#BookReview: The Butcher of the Forest by Premee Mohamed

#BookReview: The Butcher of the Forest by Premee MohamedThe Butcher of the Forest by Premee Mohamed
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: Dark Fantasy, fantasy, horror
Pages: 160
Published by Tordotcom on February 27, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A world-weary woman races against the clock to rescue the children of a wrathful tyrant from a dangerous, otherworldly forest.
At the northern edge of a land ruled by a monstrous, foreign tyrant lies the wild forest known as the Elmever. The villagers know better than to let their children go near—once someone goes in, they never come back out.
No one knows the strange and terrifying traps of the Elmever better than Veris Thorn, the only person to ever rescue a child from the forest many years ago. When the Tyrant’s two young children go missing, Veris is commanded to enter the forest once more and bring them home safe. If Veris fails, the Tyrant will kill her; if she remains in the forest for longer than a day, she will be trapped forevermore.
So Veris will travel deep into the Elmever to face traps, riddles, and monsters at the behest of another monster. One misstep will cost everything.

My Review:

There’s no actual butcher in this forest, but it doesn’t need one. The forest is enough of a butcher all on its own. And the thing it’s already butchered, more than anything or anyone else, is Veris Thorn’s heart.

But that’s not where we start this story. We start the story in a place that seems all too typical of epic fantasy of the myth telling and retelling school. Because there’s a forest surrounding Veris’ village. A forest that none of the locals ever enter, day or night, because people who go into the forest do not come out again. Ever.

Except for Veris. Once upon a time, she went in after a child. And brought both herself and the child out again. Not safely, not easily, and ultimately not anything remotely like a happy ending. But still, once upon that time, Veris went in and came back out again.

The Tyrant who seems to have swallowed so much of Veris’ world, has Veris’ dragged out of her bed at dawn and brought before him still in her nightclothes. She doesn’t know why, she doesn’t know what she could have possibly done. All she knows is that she has no choice.

Because the Tyrant will kill her remaining family and burn the village they live in to the ground if she does not obey whatever he will demand of her. It’s who he is, it’s what he does, and it’s how he’s conquered the world.

But the Tyrant is also a father. A father whose children have gone missing into that terrible forest, because they are just at that age when children think they are more grownup than they are and want adventures more than they want to obey. Even to obey a terrifying Tyrant like their father.

It’s up to Veris, a middle-aged woman with one singular experience of surviving the forest, a few tools and bits of old and cobbled-together legends, and a desperate desire to save her family and her village from being burnt to a crisp to enter the forest one more time. And to come back out again with two children, safe and sound. Before a nightfall that she won’t even be able to see from inside the dense woods.

It’s an impossible quest, but it’s the only hope she has for her people. But to the Forest she’s the one that got away – and it will only let her back in this time so it can keep her – or something else she holds dear.

Escape Rating B: At first, the forest sounded a LOT like the forests in Middle Earth where some of the trees’ hearts have turned dark. The way that Veris describes the forest near her village is very like Merry’s descriptions of The Old Forest around the Shire.

So I was prepared for that kind of quest – which wasn’t at all what I got. Which is generally a good thing.

I was also confused because there is no ‘Butcher’ IN the forest, and it’s dubious whether any of the characters, at least so far, are the ‘Butcher’ OF the forest. Not that the Tyrant doesn’t butcher everything in his rapacious path, and won’t make an attempt at butchering the entire forest if it doesn’t give him back his children. Or at least his heir.

After all, situations like this one are just what the ‘spare’ is born for.

But the story isn’t quite any of the things I was expecting. In spite of – or perhaps because of the Tyrant’s oppression at the beginning and it’s promise overshadowing the whole journey every time Veris stumbles.

As much as all the admonitions about not eating or drinking in the Forest and not bargaining with the fey creatures who dwell there, this story is about a journey and not a destination. It’s a journey into, not the dark heart of the forest or even the dark heart of the Tyrant although both certainly exist. It’s about Veris’ journey to her own dark heart, with the two children as both goad and conscience, reminding her of her own deepest losses while forcing her to recognize that they are not responsible for the sins of their own father against hers, and are much too young to have yet committed sins of their own.

A lesson that is every bit as hard for Veris to bear as all the other lessons that the Forest intends to teach her – whether she wants to learn those lessons or not.

What kept niggling at me through my read of The Butcher of the Forest was that it reminded me, strongly and often, of something else that was not Middle Earth. And that, as it turns out, is the Sooz duology in Peter S. Beagle’s The Way Home, set in the world of The Last Unicorn.

But Veris is not Sooz. Veris is Molly Grue in the first book in Sooz’ story. Molly Grue is the mentor character who rescues Sooz on Sooz’ first quest and trains her to take her second quest alone. A quest very much like the one that young Eleanor is barely on the threshold of when The Butcher of the Forest shudders to a heartbreaking halt.

Because once upon a time, the Forest kept Veris’ only child – and Veris went into the Forest to get her back. Now, the Forest has held onto Eleanor’s only brother, and she is determined to repeat Veris’ journey. Whether she will also repeat Veris’ mistakes along the way is a tale that is hopefully yet to be told.

#BookReview: That Time I Got Drunk and Saved a Human by Kimberly Lemming

#BookReview: That Time I Got Drunk and Saved a Human by Kimberly LemmingThat Time I Got Drunk and Saved a Human (Mead Mishaps, 3) by Kimberly Lemming
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: cozy fantasy, fantasy, fantasy romance, romantasy
Series: Mead Mishaps #3
Pages: 353
Published by Orbit on March 5, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

When I was a little girl, my Ma used to read me stories every night. Some were epic adventures with high stakes and exciting twists while others were of princesses trapped in towers guarded by fierce dragons. The pitiful princess would be stuck inside all day pining for her prince charming to come and rescue her. I always hated those stories. I couldn't imagine why the lazy thing didn't just get up and leave. Ironic since I was now stuck in that same situation. Turns out, when a dragon holds you hostage, he doesn't just let you get up and leave.Who knew?
When I thought I saw hope on the horizon, that hope was smashed to bits by - you guessed it - another damn dragon.

My Review:

Technically, this final entry in the Mead Mishaps trilogy is not, strictly speaking, a mishap involving any mead. Also, Dante wasn’t drunk. High as a kite and sick as a dog, but not drunk. Not that he didn’t drink something he shouldn’t have – but only because the human he was trying to save drugged him.

In other words, the eventual romance between Dante the Storm Dragon and the human Cherry does not exactly get off to a promising start.

Which is the story of Cherry’s current life when the story begins. Because yes, that’s Cherry Hotpepper, the missing and presumed dead sister of the heroine of the place where this whole thing started in That Time I Got Drunk and Saved a Demon.

In an absolutely delicious and utterly heartbreaking bit of the irony behind ALL the entries in this series, at the point where Cinnamon Hotpepper saved that demon – and ultimately ALL the demons – she was doing her damndest to avoid having adventures because Cherry loved adventures SO MUCH and Cherry was gone.

So Cinnamon had the adventure that Cherry would have loved, pretty much in spite of herself. When we first meet Cherry, she’s imprisoned in a dragon’s keep with the dragon literally curled about the base of the keep keeping her prisoner – and has been for five long, annoying, boring years with nothing to do but plot an escape that the dragon thwarts over and over and over again.

But he doesn’t harm her. He doesn’t touch her, not even in his human form. More frustrating still, he doesn’t even TALK to her. Cherry is bored, bored, bored. Cinnamon would have loved being locked in a literal ivory tower – particularly as good food and interesting libations are on tap courtesy of the dragon’s little frog-servants – while Cherry is ready to claw her way out by her fingernails.

Which is when Dante flies to her rescue. Or that’s his intent, at least. But Cherry has had it up to the top of her head with all her curls piled on top of it with dragons. She doesn’t trust Dante – at all.

Dante, however, is certain that Cherry is his true, fated mate. He’s stoned, she’s sorry not sorry, and he’s watching his arms crawl away and talking to bananas. Which is the point where explanations and consent go out the window and he bites her – giving her some of his magic and triggering the mating bond.

It may have been the right thing to do – and he certainly wasn’t responsible for his actions – but now that it’s done there’s no takesy-backsies. Not that even wary, suspicious Cherry wants to go quite that far.

But a little romance first would have been a much better way of wooing the woman that Dante has already made his wife. It’s too late for that to be first, but maybe, just maybe, he’ll have a chance if he can figure out how to do it second.

He’ll need just a little bit of help from his friends back in Boohail – and get more than a little bit of hindrance from his dragon sister, an enchanted, talking sword, and a cat who is all demon.

Escape Rating B: In the end, I enjoyed this nearly as much as I did the previous books in the series, That Time I Got Drunk and Saved a Demon and That Time I Got Drunk and Yeeted a Love Potion at a Werewolf.

But I’ll admit that the early stages gave me more than a few qualms that the other books didn’t. Because this book has a serious problem with consent that the previous books carefully and artfully handled – particularly that second book about the love potion and the werewolf.

Fated mate stories can easily turn just a bit squicky, as the fated mates themselves generally have no choice in the matter – but it’s mutual. In this particular fantasy world, the demons and other non or not-quite humans have fated mates – but humans don’t work that way. Making a huge portion of each of these stories about the demon partner getting their fated partner onside, because they are already all in and the human can still walk away even if the demon can’t.

That’s out the window in this book. Dante has no choice, Cherry is it for him. But he takes away her ability to make a choice for herself while he’s admittedly under the influence of the drug she gave him. So she inflicted him with a temporary condition that he’ll get over in a few hours while he inflicted her with a permanent one that will alter her entire life.

It may turn out for the better – but she doesn’t know that in the beginning. All of his attempts to persuade or seduce her consequently didn’t feel either right or romantic because she has been compromised. In the end he’s going to ‘win’ unless she kills him first – which might kill her into the bargain.

So I wasn’t feeling the romance nearly as much as I did in the other two books because it always felt predetermined. Not that Dante is exactly at fault for what happened thanks to the drugs, but it still took the romance out of things for this reader.

Howsomever, what did work for me, very much, was the weepy, teary, heartstopping reunion between Cherry, her sister Cinnamon, and their sister-of-the-heart Brie, the heroines of those first two books. Cherry’s absence – and presumed death! – casts just a bit of a pall over the whole series because Cin and Brie have Cherry-shaped holes in their hearts and their lives.

Seeing those holes filled, and finally, finally learning about the emptiness that led that original dragon to keep Cherry prisoner for so long, brought the book AND the series to a VERY satisfying conclusion!

#AudioBookReview: Glory Be by Danielle Arceneaux

#AudioBookReview: Glory Be by Danielle ArceneauxGlory Be (Glory Broussard Mystery, #1) by Danielle Arceneaux
Narrator: Bahni Turpin
Format: audiobook
Source: supplied by the publisher via Spotify
Formats available: hardcover, ebook, audiobook
Genres: cozy mystery, mystery
Series: Glory Broussard Mystery #1
Pages: 272
Length: 8 hours and 47 minutes
Published by Pegasus Crime, Spotify on October 3, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The first in a vivid and charming crime series set in the Louisiana bayou, introducing the hilariously uncensored amateur sleuth Glory Broussard. Perfect for fans of Richard Osman’s Thursday Murder Club.
It’s a hot and sticky Sunday in Lafayette, Louisiana, and Glory has settled into her usual after-church routine, meeting gamblers at the local coffee shop, where she works as a small-time bookie. Sitting at her corner table, Glory hears that her best friend—a nun beloved by the community—has been found dead in her apartment.
When police declare the mysterious death a suicide, Glory is convinced that there must be more to the story. With her reluctant daughter—who has troubles of her own—in tow, Glory launches a shadow investigation into Lafayette’s oil tycoons, church gossips, a rumored voodoo priestess, nosey neighbors, and longtime ne'er-do wells.
As a Black woman of a certain age who grew up in a segregated Louisiana, Glory is used to being minimized and overlooked. But she’s determined to make her presence known as the case leads her deep into a web of intrigue she never realized Lafayette could harbor.
Danielle Arcenaux’s riveting debut brings forth an unforgettable character that will charm and delight crime fans everywhere and leave them hungry for her next adventure.

My Review:

Like most amateur detectives, Glory Broussard begins her first investigation because it’s personal. Her best friend is dead, and the police have ruled that death a suicide. A decision that Glory refuses to believe.

Glory had known Amity Gay since they were little girls in pinafores, and for all the 60-some-odd years of their lives that followed. Glory knew Amita Gay as well as she knew herself, and her friend was looking forward to life, not running away from it.

And through bitter experience, Glory is all too aware that the police, in Louisiana and elsewhere but perhaps especially in Louisiana, discount and disregard the deaths of black people in general and black women in particular.

Because that’s the way it always has been, and in spite of changes on the surface, that’s the way it still is.

So Glory, amateur detective, professional busybody and successful bookmaker (yes, I mean gambling and not bookkeeping) does a bit of surreptitious reconnaissance in her late friend’s apartment and discovers a whole lot of paperwork about a chemical plant that the big company in Lafayette wants to construct right next to a poor black town so they can make even more money and spread more cancer – not necessarily in that order to Glory’s cynical mind.

While the police might have left the paperwork behind because it wasn’t an actual part of the crime scene, Glory knows they didn’t search at all because she found a box of fentanyl-laced lollipops in the back of Amity Gay’s closet. Something that would definitely have been found and confiscated in even a cursory search.

Which means that obviously no search was done, that the police are rushing to judgment because its easier for them – and possibly for the big company with those chemical plant plans.

Glory will just have to nose her way around Amity Gay’s old friends, Glory’s own new enemies and figure out which of the possible parties and motives is responsible for the death of her best friend.

The last thing Glory needs to add to her already overwhelming to-do list is figuring out what her daughter, a successful New York City attorney, is doing back in Lafayette, minding Glory’s business and cleaning up her house. Or, for that matter, figuring out what has the city all fired-up to condemn her house.

Or even, heaven forbid, whether or not her dearest friend, a professed Catholic nun, had been doing something unholy. Again.

Escape Rating B: Glory Broussard does not hold back. Ever. Not within the confines of her own head as she tells this story, and not out loud, either. She’s certainly an acquired taste for her friends and neighbors, and quite possibly for the reader as well.

Glory does not suffer fools, neither does she let said fool out of her sight without telling them that she thinks they are one. Sometimes in great detail. In other words, Glory is a lot, and not exactly universally beloved – or even respected.

To the point where it’s easy to understand why her daughter, successful New York City attorney Delphine, wishes she could get her mother to just shut up now and again, especially when faced with city officials who want to condemn Glory’s house. Not that Glory doesn’t get the best of that situation – along with a whole lot else – in the end.

But part of Glory’s charm, and certainly part of the charm of the story as a whole, is Glory’s bone-deep authenticity. It’s certainly not Glory’s honesty, because she doesn’t seem to have an honest bone in her body – not even in reference to herself and the depression she has sunk into over the years.

What does ring true, particularly in audio, is the relationship between Glory and Delphine, that ‘roses and thorns’ kind of love that can exist between mothers and their adult daughters. Part of both the compulsion to finish this mystery and the difficulty of doing so for this reader is that I heard the echo of every single argument I had with my own mother in the exchanges between Glory and Delphine. That roses and thorns observation was heartbreaking because it felt so very true.

But the story, the mystery, and the eventual, hard-won mutual respect that arises between mother and daughter, follows Glory’s stubborn pig-headedness from something that everyone told her should be left well enough alone to a conclusion she almost wishes she’d never uncovered.

She’s left with the realization that too many of the people she believed in have feet of clay up to the knees. And to console herself, in the end, that justice has been done, along with the new lease on life that becoming an amateur detective has brought her.

Readers, on the other hand, can console themselves with the fact that Glory will be back on the case in another mystery this coming fall!

TLC

TLC tour schedule:

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#BookReview: A Quantum Love Story by Mike Chen

#BookReview: A Quantum Love Story by Mike ChenA Quantum Love Story by Mike Chen
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: relationship fiction, science fiction, science fiction romance, time travel
Pages: 368
Published by Harlequin MIRA on January 30, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The only thing harder than finding someone in a time loop is losing them.

Grieving her best friend's recent death, neuroscientist Mariana Pineda’s ready to give up everything to start anew. Even her career— after one last week consulting at a top secret particle accelerator.

Except the strangest thing a man stops her…and claims they've met before. Carter Cho knows who she is, why she's mourning, why she's there. And he needs Mariana to remember everything he’s saying.

Because time is about to loop.

In a flash of energy, it’s Monday morning. Again. Together, Mariana and Carter enter an inevitable life, four days at a time, over and over, without permanence except for what they share. With everything resetting—even bank accounts—joy comes in the little a delicious (and expensive) meal, a tennis match, giving a dog his favorite treat.

In some ways, those are all that matter.

But just as they figure out this new life, everything changes. Because Carter's memories of the time loop are slowly disappearing. And their only chance at happiness is breaking out of the loop—forever.

My Review:

Carter Cho recognizes that he’s in a time loop. He has four days to live, over and over and over and OVER again, with no way to stop it and no way out. All he can do is watch, wait and repeat. It’s boring, it’s disheartening, it’s downright depressing. Most of all it’s terribly, terribly lonely.

Until Carter decides to take one loop and do the opposite of everything he did the first and all the subsequent, mind-numbing, heart-breaking times he’s looped before. And in that opposition he manages to convince, coerce, drag another person into the loop with him.

Dr. Mariana Pineda and technician Carter Cho are opposites in every possible way, but all they have is each other. And a seemingly endless amount of time to figure out what keeps making the Hawke Accelerator accelerate itself into a catastrophic explosion, time after time after time – and resetting the world as everyone but the two of them knows it.

Neither of them has the training or the tools to diagnose what’s going wrong – but they are all they have. And that turns out to be more than enough. Just in the nick of, well, time.

Escape Rating B+: If the blurb or the description above are making you think of the movie Groundhog Day, you are not alone. Neither was it alone in my head as I was reading my way through the first part of the story – because time travel loops have been done before.

In other words, this loop has been looped before. As they do.

At one end of that time loop story perspective there’s Groundhog Day, which has kind of a sweet ending no matter how much of an asshole the protagonist (played by Bill Murray) is as the story begins. But Carter Cho is a really nice guy – if a bit of an underachiever according to his parents – so that resemblance isn’t 100%

The ending of A Quantum Love Story, or rather, all the endings of the world before the resets, have all of the explosive punch of the movie Edge of Tomorrow, although there’s no war in Quantum.

A Quantum Love Story felt more akin to the Stargate SG-1 episode “Window of Opportunity” as following the protagonists through the loops of that journey goes through many of the same stages that Carter and Mariana go through while following characters that one really does want to follow. Also there’s no real villain in “Window of Opportunity”, which is also true in Quantum. The story, the journey, the battle if you will, is to solve the mystery and break the cycle – not to break heads.

But the chasing down of just how many different time loop stories this one brought to mind kept me from being as invested in Carter and Mariana’s problem solving through their loops, although the emotional journey they took did hold my interest even as it briefly looked like it was heading for Flowers for Algernon territory which made for some tense moments for this reader. (Don’t worry too much, it doesn’t go there, but there were a few bits that just about gave me the weepies when it looked that way. Howsomever, the author has form for this, as that’s part of the direction that his lovely Light Years from Home went.)

The heart of the story, and it very much does have one, is in the relationship between Carter and Mariana, who begin as opposites in just about every sense of the word and bond through shared trauma. But what they discover through that sharing is that their version of opposites attract brings out the best in both of them, and that there are possibilities in life that neither of them ever imagined.

Including the possibility of a happy ever after with someone that they would otherwise never have had a chance to meet. A chance that will be whisked away if they ever manage to solve the problem and stop the resets.

The solution to both problems, to the endless resets of the time loop and to stopping those resets, turns out to be exactly the same thing. With one surprising and beautiful deus ex machina of an exception.

Ultimately, the repeating time loops with their repeating reminders of other time loop stories is both a bit of a bug AND a feature. After all this is a story about things repeating until they don’t, so it seems right that they kind of do. In the end I was charmed by the story and the characters as they worked through both repeating and not repeating time at the same time.

I’ll certainly be repeating my exploration of this author’s work and his signature combination of science fiction and relationship fiction with his next outing, hopefully this time next year. In the meantime, if you are intrigued by this review, check out the first chapter excerpt I posted last week. If you like SF with just a touch of romance and a heaping helping of relationship building and problem solving, you just might fall in love with A Quantum Love Story!

#BookReview: A Murder of Crows by Sarah Yarwood-Lovett

#BookReview: A Murder of Crows by Sarah Yarwood-LovettA Murder of Crows by Sarah Yarwood-Lovett
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook, audiobook
Genres: cozy mystery, mystery
Series: Dr Nell Ward #1
Pages: 368
Published by Embla Books on July 1, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

Dr Nell Ward is an ecologist, not a detective. But when she’s the prime suspect in a murder, only her unique set of skills could help to clear her name…
In the sleepy village of Cookingdean, Dr Nell Ward is busy working in the grounds of a local manor house. Whilst inspecting an old tunnel, the last thing she expects to overhear is a murder. As the only person with any clues as to what happened, Nell soon finds herself in the middle of the investigation.
Desperate to clear her name Nell, along with her colleague Adam, set out solving the murder using their skills as ecologists to uncover details no one else would notice. But it soon becomes clear that playing Agatha Christie is much harder than it might at first appear…
The start of an exciting new cosy crime series – perfect for fans of Richard Osman, Faith Martin and Joy Ellis.

My Review:

Dr. Nell Ward, consulting ecologist, licensed surveyor of bats as well as great crested newts, barn owls and dormice, is a very square peg, personally and professionally.

She keeps her personal life VERY close to the vest, while professionally she’s both nerdy about her beloved bats and extremely meticulous about her work.

The problem is that the local police in Pendlebury have a rough but round hole they seem determined to shove her into.

Nell was doing an ecological survey, specifically a bat survey, in the old tunnels underneath Manor House Farm – with permission of course – when the owner, the woman who gave her that permission, was murdered at the opposite end of the tunnel where Nell was surveying.

Nell was alone, the bats unfortunately can’t give her an alibi, and the obvious suspect for Sophie Crows’ murder, her husband David, was at a business conference a couple of hours away. He has all the alibi he needs, while Nell has none.

On the other hand, David Stephenson had PLENTY of motives to murder his wife – it just doesn’t seem possible that he could have managed the job personally. That Nell has about as much motive for murdering Sophie Crows as her husband seems to have had opportunity doesn’t seem to matter.

Nell’s behavior, her seeming over-helpfulness and abundant documentation about her movements that night, combined with her reticence about her personal connections, strikes the police as suspicious behavior. They’re sure she must have a motive for the murder, and they seem determined to find it – or make one up – rather than dig deeply into the husband.

Leaving Nell in the midst of the absolute classic series starter for an amateur detective – her very first case is to do the job the police don’t seem to be nearly interested enough in doing themselves, and figure out who really ‘done it’ – before circumstantial evidence and a lack of imagination on the part of the local constabulary convict Nell of a crime that she may have heard committed – but absolutely did not commit herself.

Escape Rating B: I was hoping to love this book, because it definitely fits the murder-y reading mood I’ve been in recently and I can always use a comfort read series.

I did like Nell Ward rather a lot – at least in her first outing. I enjoyed her professionalism and especially her charming nerdiness about her job and her bats. Especially her bats. I may not ever want to meet a whole colony of the creatures but I could feel for her love of them and advocacy for them all the way through.

As well as her emotional conflicts around revealing her private self and ultra-privileged identity to her friends and colleagues. She doesn’t trust her judgment, she’s been burned by too many people before, and she has plenty to protect.

But there were a couple of things about the case that the local police did their damndest to stitch her up for that bothered me. More than a little bit. Actually rather a lot.

It’s not even that the frame was obvious – although it certainly was. I knew who really done it very early on, and had a good guess about how he’d managed it. He wasn’t even all that clever.

The police spent SO MUCH time on hypothesizing possible motives for Nell to have killed Sophie Crows that it seemed as if someone on the force was determined to make Nell pay for being extremely privileged. Or possibly for being nerdy and so overhelpful that the police were overwhelmed by all her information. At the same time, they spent very little effort checking out the husband’s alibi in comparison.

He had literally millions of reasons to murder his wife. And her mother. Millions of pounds sterling of reasons. Motives that should have garnered much more serious attempts to break his alibi.

But the story only works if Nell is wrongfully accused, and the only way that could happen was for the police to focus their efforts in Nell’s direction – whether their reasons made sense or not.

In the end, I liked A Murder of Crows rather than loved it. I like Nell a lot, although I’m hoping the love triangle she’s backed herself into gets resolved sooner rather than later. I’m really curious about how she’s going to manage to reconcile Dr. Nell Ward’s professional life with Lady Eleanor Ward-Beaumont’s wealthy and privileged existence as the daughter of the Earl of Finchmere, Lord Beaumont, and his Conservative MP wife Imelda Ward-Beaumont, and the heir to the grand – but seemingly not entailed – estate of Finchmere.

Because neither of the two men currently vying for her hand have a chance of fitting into Lady Eleanor’s world no matter how much either or both of them suit Dr. Nell Ward down to the ground. If she can ever manage to tell either of them so and very much vice-versa.

The book that A Murder of Crows reminds me of very much is A Death in Door County, the first book in the Monster Hunter Mystery series by Annelise Ryan. Both series are fronted by female scientists who are deeply but never pedantically into their scientific specialities, both were first books in series that hopefully will figure themselves out a bit better as they continue (the second book in the Monster Hunter series, Death in the Dark Woods, was much better than the first!) both women are making only tentative steps towards possible romances, and both have a habit of falling into amateur detection by way of their scientific pursuits.

So if you like the one series, you’ll probably like the other. I certainly liked Dr. Nell Ward more than enough to be looking forward to the next book in her series, A Cast of Falcons, whenever I next get the itch for murder.

#BookReview: The Holy Terrors by Simon R. Green

#BookReview: The Holy Terrors by Simon R. GreenThe Holy Terrors (A Holy Terrors mystery) by Simon R. Green
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: horror, mystery, paranormal
Series: Holy Terrors #1
Pages: 192
Published by Severn House on February 6, 2024
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Six people locked in a haunted hall . . . Cameras watching their every move . . . And then someone dies . . . This first in a spine-tingling new paranormal mystery series from New York Times bestselling British fantasy author Simon R. Green will make you doubt your judgement - and believe in ghosts!
Welcome to Spooky Time, the hit TV ghost-hunting show where the horror is scripted . . . and the ratings are declining rapidly. What better way to up the stakes - and boost the viewership - than by locking a select group of Z-list celebrities up for the night in The Most Haunted Hall in England (TM) and live-streaming the 'terrifying' results?
Soon Alistair, a newly appointed Bishop, actress Diana, medium Leslie, comedian Toby and celebrity chef Indira are trapped inside Stonehaven town hall, along with June, the host and producer of the show. The group tries to settle in and put on a good show, but then strange things start happening in their hall of horrors.
What is it about this place - and why is the TV crew outside not responding? Are they even on air?
Logical Alistair attempts to keep the group's fears at bay and rationalise the odd events, but there are things that just can't be explained within reason . . . Can he stop a cold-blooded would-be killer - even if it's come from beyond the grave?
This locked-room mystery with a paranormal twist is classic Simon R. Green, featuring his trademark humour and imagination, irresistible characters, and thoroughly entertaining plotting.

My Review:

Four strangers locked in a haunted building overnight with two TV “personalities”, their every action and emotion covered by hidden cameras, all in pursuit of a payday that’s not going to be nearly as generous as their agents led them to expect.

Sounds like the perfect setup for a “Reality TV” program. Or a joke. Or, in this particular case, a joke of a reality TV show that is desperate to recapture the market share it lost much longer ago than its presenter is willing to admit. Or allow.

Put another way, a has-been comedian, a wannabe almost-celebrity chef, an outspoken bishop and an actress whose career isn’t what it used to be, walk into a haunted town hall to film an episode of ‘Spooky Time!’ with its resident medium AND its indefatigable host.

There should be a punchline coming for that joke. And there certainly is for at least some of the participants. At least for the ones that survive the night.

Anyone who has any illusions left about the exact amount of ‘reality’ present in a so-called reality TV show needs to check those illusions before the first page – because they’ll all be spoiled although the plot of the book certainly is not.

From the moment the time-locks ominously click shut and the lights start to go out, it’s clear to the participants that something has gone even wronger than they expected after seeing the dilapidated state of the place they’re supposed to be spending the night. But in the gloomy, shadowed and downright spooky atmosphere, it’s all too easy to chalk up their fears to the idea that something supernatural might be stalking their number.

But as the Bishop says to the Actress, that doesn’t add up. It’s clear, at least to him, that they are being led astray by their own guilts and fears. And even though there is an entirely different sort of ‘leading astray’ that the Actress would prefer to do to the Bishop, she’s willing to trust him to see her through this long and particularly dark night.

Escape Rating B-: I ended up with a LOT of mixed feelings about this one, some of which may have to do with having no love or even liking for so-called reality TV. (Although, honestly, if the author has any love for that genre it’s a particularly twisted version of it.)

It’s clear from the outset that all of the so-called ‘supernatural’ events are planned and prepared, that the show is on its last legs and the guests were chosen for their gullibility, their expendability, or both. And because they were relatively cheap – just like the all-night rental of the supposed ‘Most Haunted Hall in England.’

Particularly as, in spite of all the horror implications of the blurb and the Goodreads genre assignment, the title of the series to follow has it right, The Holy Terrors is a mystery and not horror at all.

Which means that the reader’s enjoyment of and/or absorption in this story relies on either getting caught up in the mystery or being charmed by its characters – many of whom are not charming at all.

Although the Bishop and the Actress certainly are, and their increasing charm with each other does help carry readers along. Which is a good thing, because ‘whodunnit’ was obvious long before the big reveal – complete with a bit of good old-fashioned villain monologuing – at the end.

As the first book in a series that looks like it will follow the adventures of the Bishop and the Actress as they have more mysterious and possibly spooky adventures, there’s a fair amount of heavy lifting to be done that doesn’t feel like it’s completely done by the book’s end.

Because I’m not totally sure what the newly christened “Holy Terrors” will actually be doing in their future adventures – beyond that they’ll be doing them together. It’s not clear even at the end of this book and I’ve been guessing throughout.

Not that I won’t ‘tune back in’ to find out when the next book appears. I just hope it’s a bit more clear by then AND that it doesn’t sidle quite so close to the territory the author has already occupied by Ishmael Jones and his partner Penny Belcourt.

One final note to say thanks for the memories, the facepalm and the headslap – not necessarily in that order and definitely not as the Actress said to the Bishop – which is what all of the above are referencing.

This entire story – and quite possibly the series intended to follow – is part of a long-running British tradition of jokes and/or clichés (your mileage may vary on which they are) of double entendres that begin or end with “as the bishop said to the actress” or the other way around. Phrases that take on a sexual overtone, undertone, or alternate meaning by adding that phrase that either way is roughly equivalent to a joke ending, “that’s what she (or he) said”.

It niggled at me through the whole book as something familiar, but I was caught up just enough in the mystery at hand and the bell didn’t ring until AFTER I finished the book. Because that phrase, in popular parlance in British in the 1930s, was one that Simon Templar, The Saint, used frequently and often in the original books by Leslie Charteris – of which I read as many as I could find back in the dark ages after seeing bits of the TV series starring Roger Moore in syndication way back when.

I don’t remember that phrase from the TV series, but in the books, Templar used it frequently, often and as intended. Honestly, I’m not even sure I was quite old enough to get the double entendres at the time I read the books, but the whole thing stuck in my memory and thereby hangs that facepalm and headslap.

Because if this series continues, the whole entire thing has the potential to be a series of investigations where the Bishop and the Actress are going to have a LOT to say to each other. And quite possibly do with and to each other between solving mysteries.

#BookReview: That Time I Got Drunk and Yeeted a Love Potion at a Werewolf by Kimberly Lemming

#BookReview: That Time I Got Drunk and Yeeted a Love Potion at a Werewolf by Kimberly LemmingThat Time I Got Drunk and Yeeted a Love Potion at a Werewolf (Mead Mishaps, 2) by Kimberly Lemming
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: cozy fantasy, fantasy, fantasy romance, romantasy
Series: Mead Mishaps #2
Pages: 288
Published by Orbit on February 6, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Cheesemaker Brie has the world’s worst luck in love, which is how she ends up falling for a lactose intolerant werewolf, in this raunchy, laugh-out-loud rom-com fantasy by the genre’s freshest new voice, Kimberly Lemming.

Brie’s never been particularly coordinated…or lucky. Who else would accidentally throw a drink at someone’s head only to miss entirely and hit a stranger behind them? And who else would have that stranger fall madly in love with them because it turns out that the drink she threw was a love potion? Yeah, probably just Brie.…

Running her cheese business and dealing with a pirate ship full of demons that just moved into town was hard enough. Now on top of it, she has to convince a werewolf that she’s not really his fated mate. Though even she’s got to admit…having a gorgeous man show up and do all her chores while telling her she’s beautiful isn’t the worst thing to happen to a girl.

My Review:

Unlike Cin in the first book in the Mead Mishaps series, That Time I Got Drunk and Saved a Demon, Brie wasn’t quite THAT drunk, and she wasn’t even aiming at the werewolf. She caught him anyway, and thereby, quite literally, hangs a tail.

The tail that Felix, the werewolf of the title, can’t stop himself from wagging whenever Brie is anywhere near him – at least when he’s furry. There are plenty of other things bobbing and weaving when she’s around when he’s NOT furry.

But is obviously still very, very happy to see her.

I just started in the middle, didn’t I? That’s actually kind of apropos, as That Time I Got Drunk and Yeeted a Love Potion at a Werewolf is the second or even more on point, the middle book in the Mead Mishaps series that began with That Time I Got Drunk and Saved a Demon.

Back to Brie, drinking at the local watering hole in Boohail, fending off the smarmy, amorous and utterly clueless advances of one of the local get-rich-quick-scheme types who’s after her for her small plot of land and not for any of her other abundant assets.

A man who won’t take “no” for an answer in the most teeth-grinding and utterly self-absorbed way possible. (I thought at this point we had a possible ‘Gaston’ situation here, but he’s not quite that bad and certainly can’t convince nearly enough people to form a mob to come after anyone with torches and pitchforks – otherwise one of his get rich quick schemes would have worked and he might not be pursuing Brie.) He’s just the unfortunately all too common variety of male who is certain that if he hears a woman say ‘no’ in his general direction that he must have misunderstood – or that she must be misunderstanding herself.

Unfortunately, we ALL know the type.

So he goes out and buys a love potion – does his damndest to get Brie to take it and drink it – and she’s had enough. Up to HERE and over it, and yeets the disgustingly pink potion (think Pepto-Bismol pink because I certainly did) across the room, intending it to hit the asshole in the face.

He ducks, the love potion hits Pirate Werewolf Felix in the face, and we’re back to the hanging – and or wagging – of that tail again.

Because the love potion works, dammit. Felix falls instantly in love with Brie. Which is GREAT because he really is everything that other guy thinks he is. With a cherry on top. Felix is the fulfillment of every single one of Brie’s not so secret yearnings.

What he’s not, or not exactly, or Brie isn’t nearly so certain as Felix is about the whole thing, is consenting. He says he’s imprinted and that Brie is his true, fated, mate, while she says he’s under the influence of a potion and CAN’T really consent and can’t possibly be sure whether she’s his mate or not. He says he is but she doesn’t want to be abandoned again and they’re both trying to be oh-so-damned noble about the whole thing.

Which is when unattached females in Boohail start disappearing and Felix has to do his best and his damndest – and he’s certainly capable of both at the same time – to get Brie as attached to him as he is to her and as permanently as possible.

Of course it’s too late for that. All the way around.

Escape Rating B: I picked this up because DAMN the first book was so much fun that I couldn’t resist collecting the set. (Which means I’ll be reviewing the third book in the series, That Time I Got Drunk and Saved a Human, sometime in March.)

On the one hand, it’s hard to worry about spoilers with this series, because the titles do generally give the first part of the game away. In that first book, Cin really does get blind drunk and accidentally save a demon.

It turns out that Cin didn’t just save one demon – she saved ALL the demons. And helped a bunch of those demons to take over a pirate ship. And kill a goddess who was really just a different kind of demon in disguise imprisoning ALL the demons and leeching magic from all the humans.

It was a GREAT gig until Cin and Company spoiled it for her. It’s also where this second entry in the series picks up and runs away with the story – and not in any of the directions that first seem obvious. Which, come to think of it, is EXACTLY the way things worked out the first time around!

And just like in the previous book, and just as much fun as that first time around, this second cozy fantasy with sexytimes combines (frequently and often but not nearly as frequently and often as either Felix or Brie REALLY want) two tastes that go really GREAT together. There’s a surprisingly sweet romance between a girl who wants to do the right thing even if kills her and a werewolf who is sure that what they are doing IS the right thing if only she’d stop worrying about the love potion – at least right up until the point he realizes that he really, Really, REALLY should have worried a bit more about the love potion. And on the other hand, the need to foil a terrible plot to fill the worldwide vacancy in the deity department with a new face slapped on the same old trickster.

Mead Mishaps is the kind of lighthearted cozy fantasy romance to read when you’re just looking for a good reading time and to finish the last page with a smile on your face because it’s just a whole lot of fun. That the fun conceals a more fully-fledged than expected fantasy behind the gauzy but transparent curtains of its romance and sexytimes is just icing on an already delicious cake. A cake that foodie Cin would bake with oodles of cinnamon – of course – while Brie might prefer a cheese wheel. But it’s the thought that counts, after all.

I’m looking forward to one more trip to Boohail next month with That Time I Got Drunk and Saved a Human. Because so far this series has managed to tickle both my sweet tooth and my funny bone and I’m happy to be coming back for one more round!

#BookReview: Random in Death by J.D. Robb

#BookReview: Random in Death by J.D. RobbRandom in Death (In Death, #58) by J.D. Robb
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: futuristic, mystery, romantic suspense, suspense, thriller
Series: In Death #58
Pages: 368
Published by St. Martin's Press on January 23, 2024
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In the new crime thriller from #1 New York Times-bestselling J.D. Robb, a small and easily concealed weapon wreaks havoc, and the killer is just a face in the crowd.
Jenna’s parents had finally given in, and there she was, at a New York club with her best friends, watching the legendary band Avenue A, carrying her demo in hopes of slipping it to the guitarist, Jake Kincade. Then, from the stage, Jake catches her eye, and smiles. It’s the best night of her life.It’s the last night of her life.
Minutes later, Jake’s in the alley getting some fresh air, and the girl from the dance floor comes stumbling out, sick and confused and deathly pale. He tries to help, but it’s no use. He doesn’t know that someone in the crowd has jabbed her with a needle—and when his girlfriend Nadine arrives, she knows the only thing left to do for the girl is call her friend, Lieutenant Eve Dallas.
After everyone on the scene is interviewed, lab results show a toxic mix of substances in the victim’s body—and for an extra touch of viciousness, the needle was teeming with infectious agents. Dallas searches for a pattern: Had any boys been harassing Jenna? Was she engaging in risky behavior or caught up in something shady? But there are no obvious clues why this levelheaded sixteen-year-old, passionate about her music, would be targeted.
And that worries Dallas. Because if Jenna wasn’t targeted, if she was just the random, unlucky victim of a madman consumed by hatred, there are likely more deaths to come.

My Review:

The case in Random in Death turns out to be, well, just a bit random. Even more random than I thought it would turn out to be. Which I’ll get back in a bit.

A young woman is having the night of her life. Her favorite band is onstage, performing a free concert just for the under-21 non-drinking crowd at the place where the band got their start. Jenna Harbrough a musician herself, and a dedicated one, and she’s hoping for the opportunity to give her demo disk to the band’s lead singer.

Because if he hears it, she knows she’ll get her shot at the bright lights, just like the members of Avenue A did twenty years ago.

It’s not hyperbole, or youthful wishing thinking. She’s got everything it takes to make it to the top. Except time.

Jenna is killed that night by someone who cares nothing for her, her dreams, her life – or honestly even her death. All that matters to him is that she is just the kind of girl who would never give him the time of day – just like everyone else in his life.

So he cuts her down and plans to do it again and again until someone finally sees him for who and what he really is. For ALL the possible meanings of that. He believes that when he’s finished he’ll get what he deserves.

And he will. Eve Dallas, the entire Homicide Unit of the NYPSD, and all of the people she has gathered around herself, are going to make damn sure of it.

Escape Rating B: Learning how all my ‘book friends’ were doing in this latest entry in the In Death series (after last fall’s Payback in Death) was the perfect read for me at the end of this week. This series is a comfort read for me, and my brain was pretty much TOAST. Burnt toast, at that.

But this is a rare case where the timing was perfect for falling into the familiarity of it all, but the book I fell into wasn’t. Perfect, that is.

The books in this series usually contain two elements, one being the case that Dallas and Company have to solve, and the other being what’s going on with everyone in their constantly expanding found fam.

This particular entry in the series was great – as always – on the found fam side of the equation, but the case, not so much.

Because the villain really was exactly what the kids who knew him claimed he was. He was a dooser. What’s a dooser, you’re asking? As did Dallas, Roarke and every other adult who became part of finding this dooser.

Dooser is one of those on the nose portmanteau words, in this case a combination of ‘dick’ and ‘loser’. Because he so very much embodies that combination. Which is what ultimately catches him up and brings him down.

And it kind of blunts the impact of his crime spree, because he’s just so very ‘lame’, to use vernacular that is closer to our time than theirs.

Because his victims were not exactly as random as we’d like them to be, at least not to anyone other than him. The case would have been more riveting if he’d been a bit more competent at it. Not that I actually want serial killers to be more competent, but once Dallas had one thread to pull his whole house of cards came down very, very fast.

The leading cause of death among women is men – and this is such a prime, chilling example of that. Particularly at the beginning, when it seemed like he was deliberately cutting down young women who are focused on their future careers and NOT looking for so-called traditional roles..

He wasn’t just killing them – he was killing their promise and their future and their possibilities and it seemed deliberate. Except that’s not what this villain cared about at all. Because he’s just a dooser incel who’s gone apeshit because he’s certain that he is absolutely entitled to the sex they’re not putting out for him – but are for everyone else. Hell, just for the fact that they’re not even noticing he exists.

So for all of his meticulous planning and serious science smarts, he was, in the end, just a loser. So it’s no surprise at all that Dallas put him in a cage. It didn’t even seem like it was all that hard to catch him, because he made so many mistakes from his very first murder. His crime spree was terrible, and the clock ticking was very loud, but he was such a loser that the mystery of the thing faded relatively quickly.

But it was still a whole lot of fun to see the progress being made on the house that Mavis and Leonardo are building to share with Peabody and McNab, that Jenkinson is rapidly filling the shoes that his promotion to Detective Sergeant entitles him to, and that there’s every bit as much romance – if not a little bit more – in Dallas’ and Roarke’s marriage.

And especially that Galahad is still very much, large, in charge, and all CAT. Just the way he should be.

The next book in the In Death series is Passions in Death, coming in September. I can’t wait to see what case and/or crisis Dallas and Company have to face next!

#BookReview: That Time I Got Drunk and Saved a Demon by Kimberly Lemming

#BookReview: That Time I Got Drunk and Saved a Demon by Kimberly LemmingThat Time I Got Drunk and Saved a Demon (Mead Mishaps, #1) by Kimberly Lemming
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: fantasy, fantasy romance, romantasy, cozy fantasy
Series: Mead Mishaps #1
Pages: 288
Published by Orbit on January 2, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Spice trader Cinnamon's quiet life is turned upside down when she ends up on a quest with a fiery demon in this irreverently quirky rom-com fantasy that is sweet, steamy, and funny as hell—perfect for fans of  Legends & Lattes  and  The Dragon's Bride. 
All she wanted to do was live her life in peace—maybe get a cat, expand the family spice farm. Really, anything that didn't involve going on an adventure where an orc might rip her face off. But they say the Goddess has favorite, and if so, Cin is clearly not one of them... 
After saving the demon Fallon in a wine-drunk stupor, all Fallon wants to do is kill an evil witch enslaving his people. And, who can blame him? But he's dragging Cinnamon along for the ride. On the bright side, at least he keeps burning off his shirt.

My Review:

There’s a reason this series is titled Mead Mishaps, and when we first meet Cin at the Hero’s Call Festival in her home village of Boohail, we’re dropped right into the thick of it. Or perhaps that should be right into the bottom of a mug of mead, because Cin is literally drunk off her ass when her story begins.

Not that she’d have wanted to think of it that way. Because Cin has become allergic to adventure after losing her sister Cherry to some kind of river monster while they were out on a little adventure of their own. And the Hero’s Call Festival is all about that call to adventure – and Cin wants no part of it.

Although she, along with most of the village, are happy to celebrate the departure of the young woman who has been called to adventure by their goddess Myva to defend the gate to the demon wastelands.

That’s kind of how those stories go, at least without the local attitude about the newly appointed heroine, Priscilla. She’s a lot, and she’s been even more of herself since she was called to join the band of heroes this time around. The village will be happy to see the back of her – in more ways than one.

Everyone in Boohail thinks that the whole adventure/hero thing is settled for the next 15 years, when the gate will open again. Cin is glad it’s not her – or so she believes – and not in the last bit sad that her ex has been chosen as one of the other heroes – or so she tells herself.

But keeping herself convinced requires a LOT of mead. Which is why she’s still more than a bit hungover when she saves the life of an injured man. Who is considerably more than merely a man – also and very much in more ways than one.

He’s a very large, very scary, and surprisingly articulate demon. All of which is supposed to be impossible. Demons are supposed to be safely kept far, far away from Boohail, on the other side of that gate that the just-departed heroes have run off to defend. Demons are supposed to be growling, grunting, inhuman monsters.

Fallon, however, is a big man with a very large plan, a plan that is about to shake Cin’s world to its knees – as well as knocking her straight into an adventure the likes of which she never could have imagined.

Escape Rating B: Every single thing that Cin thinks about her world and herself, and that the reader thinks is happening in it and to her, gets upended pretty much in the first few chapters. Except for one very important thing. As soon as we spend even half a minute inside Cin’s already half drunk head, it’s pretty damn obvious that this book is going to be an absolute romp of an adventure from beginning to end.

The fantasy setup has been done before. It’s one of those stories where everything the protagonist thinks they know turns out to be wrong, wrong, wrong. There are plenty of such stories built on those revelations being revealed, and everyone coming unglued along with them, and angsting over every betrayal.

That’s where this series turns that upending on its own head. Not that what turns out to be a quest and a road trip doesn’t have its serious side, but overall the quest is played mostly for laughs. The villain is truly villainous, and she absolutely has a damn good scam going with some terrible consequences, but overall it seems like her ultimate defeat is inevitable from the first reveal and the fun of the thing is in the journey.

The hard part of that journey, in so many senses of the word, many of which are played for salacious titters to VERY good effect, is the progress of the romance between the demon Fallon and the Spice Girl (literally, Cin’s full name is Cinnamon, she grows cinnamon on her family’s spice farm). It’s clear to everyone except Cin that Fallon is all in on their relationship – if not yet into all of Cin’s private places – from the moment they meet. Cin’s the one who needs some convincing – not about whether she and Fallon set each other on fire – but whether his fire and her desire to never get burned again have a chance at a future.

But they sure do have a LOT of fun, sexy times finding out!

That Time I Got Drunk and Saved a Demon is a lighthearted romp of a cozy fantasy that never fades to black when the romance heats up and sets fire to the sheets. It’s an excellent reading time that will leave any romantasy reader with a smile on their face.

So it’s a good thing that this is the first of a trilogy, and that the next book in the series, That Time I Got Drunk and Yeeted a Love Potion at a Werewolf, will be coming (along with a whole new pirate ship load of sexy puns) next month!

#BookReview Wild and Distant Seas by Tara Karr Roberts

#BookReview Wild and Distant Seas by Tara Karr RobertsWild and Distant Seas by Tara Karr Roberts
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook
Genres: historical fantasy, historical fiction, literary fiction, magical realism
Pages: 304
Published by W. W. Norton & Company on January 2, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A gorgeous debut, laced through with magic, following four generations of women as they seek to chart their own futures. Evangeline Hussey’s husband is dead―lost at sea―and she has only managed to hold on to his Nantucket inn by employing a curious gift to glimpse and re-form the recent memories of those around her. One night, an idealistic sailor appears on her doorstep asking her to call him Ishmael, and her careful illusion begins to fracture. He soon sails away with Ahab to hunt an infamous white whale, and Evangeline is left to forge a life from the pieces that remain.
Her choices ripple through generations, across continents, and into the depths of the sea, in a narrative that follows Evangeline and her descendants from mid-nineteenth century Nantucket to Boston, Brazil, Florence, and Idaho. Moving, beautifully written, and elegantly conceived, Wild and Distant Seas takes Moby-Dick as its starting point, but Tara Karr Roberts brings four remarkable women to life in a spellbinding epic all her own.

My Review:

He said “Call me Ishmael” – and she did. But that is not where this distaff perspective on Moby-Dick begins.

It begins with Evangeline Hussey reinventing herself for the second time. The first time was when she ran away from a past we never see and found herself on Nantucket Island as the whaling industry was nearing the end of its heyday. She marries an innkeeper and intends to settle down for the rest of her life making chowder.

But Evangeline has a gift. She has just a bit of magic, a spark that allows her to do two things she’s going to rely on and fight against in the years to come. She can see through the eyes of people she knows, and she can make people believe and even DO what she wants. Through her gift, she sees that her husband’s small boat has capsized and he has drowned at sea, but she enforces the belief among the townspeople that he is just away on a business trip and will be back sooner or later.

It’s a lie she continually reinforces because she knows that his family – who have lived in Nantucket for generations – mightily disapprove of her and her marriage, and that they will take the inn away from her if they can. It’s the only home she knows and she can’t let that happen, so she lies and MAKES people believe it – for so many years that the lie reinforces itself.

Until Ishmael and Queequeg arrive at her Try Pots Inn, just before they sign up for Captain Ahad’s ill-omened and ultimately ill-fated voyage on the cursed Pequod. The story that Ishmael eventually tells in Moby-Dick.

But before the Pequod set sail, Ishmael and Evangeline had a brief dalliance that resulted in a child. A daughter born with no knowledge of her father but an even greater portion of her mother’s gifts.

Wild and Distant Seas is the story of Evangeline’s legacy, both her gifts and the endless pursuit of the missing Ishmael that she bequeathed to her daughter, her granddaughter, and even her great-granddaughter as they journey endlessly and fruitlessly, until at last one of them finally finds her way home.

Escape Rating B: Wild and Distant Seas is a story that is constantly in dialog with its predecessor, Moby-Dick. At points it hews close, and at others it is at more than a bit of a remove, but the great white whale is always swimming in the background.

And this is the point where I confess that I never read the damn thing. Yes, I know it’s considered to be one of the ‘Great American Novels’ and a literary classic, etc., etc., etc., but I was never forced to read it in high school and had no inclination afterward. It’s somewhere between a complete sausage fest and a boys’ own adventure (even if in the same way that Lord of the Flies is a boys’ own adventure) and the American literary canon is just full of those.

So part of my interest in Wild and Distant Seas was that it gives a distaff perspective on a story that otherwise doesn’t have a female perspective in it AT ALL. Considering how many men never came home from the whaling industry, a story about what happened after that was itself an interesting possibility for historical fiction, even if this book also has a bit of a literary fiction vibe to it.

What makes the story work is that it is absolutely NOT Ishmael’s story, as the original was. Instead, it’s the story of his absence and the lengths that absence drives Evangeline and her descendants to in pursuit of the truth of their origins. He’s a gaping hole in each of their histories that they are all trying to fill.

As each of the women in Evangeline’s line tell their stories, the other thread that links them is their use, misuse and abuse of the gift that they’ve inherited from her. Each of them is capable of bending others to their will, none of them are able to resist the impulse to use that power, and all of them ultimately realize that their gift has cost more than they’ve ever gained from it, which brings them, at last, back to their point of origin.

But the way each of their stories is told is through their first person perspective, with the torch of story passing from one woman to another when they each first use their gift, making each of their stories about the price they pay for that use.

Which, oddly enough, brings the story back to Moby-Dick and the price of Ahab’s obsession, in more ways than one.

In the end, as the story shifted protagonists and perspectives, I found some of their journeys more compelling than others, and I empathized more with Evangeline’s adult perspective than I did the learning period that her descendants inevitably went through. So ultimately I have mixed feelings but this turned out to be a fascinating way to explore a classic from a sideways point of view.