Grade A #BookReview: Lost Birds by Anne Hillerman

Grade A #BookReview: Lost Birds by Anne HillermanLost Birds (Leaphorn, Chee & Manuelito #27) by Anne Hillerman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: mystery, thriller
Series: Leaphorn & Chee #27, Leaphorn, Chee & Manuelito #9
Pages: 304
Published by Harper on April 23, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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From New York Times bestselling author Anne Hillerman, a thrilling and moving chapter in the Leaphorn, Chee & Manuelito series involving several emotionally complex cases that will test the detectives in different ways. Joe Leaphorn may be long retired from the Navajo Tribal Police, but his detective skills are still sharp, honed by his work as a private detective. His experience will be essential to solve a compelling new finding the birth parents of a woman who was raised by a bilagáana family but believes she is Diné based on one solid clue, an old photograph with a classic Navajo child’s blanket. Leaphorn discovers that his client’s adoption was questionable, and her adoptive family not what they seem. His quest for answers takes him to an old trading post and leads him to a deadly cache of long-buried family secrets. As that case grows more complicated, Leaphorn receives an unexpected call from a person he met decades earlier. Cecil Bowleg’s desperation is clear in his voice, but just as he begins to explain, the call is cut off by an explosion and Cecil disappears. True to his nature, Leaphorn is determined to find the truth even as the situation grows dangerous. Investigation of the explosion falls in part to Officer Bernadette Manuelito, who discovers an unexpected link to Cecil’s missing wife. Bernie also is involved in a troubling investigation of her an elderly weaver whose prize-winning sheep have been ruthlessly killed by feral dogs. Exploring the emotionally complex issues of adoption of Indigenous children by non-native parents, Anne Hillerman delivers another thought-provoking, gripping mystery that brings to life the vivid terrain of the American Southwest, its people, and the lore and traditions that make it distinct.

My Review:

“We grow too soon old and too late smart,” a saying that has its roots far from the Navajo tribal lands in the Four Corners area, but nevertheless applies to many of the characters in this 27th entry in the long-running Leaphorn, Chee and Manuelito series.

Especially, but absolutely not exclusively, to the ‘Legendary Lieutenant’ himself, retired Navajo Nation Police Lieutenant Joe Leaphorn – the original protagonist of this series back when it began back in 1970 in The Blessing Way, written by author Anne Hillerman’s father Tony Hillerman.

As this series is written in a kind of ‘perpetual now’, Leaphorn isn’t quite as old as the number of years between 1970 and 2024 would lead one to expect, But he has aged from a man in his prime into retirement – and the start of a second career as a private investigator.

He’s not as young or as fast as he used to be – even if he’s not always willing to admit it – while the first young officer he mentored, Jim Chee, has just been promoted to Lieutenant himself. Leaphorn’s other mentee, Officer Bernie Manuelito, now Chee’s wife, is still grieving a miscarriage, and stinging after losing out on a promotion of her own.

The case they ALL find themselves working on – if not always together – begins with an explosion at a local school. Joe is on the phone with the survivor of one of his earliest cases when he hears the explosion through the phone, the call drops – or the caller does, and Joe is left hanging.

Bernie gets called to the school, because the place is on fire – or at least one specific building is. She’s had some training in dealing with explosions and their aftermath – and this case unfortunately looks like an occasion for her to use those skills.

Which is exactly what it turns out to be. Which is also the last straightforward aspect of the whole case. The ONLY saving grace to the disaster is that it happened on a Saturday morning and no students were present to be caught up in the flames.

With the increasing amount of violence on all school campuses across the country, the Navajo Police, the FBI, and every other possible jurisdiction fear that the conflagration was both cleverly and deliberately set. And they could be right. There are certainly plenty of signs that point that way – including the absence of a custodian with a whole lot of financially troubling motives for something nefarious.

Or, as much as Leaphorn and the cops he trained do not believe in coincidences, that chain of terrible events could be the result of them. After all, the other case that Leaphorn is working on turns out to be riddled with them – to considerably better results.

But it’s the much too personal case that catches up to Leaphorn that forcibly reminds him that time is catching up to him – and that there are some things it is best to say before it is too late.

Escape Rating A: Just as there are three investigators in this story, there are three cases, but the cases are not in parallel, do not intersect and mostly lead back to Joe Leaphorn, which is fitting as he is the place where the whole series began.

The big case, the official investigation into the explosion and fire at the school, is the case that takes up the least of Leaphorn’s time but the most of Bernie Manuelito’s time and effort – and pushes her up against her issues with her job disappointment and her new boss.

But the case of the explosion is the case with the largest number of facets in the present, and the only part that doesn’t do a deep dive into any of the investigators’ pasts or personal lives. Which is a good thing because there is plenty of that on the parts of all of the potential suspects.

That part of the case is interesting because the track it goes down isn’t remotely fruitful – and yet it manages to lead to the correct result in spite of itself and everyone’s assumptions about the hows and the whys of the thing. There turn out to be plenty of arrests to go around – but not for any of the reasons that anyone first suspects.

Leaphorn’s private case is the one that delves into a bit of history, and rights a single tragedy in a vast sea of wrongs that no one has the power to fix in its entirety. It’s this case that the book is titled after, as a “Lost Bird” in the Navajo context is a child who was adopted out of their tribal community. Joe’s client may be one of those “Lost Birds”, one who is determined to find out as much of the truth as is still there to find before everyone left who might have known a bit of that truth passes away.

Last, but not least, are the personal aspects of this series. While Bernie’s ongoing struggle to balance her career as a police officer alongside of her more traditional obligations as daughter and sister often features in this series, and a further chapter of her difficulty in managing that balancing act does occur, the big personal ‘case’ in this case is Leaphorn’s – which is a surprise and a revelation because Leaphorn is a person who very much keeps himself to himself – and this time that’s impossible.

All of which made Lost Birds another enthralling chapter in this long-running saga. While I don’t think a new reader would need to start back at the very, very beginning, picking this series up with Spider Woman’s Daughter, the story where Anne Hillerman picks up her father’s legacy just as Bernie Manuelito investigates the shooting of her mentor and father-figure Leaphorn is a great place to begin.

This entry in the series feels like it might be Joe Leaphorn’s swan song. He comes to some conclusions at the end that leave the impression that he’s going to move from his second act as a private investigator to a third act as a consultant – one that will hopefully put him less in the line of fire. Not that I think the series is going to end – please no – but rather that his role is going to be a bit more reduced. Whatever happens, I’m certainly looking forward to finding out – hopefully this time next year.

#AudioBookReview: Close to Death by Anthony Horowitz

#AudioBookReview: Close to Death by Anthony HorowitzClose to Death (Hawthorne & Horowitz, #5) by Anthony Horowitz
Narrator: Rory Kinnear
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Hawthorne and Horowitz #5
Pages: 419
Length: 9 hours and 12 minutes
Published by Harper, HarperAudio on April 11, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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In New York Times–bestselling author Anthony Horowitz’s ingenious fifth literary whodunit in the Hawthorne and Horowitz series, Detective Hawthorne is once again called upon to solve an unsolvable case—a gruesome murder in an idyllic gated community in which suspects abound
Riverside Close is a picture-perfect community. The six exclusive and attractive houses are tucked far away from the noise and grime of city life, allowing the residents to enjoy beautiful gardens, pleasant birdsong and tranquility from behind the security of a locked gate.
It is the perfect idyll until the Kentworthy family arrives, with their four giant, gas-guzzling cars, a gaggle of shrieking children and plans for a garish swimming pool in the backyard. Obvious outsiders, the Kentworthys do not belong in Riverside Close, and they quickly offend every last one of their neighbours.
When Giles Kentworthy is found dead on his own doorstep, a crossbow bolt sticking out of his chest, Detective Hawthorne is the only investigator that can be called on to solve the case.
Because how do you solve a murder when everyone is a suspect?

My Review:

There’s an old saying that familiarity breeds contempt. In the case of Giles Kenworthy and the other residents of Riverview Close it seems as if the contempt came pre-installed – at least on his side and well before he actually got to know any of his neighbors. If indeed he ever bothered to try.

Kenworthy seems to be one of those smug, self-involved, ultra-privileged individuals who go through life completely unable to see other people as, well, people. Meaning that he simply doesn’t notice how much the noise and smoke from his backyard barbecues affects the neighbors he can’t be bothered to invite, he doesn’t care that the loud music he plays on his convertible wakes up the entire neighborhood when he comes home in the middle of the night and parks the damn car in the middle of a shared driveway and blocks the neighbors in.

It seems as if Kenworthy’s inconsideration knows no bounds. He’s certainly brought utter disharmony to what was formerly seemed to be a close-knit and completely harmonious little community.

But is being a boor – even to the point of being a total arsehole (it’s arse, they’re English) – enough of a reason to actually murder someone?

That’s the problem that confronted Detective Superintendent Tariq Khan five years ago when he began his investigation of the murder of Giles Kenworthy, in the foyer of his expensive home, with a crossbow bolt through his throat.

And it’s the exact same question confronting Tony Horowitz – along with the ridiculously short deadline his editor has given him for the fifth book in the series following the investigations of former Metropolitan Police Detective Daniel Hawthorne as Tony follows literally behind the man as his bumbling sidekick.

But not this time, not exactly. Because Hawthorne can’t exactly call up an interesting murder to order. So instead of following the detective as he works a case, Tony is stuck with following Hawthorne on a past case through the extensive notes left by Hawthorne’s previous assistant, the considerably less bumbling John Dudley.

Tony is even more curious about the man who preceded him than he is about whodunnit. By this point in his association with Hawthorne he knows that he’s not going to get even close to the solution until Hawthorne leads him there – most likely by the nose at that.

Which leaves Tony doing a bit of snooping on his own – not into Giles Kenworthy’s murder – but into John Dudley’s exit from Daniel Hawthorne’s life. Something that it looks like no one wants him to look into – but that might just lead him back to an entirely different whodunnit.

Escape Rating B+: Hawthorne drives Tony crazy. This series generally drives me crazy. This particular entry drove me so crazy I switched from the audio – which was, as always in this series, and with this narrator, marvelous – to the ebook at the halfway point because I was going nuts trying to figure out anything at all. My luck is no better than Tony’s usually is because the cases Hawthorne ends up investigating are so bizarre AND the man dribbles out clues like a miser drops pennies.

But by that point I was so caught up in the thing that I didn’t thumb to the end to find out whodunnit – I just read faster to get there in one hour instead of five for the audio.

At first, I have to say that I only hung in because of the audio. Because the first section is all set up and it takes more than long enough that the reader is downright grateful when the body finally drops – particularly as the body that drops seems like it couldn’t have belonged to a more deserving fellow.

At that point, the story switches from third person – which just felt WRONG for this series because it is – back to Tony’s first person perspective where he proceeds to hang a lampshade over just how trite and boring that long set up is.

After all, Giles Kenworthy was a seriously deserving murder victim and all of the issues among the residents of Riverview Close – except for the woman suffering from chronic fatigue syndrome and the death of that poor dog – are very much first world problems and rich people’s first world problems at that. Which does lead back to the question of whether the man deserved to be murdered.

(Maybe for the dog, but not the rest. For the rest, maybe some slashed tires, or a thorough egging of both the house AND the open convertible. Or some maybe not-so-petty vandalism. But not murder.)

Normally this series works by following Tony as he follows Hawthorne and bumbles his way through the man’s genius and misanthropy to a solution. This time was a bit different, and I don’t think it entirely worked.

Because Hawthorne is reluctant to have Tony look into this case, parsimonious with clues and information, and doing his damndest to micromanage Tony’s writing process to the point of obstruction, the story is on two tracks.

The first is, obviously, the murder. Which is as twisty as ever and Tony is as lost as always but doggedly pursuing a solution even though he can’t see it because he knows Hawthorne can. At least until that thread of the story goes temporarily – and deliberately – pear-shaped.

But it’s the other track that gave me some pause, because part of the point of the series is that Tony knows little or nothing about Hawthorne and Hawthorne does his best to make sure it stays that way. His mystery is part of, I don’t want to say charm because let’s just say that’s not Hawthorne’s strongest suit, but rather it’s part of the way he works AND what keeps Tony following him. This entry in the series pulled that curtain back a bit in ways that I really hope pay off later because it seemed like some of them belonged more to the author’s James Bond novels than Hawthorne and Horowitz.

In the end, I have to admit that I’m every bit as hooked on this series, as Tony is hooked on following after Hawthorne, sometimes in spite of himself. The books certainly drive me every bit as crazy as Hawthorne does Tony.

Which means that, as differently crazed as this entry was from some of the previous books in the series, I’m still riveted – sometimes in spite of myself. So I’ll be back for the next – whenever either Hawthorne manages to run across a conveniently timed twisted murder – or Tony gets faced with an urgent deadline for book six!

#AudioBookReview: The Mystery Writer by Sulari Gentill

#AudioBookReview: The Mystery Writer by Sulari GentillThe Mystery Writer by Sulari Gentill
Narrator: Katherine Littrell
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: mystery, suspense, thriller
Pages: 400
Length: 10 hrs 52 mins
Published by Dreamscape Media, Poisoned Pen Press on March 19, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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There's nothing easier to dismiss than a conspiracy theory―until it turns out to be true.
When Theodosia Benton abandons her career path as an attorney and shows up on her brother's doorstep with two suitcases and an unfinished novel, she expects to face a few challenges. Will her brother support her ambition or send her back to finish her degree? What will her parents say when they learn of her decision? Does she even have what it takes to be a successful writer? What Theo never expects is to be drawn into a hidden literary world in which identity is something that can be lost and remade for the sake of an audience.
When her mentor, a highly successful author, is brutally murdered, Theo wants the killer to be found and justice to be served. Then the police begin looking at her brother, Gus, as their prime suspect, and Theo does the unthinkable in order to protect him. But the writer has left a trail, a thread out of the labyrinth in the form of a story. Gus finds that thread and follows it, and in his attempt to save his sister he inadvertently threatens the foundations of the labyrinth itself. To protect the carefully constructed narrative, Theo Benton, and everyone looking for her, will have to die. 
USA Today bestselling author Sulari Gentill takes readers on a rollercoaster ride in The Mystery Writer, a literary thriller that turns the world of books and authors upside down and where a writer's voice is a thing to be controlled and weaponized, to the peril of everyone who loves a good story.

My Review:

The mystery – and the mystery writer herself – both kick off when a bedraggled, desperate Theodosia Benton knocks on her big brother’s door. Theo is uncertain of her welcome, but when her flight from Canberra fetches her up in Lawrence Kansas, she’s hoping against hope that the one person who has never failed her will rescue her one more time. Even if she and Gus haven’t seen each other in years.

Her hope in her brother is not misplaced. But her arrival pushes a small stone down a long, steep hill that gathers more than enough moss, snow and really big rocks to crush the lives that they are trying to build. And sweeps entirely too many people around them into its destructive path.

Depositing Theo – along with poor Gus and his ginormous dog Horse  – and the heart of the deepest and darkest conspiracy theory that neither of them could have possibly seen coming. Not even their best friend’s family of obsessive, true believing conspiracy nuts.

Escape Rating B-: I picked this up because I LOVED the author’s previous book, The Woman in the Library, and was hoping for more of the same. That isn’t what I got – emphasis on the “I” because I think that the reasons this book didn’t work for me until the very end were a “me” thing that may not be a “you” thing. Before I explain, let me state for the record that the dog is a VERY GOOD BOY and he’s doing FINE at the end of the story.

Even though I loved Horse nearly as much as Theo did, this book drove me bonkers. I was listening to it and it turned into a rage listen, but as much as the whole thing frustrated me no end, I couldn’t stop even though I couldn’t stand another minute. So I switched to text just to find out who done what and how and why a whole lot faster.

The audio was fine, and the narrator did a terrific job of dealing with Gus’ deliberately strong Aussie accent and Theo’s less pronounced one among all their American friends and neighbors. It was the story itself that was making me crazy, to the point where I tried thumbing to the end of the book just so I would know – but it didn’t make sense because things get very, very twisty at the end.

However, that twistiness did manage to redeem a great deal of my frustration, because the macguffin that powers this whole twisted mess that Theo has been dropped into was definitely a WOW to the point where it’s entirely too easy to fall down the rabbit hole of it being real. Really plausible anyway, in spite of itself. Or myself. Or both.

But it definitely middled in a place where it seemed obvious to this reader that there was a malign agency of some kind behind the way that Theo’s life goes so far down the road to hell in that handcart so fast. (Like Wednesday’s audiobook, people just aren’t THAT unlucky unless someone really is out to get them.) So I had a pretty good guess fairly on who was doing the dirty deeds – I just didn’t have the whys, the hows or the wherefores.

Which also frustrated me because I thought that at least one of the main characters, probably not Theo herself but either her older brother Gus or his friend Mac.

And that’s the point where I worked out that the part of the story that was not working out for this reader was that the entire house of cards relies on the protagonist’s innocence and naivete in order to work at all. And since the story is told from her perspective we get a lot of that naivete to the point where I just wanted to shake some sense into her. It’s not that she’s too stupid to live, it’s that she’s young and has led a rather peculiarly sheltered life in the remoter parts of an entirely different country.

Gus or Mac should have had a better perspective on just how high the terrible coincidences were piling up, and just how unlikely that was, as they are both a decade older than Theo and have, particularly in Mac’s case, considerably more knowledge of the way the world really does and doesn’t work. But the way the story works means that they are dealing with most of the events through what Theo tells them, and her naivete bleeds all over everything.

Plus, they are both trying really, really hard to protect her – even from her frequently misguided self.

In the end, I think the whole story and the way that it works can be summed up by the tagline that the most prominent group of conspiracy aficionados uses in their messaging, “We know what we know.”

The full quote, from Nicolaus Copernicus, feels like it’s a key to understanding the conspiracy theorists in the book as well as the book itself and how it hides its real mystery in plain sight.

“To know that we know what we know, and to know that we do not know what we do not know, that is true knowledge.” Clinging to what they know, the conspiracy theorists have no clue about all the many, many things they don’t know. Neither does Theo. And neither, as the book takes us on a not-so-magical mystery tour of the way that Theo’s, Gus’ and Mac’s lives go so very, very wrong, does the reader – at least not until the bitterly climactic end.

#AudioBookReview: A Midnight Puzzle by Gigi Pandian

#AudioBookReview: A Midnight Puzzle by Gigi PandianA Midnight Puzzle (Secret Staircase Mystery, #3) by Gigi Pandian
Narrator: Soneela Nankani
Format: audiobook, eARC
Source: supplied by publisher via Libro.fm, supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: cozy mystery, mystery, thriller
Series: Secret Staircase Mystery #3
Pages: 342
Length: 10 hours and 38 minutes
Published by Macmillan Audio, Minotaur Books on March 19, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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In heroine Tempest Raj, modern-day queen of the locked room mystery Gigi Pandian has created a brilliant homage to the greats of classic detective fiction. Secret Staircase Construction is under attack, and Tempest Raj feels helpless. After former client Julian Rhodes tried to kill his wife, he blamed her "accident" on the home renovation company’s craftsmanship. Now the family business—known for bringing magic into homes through hidden doors, floating staircases, and architectural puzzle walls—is at a breaking point. No amount of Scottish and Indian meals from her grandfather can distract Tempest from the truth: they’re being framed.
When Tempest receives an urgent midnight phone call from Julian, she decides to meet him at the historic Whispering Creek Theater—only to find his dead body, a sword through his chest. After a blade appears from thin air to claim another victim, Tempest is certain they’re dealing with a booby trap… something Secret Staircase Construction could easily build. Tempest refuses to wait for the investigation to turn to her or her loved ones. She knows the pieces of the puzzle are right in front of her, she just has to put them together correctly before more disaster strikes.
Multiple award-winning author Gigi Pandian and her heroine Tempest Raj return in A Midnight Puzzle, where an old theater reveals a deadly booby trap, secrets, and one puzzle of a mystery.

My Review:

A Midnight Puzzle is all about the Raj Family Curse – and the sin of hubris that allows it to last so long and makes it so damn difficult to put to rest.

After her adventures – and misadventures – in the first two books in the Secret Staircase Mystery series, Under Lock and Skeleton Key and The Raven Thief, stage illusionist turned construction illusionist Tempest Raj believes that she is on the verge of solving the mystery that has cast a shadow over her family and her life for the past decade – if not considerably longer.

Long, long ago, the Raj family were illusionists and court magicians in their native India. Way back then, it was believed that a curse had been laid on the family – or the family business. It was said that the Raj family’s firstborn child in each generation would “die by magic”. Of course, over the centuries, it did happen sometimes. Just enough to keep the curse – or the belief in it – going for another century or so.

Tempest’s beloved grandfather Ash is the second child of his generation, because his older brother died “by magic”. Ash left India for Scotland and its renowned medical colleges, married a local artist and never looked back. Or at least tried very hard not to.

But the magic skipped a generation as well as a continent. Ash’s daughters, Elspeth and Emma, became stage illusionists as “The Selkie Sisters” until an accident and an argument broke their trust in each other. Working alone, Elspeth, the older of the two, did indeed “die by magic”, keeping the talk of the curse alive for another generation.

However, Emma died by magic as well – or at least disappeared in the middle of her own magic show, on the boards – or at least in the wings – of their hometown’s Whispering Creek Theater ten years ago.

Tempest has rented the haunted and haunting little theater in order to stage one final performance, a one night “Farewell” to her own ill-starred career as a stage illusionist. Of course, being in temporary possession of the place her mother vanished, Tempest is also determined to comb the theater for clues.

At least until disaster strikes – from without and from within. But in solving the current mystery, Tempest may have the opportunity she needs to lay that old mystery to rest. If her family’s construction company, Secret Staircase Construction, can survive just one more public disaster.

And if Tempest and her ‘Scooby gang’ can manage to unmask a killer before their curse sweeps Tempest AND her friends into yet another example of the Raj Family curse.

Escape Rating B: I have to admit that I went into this third entry in the series with a bit of trepidation after the muddle of The Raven Thief. Particularly as A Midnight Puzzle opened with Tempest, her family and the construction company being in the midst of what seemed like rather pointedly aimed chaos on all fronts – only because it was.

(I started this one in audio, as I figured it would get me over the hump of those trepidations. And it did. I switched to text once it got going because there were so many potential clues and delicious red herrings that I needed to find out who actually ‘dunnit’ FASTER.)

But at the beginning I was still a bit stuck in thinking this series was inflicted with Cabot Cove Syndrome, or perhaps Midsommer-itis. By which I mean that all of the mysteries so far have been a bit too intimate and her family and their business have been much too personally involved – not as the investigators, or even as the direct victims – but as the suspects.

No one’s luck is THAT bad. Unless, of course, they really are cursed.

Which means that I was very pleased to see the mystery of the Raj Family Curse – at least in its modern iteration – laid to rest at the end of A Midnight Puzzle, along with a promise of more mysteries but somewhat less personal ones in future entries in the series.

But first, there’s the mystery in THIS outing. Or rather, the two mysteries that are both squarely aimed at the Raj Family.

What makes this story work better than The Raven Thief is that the story keeps its eyes – and Tempest’s – on the prize of solving the mystery of her mother’s disappearance – no matter how many distractions and misdirections get thrown in Tempest’s way.

And no matter how much the police seem to be bungling their investigation into the deadliest of those distractions.

As much and as often as Tempest is tempted (and so is the reader!) to hare off after the many distractions and misdirections, in the end A Midnight Puzzle is a very satisfying wrap up to what looks to be the opening setup trilogy for this series. And the way that the whole thing was strung out over three books feels like it was the right length after all, because this mystery has been decades in the making, so it’s only fitting that it take a year or more to wrap up in a way that leads back around to a beginning that Tempest barely knew about, as well as a reminder that “Pride goeth before destruction, and a haughty spirit before a fall.”

But Tempest is not the one who falls, even though the resulting thud breaks her heart, and it clears the way for new, and hopefully less personal mysteries and adventures. I’m looking forward to see what Tempest stirs up next.

#BookReview: Village in the Dark by Iris Yamashita

#BookReview: Village in the Dark by Iris YamashitaVillage in the Dark (Cara Kennedy, #2) by Iris Yamashita
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Cara Kennedy #2
Pages: 288
Published by Berkley on February 13, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Detective Cara Kennedy thought she’d lost her husband and son in an accident, but harrowing evidence has emerged that points to murder--and she will stop at nothing to find the truth in this riveting mystery from the author of City Under One Roof.
On a frigid February day, Anchorage Detective Cara Kennedy stands by the graves of her husband and son, watching as their caskets are raised from the earth. It feels sacrilegious, but she has no choice. Aaron and Dylan disappeared on a hike a year ago, their bones eventually found and buried. But shocking clues have emerged that foul play was involved, potentially connecting them to a string of other deaths and disappearances.  Somehow tied to the mystery is Mia Upash, who grew up in an isolated village called Unity, a community of women and children in hiding from abusive men. Mia never imagined the trouble she would find herself in when she left home to live in Man’s World. Although she remains haunted by the tragedy of what happened to the man and the boy in the woods, she has her own reasons for keeping quiet. Aided by police officer Joe Barkowski and other residents of Point Mettier, Cara’s investigation will lead them on a dangerous path that puts their lives and the lives of everyone around them in mortal jeopardy.

My Review:

Just as once-and-future Anchorage PD Detective Cara Kennedy wrapped up the murder cases at Point Mettier in City Under One Roof, a monkey wrench was thrown into the case nearest and dearest to her heart. Cara has been, honestly not surprisingly, unwilling to let the case of her husband’s and her son’s deaths go, to the point where the Anchorage PD’s psych evaluation put her out on disability.

Not a good place for a detective with nothing to do but dwell on the ‘might have beens’ to be. Particularly not when a picture of her late husband, her dead son, and herself, taken just before the ill-fated trip that left her a widow, was found on the cell phone of one of the gang members responsible for the deaths in Point Mettier in that first adventure.

Making Cara in this second mystery the equivalent of a dog with a very large bone to chew on. A bone that is made just that much bigger when she has her family’s bodies exhumed and discovers that, whoever they are, and whatever the Anchorage PD told her, the bodies she buried under her husband’s and son’s names were not, in fact, the bodies of her husband and son.

Although it certainly looks like one of those bodies was the victim of murder. Adding yet more questions to the pile of unanswered ones that she already has. And not just questions about who the now unidentified bodies were, and who are the other missing, presumed dead people in that gang member’s cell phone photo roll.

Because if the two bodies she buried weren’t her own loved ones, then where the hell are her husband and her son? Are they dead by some other misadventure lost in some other remote part of the Alaskan Bush? Or are they alive and in hiding?

Or worse, does her husband have something to do with the long list of missing and presumed dead faces in that photo roll? Cara can’t rest until she finds out the truth – whether it sets her free or gets her killed. Or both, not necessarily in that order.

Escape Rating B: Part of what made City Under One Roof work so well was the claustrophobic nature of its setting. Whittier, like the city modeled after it in the story, really is a city under one roof. That a significant chunk of that first story takes place while Point Mettier is literally cut off from the rest of the world – as really does happen in Whittier – gives the story a kind of ‘locked room’ vibe, complete with time running out as the tunnel will eventually open and the bottled up suspects will have the opportunity to escape.

The story in Village in the Dark spreads itself out in both time and space, as the action shifts from Point Mettier to Mia’s temporary refuge outside Willow to Anchorage and back again. It’s also a bigger story, in that it begins with Cara’s seemingly never-ending quest to find out what really happened – or who really happened – to her husband and son but loops in one of Point Mettier’s more colorful residents, that woman’s search for the events that led to her own son’s death, and then seemingly tacks on one mysterious young woman attempting to hide in plain sight.

It’s a bigger story but it’s a whole lot less tight and taut in the way that City Under One Roof was, and that mysteries are at their best. In other words, I got lost a bit whenever we switched to young Mia’s point of view because she started out WAY out there compared to the central axis of the story. Not that she didn’t finally move to the center of things, but it certainly took a while.

In the end, it’s a story about drugs and money. About corruption and temptation and dirty deeds done dirt cheap in the service of people who will never pay the price for the deeds done in their name – even if that name is a false one hidden behind multiple go-betweens.

But the further the story spread out, the less it hung together until the rapid-fire denouement. And then it was, quite literally, gangbusters.

At the end, the story that brought Cara into this series has been resolved. Whether it will be the jumping off point for more, and less personal and more procedural investigations, is a mystery yet to be solved.

One final note, the subtext in this entry in the series is the ease with which the police dismiss missing persons cases and crimes against women, particularly, in the Alaskan setting, indigenous women. The same horrifying subtext also underlaid the suspense in last year’s The Way of the Bear by Anne Hillerman. Coincidentally, or perhaps a commentary on the pervasiveness of the issue, the book I am currently listening to, Glory Be by Danielle Arceneaux, has an entirely too similar tragedy at its heart, yet again exploring and decrying the ease with which police discount and dismiss crimes against black women in that book’s Louisiana setting.

The pervasiveness of this all too real problem is considerably more chilling than the suspense in ANY mystery.

Grade A #BookReview: The Bezzle by Cory Doctorow

Grade A #BookReview: The Bezzle by Cory DoctorowThe Bezzle (Martin Hench #2) by Cory Doctorow
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: financial thriller, mystery, thriller
Series: Martin Hench #2
Pages: 240
Published by Tor Books on February 20, 2024
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New York Times bestseller Cory Doctorow's The Bezzle is a high stakes thriller where the lives of the hundreds of thousands of inmates in California’s prisons are traded like stock shares.
The year is 2006. Martin Hench is at the top of his game as a self-employed forensic accountant, a veteran of the long guerrilla war between people who want to hide money, and people who want to find it. He spends his downtime on Catalina Island, where scenic, imported bison wander the bluffs and frozen, reheated fast food burgers cost 25$. Wait, what? When Marty disrupts a seemingly innocuous scheme during a vacation on Catalina Island, he has no idea he’s kicked off a chain of events that will overtake the next decade of his life.
Martin has made his most dangerous mistake trespassed into the playgrounds of the ultra-wealthy and spoiled their fun. To them, money is a tool, a game, and a way to keep score, and they’ve found their newest mark―California’s Department of Corrections. Secure in the knowledge that they’re living behind far too many firewalls of shell companies and investors ever to be identified, they are interested not in the lives they ruin, but only in how much money they can extract from the government and the hundreds of thousands of prisoners they have at their mercy.
A seething rebuke of the privatized prison system that delves deeply into the arcane and baroque financial chicanery involved in the 2008 financial crash, The Bezzle is a sizzling follow-up to Red Team Blues .

My Review:

When we met Martin Hench in the first book in his series, Red Team Blues, the ‘scam’ of the day that Marty needed to unravel – before it unraveled him – was all wrapped in the cryptocurrency shenanigans of its – and our – present day.

I say our present-day because Sam Bankman-Fried’s trial for his cryptocurrency-based fraudulent shenanigans had not yet come to pass when The Bezzle was written, but has between the point when The Bezzle was written and when it is being published next week.

So Red Team Blues was a story about now – or at least now-ish. The Bezzle is a story about then. Particularly the early 2000s, when the scam of the day was yet to be uncovered in the dot com boom that has not yet busted when we go back in time with Marty and whoever he is telling this story to. Which we never do find out and I surely wish we did.

Bezzle is a real term in economics that has never gotten the study it deserves. It’s related to the crime of embezzlement, but isn’t the embezzlement itself. Instead, it’s the time between two events; the commission of the crime and its discovery. It’s a weird sort of net-positive financial limbo, or an even stranger Schrödinger’s cat situation, where both the embezzler and their victim believe they have the money and act accordingly, only for one or the other or both to suffer a rude awakening when the crime is discovered.

Now that I’ve thought about it a bit, the story in The Bezzle is a bezzle within a bezzle in a kind of möbius strip of bezzling that doesn’t so much end as shift into a state of mutually assured destruction. A state that Marty, fortunately for him, is finally able to observe from the outside looking in, instead of either from the inside of a jail cell looking out the way that his friend Scott ends up, or up from six feet under, as the villain of this story certainly intended.

Very much like Red Team Blues, The Bezzle is a story about leverage. Not just in the financial sense, but mostly in the sense of who has power over whom, and how much they are willing to pay to exercise it.

Escape Rating A: The Bezzle is a LOT of things, all of which are fascinating and make for a compelling read, but absolutely none of which are remotely science fiction, whether it is marketed as such or not. And not that SF readers won’t enjoy The Bezzle, because they certainly will and I absolutely did.

On the surface, The Bezzle is a combination of 2000 aughts’ nostalgia, a metric buttload of social commentary about the state of the State of California and its seemingly deliberately FUBAR’d penal system, some surprisingly deep analysis of the socio-economic conditions in Steven Brust’s Vlad Taltos series, all wrapped inside a crunchy thriller coating, making it a tasty read from beginning to end.

It starts out deceptively simple, in what looks like a small time con on an equally small island. It’s even a bit silly, as no one in their right mind would think that trading in hamburgers could bring down an entire island’s economy. At least not until Marty Hench figures out that cornering the underground fast-food market on Santa Catalina Island – where fast food franchises were illegal – is more than just a small scale attempt to make a few bucks off the local craving for forbidden fruit. It’s the public front for a Ponzi scheme that is going to bankrupt the local economy. At least until Marty gives the intended suckers some hints about leverage.

And puts a price on the heads of both Marty and the friend who brought him to Catalina in the first place.

From there, the story is off to the races. And it continues racing at a breakneck pace, even through places that might bring other stories and other writers to a screeching halt – but instead detail the long and painful process of bringing a villain to his knees while still exposing and eviscerating the system that made his villainy possible.

What makes the whole thing fly – and it absolutely does fly by – is the charm of its storyteller, Martin Hench himself. Because Marty is really, really good at three things; figuring out which way the books have been cooked, making friends, and storytelling. If you are drawn in by Marty’s world-weary, wry, sarcastic but ultimately caring voice, he’ll carry you through this trip down his memory lane. And if you enjoy caper stories, Marty is a terrific companion for this madcap thrill-ride of a tale.

If Marty manages to dig another story of good friends, filthy lucre, and tech wizards behaving badly out of his capacious memory, this reader will definitely be there for it!

Grade A #BookReview: Gryphon by M.L. Buchman

Grade A #BookReview: Gryphon by M.L. BuchmanGryphon (Miranda Chase NTSB #14) by M L Buchman
Format: ebook
Source: author
Formats available: paperback, ebook
Genres: action adventure, political thriller, technothriller, thriller
Series: Miranda Chase NTSB #14
Pages: 370
Published by Buchman Bookworks on January 23, 2024
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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With the rising threat of Russia, Sweden joins NATO for its own protection. But someone wants to make them pay—in blood. Sweden’s home-built, world-class jet fighters, the Saab JAS 39E Gripen—named for the mythological Gryphon—are falling out of the skies. The stability, the very existence of NATO could be torn apart, as if trapped in the Gryphon’s mighty eagle claws. Can Miranda’s team of air-crash investigators solve the crisis before the powerful lion-half shreds them asunder?

My Review:

Like all of the previous entries in the Miranda Chase series from the very first page in Drone, Gryphon is an edge-of-the-seat political technothriller with World War III looming over every action on every page.

What makes this OMG FOURTEENTH book in the series stand out is that this is the one where all of the hyper-competent people that we have come to know and love over the course of the series so far are anything but.

Not that they don’t still manage to get the job done – because of course they do! – but rather because it’s clear from the opening page that all of the members of Miranda’s team are broken after the events of Osprey – and Miranda herself is the most broken one of them all.

It’s hard to lead anyone anywhere when your heart, your soul and your entire psyche are lying in pieces on the ground at your feet.

But time, tide, plane crashes and international catastrophes wait for no one. Even if not a single one of Miranda’s team remotely has their shit together, between them they still have enough to figure out exactly which enemy is responsible for the recent series of disasters plaguing Sweden’s civilian and military aviation.

Although Sweden doesn’t have a whole lot of enemies. Which doesn’t make Ian Fleming’s old truism any less true, that “Once is happenstance. Twice is coincidence. Three times is enemy action.” It’s just that this time around they’ll have to start by identifying just who they have to stop.

Escape Rating A: Gryphon is a hard read for fans of Miranda Chase and her team. Which isn’t to say that it’s not a good read, because it oh-so-definitely is. But rather, it’s hard to see people that we’ve come to like and respect and care about act this observably broken.

It’s a heartbreaking response to the events of the previous book, but damn it hurts to watch.

But it does make it easy for someone, actually a few someones, to slip a whole lot of things past them all – because they are all very much NOT at the top of their respective games. More like at the bottom.

The crisis is a conundrum, because it only makes sense in bad ways. Either the Swedish aviation industry is having the worst luck in the universe, over and over, or someone is out to get them. And yet, the usual suspects are all quiet.

And on the third hand being held behind someone’s back, considering the current crisis in the Ukraine, blaming Russia for everyone’s troubles is a damnably easy conclusion to jump to. So it becomes a question of whether Russia has faked out literally everyone – or whether someone else is trying to make it look that way in the hopes of, what? Causing World War III? Who is crazy enough to want to ring that bell?

A question which, in its own way, is at the center of what makes this series so damn good. Because both the question and the solution in each entry in the series isn’t about the techno part of the thriller. It’s always about the human factors. Technology may make the events and crises and calamities and near-catastrophes possible, but it’s always human beings who set them into motion for all too human reasons.

And it’s the humans of Miranda’s team – pulling together and putting it all together – that have to stop the worst from happening.

Not that the tech isn’t fascinating and not that we don’t get a lot of it while following Miranda and her team – but it’s the humans we feel for and with and it’s the human cost of the disaster they’re trying to prevent that make us keep turning pages until they pull literally everyone’s fat out of whatever particular fire they’re facing this time around.

And all of that is just, well, harder in Gryphon because the humans on all sides of this particular equation are all broken, The villains are broken because the game they are playing is not worth the cost, and the ‘good guys’ are broken because they’ve been pulling separately instead of pulling together, so they’re a mess and getting messier by the day.

Whether the radical solution they come up with to begin to start fixing their broken places is something that we’ll all get to find out in the next book in this awesome series, Wedgetail. Until that comes out this summer, we’ll all just have to hope right along with the rest of the team.

Grade A #BookReview: The Missing Witness by Allison Brennan

Grade A #BookReview: The Missing Witness by Allison BrennanThe Missing Witness (Quinn & Costa, #5) by Allison Brennan
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Quinn & Costa #5
Pages: 416
Published by Mira on January 23, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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When a key witness goes missing, Quinn and Costa must find her before a killer silences her for good…
Detective Kara Quinn is back in Los Angeles to testify against a notorious human trafficker, finally moving past the case that upended her life. But when the accused is shot by a masked man in broad daylight, the chaotic scene of the crime turns up few reliable bystanders. And one witness—a whistleblower who might be the key to everything—has disappeared.
After the prosecuting DDA is stabbed to death, it’s clear that anyone who knows too much about the investigation is in danger, and tracking down the witness becomes a matter of life or death. With government corruption running rampant and someone on the inside trying to pin anything they can on Kara, she trusts nobody except FBI special agent Matt Costa and a handful of allies.
But when explosive secrets begin to surface within the LAPD and FBI, Kara questions everything she thought she knew about the case, her colleagues and the life she left behind months ago.
Now Quinn and Costa must race to find the missing witness and get to the bottom of the avalanche of conspiracies that has rocked LA to its core…before it's too late.

My Review:

“Oh what a tangled web we weave, when first we practice to deceive” or so Sir Walter Scott claimed – even if the quote is generally and erroneously attributed to Shakespeare. It does rather sound like one of his, after all.

The Missing Witness, both the person and the case she’s caught in the middle of, is all about those practices of deception, and the need for the FBI’s Mobile Response Team to get to the heart of those deceptions. Bloodily if necessary.

Because the case in this fifth book in the series, after The Third to Die, Tell No Lies, The Wrong Victim and last year’s Seven Girls Gone, takes LAPD Detective Kara Quinn’s temporary membership in the MRT all the way back to where it began, to the case that made LA much too hot a place for her to remain, putting her on an unwelcome vacation and pushing her straight into the path of the FBI – and into the arms of the MRT’s Special Agent in Charge, Matt Costa.

Kara has been dragged back to LA, possibly because the human trafficking case that sent her out of town is finally being brought to trial. Or, more likely because the villain of the piece wants her back in town so he can send his goons out to eliminate her – just as he’s done with all the other witnesses to his many, many crimes.

Not that both of those things aren’t true – they’re just not anything remotely like the whole entire story or any of its moduses and/or operandis.

This is a case that has always been about deception. Including covering up the fact that the case is much bigger on the inside than appears on the outside. But also because Kara’s participation at the beginning, misplaced guilt in the middle and exile at the end are all about, not the deceptions that all the perpetrators have perpetrated in order to keep the dirty deeds on the down-low. The biggest deceptions in this case are the lies that the cops who were supposed to be on Kara’s side, on her team, the people that she trusted to bring her back home to her city and her job, have been lying to her all along.

And that’s one betrayal that she has utterly no capacity to forgive.

Escape Rating A: The case in The Missing Witness was solid and compelling and confounding, all at the same time. Because it’s wrapped around something so huge, so monstrous, and so easy to hide and obfuscate, that it’s nearly impossible to see the whole of it at once.

When Kara Quinn opened this case and this can of worms not quite a year ago, it was about sweatshops and human trafficking and scum who are so rich and so well connected it seems like they can even buy forgiveness from the FBI

But Kara tipped over a huge, gigantic rock, and the things that crawled out from underneath it have tentacles reaching from the Mayor’s Office to the County Board of Supervisors to the LAPD and the LA Office of the FBI – and that’s just for starters.

So Kara left town so that the case against one human trafficker could get pulled together without her body ending up in the middle of it. But that’s not the case her friends and mentors at the LAPD are investigating. They’re investigating the much bigger monsters that crawled out from under that rock – and they’re keeping Kara out of town for her own good – or so they believe.

Their cause is righteous, but their methods are not. To the point where the left hand doesn’t know what the left hand is doing – or who the left hand is killing along the way.

At its heart, this is a case about political corruption, greed and graft, and the way all those things have intersected within the morass that has been called the Homeless Industrial Complex.

But white collar corruption and fraud cases are huge and complicated. There are so many moving parts that it’s difficult to get people to understand what’s at stake and who has been staked. So an awful lot of bad has happened but it’s been hard to even get the public’s attention OR to get a District Attorney to prosecute.

Murder cases, on the other hand, are easy to reduce to the soundbite of a gunshot.

What makes this story so compelling, is the way that Kara’s pursuit of the original murder and trafficker is used as a vehicle to get us inside, to get us to care about the larger but much more amorphous corruption case that has been hiding in plain sight all along.

And the way that even though a measure of justice gets served, we still feel the depths of the betrayals Kara suffers, that the people she once believed had her back have been lying to her all along in their belief that she wouldn’t have been willing to serve the same justice they were.

Which leads to the epic conclusion of The Missing Witness, a conclusion that is certainly the ending of the story arc of the first five books in this thrilling, suspenseful series, but hopefully will lead to much more to come. Because I’ve loved this whole series and I absolutely do not want it to end!

#BookReview: Random in Death by J.D. Robb

#BookReview: Random in Death by J.D. RobbRandom in Death (In Death, #58) by J.D. Robb
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: futuristic, mystery, romantic suspense, suspense, thriller
Series: In Death #58
Pages: 368
Published by St. Martin's Press on January 23, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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In the new crime thriller from #1 New York Times-bestselling J.D. Robb, a small and easily concealed weapon wreaks havoc, and the killer is just a face in the crowd.
Jenna’s parents had finally given in, and there she was, at a New York club with her best friends, watching the legendary band Avenue A, carrying her demo in hopes of slipping it to the guitarist, Jake Kincade. Then, from the stage, Jake catches her eye, and smiles. It’s the best night of her life.It’s the last night of her life.
Minutes later, Jake’s in the alley getting some fresh air, and the girl from the dance floor comes stumbling out, sick and confused and deathly pale. He tries to help, but it’s no use. He doesn’t know that someone in the crowd has jabbed her with a needle—and when his girlfriend Nadine arrives, she knows the only thing left to do for the girl is call her friend, Lieutenant Eve Dallas.
After everyone on the scene is interviewed, lab results show a toxic mix of substances in the victim’s body—and for an extra touch of viciousness, the needle was teeming with infectious agents. Dallas searches for a pattern: Had any boys been harassing Jenna? Was she engaging in risky behavior or caught up in something shady? But there are no obvious clues why this levelheaded sixteen-year-old, passionate about her music, would be targeted.
And that worries Dallas. Because if Jenna wasn’t targeted, if she was just the random, unlucky victim of a madman consumed by hatred, there are likely more deaths to come.

My Review:

The case in Random in Death turns out to be, well, just a bit random. Even more random than I thought it would turn out to be. Which I’ll get back in a bit.

A young woman is having the night of her life. Her favorite band is onstage, performing a free concert just for the under-21 non-drinking crowd at the place where the band got their start. Jenna Harbrough a musician herself, and a dedicated one, and she’s hoping for the opportunity to give her demo disk to the band’s lead singer.

Because if he hears it, she knows she’ll get her shot at the bright lights, just like the members of Avenue A did twenty years ago.

It’s not hyperbole, or youthful wishing thinking. She’s got everything it takes to make it to the top. Except time.

Jenna is killed that night by someone who cares nothing for her, her dreams, her life – or honestly even her death. All that matters to him is that she is just the kind of girl who would never give him the time of day – just like everyone else in his life.

So he cuts her down and plans to do it again and again until someone finally sees him for who and what he really is. For ALL the possible meanings of that. He believes that when he’s finished he’ll get what he deserves.

And he will. Eve Dallas, the entire Homicide Unit of the NYPSD, and all of the people she has gathered around herself, are going to make damn sure of it.

Escape Rating B: Learning how all my ‘book friends’ were doing in this latest entry in the In Death series (after last fall’s Payback in Death) was the perfect read for me at the end of this week. This series is a comfort read for me, and my brain was pretty much TOAST. Burnt toast, at that.

But this is a rare case where the timing was perfect for falling into the familiarity of it all, but the book I fell into wasn’t. Perfect, that is.

The books in this series usually contain two elements, one being the case that Dallas and Company have to solve, and the other being what’s going on with everyone in their constantly expanding found fam.

This particular entry in the series was great – as always – on the found fam side of the equation, but the case, not so much.

Because the villain really was exactly what the kids who knew him claimed he was. He was a dooser. What’s a dooser, you’re asking? As did Dallas, Roarke and every other adult who became part of finding this dooser.

Dooser is one of those on the nose portmanteau words, in this case a combination of ‘dick’ and ‘loser’. Because he so very much embodies that combination. Which is what ultimately catches him up and brings him down.

And it kind of blunts the impact of his crime spree, because he’s just so very ‘lame’, to use vernacular that is closer to our time than theirs.

Because his victims were not exactly as random as we’d like them to be, at least not to anyone other than him. The case would have been more riveting if he’d been a bit more competent at it. Not that I actually want serial killers to be more competent, but once Dallas had one thread to pull his whole house of cards came down very, very fast.

The leading cause of death among women is men – and this is such a prime, chilling example of that. Particularly at the beginning, when it seemed like he was deliberately cutting down young women who are focused on their future careers and NOT looking for so-called traditional roles..

He wasn’t just killing them – he was killing their promise and their future and their possibilities and it seemed deliberate. Except that’s not what this villain cared about at all. Because he’s just a dooser incel who’s gone apeshit because he’s certain that he is absolutely entitled to the sex they’re not putting out for him – but are for everyone else. Hell, just for the fact that they’re not even noticing he exists.

So for all of his meticulous planning and serious science smarts, he was, in the end, just a loser. So it’s no surprise at all that Dallas put him in a cage. It didn’t even seem like it was all that hard to catch him, because he made so many mistakes from his very first murder. His crime spree was terrible, and the clock ticking was very loud, but he was such a loser that the mystery of the thing faded relatively quickly.

But it was still a whole lot of fun to see the progress being made on the house that Mavis and Leonardo are building to share with Peabody and McNab, that Jenkinson is rapidly filling the shoes that his promotion to Detective Sergeant entitles him to, and that there’s every bit as much romance – if not a little bit more – in Dallas’ and Roarke’s marriage.

And especially that Galahad is still very much, large, in charge, and all CAT. Just the way he should be.

The next book in the In Death series is Passions in Death, coming in September. I can’t wait to see what case and/or crisis Dallas and Company have to face next!

Grade A #BookReview: Holmes, Marple & Poe by James Patterson and Brian Sitts

Grade A #BookReview: Holmes, Marple & Poe by James Patterson and Brian SittsHolmes, Marple & Poe: The Greatest Crime-Solving Team of the Twenty-First Century by James Patterson, Brian Sitts
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: mystery, suspense, thriller
Pages: 352
on January 8, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Crime! Murder! Who are you going to call?
In New York City, three intriguing, smart, and stylish private investigators open Holmes, Marple & Poe Investigations. Who are these detectives with famous names and mysterious, untraceable pasts?
Brendan Holmes—The Brain: Identifies suspects via deduction and logic.
Margaret Marple—The Eyes: Possesses powers of observation too often underestimated.
Auguste Poe—The Muscle: Chases down every lead no matter how dangerous or dark.
The agency’s daring methodology and headline-making solves attract the attention of NYPD Detective Helene Grey. Her solo investigation into her three unknowable competitors rivals the best mysteries of Sir Arthur Conan-Doyle, Agatha Christie, and Edgar Allan Poe.

My Review:

Names to conjure with, aren’t they? Which is very much the point, when Brendan Holmes, Margaret Marple and Auguste Poe open their private investigation business in a formerly rundown bakery that no one else was willing to buy.

The bakery was, once upon a time in 1954, the scene of a grisly murder. A cold case that is right up Margaret Marple’s alley – whoever she might REALLY be.

It’s also the first link in a nearly endless chain of cases that doesn’t look like it’s even started yet – and doesn’t seem to have any end in sight.

As much as THIS Holmes, Marple and Poe resemble their originators – in both Holmes’ and Poe’s cases to their detriment – we know it’s mostly an act. Or a reconstruction. Or possibly three experienced operators taking on identities so blatantly false but so meticulously created that no one can find the seams where they were stitched together.

The NYPD certainly tries, and they seem to be far from alone in their attempts.

But whoever, and whatever, these fascinating detectives were once upon a time, in the here and now they’re the best chance that the city has of closing the toughest of cases, from a fake kidnapping to an impossible art theft to a real – and really old – body dump site under the subway. And everything in between and all the way up to the mayor’s office.

Along with the murder of a young, forgotten girl on the floor of a bakery.

Escape Rating A: To say I had misgivings going into this one would be an understatement. James Patterson is a publishing juggernaut, so at one point I felt sort of obligated to try one of his books just to see what all the fuss was about – because there certainly is lots of fuss. The book was 1st to Die, the first book in his Women’s Murder Club series, and I could not get into it and had not been tempted back.

Until now. Because I can’t resist a Sherlock Holmes pastiche, no matter how tangential, and got grabbed by the title of this book and couldn’t talk myself out of it.

I’m very glad that I didn’t, because Holmes, Marple & Poe is a terrifically fun read, whether you are there for the hints of the mystery giants they named themselves for, or are just there to help figure out whodunnit.

What made this so much fun was that it exists on two tracks. On the one hand, there’s the mystery wrapped around the identities of the people hiding behind those famous names. We don’t even get hints, merely a few unsubstantiated rumors, but we do get the fun of watching several investigations chase their own tails trying to figure it out.

(Also the fun of figuring out how those names are meant to reinforce the resemblance. C. Auguste Dupin was the detective in what is arguably the first detective story, “The Murders in the Rue Morgue”, written by Edgar Allan Poe. Margaret Rutherford was one of the earliest and most famous actresses to play the oft-portrayed Miss Jane Marple on the silver screen. I’m still puzzling about who Brendan was in relation to either Sherlock Holmes or Sir Arthur Conan Doyle but I just know I’m going to facepalm when I figure it out.)

On the other, and much more prominent hand in this story, we get to watch three investigators who are all mostly and more or less at the top of their respective games follow the trails of several bizarre crimes to a grand conclusion that ties all the cases up, not each in their own neat bow, but in one gigantic neat bow – with a couple of smaller bows hanging off the side.

The way that one clue led to another – even in cases that did not seem like they had anything to contribute to the whole of the thing – gave me vibes of one of my favorite mystery series, J.D. Robb’s In Death series. I even see the nucleus of the ‘Scooby Gang’ forming, including a demon cat and a gigantic hound named (of course) Baskerville.

In other words, the particular string of cases they follow is riveting, and I enjoyed the vibe of the ‘gang’ coming together so much that I would love to see more of it all. If Holmes, Marple & Poe turned out to be the first book in a series I’d be utterly thrilled and absolutely there for it.