Review: Sword and Shadow by Michelle Sagara

Review: Sword and Shadow by Michelle SagaraSword and Shadow by Michelle Sagara
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: epic fantasy, fantasy, urban fantasy
Series: Wolves of Elantra #2,
Pages: 512
Published by Mira on February 22, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads


Beyond the Emperor's law
In the city of Elantra, the law is upheld by a few groups, and the most feared are the Wolves—the Emperor’s executioners. The newest member of this elite force is Severn Handred.
Granted a leave of absence to pursue information about his unknown past, Severn joins a mission to an enclave well outside the boundaries of the Empire. And he will be in danger the entire time. Still, the instincts that led him to the Wolves and the sense of duty that keeps him there can’t be discarded as easily as the tabard he wears.
While he's in the heart of the West March, enmeshed in a tangled web of mysteries that have been held for centuries, Severn's belief in justice is going to be tested. It's one mortal man and his single ally against a community of immortals who will kill to keep their secrets. But they don't know who they're up against.
“This world feels so complex and so complete.” —ReadingReality.net on The Emperor's Wolves
The Wolves of Elantra
Book 1: The Emperor's WolvesBook 2: Sword and Shadow

My Review:

cast in shadow by michelle sagaraOnce upon a time, there was a book. I remember reading the first book in the Chronicles of Elantra series, Cast in Shadow, at night, in a place we lived for just one year – among a string of such places. It was late in 2011, and I’d had the book, in fact the first half dozen books in the series, on my shelves since it was published in 2005.

I’d put off starting it, but once I was in, I was hooked. But those first ten or so were the best. Not because they are objectively better, but because the world of Elantra is complex and convoluted and densely packed and highly political. There are a LOT of threads to this multi-pronged story, and more with every single book. I read those first ten close enough together that I still remembered all the plot threads each time a new one came out. By the point of the latest, Cast in Conflict, I couldn’t get myself into that same mindset or bring back enough of everything to get deeply embedded again. I had to put it down for a later read.

And now I want to pick it back up again. Very much so. Because the Wolves of Elantra series, The Emperor’s Wolves and especially this latest book, Sword and Shadow, have brought me back to the beginning – actually before the beginning – of the series that I so loved. And instead of finding myself neck deep in complexities that I don’t remember, I’m back at the very beginning of things, where what I learned in the Chronicles gives some events future weight – but doesn’t depend on that knowledge to be immersive all over again.

Because this prequel series, especially this entry, Sword and Shadow, is the origin story for Severn Handred, the person who haunts Kaylin Nera’s past, protects her present and dimly hopes for some kind of future with her, even if that future is just to keep watch over her and the trouble she inevitably gets into for the rest of her life.

Up until now, all we’ve known of Severn is what Kaylin knows, that he, like her, was a child of the lawless fiefs. That he entered her life when they were children. That he was older and better equipped to survive and to keep her alive in a place where life was short and precarious. And that he killed the children she thought were her friends in order to save her from a magic that neither of them understood then and still don’t.

But we know nothing of Severn before he met Kaylin at the age of 10 or thereabouts. This is the story of what he was before, and how those origins shaped and influenced who he has become after. And still.

Escape Rating A+: I know, I haven’t said much about this story yet. And there are reasons for that, all of them tied up in the events here and the things that happened after. There’s always been an impression that whoever and whatever Severn was, he was definitely more than he seemed.

That’s an impression that turns into an exploration and eventually a reality in Sword and Shadow. It is certainly Severn’s origin story, as well as how he obtained the legendary magic-breaking weapon that he carries in the Chronicles.

But it’s also a very complex political story that dives deeply into the endless maneuverings of the Barrani who serve as the elves of this fantasy world. The Barrani are immortal, as are the Dragons who rule Elantra. The Dragons and the Barrani are eternal enemies who have made uneasy peace in order to maintain vigilance on the Shadows who want to destroy them both.

The Barrani approach to immortality is political and petty, where the Dragon approach is protective. Not that both races aren’t equally selfish and self-absorbed in their own ways, but the way that manifests in the Barrani is particularly destructive, both to themselves and others.

Their politics wrap around their immortality in that they spend it making themselves invulnerable, and the only way to do that is to cut themselves from anyone and anything who might become either a weakness, a rival or a weapon.

The story here is of Severn finding himself in the midst of a Barrani power struggle out of his own desire to find out where he came from, even if that knowledge will not affect who he is. The Barrani think they are using him for their own ends, and that he has little choice and less power.

Only to discover that little and less are not none, and that the force at the heart of the Barrani stronghold has a mind and heart of its own.

Readers who have loved the Chronicles of Elantra will fall in love with the series all over again with Sword and Shadow. Readers who enjoyed the game of politics played for high-stakes and to the death in Modesitt’s Isolate and his Imager Portfolio series will thrill to the kind of maneuvering that takes place in Sword and Shadow. Readers who like their fantasy full-to-the-brim of political shenanigans and endless power struggles will adore this world and the deftness with which its story has been woven.

While a part of me hopes that the author continues with Severn’s story, it also feels like his pre-Kaylin adventures might be done. But whichever way that question gets answered, I need to dive back into Cast in Conflict – not that all of Kaylin’s and Severn’s adventures aren’t cast in one sort of conflict or another. I can’t wait to see how things slot back into place now that I know so much more!

Review: Ten Rules for Marrying a Duke by Michelle McLean

Review: Ten Rules for Marrying a Duke by Michelle McLeanTen Rules for Marrying a Duke by Michelle McLean
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: ebook
Genres: historical romance, regency romance
Pages: 289
Published by Entangled: Scandalous on February 14, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

Bookish Arabella Bromley never gave a fig for society’s rules—until her sister ran off with a man below her station. Now Arabella is desperate to restore her family’s ruined reputation to favor amongst the ton. She’ll have to marry quickly and well. But in order to carry off her plan, Arabella needs a duke… and she has just the rakish fellow in mind.
The Duke of Whittsley has an ungentlemanly tendency to disregard the rules. Unfortunately, a sense of mischief doesn’t excuse a high-ranking noble from family duty—especially where it concerns producing a son. And that’s where he can’t quite resist Arabella’s distinctly outrageous plan: if he saves her family, she’ll give him an heir.
Now the deal’s been struck. They have one year to achieve their goals and ten iron-clad rules to keep them on track. Like long, scorching kisses and ensuring they’re both exquisitely satisfied. And the only thing that could ruin their plan is the one thing they never planned on: love.

My Review:

If you are easily seduced by witty banter you will surely fall in love with Ten Rules for Marrying a Duke just as thoroughly as Arabella Bromley and Silas, Duke of Whittsley fall in love with each other.

Not that that’s what either of them expects when the story begins. In fact, they outright plan against such a thing. That’s what those rules are for, after all. Creating a partnership rather than a relationship so that they can help each other out of the pickles they have both landed in – and then go their separate ways.

Silas needs an heir, but he doesn’t really want a wife. A wife who will become a permanent part of his life and might very well make demands on him. He’s been turning both a deaf ear and a blind eye to his grandfather’s nearly constant harangues about taking his responsibilities seriously, ceasing his frivolous pursuits, doing his duty by his title, and especially marrying and siring an heir.

Silas does take his responsibilities to his estate seriously. Well, more like semi-seriously, which is how he treats pretty much everything. He recognizes that he will have to marry and have an heir someday but he’s only 30 and not ready to settle down in any form or fashion whatsoever.

Arabella Bromley, on the other hand, thought she was settled. Her father was content for her to settle into the happily bookish spinsterhood she intended to revel in. He’s an introvert just as she is, so he understands her as no one else in the family does. She can’t inherit his title, and neither can her sisters, he has plenty of money to ensure that she will be comfortable even if she never so her bluestocking nature is not a problem.

At least not until her older sister Alice marries their groom, bringing scandal down on all their heads. The invitations to events dry up in the hot wind of gossip blowing through the ton. It’s find for her father, it’s fine for Arabella, and Alice certainly doesn’t care. But their younger sister Anna cares very much. Her Season was cut short due to illness and she expected to have another Season to find a husband and get herself settled.

The entire family is now social poison and Anna won’t be able to make a good match. It’s up to Arabella to concoct a scheme that will allow their family to weather the storm of scandal. All she has to do is convince the Duke of Whittsley to marry her and sponsor her sister back into society.

And that’s where those pesky rules come in. The ten rules they write together in a bit of hilariously embarrassing but utterly necessary one-up-person-ship, in order to hammer out just how they will convince the ton that they are madly in love, rescue her sister AND detail how to handle their lives once they part company after all the deeds are done.

They should have put in a rule about what to do when they both broke the unstated rule of the whole affair – that neither of them was supposed to fall in love with the other.

Escape Rating B: The first half of this book is an absolute delight. The second half was a bit overshadowed by the giant misunderstandammit that takes over the story, but still had plenty of verve left from that first half to carry this reader through to the end.

Arabella’s scheme to marry Silas is a bit contrived. Both in the sense that she has contrived it on a wing and a prayer, and that the entire situation tries so hard to be a meet cute – although it mostly manages to get there.

What carries that day – and the entire first half of the book – is the way that they both approach the possibility of turning this half-baked scheme into a fully-baked reality. On the one hand, they are opposites. Arabella takes pretty much everything seriously, while Silas takes almost nothing seriously.

He enters into the entire scheme because he’s having fun tweaking Arabella into a reluctant smile at every opportunity. It’s the most “real” fun he’s had in a long time.

It all works because in spite of coming at the situation from opposite directions they are both witty and intelligent people and determined to give as good as they get in every encounter. Arabella wants to stick to the rules they create while Silas pushes the boundaries of all the rules all the time.

And both of them are having a great time doing it – just as the reader does watching them talk and tease each other into friendship and ultimately marriage. Which is where that misunderstandammit rears its ugly little head.

Because they do the one thing neither ever expected. They fall in love with each other. But all their rules were predicated on that NEVER happening. They want to stay together but each is quite reasonably afraid that if they change the rules and the other isn’t on the same page then they’ll lose the happiness they’ve found. It IS a conundrum.

One that they wallow in just a bit too long. It makes sense that the conversation they need to have is hard to have but…the wallowing turned both of them into just the kind of angst-ridden lovesick fools – emphasis on fool – that they so successfully and entertainingly avoided in the first half.

Howsomever, that second half also brings to light some things that I really liked but don’t see nearly often enough in Regencies in the treatment of that scandalous older sister. Because she hasn’t disappeared from her family’s lives and she isn’t treated like a dirty secret. She’s happy in her marriage, her husband is wonderful, and they’re living in a family house out in the country. Because they’re both happier there not because her family has disowned them.

And when Arabella is having the inevitable crisis, it’s her big sister she turns to for solace, for advice, and for safe harbor from her self-created storm. One gets the definite impression that if it hadn’t been for the youngest sister still wanting to find a husband the entire family would have told the ton to go fly a kite – or whatever the appropriate Regency phrase would have been. And wouldn’t that have made for a delicious story?

I very much liked that the family didn’t do any of the terrible things that happen so often to scandal-prone daughters in Regency romance.

So I adored the first half, had mixed but mostly positive feelings about the second half, and ended the book remembering their witty banter very fondly. If you like romances where the protagonists talk each other into love, watching Arabella and Silas make – and break – those ten rules is a lot of fun.

TLC
This post is part of a TLC book tour. Click on the logo for more reviews and features.

Wish Big Giveaway Hop

Welcome to the Wish Big Giveaway Hop, hosted by Mama the Fox!

There are so many variations of the old saying about being careful what you wish for. Pretty much all of them have a sting in the tail, in the same way that “May you live in interesting times” is a curse and not a blessing.

Most of the versions of the quote go something along the lines of “Be careful what you wish for, because you just might get it.” But I found a couple of interesting ones that I hadn’t seent before, and now that I’ve read them I can’t un-see them.

Terry Pratchett had one. Of course he did. Sir Terry had so many great lines spread out over all the Discworld books. Pratchett’s variation goes, “Be careful what you wish for. You never know who will be listening,” which was certainly true in the Discworld.

And also leads to my other favorite variation, the one that goes, “All great sci-fi is: Be careful what you wish for.” Combined with another more famous quote about science fiction, that “The Golden Age of Science Fiction is twelve,” it makes for a really frightening thought!

There are no frightening wishes here, so if you wish to fill out the rafflecopter below, you might get a wish – or at least a wish for a $10 Amazon Gift Card or $10 in Books – granted.

a Rafflecopter giveaway

If you are wishing for more chances at more prizes, be sure to visit the other stops on this hop!

MamatheFox and all participating blogs are not held responsible for sponsors who fail to fulfill their prize obligations.

Review: Fires of Edo by Susan Spann

Review: Fires of Edo by Susan SpannFires of Edo (Shinobi Mystery #8) by Susan Spann
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: historical fiction, historical mystery, mystery
Series: Shinobi Mystery #8
Pages: 230
Published by Seventh Street Books on February 15, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Edo, February 1566: when a samurai’s corpse is discovered in the ruins of a burned-out bookshop, master ninja Hiro Hattori and Jesuit Father Mateo must determine whether the shopkeeper and his young apprentice are innocent victims or assassins in disguise. The investigation quickly reveals dangerous ties to Hiro’s past, which threaten not only Edo’s fledgling booksellers’ guild, but the very survival of Hiro’s ninja clan. With an arsonist on the loose, and a murderer stalking the narrow streets, Hiro and Father Mateo must save the guild—and themselves—from a conflagration that could destroy them all.

My Review:

The entire Shinobi Mystery series, starting with Claws of the Cat, takes place in feudal Japan beginning in 1564, at a time when few foreigners were permitted in the country. (For reference, 1564 was early in Elizabeth I’s reign in England, William Shakespeare was born and St. Augustine, the oldest continuously-inhabited European-established settlement in what is now the continuous U.S., would not be established until the following year.) More importantly, 1564 and the years following in Japan were a time of political upheaval, as the events that push the series forward frequently show.

This is particularly the case in Fires of Edo. Hattori Hiro and the man he has been hired to protect, Father Mateo Ávila of Portugal, have stopped at Edo (the future Tokyo) on their long journey from Kyoto to a location that is still under debate between the two of them.

Hiro is supposed to take Father Mateo to the safety of the Portuguese colony at Yokoseura – where Hiro can keep the man who has become his friend over the course of their association – safe. But Father Mateo does not have any desire to be “safe” and confined among his fellow countrymen. He wants to continue to explore Japan – because once he enters that sanctuary he may not be able to get back out.

But that safety starts looking pretty attractive during their entirely too eventful sojourn in Edo.

As they have made their rather meandering way across the country, Hiro has been carrying out a self-appointed mission for his ryu – the clan of shinobi (read as ninja) that raised him and trained him. The identities of his fellow agents have been compromised, revealed to Oda Nobunaga and the forces that support Nobunaga’s rise to control the shogunate (which eventually happened in 1568).

Hiro and Father Mateo have faced plenty of adventures along their journey, some begun by Father Mateo’s inability to keep from poking his nose in places it doesn’t belong. Others as a result of either Hiro’s mission or his hidden identity as a shinobi or both.

They’re both responsible for their landing in the mess they uncover in Edo. Father Mateo can’t bear to see a man who may be innocent condemned to death without an investigation for a crime that even at the briefest glance appears to have not been his fault. Something reeks about this whole case – and it’s not just the camphor that seems to have started a whole bunch of coincidental fires that are too many and too much alike to be truly coincidental.

Meanwhile, one of the men that Hiro has come to warn is the investigator for the crimes. He is also a man whom Hiro has never trusted after their rivalry in childhood and young adulthood. Hiro is certain something is rotten in Edo and in this investigation – if only because his old enemy is in it up his neck.

Or possibly up to Hiro’s.

Escape Rating B: When Hiro and Father Mateo arrive at their comfortable inn in Edo, at first it seems as if they will finally get a bit of a rest. Or at least not have to face the metaphorical ghosts they did in the previous book in this series, Ghost of the Bamboo Road.

This time around, the ghost that Hiro has to face is entirely too real. The man that Hiro has come to Edo to warn, Daisuke, is a ghost of Hiro’s past. When they were both young and being trained in the arts of the shinobi, Daisuki locked Hiro in a small space with a corpse. They were young, they were being entirely too foolish, and the incident left Hiro with no fear of corpses or ghosts whatsoever – unlike the norm for his time and culture.

But it did leave Hiro with a profound distrust of Daisuke – a distrust that continues into adulthood. Father Mateo believes that Hiro should forgive the other man, not for Daisuke’s sake but for his own.

But Hiro can’t shake his distrust – a distrust that grows into suspicion as the three men are caught up in a series of crimes that seem to be intended to either expose the shinobi in Edo or cover up their activities – at the expense of an innocent man’s life if necessary.

That the crimes that this mystery is wrapped around all involve printing and bookbinding shops made the story a bit of a treat for this librarian. On my other hand, the character of the intrusive, ineffective, conclusion-jumping junior police officer grated on my last nerve.

Of course, he’s supposed to. That he managed to fail upward at the end was a bit more annoying – even if all too realistic – than I really wanted to see. (Honestly, I wanted him to turn out to be the criminal. He was so obviously suspicious that it didn’t seem possible but no one stuck out quite the way he did.)

The crimes that are covered and uncovered seemed as if they were tangential to the real business – right up until the end. So I was certainly fooled – but not quite as enthralled as I was with Ghost of the Bamboo Road.

But I adore this series, and can’t wait to see where Hiro and Father Mateo’s wandering journey takes them next!

Review: Mickey7 by Edward Ashton

Review: Mickey7 by Edward AshtonMickey7 by Edward Ashton
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: science fiction, space opera
Pages: 304
Published by St. Martin's Press on February 15, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Mickey7, an "expendable," refuses to let his replacement clone Mickey8 take his place.
Dying isn’t any fun…but at least it’s a living.
Mickey7 is an Expendable: a disposable employee on a human expedition sent to colonize the ice world Niflheim. Whenever there’s a mission that’s too dangerous—even suicidal—the crew turns to Mickey. After one iteration dies, a new body is regenerated with most of his memories intact. After six deaths, Mickey7 understands the terms of his deal…and why it was the only colonial position unfilled when he took it.
On a fairly routine scouting mission, Mickey7 goes missing and is presumed dead. By the time he returns to the colony base, surprisingly helped back by native life, Mickey7’s fate has been sealed. There’s a new clone, Mickey8, reporting for Expendable duties. The idea of duplicate Expendables is universally loathed, and if caught, they will likely be thrown into the recycler for protein.
Mickey7 must keep his double a secret from the rest of the colony. Meanwhile, life on Niflheim is getting worse. The atmosphere is unsuitable for humans, food is in short supply, and terraforming is going poorly. The native species are growing curious about their new neighbors, and that curiosity has Commander Marshall very afraid. Ultimately, the survival of both lifeforms will come down to Mickey7.
That is, if he can just keep from dying for good.

My Review:

At first, Mickey7 feels like it’s being played for the laughs. And it is. But it also isn’t. And thereby, as the saying goes, hangs a tale.

When we first meet Mickey, he’s in his seventh iteration as his colony’s one and only “Expendable.” It’s Mickey’s job to go out and die, and he’s about to do it again. Hence his designation as “Mickey7”.

Mickey Barnes contracted with the colony ship out of desperation, to leave his home planet. The problem with being as desperate as Mickey was is that when you’re all out of options you’re left with damn few choices. In this case, only one. He can either stay on Earth and die at the hands of the gangsters who are chasing him – or he can join the crew headed off to Niflheim to die over and over but rise, not out of his own ashes but out of a combination of advanced 3D printing and memory uploading in a new body while still feeling more or less like his old self.

But Mickey7, after several previous “rebirths”, doesn’t hold his own life nearly as cheaply as his crewmates do. He has learned that coming back from the dead is no fun at all and he’d rather avoid it if at all possible.

His current mission looks like an unrecoverable failure to his supposed “best friend” who just plain does not want to go to the trouble of searching for Mickey7 on this hellish iceball of a planet. In spite of the odds, Mickey7 gets himself out of the frozen pickle he’s been dropped into, but when he returns to base he learns that his so-called friend has already reported him dead.

Mickey8 has already been created in a struggling colony that literally isn’t big enough for the both of them. There’s not enough rations to feed two Mickeys. One of them will have to go.

But neither of them wants to.

And that’s where things get both comedic and interesting. In the sense of the old SFnal movie Multiplicity, where Michael Keaton clones himself and all the clones are a bit different. Mickey8 is a bit of a user and a slacker, especially in comparison to Mickey7. His clone is his own worst enemy – and too many people are starting to notice.

One or both of them are going to end up in the recycler if this keeps up. Unless they put their heads together and find another way.

Escape Rating A-: While the opening leads the reader to take the story as a bit of a joke, once it gets going it’s clear that it’s not. At all. Not that there aren’t some funny bits – especially when the Mickeys are arguing with each other – but the story overall pokes at a whole bunch of serious issues. It’s just that the “spoonful of sugar” of the humor makes the lessons go down a bit more easily.

The issues that the story raises call back to a lot of things that are often glossed over in SF, so when they hit they hit with a bit of a punch. Mickey, all the Mickeys, raise questions about what it means to be, not necessarily to be human but to be a person. A self-aware, sentient, sapient being.

Mickey’s issues are the same ones dealt with in Day Zero, where the robots grapple with their personhood vs. their programming, wondering “if this unit has a soul”. Both Mickey7 and Day Zero reference the famous problem in the metaphysics of identity known as the “Ship of Theseus”. The question of whether an object that has had all its components replaced remains fundamentally the same object – or not.

At the same time Mickey7 is wrapped around the central issue of the Star Trek: Next Generation episode “The Measure of a Man” which premiered OMG 33 years ago this week. It’s the one where Data’s personhood is put on trial. Is he an object to be owned because he was constructed rather than born? Is he a slave to be exploited? Or is he a person in his own right – with his own rights? Those same questions apply to the Mickeys every bit as much as they do to Data.

But this is a colony story, and it deals a bit, although not in as much depth, with the questions that colony stories often gloss over. It’s not fictionally possible – and it’s not likely possible in reality when we get there – that all the “golden worlds” that colony ships set out for are actually going to be golden. And that it’s not going to be half as simple and easy to fix what’s wrong as it turns out to be in Mass Effect Andromeda – for certain very dangerous and strenuous definitions of “easy”. Niflheim is one of those worlds that may not ever be truly viable. And it’s not going to be a quick and easy solution – or even a quick and painful massacre – for that situation to be resolved one way or another. The terrible slog of trying to make it work is more painfully evident here than we usually see in colonization SF.

As heartbreaking as the colony’s inevitable failure might be, the situation they are in also addresses an issue that usually gets swept away by “manifest destiny” and/or scenarios where planets were seeded with humans by a divine or omnipotent or extremely technologically advanced species so that questions of adaptation and cultural repression can get swept under the carpet.

Instead, we have a situation that, oddly enough, resembles the Star Trek Next Gen episode “Home Soil”, where there is life on Niflheim, it looks nothing like us, acts nothing like us and communicates nothing like us. (In that episode, the silicon based life referred to humans as “ugly bags of mostly water”. Which is technically true in all its parts.

It’s the ugly that gets displayed in Mickey7, as the commander of the colony plans to pretend the discovery never happened – and commit genocide if necessary to ensure that no evidence is left behind. That the Mickeys come up with an ingenious solution to the problem that relies on their dual nature is what redeems this story from farce to something a whole lot more thoughtful and interesting.

And yet never negates the fact that the thing is a whole lot of hair-raising fun to read!

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 2-13-22

This turned out to be a disappointing week on the review front. Two of the books I expected great things from fell flat – one just a bit flat and the other I only finished because I forced myself. Two I DNF’d altogether and went back to the drawing board. A frustrating week overall.

But my new committee appointment came through, so that means taller stacks in Stacking the Shelves, and more great books to look forward to once we get our annual act together. So things are looking up. Especially as I’ve already finished two of the coming week’s books and I KNOW they are excellent. That’s always a plus!

I had a bit of a time looking for an appropriate cat picture for this week’s post, but in the end, I found one. Here’s Lucifer, soaking up the sun in one of his favorite sunbeam spots, with a look on his face that says “DO NOT DISTURB!” no matter how much we might need to open the front door.

 

Current Giveaways:

$10 Gift Card or $10 Book in the Heart 2 Heart Giveaway Hop (ENDS TUESDAY!!!)

Blog Recap:

A- Review: The Starless Crown by James Rollins
B- Review: Abandoned in Death by J.D. Robb
B+ Review: Love Code by Ann Aguirre
D+ Review: A Fine Madness by Alan Judd
B+ Review: In an Absent Dream by Seanan McGuire
Stacking the Shelves (483)

Coming This Week:

Mickey7 by Edward Ashton (review)
Fires of Edo by Susan Spann (review)
Wish Big Giveaway Hop
Ten Rules for Marrying a Duke by Michelle McLean (blog tour review)
Sword and Shadow by Michelle Sagara (review)

Stacking the Shelves (483)

After a certain amount of wailing and gnashing of teeth, I do have a committee appointment again this year. This will be my last year on the ALA Reading List Committee, otherwise known as the Overachievers Book Club. Quoting from the ALA website, “The Reading List seeks to highlight outstanding genre fiction that merit special attention by general adult readers and the librarians who work with them.” Which means we read a whole lot of fantasy, historical fiction, horror, mystery, relationship fiction, romance, science fiction and thrillers over the course of the year to winnow the list down to a winner in each category and four “honorable mentions.”

What that means for my Stacking the Shelves posts over the course of the next year is bigger stacks. Last year we requested over 800 books from publishers, and I tried to get as many as possible from Edelweiss and NetGalley. We don’t all read them all but we all read the ones that we personally request, and then all the books that get upvoted during the year. So I have a lot of books to look forward to! There’s not much of an affect on this particular stack as we haven’t officially started yet, but there will be in the stacks to come.

The book in this stack that I”M particularly looking forward to is Modesitt’s Councilor because I loved the first book in the series, Isolate, so much. And Audible had a sale, which I can never resist.

I think I’m going to need a bigger round tuit for this!

For Review:
A Beginner’s Guide to Murder by Rosalind Stopps
Councilor (Grand Illusion #2) by L.E. Modesitt, Jr.
A Family Affair by Robyn Carr
Last Exit by Max Gladstone (audio)
The Lawless Land (Sword and Honour #1) by Boyd and Beth Morrison
The Lost Summers of Newport by Beatriz Williams, Lauren Willig and Karen White
One for Sorrow (D.I. Callanach #7) by Helen Fields
A Prayer for the Crown-Shy (Monk & Robot #2) by Becky Chambers
Sand Dollar Lane (Moonlight Harbor #6) by Sheila Roberts
A Taste of Gold and Iron by Alexandra Rowland
This Place of Wonder by Barbara O’Neal

Purchased from Amazon/Audible:
Foundryside (Founders Trilogy #1) by Robert Jackson Bennett (audio)
The Russian Cage (Gunnie Rose #3) by Charlaine Harris (audio)


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Review: In an Absent Dream by Seanan McGuire

Review: In an Absent Dream by Seanan McGuireIn an Absent Dream (Wayward Children, #4) by Seanan McGuire
Format: ebook
Source: publisher
Formats available: hardcover, ebook, audiobook
Genres: fantasy, portal fantasy, urban fantasy, young adult
Series: Wayward Children #4
Pages: 204
Published by Tordotcom on January 8, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

This fourth entry and prequel tells the story of Lundy, a very serious young girl who would rather study and dream than become a respectable housewife and live up to the expectations of the world around her. As well she should.
When she finds a doorway to a world founded on logic and reason, riddles and lies, she thinks she's found her paradise. Alas, everything costs at the goblin market, and when her time there is drawing to a close, she makes the kind of bargain that never plays out well.

My Review:

As the story began, it was easy – very easy – for me to empathize with Katherine Lundy. In 1964, when Lundy was six years old, she was learning that the world had a very tiny box into which it shoved little girls – and that it was more than willing to lop off extra limbs – or at least what it called inappropriate thoughts, feelings, ambitions and ideas – in order to force those little girls to fit into the box labeled “womanhood” when the time came.

Lundy knew it wasn’t fair – and if there was one thing Lundy believed in, it was fairness – a fairness that this world did not provide.

So she found a door to a world where she could thrive – a world where fairness, absolute fairness – was enforced by an invisible but inexorable hand. Lundy found her door to the Goblin Market, a place governed utterly by the concept of “fair value”.

Which does not mean that there is not a price for everything in this fair and just community – just that the system is set up so that no one can take advantage of anyone else. Whether the Goblin Market takes advantage of everyone it claims as a citizen is a deeper philosophical question than six-year-old Lundy is capable of understanding.

Yet. Or possibly ever.

Unlike many of the worlds behind the doors in the Wayward Children series, the Goblin Market allows children – as long as they remain children – to jump between the Market and the world that gave them birth. In fact, it wants them to see both sides, to “Be Sure” of their choice, before that choice is forced upon them at age 18.

So Lundy jumps back and forth between the worlds, staying in each long enough for the consequences of her absences to be visited upon her when she returns. In the Goblin Market, a friend who loses her way in despair and almost gives up her humanity. In the “real” world, a family that loves her, hates her and misses her in equal measure, that pulls at her to stay and be part of them, and a younger sister who needs her to be her guide, mentor and above all, a sister who will put her first as no one else does. Just as no one ever put Lundy first before she went to the Goblin Market.

Lundy, being a person who likes rules because once she understands them it’s easy to find a way around, wants to, as the saying goes, “have her cake and eat it, too.” She wants to keep her promises on all sides, even though she knows that there is not world enough or time enough for that to be possible.

So she hunts for a loophole. And finds one. But loopholes are cheats. They do not provide the fair value that the Goblin Market enforces at every step.

“Cheaters never win and “winners never cheat.” – or so goes the quote. I remember this saying, or at least a version of it, being flung about during my childhood, which was at the exact same time as Katherine Lundy’s childhood.

It’s a lesson that Lundy should have taken to heart. Because when she finally does learn it – it takes hers.

Escape Rating B+: Everything I picked up this week struck me wrong in one way or another. Sometimes very wrong as yesterday’s book demonstrated a bit too clearly. In desperation I went looking for comfort reads that were short and punchy to get me out of my reading slump, and that’s something that the Wayward Children series has definitely provided.

So here we are at In an Absent Dream, the fourth book in the series that began with the bang of a slamming door in Every Heart a Doorway.

There were parts of this one that I really, really loved. It was terribly easy for me to empathize with Lundy and her total unwillingness to step into the box that society expected her to close herself into because she was female. Along with her frustration at her father who refused to look at her and see her and not just a biddable child he didn’t have to think about much – even though he could have helped make a Lundy-shaped space for her in the real world.

When both Katherine Lundy and I – I was seven in 1964 – were born, the world expected girls to become wives and mothers, have no career ambitions, only work at certain “acceptable” jobs until we married and had those expected children. We were born into the expectations of the 1950s.

Then the 1960s happened. Those expectations were still there, but, if you pushed hard enough, worked hard enough, tried hard enough and were stubborn enough, a space could be made that did not meet those expectations. It was hard, the pushback was intense, but the world for girls did start opening up. With Lundy’s father as a school principal he could have encouraged her academic ambitions and he just didn’t. Because it was hard and he didn’t want to make waves or upset his own personal applecart.

I loved the portrayal of the Goblin Market, and could easily understand why Lundy found it such a compelling place. What fell just a bit short for me was the way that Lundy’s biggest and most catastrophic adventures in the Market were glossed over. That glossing made the story lose a bit of its oomph every time she left.

The choice she had to make was an impossible one – which was something she refused to acknowledge. But the imposition of “fair value” in the Goblin Market doesn’t allow people to cheat. Searching for loopholes is a value of this world and not the world of the Market, because using a loophole is just another way of getting something over someone or something else. And that is not fair value.

But Lundy was young and not nearly as smart as she thought she was. In spite of her time in the Market, Lundy was much too used to having only herself to rely on because she was the only person she could really count on. Which meant that in the end, she cheats herself most of all. And it’s heartbreaking.

This series is special and awesome in a way that’s hard to describe. It’s as though the dreams of all of us who were bookish misfits as children dreamed all our dreams only to see those dreams come true in the form of nightmares. Some gifts come at just too high a price – and sometimes we’re desperate enough to pay that price anyway.

I’ve read the Wayward Children series mostly out of order, so now I have just one book left to catch up to myself before the new books in the series come out next year. Which means I’ll be reading Come Tumbling Down the next time I’m looking for a story with the power to cut me like knife.

Review: A Fine Madness by Alan Judd

Review: A Fine Madness by Alan JuddA Fine Madness by Alan Judd
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction
Pages: 256
Published by Pegasus Crime on February 1, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A captivating espionage novel that explores the life of theatrical genius—and spy—Christopher Marlowe, whose violent death remains one of the most fascinating mysteries of the Elizabethan Age.
In Elizabethan England, the queen’s chief spymaster, Francis Walsingham, and his team of agents must maintain the highest levels of vigilance to ward off Catholic plots and an ever-present threat of invasion from Spain.
One agent in particular—a young Cambridge undergraduate of humble origins, controversial beliefs, and literary genius who goes by the name of Kit Marlowe—is relentless in his pursuit of intelligence for the Crown. When he is killed outside an inn in Deptford, his mysterious death becomes the subject of rumor and suspicion that are never satisfactorily resolved.
Years later, when Thomas Phelippes, a former colleague of Marlowe’s, finds himself imprisoned in the Tower of London, there is one thing that might give him his freedom back. He must give the king every detail he is able to recall about his murdered friend’s life—and death. But why is King James so fascinated about Kit Marlowe—and does Phelippes know enough to secure his own redemption?

My Review:

To paraphrase Ben Kenobi, “this is not the book you are looking for”, at least not if you picked it up based on the blurb above. As I did.

The blurb isn’t even correct in its facts. Christopher Marlowe didn’t die “outside” an inn in Deptford. He died inside the inn. While that may be the end of Marlowe’s story, it’s only the beginning of just how different this book is from its blurb and my expectations.

I picked this up because it sounded like a different perspective on Christopher Marlowe’s meteoric rise, catastrophic fall – especially that fall – and just how he got from being a scholarship student at Cambridge to spying for England’s most famous historical spymaster, Sir Frances Walsingham.

In other words, I was hoping for something that would be a slightly different take on the marvelous version of Marlowe’s story told in last year’s terrific and utterly absorbing A Tip for the Hangman.

Color me extremely disappointed. If you’re looking for an excellent historical novel about Marlowe that deals with his spycraft and the possible reasons for his death, read A Tip for the Hangman by Allison Epstein. You will not be disappointed.

And in spite of Hangman being over 100 pages longer than this book, it’s a shorter and much more captivating read. (I’ve also heard that if you’re looking for a true crime exploration of Marlowe’s death, The Reckoning by Charles Nicholl is worth reading. I can’t confirm or deny as I have not read it – and reading mileage as listed in Goodreads reviews varies considerably.)

For a life that burned as bright as Marlowe’s did, this account of it is remarkably dry, dull, stiff and slow. It’s a slog to get through and it shouldn’t be considering its source material. This is probably related to its framing device, that of one of Marlowe’s former colleagues and sort-of friends, long after Marlowe’s death, is relating what he remembers about the man to a court official inquiring on behalf of the about-to-be-late king James I (of England) and VI (of Scotland).

Thomas Phelippes is a historical figure who did work as a cryptographer for Walsingham, did participate in some of the events that Marlowe did and did spend much of his life after Walsingham’s death in and out of jail for various offenses. Phelippes was much better at managing the kingdom’s business than he was his own.

But we are all the heroes of our own stories, and that’s as true with this fictional version of Phelippes as anyone else. The fictional version seems to have known Marlowe better than is supported in the historical record, but it is still a knowing at more than one remove. Marlowe drops in and out of the man’s life, often shocking him with his outrageous views of pretty much everything, but never revealing much of his own core.

Also the obsequiousness of Phelippes address and speech seriously grates on 21st century eyes and ears. He’s frequently dull, often boring, and always more verbose than required.

The upshot of which is that A Fine Madness is way more about the way that Marlowe made Phelippes question his own faith and beliefs than it is about Marlowe or what he believed – or did.

To make a long story short – but not as long a story as Thomas Phelippes’ story feels like it is, this is not the book you are looking for if you’re looking for a book that is anything like the blurb suggests this is. If you want THAT book, A Tip for the Hangman is a much, much better bet.

Escape Rating D+: Using the perspective of a character who neither went to playhouses nor read poetry to tell the story of someone who had a secret life as a spy but was known and celebrated for his plays and his poetry (and still is!) turns out to be a peculiar and ultimately unsuccessful choice of narrator for a story that should have – and has in other hands – sparkled and stung in equal measure.

Review: Love Code by Ann Aguirre

Review: Love Code by Ann AguirreLove Code (Galactic Love #2) by Ann Aguirre
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook, audiobook
Genres: science fiction, science fiction romance, space opera
Series: Galactic Love #2
Pages: 324
Published by Ann Aguirre on January 21, 2021
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

He's cute. He's cranky. His code is sleek as hell.What's an amnesiac AI doing in a place like this? Helix has no idea. He knows he planned to build a life for himself on Gravas Station, but he has no clue what he's been doing for the last half cycle. Nor does he understand why his ship crashed. A genius Tiralan scientist saved him by copying his code into an organic host, and after meeting her meddling mothers, it seems like his problems have only just begun...
She's clever. She's creative. She claims that he's her mate.Qalu has no interest in relationships. She'd much rather be working in her lab, innovating instead of socializing. Problem is, the Tiralan believe that one cannot be happy alone. When a solution literally falls from the sky, she leaps at the opportunity to advance her research and teach Helix how to be Tiralan while calming her mothers' fears. It might be unconventional, but she's ready to break all the rules for a little peace.
They agree to pose as each other's mates for the most logical reasons, but love always finds a way.

My Review:

Pinocchio wanted to be a real boy. Data wanted to experience what it meant to be human. Howsomever, Helix, the self-aware, self-willed and occasionally downright deceptive AI of Strange Love had no desire to experience “meat space”.

So of course he gets what he absolutely did not wish for. The chance to experience “life” in a mostly organic body. And in a case of karma being a bitch galaxy-wide, his program has been deposited into an organic construct on Tiralan. He knows plenty about Tiralan history, customs and behavior because he fabricated a Tiralan identity in order to lure his friend Zylar off of Baranth, through an equally fabricated data glitch so that he could get the shy, self-effacing Baranthi to Earth where his friend had the best chance of meeting someone who would be willing to go through his planet’s Mating Trials with him.

That was the story in the first book in this series, Strange Love. And it’s absolutely marvelous, so if you like science fiction romance or alien romance at all – read it before picking up Love Code.

By the end of Strange Love, Helix the rather conniving AI had become self-aware, sentient and even sapient – making him too much AI to get around the laws of Baranth. So Zylar set Helix free and on his way to a place where he might be safe to explore his own destiny, while untethering the AI from the shit that is just about to hit Zylar’s personal fan.

The best laid plans and all that meant that Helix crash landed on Tiralan instead, to be rescued by Qalu, a femme Tiralan cybernetic engineer who was experimenting with placing AI consciousness into mostly organic constructed bodies. Who just so happens to have the perfect body all ready for her to transplant Helix’ code into.

Well, it’s perfect from her perspective. The body she designed is ready in an engineering sense, as well as fully functional and perfectly designed to trip every single one of her triggers. After all, even in the ancient Greek myth about Pygmalion, that long ago sculptor didn’t design nor fall in love with an ugly statue.

When Helix recovers from the surgery/transplant/metamorphosis, he has a difficult time adjusting to his new circumstances. He’s never experienced ANYTHING to do with having a meat space body made of real meat. The scene where Qalu has to explain hunger, eating, and the inevitable result of the latter is a marvel of cringing hilarity.

The story here is initially about the dovetailing – you might almost call it fated – of Qalu’s needs with Helix’. Helix needs a safe place to learn and recover – both his newly physical self and the puzzling gaps in his memory. Qalu needs to evaluate the results of her experiment – which is after all her life’s work.

More immediately, she also needs a fake potential mate to fend off the well-meaning interference of her four mothers, all of whom want Qalu to find a nice partner or two or three (love groups are the usual form of family on Tiralan), stop spending so much time alone in her laboratory or with her pet Pherzul Aevi (think intelligent, talking cat – which may not be strictly correct but works anyway).

So Helix and Qalu – with Aevi’s agreement – choose to tell a bit of a white lie. But just as their fake relationship tilts towards a actual one, reality rears its ugly head. A bounty hunter has come to Tiralan, chasing Helix. Possibly just for existing as a self-aware AI, but more likely for something Helix did before he crashed on Qalu’s doorstep.

It’s time for them to run, in the hopes of escaping whatever is dogging Helix’ heels. It’s already too late for them to run from each other – no matter how much Helix believes that they should.

Escape Rating B+: While Love Code wasn’t quite as much fun as the first book in the trilogy, Strange Love, it was still an awful lot of fun. Which is exactly what I was looking for as yesterday’s book wasn’t quite up to its series and the book I planned to review today just wasn’t working for me. It happens.

I loved Strange Love so much that I was reasonably sure that I’d have a good reading time with Qalu and Helix – and I was NOT disappointed.

Howsomever, the planet Tiralan turned out to be a surprising place for a meet-cute and a fake relationship type of romance – especially with the fascinating issues of power dynamics and informed vs. forced consent in all their permutations.

Helix is very much in the experimental stage with his new and initially unwelcome body and all of its many sensations – not all of which are pleasurable or even seemly from his perspective. He’s learning, he’s trying, he’s adapting and he’s confused more often than not. He also doesn’t know what either attraction or love feel like. So he doesn’t recognize those feelings when they start happening to him.

Qalu knows what she wants, and also knows that it would be unethical for her to reach for it. Or rather, reach for Helix, the way that she wants to. She recognizes that he’s dependent on her on Tiralan.

But when they go on the run, the situation changes. Helix has traveled the stars. He may be in a meat space body now, but he knows how to act and react and has lots of information to help them on their clandestine journey.

Now Qalu is lost. She’s always stuck close to home, not just the planet but her own homespaces. She’s scared, she feels inadequate and useless, and she’s homesick. So is Aevi. Qalu doesn’t know how to help and fears she’s an actual hindrance that Helix will eventually leave behind. (She kind of regrets that she made him so very handsome for their species!)

What makes this story work so well is the way that their power dynamics shift, and the way that they both adapt in spite of so many things standing – sometimes literally – in their way.

The story in Love Code ended up being a bit more of a straightforward romance than Strange Love, which is probably why I liked Strange Love a bit more. I enjoyed the journey of exploration of this new universe as much as I did the romance. But I definitely had a good reading time with Helix and Qalu so I’m glad I was able to follow up with this series so quickly.

The final book in the series, Renegade Love, is set up in this book, just as this one turned out to be set up in the first book. And I am so looking forward to reading it!