Review: Abandoned in Death by J.D. Robb

Review: Abandoned in Death by J.D. RobbAbandoned in Death (In Death, #54) by J.D. Robb
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: futuristic, mystery, romantic suspense, thriller
Series: In Death #54
Pages: 368
Published by St. Martin's Press on February 8, 2022
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Homicide detective Eve Dallas must untangle a twisted family history while a hostage’s life hangs in the balance—in the new In Death novel by #1 New York Times bestselling J. D. Robb.
The woman’s body was found on a bench in a New York City playground. She was clean, her hair neatly arranged, her makeup carefully applied. But other things were very wrong—like the tattoo and piercings, clearly new. The clothes, decades out of date. The fatal wound hidden beneath a ribbon around her neck. And the note: Bad Mommy, written in crayon as if by a child.
It seems clear the killer’s childhood was traumatic—a situation Eve is all too familiar with herself. Yet the clues point to a perpetrator who’d be around sixty, and there are no records of old crimes with a similar MO. What was the trigger that apparently reopened such an old wound and sent someone over the edge? When Eve learns that other young women have recently vanished, the case grows even more urgent—and to solve it she’ll need to find her way into a hidden place of dim light and concrete, into the distant past, and into the depths of a shattered mind.

My Review:

This series is a strange sort of comfort read for me, so I usually say that each entry in the series is at least a chance to visit with old friends. Sometimes it’s more, but it’s always at least that.

Abandoned in Death is one of the instances where it was also at most that. I loved seeing how Dallas, Roarke and the gang are doing, but the way this one began – and the entire case – really, seriously creeped me out.

I felt creeped enough the whole way through that I didn’t enjoy this entry in the series as much as I usually do. And I’m a bit sad about that because I was seriously looking forward to this one.

Once upon a time in Eve Dallas’ world, which is actually now in ours, a desperate and despairing young woman left her child on a church doorstep in the middle of the night. Then she drove straight into a lake and prepared to drown.

But she didn’t. Instead, she dragged herself out of the car and the water and passed out along the side of the road not too far away. She was rescued by a good Samaritan who happened to be a doctor, who took her home, treated her injuries, fell in love with her and married her.

Between the trauma of her injuries – along with the effects of her depression and her drug addiction – her life before her rescue was a complete blank. She didn’t remember the child, the drugs or the attempted suicide. She lived her life from that point forward in the here and the now and it was a good life.

In Eve Dallas’ here and now, someone dumped the corpse of a young woman in a children’s playground. The playground is just around the corner from the house that Eve’s friend Mavis is moving into, with her family. It hits MUCH too close to home, putting Eve in a bit more angst than any trip to the “angst factory” of her own.

Not that this case doesn’t have a bit of that as well.

The investigation of the case is interesting. Weird, but interesting. Weird because the body was dressed and made up to fit a certain image – that of a blonde woman in her mid-20s with a tramp stamp, a belly piercing, cheap party clothes and overdone makeup.

She’s made up to be a woman in her mid-20s in the early 2000s. All the brands, the style, the look, the colors all fit that era. Which means that if someone is getting vicarious revenge on their mother, that person is now in their 60s.

And the first thing that Dallas and company discover about the crime is that their victim isn’t the only woman taken who could be made up to fit the image. She’s just the first to die.

Escape Rating B-: So, the opening of this one weirded me out and the parts of the story that were told either from the killer’s perspective or from the mother’s distant past just didn’t work for me. I didn’t want to be inside the murderer’s head AT ALL and found myself skimming through those sections and the past bits.

Some of that may have been that the originating events were already in the past of the real world – kind of like that double-take you do when confronted with the fact that 1980 is as far away from 2020 as 1940 is from 1980. That time passes way more quickly than we like to think about.

However, whether it was because of skimming those bits quickly or because the murderer was simply very good at hiding in plain sight I had absolutely no idea who was doing it before Dallas gets there herself. I recognized that the wild goose she chased at one point was a red herring, but hadn’t figured out who the real culprit was until the investigators got there.

That there’s a clock ticking more obviously in this case from the usual made some of the normal cop shop gallows humor fall a bit flat – at least for me. No one has much of a sense of humor in this one.

At the same time the rather humorous blossoming of young love between Feeney’s intern and Nadine Furst’s intern (and their respective mentors reaction to same) was a nice little bright stop that did fit well into the story. It also points out just how huge the team ended up being on this one as Dallas needed people to investigate not just the murders happening now, not just whodunnit, but also who in the past it was being done to in proxy.

They were solving an equation for multiple unknowns, and that level of research and search and cooperation and puzzle solving was, as always, fascinating. Whatever team Dallas puts together for a case always gives a master class in competence and this time was no exception.

In spite of the mess that’s uncovered at the end.

All of this adds up to Abandoned in Death being an interesting entry in this marvelous long-running series that wasn’t quite as satisfying for me as they usually are. That’s happened before, as is expected in a series that is 54 books and counting and shows absolutely no sign of stopping. Next up is Desperation in Death, coming this fall and I’m already looking forward to it!

Review: The Starless Crown by James Rollins

Review: The Starless Crown by James RollinsThe Starless Crown (Moon Fall, #1) by James Rollins
Narrator: Nicola Barber
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: dystopian, fantasy, post apocalyptic, science fiction
Series: Moon Fall #1
Pages: 560
Length: 22 hours and 5 minutes
Published by Macmillan Audio, Tor Books on January 4, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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An alliance embarks on a dangerous journey to uncover the secrets of the distant past and save their world in this captivating, deeply visionary adventure from number-one 'New York Times' best-selling thriller-master James Rollins.
A gifted student foretells an apocalypse. Her reward is a sentence of death.
Fleeing into the unknown, she is drawn into a team of outcasts:
A broken soldier, who once again takes up the weapons he's forbidden to wield and carves a trail back home.
A drunken prince, who steps out from his beloved brother's shadow and claims a purpose of his own.
An imprisoned thief, who escapes the crushing dark and discovers a gleaming artifact - one that will ignite a power struggle across the globe.
On the run, hunted by enemies old and new, they must learn to trust each other in order to survive in a world evolved in strange, beautiful, and deadly ways, and uncover ancient secrets that hold the key to their salvation.
But with each passing moment doom draws closer.
Who will claim the starless crown?
A Macmillan Audio Audio production from Tor Books
©2022 James Rollins (P)2022 Macmillan Audio

My Review:

“A fake fortune teller can be tolerated. But an authentic soothsayer should be shot on sight. Cassandra did not get half the kicking around she deserved.” At least according to Robert A. Heinlein in The Notebooks of Lazarus Long.

From that perspective, The Starless Crown is the story of Nyx, the authentic soothsayer – not that she would think of herself as such – receiving the full force of that kicking around. Deserved or not.

Definitely not – at least not in regards to anything that she personally has done. Not that she’s had a chance to do all that much when the story begins – as she seems to be just fifteen or thereabouts.

We meet her in school, in her astronomy class, as they study their “Urth’s” tidally locked rotation around the sun. A sun which they all refer to as the “Father Above,” the capital letters implied in the reverent way they speak of it. The Father Above is part of their pantheon of gods, along with the Mother Below (the Urth), the dark Daughter (the new moon) and the silvery Son (the full moon).

A catastrophe, shrouded in the mists of time, created the Urth that Nyx knows from the Earth that we now live on, locking our rotating world in a fixed position relative to the sun, so that only a relatively narrow circle is habitable for humans, in that relatively thin slice where the sun does not boil and its lack does not freeze. A circle that surrounds the Urth in just the same way that a crown surrounds the head of a monarch.

The story of The Starless Crown is Nyx’ story, as she breaks free of the shell she has been enclosed by her entire life. A story where she dreams of the destruction of her world – and the one thin chance where she might save something from the inevitable wreckage.

At a cost much higher than anyone is willing to pay.

Escape Rating A-: I listened to The Starless Crown from beginning to end. I enjoyed the listening – the narrator was very good and did an excellent job of differentiating the many, many voices of this story’s large cast.

At the same time, I didn’t feel compelled to finish it more quickly, so I didn’t pick up the ebook at all. The slower pace of listening worked better for me, because this is a slow burn kind of story. It takes a lot of chapters to get all the characters set up because they begin in far different locations under far different circumstances. We are seeing the plot come together from a great many disparate eyes.

And it takes a long time for all of those disparate – and sometimes desperate – parts to come together into the whole that is going to push this saga forward.

Part of my fascination with this story is that this is post-apocalyptic story that takes place in the far aftermath – an aftermath so far into the future that the people living it no longer recognize from whence they came – although we do.

Not that civilization as we know it wouldn’t break down and reform fairly quickly, messily and bloodily. In that sense it reminds me a bit of Aldiss’ Helliconia Trilogy, Stirling’s Emberverse starting with Dies the Fire, and the videogame Horizon Zero Dawn.

But the way the situation has evolved and devolved posits a corollary or an antonym to Clarke’s Law, the one that goes, “Any sufficiently advanced technology is indistinguishable from magic.” The Starless Crown is an example of something I’d want to call Harris’ Permutation if I were the person naming such things. Because this story is an example of a different principle, that “Any science sufficiently muddied by time or religious claptrap is indistinguishable from magic.”

They don’t know what they don’t know. Too much was lost in either the initial cataclysm or the long dark night that inevitably followed. What they’ve managed to find is now interpreted through a lens of religion, to which what we call science has become enslaved. And some of its methods are used to enslave others.

This is also a story of “Mother Nature bats last”. Whatever happened in the past that created the tidal lock, the coming moon fall feels like its inevitable result. The moon controls the tides. It can’t. So it keeps getting closer in order to try harder. Or something like that.

So we have a group that is not unlike the Fellowship of the Ring. A young seeress, a disgraced prince, a thief, an escaped slave, a living statue from the distant past on a quest to save their world – even if they don’t know it yet.

Arrayed against them are the forces of the powers that be. They’re not all evil, although some of them very much are. Some of them are willfully blind and some of them are just blind. There’s a lot of “power corrupts and absolute power corrupts absolutely”, but there’s a fair bit of “when the only tool you have is a hammer, everything looks like a nail.”

But the villains are fascinatingly – if occasionally stomach turning-ly – twisted, the heroes are plucky to the max and the escapes are nail-biting, hair-raising, edge of the seat last minute scrapes. The reveal of the past, the fear in the present and the desperate hope of even a fractured future are handled in lush descriptions and buckets of regrets, recriminations and tears.

I have no idea how this band of misfits is going to get themselves and their world out of the mess they are in, but I look forward to finding out.

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 2-6-22

We had house company last week. This is George’s reaction for the entire visit:

He remained suspiciously watchful for the entire four days. Hecate thought it was great to have more humans to scritch her in the morning. Lucifer decided that she was an acceptable substitute human upon whom to tender his pre-meal gratitude. Freddie disappeared off the face of the Earth. George just watched. And watched. And WATCHED. He’s a very handsome boy but clearly VERY suspicious!

Current Giveaways:

$10 Gift Card or $10 Book in the Heart 2 Heart Giveaway Hop

Blog Recap:

A Review: Strange Love by Ann Aguirre
Heart 2 Heart Giveaway Hop
A- Review: Marion Lane and the Deadly Rose by T.A. Willberg
B Review: A Lullaby for Witches by Hester Fox
A- Review: Four Thousand Days by M.J. Trow
Stacking the Shelves (482)

Coming This Week:

The Starless Crown by James Rollins (audio review)
Abandoned in Death by J.D. Robb (review)
Out of the Blue by Allison Bliss (review)
A Fine Madness by Alan Judd (review)
Asking for a Friend by Andi Osho (review)

Stacking the Shelves (482)

This week’s stack is just a bit shorter (smaller, less tall) than usual for this time of year. Normally I’m gearing up for a committee and getting a bunch of things that are going to be part of that work. Howsomever, at the present moment I’m in limbo, not certain which committee I’ll be on so not sure what books to be looking for/at yet. We’ll see what happens.

For Review:
The Bachelor Bargain (Secrets, Scandals and Spies #1) by Maddison Michaels
The Bachelor Betrayal (Secrets, Scandals and Spies #2) by Maddison Michaels
By the Book (Meant to Be #2) by Jasmine Guillory
The Genesis of Misery by Neon Yang
Sweet Home Cowboy by Nicole Helm, Maisey Yates, Jackie Ashenden, Caitlin Crews
Tear Down the Throne (Gargoyle Queen #2) by Jennifer Estep
You Were Made to Be Mine (Palace of Rogues #5) by Julie Anne Long

Purchased from Amazon/Audible:
If the Shoe Fits (Meant to Be #1) by Julie Murphy
Renegade Love (Galactic Love #3) by Ann Aguirre


If you want to find out more about Stacking The Shelves, please visit the official launch page

Please link your STS post in the linky below:


Review: Four Thousand Days by M.J. Trow

Review: Four Thousand Days by M.J. TrowFour Thousand Days (Margaret Murray, #1) by M.J. Trow
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Margaret Murray #1
Pages: 224
Published by Severn House Publishers on November 25, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads


Introducing turn-of-the-century archaeologist-sleuth Margaret Murray in the first of a brilliant new historical mystery series.

October, 1900. University College, London. When the spreadeagled body of one of her students is discovered in her rented room shortly after attending one of her lectures, Dr Margaret Murray is disinclined to accept the official verdict of suicide and determines to find out how and why the girl really died.
As an archaeologist, Dr Murray is used to examining ancient remains, but she's never before had to investigate the circumstances surrounding a newly-dead corpse. However, of one thing Margaret is certain: if you want to know how and why a person died, you need to understand how they lived. And it soon becomes clear that the dead girl had been keeping a number of secrets. As Margaret uncovers evidence that Helen Richardson had knowledge of a truly extraordinary archaeological find, the body of a second young woman is discovered on a windswept Kent beach - and the case takes a disturbing new twist ...

My Review:

This has been a week of mostly mysteries – or at least a week of conundrums of one sort or another. Margaret Murray’s first foray into amateur detection fits right in. But I was expecting it to considering how much I enjoyed one of the author’s previous mysteries, The Knight’s Tale.

The process of professional archaeologist and amateur detective Murray becoming involved in this case-that-is-almost-not-a-case is marvelously immersive and feels true to the character. It also does a lovely job of introducing the reader to this time and place, London in 1900 as the new century turns over and a new era is on the horizon.

It also places us squarely into the academic environment of University College – that Godless Institution – at a time when women academics were, shall we say, rather thin on the ground. Murray was (really) one of a kind. Her professional credentials are a bit haphazard, because women weren’t supposed to be what she was. But she’s doing her best – which is quite good – to encourage the women who follow in her wake.

And that’s where this story really kicks off, as one of Murray’s part-time students is a police constable called to the death of another. Constable Crawford is sure it’s murder, while the detective in charge calls it suicide – clearly because he doesn’t want to investigate the death of a prostitute.

That’s where Crawford calls in Murray, and Murray calls in retired Scotland Yard Detective Inspector Edmund Reid – who was the real life copper in charge of the Met’s investigation into the Ripper killings. As Murray and Reid poke their noses into places that someone seriously wishes they shouldn’t, the string of murders gets longer and the tempers of officialdom get shorter.

The trick, or the question, or both, is discovering what the deaths of a part-time student and part-time prostitute in London, a full-time student on an archeological dig in Kent, and the most boring professor in the entire University College have in common will require just the kind of digging that Margaret Murray can’t let go of – even if it kills her.

Margaret Murray (3rd from left) unwrapping a mummy in 1908

Escape Rating A-: Margaret Murray reads like a combination of Amelia Peabody (Crocodile on the Sandbank) and Harriet Vane (Strong Poison), all the better for Murray having been a real person, who really had the kind of background and went on the kind of adventures that make her a perfect fit for this sort of story.

Seriously, even though as a real person thrust into the role of amateur detective she’s a bit more like Nicola Upson’s version of mystery author Josephine Tey in An Expert in Murder – and their real life time periods do overlap – Murray combines Amelia Peabody’s expertise in Archaeology (and a mutual acquaintance with Flinders Petrie) with Vane’s experience walking the halls of academe at a time when women were just grudgingly accepted. At best.

While the case that Murray discovers herself in the middle of – and is nearly done in by – has just a bit of a hint of the puzzle that Mary Russell digs herself into in A Letter of Mary. (That’s a bit of a hint, BTW)

As much fun as it is to speculate about the relationships between the real historical figures that populate this story and seem to be part of Murray’s inner circle of helpers and investigators, it’s the character of Murray herself that makes this so much fun.

Often, in historical fiction of all stripes, in order to make a female character the active protagonist and give them real agency it is necessary to make them a bit anachronistic, outré, or both. They end up not feeling like creatures of their own time in order for us to identify with them in ours.

Murray’s actual biography lets the reader know that she was a person of her time – and yet that she really was doing it all uphill and against the wind, so to speak. Which allows her to speak both to her time and our own.

The real-life Margaret Murray lived to be 100. After reading Four Thousand Days, I would be thrilled to read 100 years of her adventures as an amateur detective – or pretty much anything else she – or her author – decided to turn their hand to!

Review: A Lullaby for Witches by Hester Fox

Review: A Lullaby for Witches by Hester FoxA Lullaby for Witches by Hester Fox
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: Gothic, historical fiction, paranormal
Pages: 320
Published by Graydon House on February 1, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads


Two women. A history of witchcraft. And a deep-rooted female power that sings across the centuries.

Once there was a young woman from a well-to-do New England family who never quite fit with the drawing rooms and parlors of her kin.
Called instead to the tangled woods and wild cliffs surrounding her family’s estate, Margaret Harlowe grew both stranger and more beautiful as she cultivated her uncanny power. Soon, whispers of “witch” dogged her footsteps, and Margaret’s power began to wind itself with the tendrils of something darker.
One hundred and fifty years later, Augusta Podos takes a dream job at Harlowe House, the historic home of a wealthy New England family that has been turned into a small museum in Tynemouth, Massachusetts. When Augusta stumbles across an oblique reference to a daughter of the Harlowes who has nearly been expunged from the historical record, the mystery is too intriguing to ignore.
But as she digs deeper, something sinister unfurls from its sleep, a dark power that binds one woman to the other across lines of blood and time. If Augusta can’t resist its allure, everything she knows and loves—including her very life—could be lost forever.

My Review:

A Lullaby for Witches is a time slip story whose 21st century anchor is a woman who time slips for a living. Or at least that’s what she set out to do when she graduated college – and probably a master’s program – with a degree in museum and archival studies.

As the story begins, Augusta Podos is working in her field – sorta/kinda – in a dead end job as a tour guide and “interpreter” at the historical Salem, Massachusetts jail. She spends entirely too much of her work time dealing with disgruntled tourists who neglected to read the brochure and are unhappy that the infamous Salem witches were never housed in that jail – BECAUSE THE JAIL WAS BUILT MORE THAN A CENTURY AFTER THE WITCH TRIALS!

She’s also in a dead end relationship with a guy who may be financially stable – but is also emotionally unavailable and manipulative. Someone who has spent the four years of their relationship isolating Augusta from her friends, and who Augusta has spent the same four years making excuses for – over and over and over.

The “dream” job at Harlowe House – an amazing well funded private house museum – knocks Augusta out of her rut in more ways than one. She suddenly has a job she loves, with people who appreciate her, she makes enough money and has enough benefits that she can afford to strike out on her own if she can muster up the fortitude AND she has the chance to stretch her professional wings and use all of her skills and talents.

Augusta is also more than a bit obsessed by the resident ghost of Harlowe House, the mysterious and possibly even apocryphal Margaret Harlowe. Who may have lived a couple of centuries AFTER the witch trials, but who was still, most definitely, a witch.

A witch who has found in Augusta a woman she can use. Augusta believes that Margaret just wants to get her story finally told. Margaret, however, plans to use Augusta to finally get for herself that dish that is best served cold. In Margaret’s case, as cold as the grave.

Escape Rating B: I wanted to start out by repeating the old quote about the more things change, the more they remain the same, but that’s not quite right. And it’s not that history repeats, because that’s not exactly what’s happening here either.

A Lullaby for Witches feels like it’s a story about blame. Or shame, or responsibility, or all of the above. Augusta Podos, the contemporary heroine of this witch’s brew, is a woman who always takes the blame for everything that goes wrong – whether she’s at fault or not. Usually not. She spends her mental energy making excuses for everyone around her and making herself smaller at every turn.

Margaret Harlowe, who anchors the 19th century parts of this hidden history, is Augusta’s opposite. Margaret always was a woman who took up as much space, with expansive gestures, outrageous behavior and mysterious doings, as possible. Also, Margaret never accepts the blame or the responsibility for anything that happens around her, not even – or perhaps especially not – the trouble that she causes and is absolutely responsible for.

To the point where her need for revenge against those she believes have wronged her – no matter how much she may have wronged them first or equally or in return – keeps her spirit from finding rest. Margaret has spent the century and a half of her “afterlife” waiting for a woman of her bloodline to let her live again.

Whether that woman is willing or not.

So, on one side of this story, we watch Augusta finally break out of her self-imposed imprisonment and start to take charge of her own life. And on the other side (pun intended) we see the past from Margaret’s self-aggrandizing and self-justifying perspective – and we observe her start moving Augusta like a pawn on her own personal chessboard.

This ends up being kind of a mixed feelings review. I appreciated Augusta’s journey – but her relationships with her manipulative, isolating ex hit a bit too close to home. I loved her raptures about her new job at Harlowe House, but I couldn’t help but wonder how much fantasy was involved in the creation of a small museum like that being THAT well funded. (One of my best friends is an archivist and I think she’d be laughing a lot at the setup.)

On my third hand, I enjoyed, as I generally do, the portrayal of the research and digging involved with Augusta’s search for history, and I loved the idea of showcasing the forgotten histories of the women of Harlowe.

On my fourth hand – I think I’m co-opting Augusta’s and Margaret’s hands at this point – I didn’t get into Margaret’s story at all. She’s vain, she’s shallow, she’s self-serving to the max. Admittedly, she’s also just barely 20 so her out-of-line-ness isn’t really so far out-of-line. But I found her perspective to be a bit one-note. That meant that I didn’t empathize with her at all, because when it comes to empathy there’s almost no there there.

So the story didn’t feel like it was so much about female power as it was about one woman, Augusta, finding a way to climb out of one rut after another – including one that reached out to her from the shadowy past. But I liked and felt for Augusta, so that worked out alright for this reader.

Review: Marion Lane and the Deadly Rose by T.A. Willberg

Review: Marion Lane and the Deadly Rose by T.A. WillbergMarion Lane and the Deadly Rose by T.A. Willberg
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: historical fantasy, historical fiction, historical mystery, steampunk
Series: Marion Lane #2
Pages: 304
Published by Park Row on February 1, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads


The envelope was tied with three delicate silk ribbons: “One of the new recruits is not to be trusted…”

It’s 1959 and a new killer haunts the streets of London, having baffled Scotland Yard. The newspapers call him The Florist because of the rose he brands on his victims. The police have turned yet again to the Inquirers at Miss Brickett’s for assistance, and second-year Marion Lane is assigned the case.
But she’s already dealing with a mystery of her own, having received an unsigned letter warning her that one of the three new recruits should not be trusted. She dismisses the letter at first, focusing on The Florist case, but her informer seems to be one step ahead, predicting what will happen before it does. But when a fellow second-year Inquirer is murdered, Marion takes matters into her own hands and must come face-to-face with her informer—who predicted the murder—to find out everything they know. Until then, no one at Miss Brickett’s is safe and everyone is a suspect.
With brilliant twists and endless suspense, all set within the dazzling walls and hidden passageways of Miss Brickett’s, Marion Lane and the Deadly Rose is a deliciously fun new historical mystery you won’t be able to put down.   

My Review:

The tunnels under post-war London that house Miss Brickett’s top secret and extremely secretive agency of Inquirers and Gadgeteers stretches far under the city in 1959. It seems to reach from an occasionally tenuous connection to the reality above the ground to imaginary realms as diverse as the Invisible Library, Unseen University’s library in the Discworld, all the way north to Hogwarts and out to the Scholomance. It’s a place where the science is sufficiently advanced to be indistinguishable from magic, and the magic has tentacles in entirely too many places labelled “Here be Dragons”. The monsters there are more than monstrous and dangerous enough to be, if not quite real dragons, entirely too close for comfort.

But the story in Marion Lane and the Deadly Rose, for all the secrets concealed in, for and by Miss Brickett’s, touches more on real-world dangers of the time, along with the darkness that oozes out of the human heart.

Marion Lane, who we were introduced to in the marvelous first book in this series, Marion Lane and the Midnight Murder, is now in the second year of her (hopefully) three year apprenticeship at Miss Brickett’s. The events of that first year (and first story) have left her scarred but undeterred. She loves her work, she loves Miss Brickett’s, and she is determined to become a full-fledged Inquirer at the end of her three year apprenticeship.

(This is a broad hint, even a hint and a half, to read the first book first. There are a lot of players in this game and one definitely needs a firm grasp on the scorecard.)

But Marion, like the Librarian Irene Winters of the Invisible Library, has a tendency to be the fool that rushes in where angels would rightfully fear to tread. Not that Marion is anymore foolish than Irene, but they both have that tendency bordering on compulsion to leap in hopes that the net will appear – or at least in certainty that if it doesn’t they’ll be able to think of something on the fly – sometimes literally – before they reach that sudden stop at the bottom of their current plummet towards seeming doom.

The case that Marion finds herself in the middle of, whether she planned to be there or not, has dimensions that encompass the world above and the heart of Miss Brickett’s. A case that at first seems like two cases with little to do with one another.

Out in the real world, a Russian spy known as “The Florist” has left behind a series of corpses with ugly calling cards. His victims are branded with a rose on their torsos. Through rather roundabout means, Marion’s mentor at Miss Brickett’s has been informed that Scotland Yard is stumped but is not asking for assistance from Miss Brickett’s as usual because something that has been discovered in the case has put the agency under suspicion.

At the same time, Marion has received an anonymous letter that one of this year’s intake of new recruits is not to be trusted. As the three newbies begin their first year apprenticeship, something rotten is exposed in Miss Brickett’s that may or may not have anything to do with either “The Florist” or the untrustworthy first-year. But the rot that is exposed will turn out to be the most dangerous secret of all.

Because it has divided the formerly unified Miss Brickett’s into a hotbed of suspicion, lies and power-hungry madness that has pit friend against friend and protegee against mentor. All in an attempt to satisfy greed, a lust for power, and a desperation not to be caught at all costs.

A cost that may, quite possible, include the lives of Marion and her friends.

The gorgeous UK cover

Escape Rating A-: Marion Lane and Miss Brickett’s have tunneled under the crossroads between mystery, fantasy and science fiction and sit in the center of a vast web that encompasses all three genres.

With more than a bit of espionage fiction tossed in to make this mixture a very tasty stew indeed.

While Miss Brickett’s strongly reminds me of the universe of The Invisible Library – and would serve well as a readalike for that series especially now that it has concluded – the way that things work also gives hints of Hogwarts, or the world of A Marvellous Light in that it exists in plain sight, that people in high places know about it, but that it operates in a bit of a hidden pocket of its own.

And even though Miss Brickett’s doesn’t teach or use magic, it still feels a lot like a fantasy.

Very much on my other hand, however, the two issues that Marion feels compelled to solve are both grounded in the real. The case of The Florist, his spy games and his ties to the KGB and the Soviet Union read like a fantasy or alt-history version of the historical case of the Cambridge Five and the infamous British double agents including Kim Philby and Anthony Blunt. The Florist himself may have been considerably over the top, but it’s an over the top version of stuff that actually happened.

The rot in Miss Brickett’s is also all too real, but in an entirely different way. We’ve seen, in real life, in very recent history, just how easy it is to sway people with persuasion, with lies, with propaganda, by seeding doubts, planting suspicions and reaping fears where none originally existed.

Watching those poisoned flowers bloom in a closed, hothouse environment like Miss Brickett’s was chilling – and entirely too real. The tense atmosphere created by the club that becomes a cult just added to the sense of claustrophobia, paranoia and deadly danger that always exists at the fringes of the place.

The two cases fed into one another in ways that were both completely expected and utterly chilling at the same time. We know it’s going to get worse before it even has a chance at getting better – because that part, at least, is something that has happened before and will happen again. It’s humans being human, and sometimes we suck.

As Marion Lane’s adventures (and most definitely misadventures) with the Florist and his “Deadly Rose” come to a close, it’s clear that this case may be wrapped up but that Marion’s adventuring career is FAR from over. I’m looking forward to following Marion Lane’s further escapes whenever she next emerges from the tunnels of Miss Brickett’s.

Heart 2 Heart Giveaway Hop

Welcome to the Heart 2 Heart Giveaway Hop, hosted by Mama the Fox!

This isn’t exactly a Valentine’s Day hop, but it isn’t exactly not one either, as the next hop will start after the day. Which is a Monday this year. Hopefully it will make at least one Monday a bit less, well, Monday-ish. We’ll see.

I don’t know about you, but it still seems weird, odd, something, to go out to celebrate. And it’s a work night this year. We’ll do something. And put fresh flowers out on the enclosed back porch where the cats can see them but not EAT them. Which is best for everyone.

What about you? How will you mark the holiday? Or mark what still has to be one of Hallmark’s best days of the year? Fill out the rafflecopter with your ideas for a chance at the usual Reading Reality prize, the winner’s choice of a $10 Amazon Gift Card or $10 in books.

a Rafflecopter giveaway

For more heart stopping prizes, be sure to visit the other stops on this hop!

MamatheFox and all participating blogs are not held responsible for sponsors who fail to fulfill their prize obligations.