feeling relieved and miserable at the same time. On the one hand, she has the freedom to do what she wants when she wants without her mother’s constant negativity and harping.

On that other hand, what Holly wants is to finally get close to the widower next door. She’s been helping him out with his two young sons ever since his wife died, and she’s hoping there might be something more there. She fancies herself in love with him.

He fancies himself using her as an unpaid babysitting service while he marries a woman who makes the Wicked Witch of the West seem like a saint. That the original Wicked Witch is killed by a house falling on her head makes this resemblance surprisingly more relevant.

The bees fix everything for their queen. It’s up to Holly to take it from there.

Escape Rating B+: I have mixed feelings about this one. Lots of them. All of them.

First things first, this is a terrifically fast and fun read. It goes really quick, at least in part because there’s so much happening – and because so much of it is unexpectedly off the wall. And not in a bad way, either.

I will say that Holly is a doormat for way too long. She doesn’t grow a spine until 2/3rds of the way through the book, and listening to her internal dialog about Arch-next-door gets really old, really fast.

Admittedly, from the way that Holly’s mother treats her at the beginning, Holly’s spine has been pretty much surgically removed every single day of her life. It’s a bit of a miracle that she manages to grow one at all. But doormats do not compelling protagonists make – at least not for moi.

However, this is really a three-pronged story. Holly has a third, Leslie has a third and the Queen Bee has a third. And that’s where things get interesting. And also completely off the script of that blurb.

Leslie’s story moves from negativity to acceptance and resolution. It’s a reasonable progression and also a positive one. In the end, Leslie supports Char and the changes in their life while coming to the conclusion that as much as she loves the person, she is no longer sexually attracted to them as a spouse.

The resolution of Leslie and Char’s story takes as much “book time” as Holly’s, and is more interesting to follow.

Then there’s the Queen Bee’s story. The QB gets a new lease on life by going to Vegas. She also finds love with the genderqueer Suzanne Velour, an older female impersonator who has taken Char under their rather capacious wing.

That romance is sweet and surprising for all concerned, including the QB and Suz themselves. Unfortunately for the story, that romance feels a bit “shot out of a cannon” and proceeds too quickly. What we see of it is terrific, but it just happens too damn fast.

There’s a bit of “woo-woo” type magic between Holly and her bees – not enough to tip this into paranormal, but enough to make it feel like things happen on Sullivan’s Island, and in the Lowcountry, that just don’t happen anywhere else.

In the end, I liked the book, and had a good time reading it. I’ll admit to some serious questions about why two thirds of the story, featuring two genderqueer characters, were completely erased from the blurb. Anyone picking this book up based on the blurb is going to be surprised. Hopefully as pleasantly as I was, but surprised nonetheless.

Holly is the one who sums up this story, and all the relationships, best, when she says that “love comes in every color, shape, and size”, and that every life needs a little bit of sweetness. And she’s right.

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Review: Cat Chase the Moon by Shirley Rousseau Murphy

Review: Cat Chase the Moon by Shirley Rousseau MurphyCat Chase the Moon (Joe Grey #21) by Shirley Rousseau Murphy
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: cozy mystery, mystery
Series: Joe Grey #21
Pages: 288
Published by William Morrow on April 23, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Feline P. I. Joe Grey and his friends pounce on three investigations that may connect to one larger mystery—including one case that is very personal—in this hair-raising installment in Shirley Rousseau Murphy’s beloved, award-winning series.

Joe Grey and his partner, Dulcie, are frantic when Courtney, their pretty teen-kitten goes missing. Aided by their two- and four-legged friends, they hit the streets of Molina Point in search of their calico girl. Has Joe Grey and Dulcie’s only daughter been lured away by someone and stolen? Is she lying somewhere hurt, or worse?

Courtney has no idea that everyone is desperately looking for her. Locked in an upstairs apartment above the local antiques shop, she’s enjoying her first solo adventure. When she first met Ulrich Seaver, the shop’s owner, Courtney was frightened. But the human has coddled and pampered her, winning her trust. Sheltered by her parents, her brothers, and her kind human companions, the innocent Courtney is unaware of how deceptive strangers can be. She doesn’t know that Ulrich is hiding a dangerous secret that could threaten her and everyone in this charming California coastal village.

With his focus on finding Courtney, Joe Grey has neglected his detective work with the Molina Point Police Department. Before his daughter disappeared, Joe found a viciously beaten woman lying near the beach. Now the police investigation has stalled, and the clever feline worries his human colleagues may have missed a vital clue. Joe is also concerned about a family of newcomers whose domestic battles are disturbing the town’s tranquility. Loud and abrasive, the Luthers’ angry arguing, shouting, and swearing in the early hours of the night have neighbors on edge and the cops on alert. One of the couple’s late-night shouting matches masked the sounds of a burglary, and now a criminal is on the loose.

Though the crimes are as crisscrossed as the strands of a ball of yarn, Joe Grey’s cat senses tell him they may somehow be linked. It’s up to the fleet-footed feline and his crime-solving coterie to untangle the mysteries before it’s too late.

My Review:

There is a sadness that permeates this tale  from the very beginning. While in the end good triumphs and evil gets its just desserts, the ending is bittersweet and something about that feels like it’s woven throughout the entire story.

It’s that all of the mysteries – which do, of course, get solved in the end – all have their roots in something not merely awful but also heartbreaking – and they all connect up at the end into one giant ball of wrong that brings a whole lot of grief in its wake – as well as the beginning of healing. And more adventure.

The story begins when a wandering Joe Grey discovers a half-dead woman half-buried in a shallow grave. He breaks into a nearby cottage, and the Molena Point PD receives a phone call from their favorite “snitch” letting them know where to get the body before it becomes a dead body.

As bad as that sounds, we don’t yet know (and neither does Joe Grey) just how that poor woman’s story is going to tangle into the others.

The family that has moved in across the street from Joe Grey’s humans, Clyde and Ryan, does not put the fun in dysfunctional. It’s more like the Luther family is one spark away from taking their regular domestic arguments over the line into the kind of domestic situation that gives police officers everywhere nightmares.

There’s plenty of sadness to be found in that mess, as the adults are at best neglectful and at worst borderline abusive of the pre-teen girl that they have dragged away from her beloved grandfather and equally cherished horse, leaving all three, the girl, the horse, and the grandfather in emotional distress.

A grandfather who not only misses his granddaughter, but one who has put the puzzle pieces together to figure out that his sons and his daughter-in-law are the ones behind the rash of robberies currently in progress in and around Molena Point.

His family is causing no end of trouble for everyone in town, but they are still his family. And he fears, rightly or wrongly, that getting them all locked up will see his granddaughter lost to him in the bowels of family services hell.

Just as it seems that nothing in town is going right, tragedy strikes directly at the heart of Joe Grey’s family when his daughter, the beautiful if occasionally silly half-grown kit Courtney, is kidnapped (catnapped?) by someone who promises her a life at the center of worshipful crowds IF she is willing to live that pampered life in a gilded cage.

Joe is frantic at the loss of Courtney, heartsore at the plight of Mindy, and worried at the situation of the woman he rescued. When it all comes together, it also falls apart. With deadly results.

Escape Rating B: With a cozy series like Joe Grey’s, the reader comes to expect a lighthearted tone to even some of the darkest investigations. And much of this series is pretty light and fluffy – as fluffy as the cats’ fur.

But this entry isn’t the least bit fluffy. It also ends on more of a fantasy note than has been seen in this series in a while, in spite of the series origins in the author’s contemporary fantasy novel The Catswold Portal. The speaking cats all have their origins in that realm beyond the portal, and it’s time again for one of them to make the journey into that Netherworld.

But not before we all work our way through everything currently wrong in Molena Point.

So much is wrapped up in the dysfunction of the Luther family. Zebulon doesn’t seem like a bad sort, so one has to wonder what warped all of his kids – but his progeny are all seriously bad. That he doesn’t want to turn in his own kids while still needing to turn in his own kids is a dilemma that no parent wants to face no matter how criminal those kids turn out to be as adults. That he turns his depression over his granddaughter being forced to move out into a determination to discover just how wrong his sons have gone leads to nowhere but grief for all concerned.

It’s a sad situation that permeates the story. Readers will find themselves wondering why, when every adult for miles around knows that young Mindy is being neglected if not abused, no one can manage to rescue her. In the end, she has to rescue herself and her grandfather. And she’s not even a teenager yet!

The situation with Courtney felt a bit odd. It seemed like a very weird tangent of the main case, because her kidnappers have catnapped her not because they know she can talk, but because she resembles a lot of historical portraits of magical cats and they think they can wrap an expensive traveling exhibit around her and the art works. This seems more fantastical to me than the speaking cats. YMMV.

There are also a couple of serious notes among Joe Grey’s circle that add to the atmosphere. Joe Grey himself, with his feline instincts and human intelligence, seems to have more and deeper questions about who and what he is and what it all means as the series goes on. His attitude is maturing in ways that make him question the meaning of it all – and that scare him, if he would admit to being scared – out of at least a couple of his nine lives.

The other thing I’m wondering about as a reader is the dilemma faced by Charlie Harper, the police chief’s wife. Charlie knows about the cats, her husband does not, in spite of the number of incredibly excellent tips the police have received from their elusive snitches. Max is suspicious of Joe Grey in particular, and Charlie is lying to her spouse. That’s a situation I expect to come to a nasty head in some future book in the series.

But speaking of future books, I love this series, and always look forward to my next trip to Molena Point for more adventures with Joe Grey, Dulcie and their clowder of speaking cats. This particular book was a bit darker than I expected, but I still enjoyed checking in with the gang and finding out how everyone is doing.

I’ll be back again next year to see how they’re all getting on, and whether the MPPD has figured out the identity of their favorite snitches yet!

Review: A Forgotten Place by Charles Todd

Review: A Forgotten Place by Charles ToddA Forgotten Place (Bess Crawford, #10) by Charles Todd
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, ebook, audiobook
Genres: historical mystery
Series: Bess Crawford #10
Pages: 368
Published by William Morrow on September 18, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Though the Great War has ended, Bess Crawford finds herself caught in deadly circumstances on a remote Welsh headland in this tenth entry from the acclaimed New York Times bestselling author.

The fighting has ended, the Armistice signed, but the war has left wounds that are still agonizingly raw. Battlefield Nurse Bess Crawford has been assigned to a clinic for amputees, and the Welsh patients worry her. She does her best to help them, but it’s clear that they have nothing to go home to, in a valley where only the fit can work in the coal pits. When they are released, she fears that peace will do what war couldn’t—take their lives.

Their officer, Captain Williams, writes to describe their despair, and his own at trying to save his men. Bess feels compelled to look into their situation, but the Army and the clinic can do nothing. Requesting leave, she quietly travels to Wales, and that bleak coal mining village, but she is too late.

Captain Williams’ sister tells Bess he has left the valley. Bess is afraid he intends to kill himself. She follows him to an isolated, storm-battered peninsula—a harsh and forgotten place where secrets and death go hand in hand. Deserted by her frightened driver, Bess is stranded among strangers suspicious of outsiders. She quickly discovers these villagers are hiding something, and she’s learned too much to be allowed to leave. What’s more, no one in England knows where she is.

Why is there no Constable out here? And who is the mysterious Ellen? Captain Williams and his brother’s widow are her only allies, and Bess must take care not to put them at risk as she tries to find answers. But there is a murderer here who is driven to kill again and again. And the next person in his sights is Simon Brandon, searching for Bess and unaware of his danger. . . .

My Review:

This tenth story in the Bess Crawford series takes place in December 1918. The war is over, but the peace hasn’t really begun. The fighting officially ended at 11:11 am on November 11, 1918 with the signing of the Armistice. This is the day we now celebrate as Veterans Day in the U.S. and Remembrance Day in the U.K and the Commonwealth.

Bess Crawford served as a combat nurse during the war. Her service has not yet ended. While a significant part of a generation died on the battlefields, there were also many who came home missing significant pieces of themselves, and not all of those missing pieces were physical.

The war changed all who were a part of it, including Bess herself. Today we might say that she had post-traumatic stress disorder – along with many of the now ex-soldiers.

With the end of the war, the field hospitals are closing down, and the base hospitals are shrinking by the day. All the able-bodied are sent home – to a country that does not have nearly enough jobs for all of them.

Those who are still in hospital are the ones more severely wounded, still recovering as best as the medical science of the time permitted, from the loss of limbs or disfiguring wounds or both.

That’s where Bess comes in, as she becomes involved with a Welsh regiment that was wounded during the last of the fighting. A regiment formed in the coal counties of Wales, where every able-bodied man works in the mines. But the men under her care are no longer able-bodied, missing at least one limb if not more. They are alive, but have no lives to return to.

In the valleys, the only work is in the mines, and it is work they are no longer physically able to perform. They will be burdens to their families – if those families are willing to take them back. Bess does her best to help them prepare both mentally and physically for what is in front of them, but she is worried, and rightfully so, that any preparation is in vain.

So she takes it into her own hands (as she has so often during the course of the series) to follow up with this group of soldiers that has touched her heart and ignited her fears of what will happen to those irrevocably changed by the war after their war is over.

And finds herself stranded, alone and without allies, isolated in a remote Welsh village and caught between a horrifying secret and escalating evil.

All she can do is try to survive, until help comes. If that help can find her in time.

Escape Rating B: The second half of this story is a taut thriller, but the first half moves slowly, as time seems to do out in the remote Welsh villages on the Gower Peninsula.

Once Bess decides to check up on Captain Williams and his regiment, she finds herself traveling laboriously and ponderously from one tiny and remote place to the next. Once she catches up to him, she has discovered that he is the final survivor of his regiment.

That he and his men had sacrificed themselves for their country – but their country had nothing for them now that the war was over, is heartbreaking. But the trouble that finds Bess is not related to any war service – or at least not exactly.

There is a terrible secret hidden in this remote village. A secret that has caused the villagers to close ranks against any outsiders. There is no access to the place except by an uncertain arrangement for hire cars from not-so-nearby Swansea. There is no post office, no telephone exchange, no constable, no doctor. No one from the outside seems to be permitted. Captain Williams, helping his sister-in-law with her farm, is resented and reviled at every turn. Bess faces intense hostility from the second she arrives.

The atmosphere of this particular story will remind series readers of an earlier story, A Pattern of Lies. There is both that same sense of human nature twisted and corrupted, and the same atmosphere of almost Gothic horror.

Bess’ forced sojourn in this tiny place with its close-mouthed and close-minded inhabitants all hunkered around the protection of their dark secret drags on a bit for the reader, possibly in sympathy with Bess and her enforced vacation from her vocation. She does her best to be of use in the household that has been forced to guest her, but it isn’t easy for her and this part of the story isn’t easy for the reader.

Things speed up, as they often do in this series, when Simon Brandon arrives to spring Bess from the trap she has gotten herself stuck in. But also as often happens in the series, Bess refuses to leave until she has solved all of the riddles – even the ones that no one wants solved.

This series has followed the progress of the war, through Bess’ perspective as a combat nurse. Part of what we see in this particular story has a great deal to do with the way that the veterans of the trenches were treated after the war ended – which was mostly abominable. I also find myself wondering whether some of Bess’ concern about the fate of this regiment now that the war was over would have reflected her own unconscious concerns about what happens to her after her war is over – as it nearly is.

As much as I don’t want this series to end, I can’t help but wonder what Bess’ post-war life will be. I hope that we get to find out.

Review: The Mystery of Three Quarters by Sophie Hannah

Review: The Mystery of Three Quarters by Sophie HannahThe Mystery of Three Quarters (The New Hercule Poirot Mystery #3) by Sophie Hannah
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical mystery, mystery
Series: New Hercule Poirot #3
Pages: 368
Published by William Morrow on August 28, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The world's most beloved detective, Hercule Poirot--the legendary star of Agatha Christie's Murder on the Orient Express and most recently The Monogram Murders and Closed Casket--returns in a stylish, diabolically clever mystery set in the London of 1930.

Returning home from a luncheon, Hercule Poirot is met at his door by an imperious woman who introduces herself as Sylvia Rule. "How dare you? How dare you send me such a letter?" Ignoring his denials, Mrs. Rule insists that she received a missive claiming he had proof she murdered a man named Barnabas Pandy and advising her to confess her crime to the police. Threatening the perplexed Poirot with a lawsuit, she leaves in a huff.

Minutes later, a rather disheveled man named John McCrodden appears. "I got your letter accusing me of the murder of Barnabas Pandy." Calmly, Poirot again rebuts the charge. Each insisting they are victims of a conspiracy, Mrs. Rule and Mr. McCrodden deny knowing who Pandy is.

The next day, two more strangers proclaim their innocence and provide illuminating details. Miss Annabel Treadway tells Poirot that Barnabas Pandy was her grandfather. But he was not murdered; his death was an accident. Hugo Dockerill also knows of Pandy, and he heard the old man fell asleep in his bath and drowned.

Why did someone send letters in Poirot's name accusing people of murder? If Pandy's death was an accident, why charge foul play? It is precisely because he is the great Hercule Poirot that he would never knowingly accuse an innocent person of a crime. Someone is trying to make mischief, and the instigator wants Poirot involved.

Engaging the help of Edward Catchpool, his Scotland Yard policeman friend, Poirot begins to dig into the investigation, exerting his little grey cells to solve an elaborate puzzle involving a tangled web of relationships, scandalous secrets, and past misdeeds.

My Review:

This is now the third of Sophie Hannah’s New Hercule Poirot mysteries (after The Monogram Murders and Closed Casket), and there is one thing they all have in common. Actually there are several things they have in common, but the one that strikes this reader first is the sheer, compulsive readability of this series. Whether one considers them continuations of the original, homages to it, or a combination of the two, they are all absolutely brimming with can’t-put-it-down-ness. Once I started, I couldn’t stop. All day.

Another factor that is common to all three books is the new author’s invented “Watson” for Poirot, Inspector Edward Catchpool. Unlike poor Japp in the original series, Catchpool is a young detective, early in his career. While he sometimes (often!) chafes at being caught between his Super’s orders and Poirot’s “requests”, he is aware that he needs Poirot.

One of the gratifying parts of their relationship is the way that Poirot also seems to be aware that he needs Catchpool, and not just to provide official sanction. Poirot is always the lead partner, but there is a partnership developing.

The case in The Mystery of Three Quarters feels very Poirot in that it is convoluted in the extreme. Someone has sent letters, signed by Poirot, accusing the recipients of murder. The four recipients of those letters are various shades of indignant and perplexed. Poirot is incensed, because he did not send the letters – and their grammar and writing style is absolutely appalling. Instead he discovers that the supposed murder victim surely died by accident, and that his purported murderers don’t seem to have much relationship to each other – or even to the late, more-or-less lamented Barnabas Pandy.

It’s up to Poirot, with the able assistance of Inspector Catchpool, to figure out, not so much whodunit, but whydunit, before somebody else gets done.

Escape Rating B: It’s the must-keep-reading-ness aspect of this book that sticks with me. The case, as bizarre as it is (and Poirot’s cases were often a bit “out there”) pulls the reader along from sentence to sentence and paragraph to paragraph and doesn’t let go until the end.

In other words, The Mystery of Three Quarters is a whole lot of fun to read.

Three books into this “new” series, I still feel as if it is more of a continuation of the TV portrayal of Poirot than the original books – or perhaps it’s just that Poirot’s extreme quirks feel even more quirky when one visualizes David Suchet’s performance than they must have when originally published. I always hear Suchet’s voice while reading this new series. Your mileage, of course, may vary.

One thing that stands out from The Mystery of Three Quarters is the utter wackiness of the entire case. As a device to get Poirot involved, the fraudulent letters are a stroke of both absurdity and genius. No one could resist getting to the bottom of the whole mess, and certainly Poirot is incapable of letting someone else take his name in vain. He can’t resist, which was the whole point.

Also the killer’s mistake, but of course that’s all part of the big reveal at the end.

One of the things that surprised me about the entire farrago was just how much of Poirot’s resolution turned out to be based on slightly far-fetched assumptions about motives and emotions. There’s not a whole lot of forensic evidence in this case until the very end. Instead it’s all about what people thought and how they felt and why they subsequently acted the way they did.

It all gallops along brilliantly as its going on, but looking back I’m not quite sure it all hangs together. But still, it was a terrific ride while it was happening, and I enjoyed every page of it.

I’m very happy that the author is continuing this “collaboration” with the late Dame Agatha Christie, and I look forward to more installments of Hercule Poirot’s “new” mysteries!

But I still like the UK covers better for this series. It’s Poirot. It’s the 1930s. Art deco is the right look and feel. Just run with it!

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Review: Between You and Me by Susan Wiggs

Review: Between You and Me by Susan WiggsBetween You and Me by Susan Wiggs
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: contemporary romance, women's fiction
Pages: 368
Published by William Morrow on June 26, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Deep within the peaceful heart of Amish country, a life-or-death emergency shatters a quiet world to its core. Number-one New York Times bestselling author Susan Wiggs delivers a riveting story that challenges our deepest-held beliefs.

Caught between two worlds, Caleb Stoltz is bound by a deathbed promise to raise his orphaned niece and nephew in Middle Grove, where life revolves around family, farm, faith—and long-held suspicions about outsiders. When disaster strikes, Caleb is thrust into an urban environment of high-tech medicine and the relentless rush of modern life.

Dr. Reese Powell is poised to join the medical dynasty of her wealthy, successful parents. Bold, assertive, and quick-thinking, she lives for the addictive rush of saving lives. When a shocking accident brings Caleb Stoltz into her life, Reese is forced to deal with a situation that challenges everything she thinks she knows—and ultimately emboldens her to question her most powerful beliefs.

Then one impulsive act brings about a clash of cultures in a tug-of-war that plays out in a courtroom, challenging the very nature of justice and reverberating through generations, straining the fragile threads of faith and family.

Deeply moving and unforgettable, Between You and Me is an emotionally complex story of love and loss, family and friendship, and the arduous road to discovering the heart’s true path.

My Review:

Between You and Me is not quite what I was expecting. Much in the same way that neither Reese Powell’s nor Caleb Stoltz’ lives turn out quite the way that they – or anyone around them – expected.

The unexpected can turn out to be wonderful.

Reese Powell and Caleb Stoltz don’t seem to have much in common, at least not on the surface, and they certainly live lives that should never have intersected. But life is funny that way, and sometimes we meet the people we really need to when we really need them.

Even if, or especially because, they challenge us and everything we thought we believed. The best laid plans of mice, men and especially parents go oft astray.

Caleb’s nephew is injured in a tragic accident, and his tiny Amish farming community does not have the resources needed to keep the boy from bleeding out. His nearly severed arm is a lost cause, but the boy’s life isn’t – at least not yet. When the life flight helicopter comes to take Jonah Stoltz from Middle Grove to Philadelphia, Caleb rides along.

His first ride in a helicopter, something that he has always longed to do.

While Caleb may be Amish, his heart has always yearned for the wider world. When he went on his rumspringa, his version of going wild was to attend college. He had no plans to return to Middle Grove and his abusive father.

But when his older brother and sister-in-law were murdered, Caleb took up his duty and returned to care for his niece and nephew. Not just because he made a promise to his brother as he lay dying, but to prevent his father from abusing the two children who would otherwise be left in his care.

Jonah’s tragic accident gives Caleb a tiny, tempting chance to break away from his life for a brief moment, and in his care for the boy he lets himself take it.

Reese Powell is a fourth-year resident at the hospital where Jonah is taken. She’s part of the trauma team that preps the boy for surgery. And something in her heart reaches out to the boy whose life has just irrevocably changed, and to the lost, lonely man who is truly a stranger in a strange land in the urban setting.

Just as Caleb takes this brief opportunity to break free of the life he is expected to lead, in her friendship with him Reese discovers an opportunity to examine what she wants for herself, and to break free of the heavy weight of her parents’ expectation.

They expect her to become a pediatric surgeon so that she can become a partner in their high powered and highly successful OB/GYN IVF practice. A practice that produced Reese herself. But what they want for her is not what she wants for herself. Not that Reese does not want to be a doctor, but that she wants to be a different kind of doctor than her parents, or than her parents have planned for her to be.

And even though their attempts at any relationship beyond friendship seem doomed to failure, that they try gives both of them the courage to discover what they are truly searching for in life.

It might even lead them back to each other.

Escape Rating A+: Upon reflection, I don’t think that the blurb matches the book all that much, except for its final paragraph. Between You and Me is deeply moving and unforgettable, and it is an emotionally complex story of love, loss, family, friendship and just how difficult it can be to find your own true path and the people who you need to have walking that path beside you.

But this isn’t a story about faith, except possibly faith in oneself. It also is not a story about beliefs, at least not in the religious sense that feels implied in the blurb. Instead, it feels a story about the intersection of duty and commitment, about the weight of promises made and the guilt of promises broken. And how sometimes it’s necessary to break the literal meaning of a promise in order to keep the spirit of it.

Caleb is Amish, but he has never been baptised in the faith. In other words, he has always had plenty of doubts, and those doubts have kept him from becoming a full member of the community. He promised his brother that he would raise his children in Middle Grove, but he did not promise to make any religious commitments of his own to the community.

Caleb has always had a foot in both camps. He lives in Middle Grove, but he works for the English in nearby Grantham Park, as the lead horse trainer for the Budweiser Clydesdales as well as other big, beautiful horses. And he does accounting on the side.

Much of the clash of cultures in the story is about the clash within Caleb’s heart. He wants to leave. He’s always wanted to leave. A big part of this story comprises the circumstances that finally make him realize that he needs to leave, both for his niece and nephew’s sake and for his own.

It’s often a hard choice, and it’s one that we see Caleb struggle with every step of the way.

Reese’s problem often seem much easier, but that doesn’t mean that her difficulties aren’t real or that we don’t feel for her as well. Because we do.

There is a romance at the heart of Between You and Me, but this is not a romance in the genre sense. The story here revolves around Caleb’s and Reese’s separate journeys to find themselves and the truth of their own hearts – not in the romantic sense but in the finding true purpose sense.

The happy ending is their reward for taking the difficult path. And it’s the reader’s reward for following them on their journey.

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Review: The Lost Vintage by Ann Mah

Review: The Lost Vintage by Ann MahThe Lost Vintage by Ann Mah
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, ebook, audiobook
Genres: contemporary romance, family saga, historical fiction, World War II
Pages: 384
Published by William Morrow on June 19, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Sweetbitter meets The Nightingale in this page-turning novel about a woman who returns to her family’s ancestral vineyard in Burgundy and unexpectedly uncovers a lost diary, an unknown relative, and a secret her family has been keeping since World War II

To become one of only a few hundred certified wine experts in the world, Kate must pass the notoriously difficult Master of Wine Examination. She’s failed twice before; her third attempt will be her last. Suddenly finding herself without a job and with the test a few months away, she travels to Burgundy, to spend the fall at the vineyard estate that has belonged to her family for generations. There she can bolster her shaky knowledge of Burgundian vintages and reconnect with her cousin Nico and his wife Heather, who now oversee the grapes’ day-to-day management. The one person Kate hopes to avoid is Jean-Luc, a neighbor vintner and her first love.

At the vineyard house, Kate is eager to help her cousins clean out the enormous basement that is filled with generations of discarded and forgotten belongings. Deep inside the cellar, behind a large armoire, she discovers a hidden room containing a cot, some Resistance pamphlets, and an enormous cache of valuable wine. Piqued by the secret space, Kate begins to dig into her family’s history—a search that takes her back to the dark days of the Second World War and introduces her to a relative she never knew existed, a great half-aunt who was teenager during the Nazi occupation.

As she learns more about her family, the line between Resistance and Collaboration blurs, driving Kate to find the answers to two crucial questions: Who, exactly, did her family aid during the difficult years of the war? And what happened to six valuable bottles of wine that seem to be missing from the cellar’s collection?

My Review:

This book is every bit as delicious as the wines produced by the region that it celebrates. And the history that it uncovers has just as many top notes, undertones and hidden flavors as the wine.

The Lost Vintage combines two different fictional varietals, the contemporary second-chance at love story with a heartfelt exploration of the history of the Burgundy region under the Nazi Occupation, along with the excesses enacted after liberation. And it is a story about one family finally coming to terms with all the beautiful and terrible secrets hidden in its past.

This is Kate’s story. The present we watch is her present, and it is her determination and blind luck that uncovers the hidden past.

Kate’s family are wine growers in the Burgundy region of France. Kate has always planned to have a career in the wine industry, but not as a grower. Her plan was to study, become a sommelier and eventually take the prestigious Master of Wine test.

And that’s where she’s stuck.

She’s failed the test twice, and is preparing herself to tackle the test for the third and final time. (It’s a three-strikes and you’re out kind of test). But Kate has a blind spot that is ruining her chances of achieving her dream. She just can’t seem to taste the wines from the region that her family calls home.

A place that she once, almost, made her life.

So she goes back to confront the family history, and her own. She goes back to help her cousin bring in the harvest, and to avoid as much as possible the man she almost married.

And get to the heart of everything that is holding her back from her dream. In the process, she discovers the secrets that her family has buried for 70 years – along with more than enough wine to recover their fortunes.

But first they have to resurrect the past, and begin to forgive while consciously choosing not to forget. And so does Kate.

Escape Rating A: This is an absolutely marvelous book, whether you love family sagas, wine culture, French history, World War II history or even second chances at love stories, because The Lost Vintage is all of the above.

It’s so easy to fall into this book, and especially to feel for Kate on the horns of her many, many dilemmas. She’s been driven to pursue her dreams, and she’s unconsciously following the example of her mother, a woman who pursued her own dreams at the cost of her family.

At the same time, the history that Kate uncovers eats her up, and consumes her family on multiple levels. The Burgundy region was infamous for its collaborators during the Occupation. The young woman who Kate first discovers through a yellowing high school diploma and a box of old science textbooks seems like a woman Kate would like to have met – until she discovers that her great-aunt was punished as a collaborator after the war. Sickened by the discovery of her family’s history of bigotry, at the same time she uncovers the fruits of their lost labor – a hidden collection of famous pre-war vintages, enough to save the family fortunes several times over.

But the discovery comes at too high a cost, as her Jewish cousin discovers that she has married into a family that sent others just like her to the concentration camps. And as their great-uncle creates rifts in the family by refusing to discuss the history that his own parents made him promise never to reveal.

Kate is caught between her need to learn the truth about her family, her need to learn as much as she can to pass her test, and her desire to avoid at all costs the man she almost married. A man whose family holdings are next door to her own, and whose life is interwoven with those of her cousins in France.

There’s history, mystery and romance woven into this story. We feel both for the characters in the present who desperately need to know, and those in the past who just as desperately need to conceal that knowledge.

Even though I guessed some of the history, I was still surprised by the twist at the end. And pleased to be so surprised.

The Lost Vintage is a story to savor. Preferably with a glass of wine. Or several. And some tissues.

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