Genre: horror

Review: A House with Good Bones by T. Kingfisher

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: A House with Good Bones by T. KingfisherA House with Good Bones by T. Kingfisher
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy, Gothic, horror, paranormal
Pages: 256
Published by Tor Nightfire on March 28, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A haunting Southern Gothic from an award-winning master of suspense, A House With Good Bones explores the dark, twisted roots lurking just beneath the veneer of a perfect home and family.
"Mom seems off."
Her brother's words echo in Sam Montgomery's ear as she turns onto the quiet North Carolina street where their mother lives alone.
She brushes the thought away as she climbs the front steps. Sam's excited for this rare extended visit, and looking forward to nights with just the two of them, drinking boxed wine, watching murder mystery shows, and guessing who the killer is long before the characters figure it out.
But stepping inside, she quickly realizes home isn’t what it used to be. Gone is the warm, cluttered charm her mom is known for; now the walls are painted a sterile white. Her mom jumps at the smallest noises and looks over her shoulder even when she’s the only person in the room. And when Sam steps out back to clear her head, she finds a jar of teeth hidden beneath the magazine-worthy rose bushes, and vultures are circling the garden from above.
To find out what’s got her mom so frightened in her own home, Sam will go digging for the truth. But some secrets are better left buried.

My Review:

“Mirror, mirror on the wall, I am my mother after all,” or so goes the sampler. Sam Montgomery is experiencing something even weirder and creepier – she’s watching her mother turn into her frightening and downright abusive grandmother – and it’s scaring them both to death.

Sam is worried that her mother is going through early-onset Alzheimer’s. Or some really bizarre stage of delayed grief over her grandmother’s death. Or that she’s just fallen off her trolley. And there’s just a bit of worry on Sam’s part that whatever is going on with her mother is genetic – and that someday it will happen to her.

Although channeling her mother – as she was before this whole thing started – wouldn’t not be all that terrible. Her mother was cool. Her grandmother, on the other hand, was cold as the grave even before she was put into one herself.

But still, Sam is an academic, specifically an archaeoentomologist. Research is what she does. So she does. Research, that is, into what is happening to her mother, when it started, how it’s progressing, and whether or not there is anything at all that Sam can do about it.

What she finds are a whole lot of secrets that really, truly should have remained buried. And that the house her mother inherited from Sam’s grandmother doesn’t just have good bones – it also has very strong teeth.

Escape Rating A-: I never expected to find a story at the intersection of gothic horror with “I am my mother after all” and “academic politics are so vicious because the stakes are so small” – but here is A House with Good Bones and that’s exactly where it sits. With a vulture circling over it.

At first, the horror is the kind that happens all the time. Sam comes home for a long visit when the dig she’s supposed to be on gets postponed, only to find that her mother isn’t quite right. As we reach middle age and later, if our parents are still with us at that point, we all come to realize that they aren’t quite what they used to be as time and possibly illness or tragedy take hold. As we see their mortality and we begin to feel our own.

And that’s what Sam fears most. At first. It’s a very real fear but it isn’t usually the kind that leads straight into gothic horror and then down into the depths of something even creepier. But this time it does. And does it ever!

As Sam digs deeper into the family history, she learns that that history wasn’t nearly as above-reproach or nearly as respectable – as her late Gran Mae made it out to be. There are some real skeletons in the family closet, and more than a few of them are still haunting the house.

Then again, so is Gran Mae.

Sam will have to dig deep, under the house and into her own reserves in order to lay all of the family skeletons to rest. One way or another.

Two things made this story for me. Actually three. One is that I will read anything T. Kingfisher writes, even in genres I don’t read much of – like horror. Second is that the initial horror is so very mundane and real, making it easy to get sucked into the story. Third is the character of Sam Montgomery herself, as in this book she represents the snarky, sarcastic and self-deprecating voice of the author.

Which is where that element of “academic politics” comes into the story. Sam is able to triumph over Gran Mae not because she’s all-knowing or all-powerful or any of those standard heroic tropes. Sam wins the day because she knows herself, in all her faults and all her virtues. Gran Mae’s insidious voice has no place of entry into Sam’s mind or heart because she’s survived so much worse in the bloody (not literally), hallowed (not exactly) halls of academe.

So I read – and loved – A House with Good Bones not for its horror but for Sam’s snarkcasm and the wry smiles and chuckles and occasional guffaws that it engendered. And it was terrific.

Review: The Crane Husband by Kelly Barnhill

Posted on by Marlene Harris | Author : | B+ Reviews> book reviews
Review: The Crane Husband by Kelly BarnhillThe Crane Husband by Kelly Barnhill
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook
Genres: fantasy, horror, magical realism, retellings
Pages: 128
Published by Tordotcom on February 28, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Award-winning author Kelly Barnhill brings her singular talents to The Crane Husband, a raw, powerful story of love, sacrifice, and family.
“Mothers fly away like migrating birds. This is why farmers have daughters.”
A fifteen-year-old teenager is the backbone of her small Midwestern family, budgeting the household finances and raising her younger brother while her mom, a talented artist, weaves beautiful tapestries. For six years, it’s been just the three of them—her mom has brought home guests at times, but none have ever stayed.
Yet when her mom brings home a six-foot tall crane with a menacing air, the girl is powerless to prevent her mom letting the intruder into her heart, and her children’s lives. Utterly enchanted and numb to his sharp edges, her mom abandons the world around her to weave the masterpiece the crane demands.
In this stunning contemporary retelling of “The Crane Wife” by the Newbery Medal-winning author of The Girl Who Drank the Moon, one fiercely pragmatic teen forced to grow up faster than was fair will do whatever it takes to protect her family—and change the story.

My Review:

There is a group of tales in Japanese folklore about a crane who returns a favor to a man. The best known of those tales is The Crane Wife. This story isn’t exactly that one for any number of reasons, quite possibly the least of which is that in this case it’s the husband who is the crane. The question of whether this crane husband is or is not returning anything remotely like a favor to the woman who makes herself his wife is open to one hell of a lot of questions.

Questions that her teenage daughter is left behind to answer – after her mother flies away.

The story in The Crane Husband perches almost gracefully at the sharp, pointy end of the pyramid between magical realism, fantasy and horror. Alternatively, it’s just plain horror about a teenager coping with too many adult issues by processing them through mythmaking.

Or both.

On the surface, it’s the story told by a nameless teenage girl as she watches her mother become enraptured by a crane who turns into a man in the dark of night. Her mother, an artist who has always seemed to be barely in touch with the real world, gives her every waking attention and her every thought and care to her crane husband. She turns so deeply inward as well as orients so totally on the shapeshifting crane that she stops doing any of the tasks necessary to keep their tiny household barely afloat.

Her daughter does her best, just as she has been doing since her father died, to manage the sales of her mother’s stockpiled art – of which there is little – as well as managing the food and the finances in general just to keep the lights on and to keep both herself and her little brother fed and clothed and sent to school.

Even as she watches her mother self-destruct. Until the girl finally comes to the pragmatic and necessary conclusion that her mother can’t be helped and that she herself is probably too damaged to save but that her adorable, winsome, six-year-old brother still has a chance.

If she acts before it is too late for them all. Unless it already is.

Escape Rating B+: The story on the surface may or may not be the real story, and that’s the part that keeps the reader guessing – or at least kept this reader guessing – even after the last page was turned.

It could be myth coming to life, meaning that the surface story is the true story. That her mother gave herself over to the crane in the hopes of finding a magical escape from the farm and the children that she should have taken long ago. And can’t resist now that she has found another way.

Very much on my other hand, this is also a story about a teenage girl keeping her family together in the face of her only remaining parent’s criminal neglect. While she is stuck watching her mother’s abuse at the hands of a charismatic and dangerous man who will certainly turn to her once he tears and beats her mother into an early grave.

That the girl turns to the language of myth to tell the story to herself as a coping mechanism would be as reasonable a solution as anything can be in the situation she’s enduring. Especially as the version we’re reading is the version she’s telling herself twenty years after her mother left. Or died.

Or turned into a crane and flew away.

Whether her story is an exercise in rationalization, a tale of outright horror or something in the middle haunts the reader as the tale draws to its conclusion. Along with the now adult girl’s still plaintive search for the brother she failed to save after all.

Review: Dead Country by Max Gladstone

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Review: Dead Country by Max GladstoneDead Country (Craft Wars, #1) by Max Gladstone
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: fantasy, horror, urban fantasy
Series: Craft Wars #1, Craft Sequence #7
Pages: 256
Published by Tordotcom on March 7, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Since her village chased her out with pitchforks, Tara Abernathy has resurrected gods, pulled down monsters, averted wars, and saved a city, twice. She thought she'd left her dusty little hometown forever. But that was before her father died.
As she makes her way home to bury him, she finds a girl, as powerful and vulnerable and lost as she once was. Saving her from the raiders that haunt the area, twisted by a remnant of the God Wars, Tara changes the course of the world.
Max Gladstone's world of the Craft is a fantasy setting like no other. When Craftspeople rose up to kill the gods, they built corporate Concerns from their corpses and ushered in a world of rapacious capital. Those who work the Craft wield laws like knives and weave chains from starlight and soulstuff. Dead Country is the first book in the Craft Wars Trilogy, a tight sequence of novels that will bring the sprawling saga of the Craft to its end, and the perfect entry point for this incomparable world.

My Review:

Home may be the place that when you have to go there, they have to take you in. But just because they have to take you in, it doesn’t mean they have to let you stay. As Tara Abernathy discovered back when she was young and desperate, scared and hurting,  abused mentally, emotionally and magically. She came home to tiny Edgemont, on the edge of the Badlands, looking for a place to heal and recover.

What she found back then was an increasing tide of raids by the hungry, cursed Raiders, and a town that was too hidebound to do what was really necessary to fight back. So, in her youth and arrogance, she tried to do it for them. They forced her out with torches and pitchforks.

She can’t go home again – not after what she – and they – did. Or so she believes. And she’s probably right.

But when she receives a message from her mother that her father is dead, she goes anyway. To find out what happened. For the funeral. For closure of one kind or another – even if it’s at the pointy ends of a new set of pitchforks.

It should be different now. After years of life-altering practice in the necromantic contracting of the Craft, Tara has not merely power but the knowledge of when to – and more importantly when not to – use that power in the face of people who are mostly just plain afraid of what she can do.

Edgemont, and the entire Badlands, are under siege by the hungry, infected, cursed Raiders, at the end of their collective rope and facing inevitable absorption by a curse that consumes everything it touches including the bodies of its victims. Victims who are compelled to hunt for more grist for the mill of a curse that has become more voracious and deadly in Tara’s absence.

Edgemont needs someone to save it, and Tara needs to strike back at everyone who ran her out of town back when she needed them most – but who, conversely and perversely – made her the power she has become.

She’ll spit in their collective eye by saving them all. Whether they want her to or believe she can – or not. All while she attempts to train an apprentice, protect her mother and fight off a curse. Only to discover that she is returning to the beginning of all things just at the point where the end is entirely too nigh.

Escape Rating A: Once upon a time (back in 2012) there was a book titled Three Parts Dead, the first book in the Craft Sequence, set in a world where Craft equals magic, and where that magic is rooted – often literally – in a combination of contract law and necromancy.

Yes, all lawyers are necromancers in this world. It’s still a WOW concept and seems totally and utterly RIGHT, both at the same time.

In that utterly awesome opening book, Tara Abernathy – yes, the same Tara Abernathy, pictured on that cover of Three Parts Dead to the left – was at the beginning of her career, fairly fresh out of the whole torches and pitchforks experience.

Dead Country is the golden opportunity I didn’t know I was waiting for to return to the world of the Craft Sequence without needing to remember every detail of this intricately detailed world. (Contract law, remember? LOTS of details. Positively – and negatively – entire metric buttloads of details – generally arising from the dead bodies – including butts – of gods.) The whole thing is intensely fascinating and I loved the series but I got a bit lost at the end and didn’t finish. I’ll probably go back.

But Dead Country is a starting over kind of book. While Tara comes home with all her years of experience and power, she is returning back to her point of origin – in more ways than she believes as she’s on her way back for her father’s funeral. That return kicks off Craft Wars, a new sequence in the Craft Sequence, and provides the perfect place for new readers to get themselves stuck right in – as well as giving returning readers a way of coming back to a place once loved but not remembered in detail. Just as Tara herself does.

In Three Parts Dead, Tara was still a neophyte, giving readers the opportunity to learn about her world and her Craft right along with her. In Dead Country, she is older and sadder, if not always wiser, just as the readers (and probably the author) are, making her yet again a character that the reader can identify with.

Her parents’ home and village have gotten smaller, she has gotten bigger, and the world has gotten darker and more dangerous, as it does as we move further into adulthood. At the same time, the old fears and the old grudges are all still very much active, and it’s all too easy to slip back into the same old patterns of thought and action. As Tara does. As we do.

The overarching story of the series is a huge one – as it should be. Tara discovers that saving the world is part of some old business she thought she’d finished. She faces traumas both old and new, driven to clean up the messes she left behind, and it nearly kills her.

But death is not an ending when you’re a necromancer. Unless it’s the death of her entire world. Or her soul. Hopefully, we’ll all find out in the second book of the Craft Wars, equally hopefully in the not too terribly distant future.

Review: Vampire Weekend by Mike Chen

Posted on by Marlene Harris | Author : | B+ Reviews> blog tours> book reviews
Review: Vampire Weekend by Mike ChenVampire Weekend by Mike Chen
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: fantasy, horror, paranormal, vampires
Pages: 368
Published by Mira on January 31, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Being a vampire is far from glamorous...but it can be pretty punk rock.
Everything you've heard about vampires is a lie. They can't fly. No murders allowed (the community hates that). And turning into a bat? Completely ridiculous. In fact, vampire life is really just a lot of blood bags and night jobs. For Louise Chao, it's also lonely, since she swore off family ages ago.
At least she's gone to decades of punk rock shows. And if she can join a band of her own (while keeping her...situation under wraps), maybe she'll finally feel like she belongs, too.
Then a long-lost teenage relative shows up at her door. Whether it's Ian's love of music or his bad attitude, for the first time in ages, Louise feels a connection.
But as Ian uncovers Louise's true identity, things get dangerous--especially when he asks her for the ultimate favor. One that goes beyond just family...one that might just change everything vampires know about life and death forever.

My Review:

Vampires don’t sparkle. Everybody knows that’s a complete fabrication. Totally fictional. Also slightly ridiculous.

As Louise Chao has discovered over the decades, most of the things that people thought they knew about vampires are every bit as mythical as that sparkle. And Louise ought to know. She’s been a vampire for those same decades. For her, being a vampire isn’t remotely glamorous, nor is she accumulating wealth. She certainly doesn’t have super-strength or any other super-senses.

She’s absolutely not draining innocent – or even not so innocent – victims dry every night. Not only is that frowned upon – with extreme prejudice – by the vampire community, but honestly it’s not nearly as easy as it looks to bite someone in the carotid artery. The angles are just all wrong and the fangs aren’t nearly as sharp as fiction would have one believe.

For Louise, being a vampire is an endless search for night jobs to pay the bills while scrounging for safe sources of blood to stave off starvation. Her only solace is the best dog in the world, Lola.

Her best human friend died in a car crash just before COVID really sunk its teeth into the human population and psyche. Her Aunt Laura, the only family who ever accepted her as her punk rock, non-conforming self, died years ago and left her the house they shared in San Francisco.

It’s a lonely life. When the local blood supplies start running low, literal starvation is just a metaphor – although a gnawing, achingly, empty metaphor – for the starvation of the heart and spirit that Louise is already living in.

Until her self-imposed isolation is invaded by her long-lost family. Two of them. A middle-aged man who seems vaguely familiar, and a teenage boy who reminds Louise so very strikingly of the young, rebellious music loving rebel she used to be. And deep in her bruised heart, still very much is.

Ian needs a refuge from his mother’s impending death that will give him just a bit more distance and perspective than the bad attitude he’s currently fronting as his defense against the world. Louise isn’t able to admit it, even to herself, but she needs somebody to connect her to the world that might otherwise pass her by. She needs more than just a shitty job and a refrigerator full of blood bags.

All she has to do is let herself connect. To this teenager who needs a safe place to be himself. To the self that she left behind. And to the community that is willing to make her life a whole lot easier – and just a bit closer to some of those powers she thought were myths – if she’ll just let all of them in.

Escape Rating B+: Louise’s journey in Vampire Weekend is a combination of “no matter where you go, there you are” and “who do you want to be when you grow up?” Because Louise hasn’t. Grown up, that is. And that not-grown-up self has been dragging behind her and holding her back for decades. When Ian drops into her life – and all the landmines in her past that he unwittingly brings with him – she’s forced to reckon with who she once was and the baggage she’s still carrying from that person.

(One thing about all those vampire myths to get out of the way before anyone gets skeeved about Louise’s relationship with Ian. Vampires in Louise’s world are all asexual. The genetic and biological change of human to vampire kills off all the chemistry that creates both arousal and sexual gratification. Another vampire myth shot down.)

What makes Louise’s journey interesting is that her vampiric existence has meant that she hasn’t had to move on from the traumas of her family of origin. She hasn’t grown up because she hasn’t had to. So everything she took with her from her parent’s house when she left is still festering. When Ian and his grandfather drop into her life, because they’re part of the family that rejected both her and her beloved Aunt Laura, she has to finally process her shit because Ian is tangential to it and his grandfather is a bigger part of it than she even recognizes.

While the heart of this story is Louise’s growing relationship with Ian and her reconciliation with her own past, there’s another story woven into its edges that moves toward center stage as it progresses.

When there are vampires, it seems as if there are always politics and this story is no exception. At first the larger vampire community is on the periphery of Louise’s life – and that’s where she wants them to stay. But the blood supply is suddenly dwindling and she needs that network of support to locate supplies. And they need her – but not in any of the ways that she is worried about or that the reader expects.

That political angle felt a bit tacked on, to the point where its resolution seemed like a bit of a deus ex machina for the issues that brought Ian into Louise’s life in the first place. Not badly, and it made a certain kind of sense for the resolution of the whole story, but it just wasn’t as solid as Louise’s journey and Ian’s impending grief – although it does eventually tie into both.

This is not the first time that vampires have been into music, and not even the first story mixing vampires with some variety of rock and roll. The book The Vampire Lestat features the titular vampire fronting a rock band. And the WVMP series (starts with Wicked Game) by Jeri Smith-Ready (which took me forever to dig out of memory) is all about a radio station where the DJs are vampires who only play the music of the era when they were turned.

There is also a real band named Vampire Weekend. This isn’t about them, although there are a couple of in-jokes that refer to the real band, just as there are in-jokes featuring Louise’s beloved punk rock and rock music in general. I would imagine that an appreciation of those jokes and knowledge of that scene in general would add just that little something extra to the reader’s appreciation of the story. Howsomever, as someone who was not into punk in particular the story is still terrific. I’m not sure you need to be a fan of any genre of music in particular, as the heartbeat of the story is about loving music, particularly live performances, and needing it to be a part of your life. YMMV.

In the end, Vampire Weekend was a delightful surprise. It wasn’t any of the things I was expecting, much in the way that the author’s Light Years From Home wasn’t quite any of the things that I expected when I picked it up (and loved it!) either. But both stories are about families and making peace with them as well as yourself. Both have just the right touch of bittersweetness to tug at the heartstrings. And both are are terrific reads!

Review: Lute by Jennifer Thorne

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: Lute by Jennifer ThorneLute by Jennifer Marie Thorne
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: Dark Fantasy, horror
Pages: 274
Published by Tor Nightfire on October 4, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Wicker Man meets Final Destination in Jennifer Thorne's atmospheric, unsettling folk horror novel about love, duty, and community.
On the idyllic island of Lute, every seventh summer, seven people die. No more, no less.
Lute and its inhabitants are blessed, year after year, with good weather, good health, and good fortune. They live a happy, superior life, untouched by the war that rages all around them. So it’s only fair that every seven years, on the day of the tithe, the island’s gift is honored.
Nina Treadway is new to The Day. A Florida girl by birth, she became a Lady through her marriage to Lord Treadway, whose family has long protected the island. Nina’s heard about The Day, of course. Heard about the horrific tragedies, the lives lost, but she doesn’t believe in it. It's all superstitious nonsense. Stories told to keep newcomers at bay and youngsters in line.
Then The Day begins. And it's a day of nightmares, of grief, of reckoning. But it is also a day of community. Of survival and strength. Of love, at its most pure and untamed. When The Day ends, Nina―and Lute―will never be the same.

My Review:

Hugh Treadway has every intention of going right on and having his cake and eating it, too. As this story begins, Hugh plans to continue having all the privileges and reaping all the benefits of being the Lord of Lute island, just as he always has, but Lute has other plans.

Which means that this is not his story – even though it should have been. Because Lute seems to have had enough of him dancing the dance but unwilling to take the chance of having to pay the piper.

Every seven years, on the longest day, the day of the summer solstice, the island of Lute takes seven people. They die. It’s not necessarily a gruesome death – or even a painful one. Often it’s an accident. But the island, or the spirits that dwell within, choose who will pay that piper among those present on the island on The Day.

And in return, Lute enjoys prosperity – no matter how well or how poorly the economy of Britain, or even the entire world, happens to be doing. The weather is milder and even sunnier than anyone has a right to expect. There’s always enough food and no one goes hungry. Lute takes care of its own and its people take care of each other. And there’s peace – even in the midst of war.

Lute has the only war memorial in Britain with no names on it. No Lute resident has ever died in any war her country has fought. EVER.

But in return, she takes seven people every seven years – one for each of those years of peace and prosperity. Long, long ago, the people of Lute made a bargain with the Shining Ones, the Tuatha dé Danann, and that bargain is kept. Or so the legend goes.

American-born Nina Treadway, the Lady of Lute, doesn’t believe in The Day. She’s sure it’s just superstitious nonsense. That the very specific death toll on that very particular day is either chance or confirmation bias – that the deaths have been recorded on that day to keep the legend alive.

But she’s never experienced The Day, either. She met Hugh Treadway on a cruise, seven years ago on The Day. Hugh thinks he’s going to take them all to the mainland for an anniversary trip so that he can avoid, yet again, the potential consequences of The Day. When Lute keeps them home, Nina gets to experience The Day for herself – as she and her children are held hostage to a potential fate that she refused to believe in – until it was too late.

Escape Rating A-: I usually say that I prefer to sidle up to horror, rather than hitting it head-on, and that’s so very true of the story in Lute. It’s easy to believe, right along with Nina, that whatever happens in Lute on The Day isn’t quite what actually occurs, so the dread creeps up on the reader just as it does on Nina.

But once it’s there, it’s really, really there. Particularly as, just as in the Final Destination movies, the cause of the horror isn’t a specific villain or monster. Not that there doesn’t turn out to be a villain in Lute – just that the villain isn’t the cause of The Day. More like its result.

More than anything else, though, the thing that Lute kept reminding me of was Shirley Jackson’s famous short story, “The Lottery”. Not that anyone gets stoned, and certainly not that there’s any overtones of scapegoating that many readers see in “The Lottery”, but the impersonal nature of the choosing, that for once the game is not rigged, and that the sacrifice seems to be made for a real benefit and not just superstition.

Howsomever, the way that Lute works kept me riveted not just because of the way the horror creeps up on Nina and the reader but because of the way that the creeping horror forces Nina to reckon with herself and her own issues.

In the end, Lute is Nina’s story in a way that it never was Hugh’s, even though it should have been. The sacrifices and the responsibilities of being the Lady of Lute make Nina even as they break her husband and their marriage. And the story worked for me, even as horror, because in spite of just how serious and in the end terrible the situation gets to be, there still manages to be a bit of sweet and a sort of happy ending mixed in with the bitter.

Lute turned out to be the perfect book to read – and review – this Halloween season.

Review: Silver Under Nightfall by Rin Chupeco

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
Review: Silver Under Nightfall by Rin ChupecoSilver Under Nightfall by Rin Chupeco
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: Dark Fantasy, epic fantasy, fantasy, Gothic, horror, steampunk, vampires
Series: Reaper #1
Pages: 512
Published by Gallery / Saga Press on September 13, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Full of court intrigue, queer romance, and terrifying monsters—this gothic epic fantasy will appeal to fans of Samantha Shannon’s The Priory of the Orange Tree and the adult animated series Castlevania.
Remy Pendergast is many things: the only son of the Duke of Valenbonne (though his father might wish otherwise), an elite bounty hunter of rogue vampires, and an outcast among his fellow Reapers. His mother was the subject of gossip even before she eloped with a vampire, giving rise to the rumors that Remy is half-vampire himself. Though the kingdom of Aluria barely tolerates him, Remy’s father has been shaping him into a weapon to fight for the kingdom at any cost.
When a terrifying new breed of vampire is sighted outside of the city, Remy prepares to investigate alone. But then he encounters the shockingly warmhearted vampire heiress Xiaodan Song and her infuriatingly arrogant fiancé, vampire lord Zidan Malekh, who may hold the key to defeating the creatures—though he knows associating with them won’t do his reputation any favors. When he’s offered a spot alongside them to find the truth about the mutating virus Rot that’s plaguing the kingdom, Remy faces a choice.
It’s one he’s certain he’ll regret.
But as the three face dangerous hardships during their journey, Remy develops fond and complicated feelings for the couple. He begins to question what he holds true about vampires, as well as the story behind his own family legacy. As the Rot continues to spread across the kingdom, Remy must decide where his loyalties lie: with his father and the kingdom he’s been trained all his life to defend or the vampires who might just be the death of him.

My Review:

I wasn’t sure what I was getting myself into this book, and now that I’ve read it I’m still not entirely sure. Except that it was fantastic. Heart-pounding, fingernail-biting, stay up until 3 in the morning to finish fantastic.

But the question about whether this is fantasy or horror still feels a bit up in the air.

Let me explain…

Remy Pendergast is a Reaper. In this world that means vampire hunter. But Remy only hunts so-called “rogue” vampires – ones who are causing mischief in human-controlled countries like Aluria. Vampires also have fiefdoms of their own where the rules are undoubtedly different.

Where Remy wouldn’t exactly be welcome because he’s famous for hunting their kind.

Not that Remy is exactly welcome in his own country, either. And not because he’s a Reaper. There are plenty of Reapers in high positions in Aluria’s government. In fact, his father used to be one of them.

But his father, who is a cantankerous old bastard at the best of times – of which he has damn few – is also in the midst of a lifelong feud with the head of the Reaper’s Guild – who also happens to be the Royal Chancellor. A man who is just as big a bastard as Remy’s father, and who is taking his feud out on the son now that the father has publicly retired.

And that’s just the tip of the really massive and ugly iceberg of why Remy is persona non grata in his own country – unless they need something killed and everyone else is too scared or too prissy to get their hands dirty.

That’s where the zombies come in. Well, not really and not exactly zombies. But sorta/kinda and close enough.

Someone is creating monsters that at first seem to be super-duper enhanced vampires. But they’re not. They’re mindless husks who regenerate at will and seem to be impossible to kill. Upon closer scientific study (this world is steampunk-ish so there’s plenty of mad science at least of the medical variety) it’s revealed that these mindless husks were never vampires – and that vampires are immune to the infection that creates them.

Lord Malekh and Lady Song, leaders of the Third and Fourth vampire Courts, have come to Aluria to ally with its Queen in order to combat what they call “The Rot” and whoever is behind that threat.

They need a human liaison. They both want Remy (in more ways than one) – who isn’t at all sure what he wants except to get out of Aluria for a while. The political temperature is getting way too hot for him and his father’s demands are becoming even more outrageous than they always have been.

And he’s tempted. Even though becoming a vampire’s familiar is against the law. Even though he’s fought vampires all his life. Even though a vampire killed his mother and he was born from her corpse.

Even though Malekh and Song are clearly in love and engaged to marry each other. Remy can’t understand why either of them wants him when no one else has ever wanted to do anything except use him for their own purposes.

He has a chance at having the kind of happiness that he never expected to even get a glimpse of. And he’s so, so certain that someone will take it away from him – unless he does it to himself first.

Escape Rating A+: Clearly, the setup for this is ginormous. It’s also endlessly fascinating. I got stuck into this and absolutely could not get out until I finished the last page at about 3 AM. It was just that good.

To the point where I’ll probably be squeeing uncontrollably more than reviewing per se. But I did love it so, so hard.

While the blurbs reference the anime series (and videogame) Castlevania, I think that’s because of the vampires, the politics and the monsters. I haven’t played or watched that so it’s not where my mind went. Instead, I kept seeing Remy as a younger, less confident Geralt of Rivia, in a world where hunting magical creatures gone rogue is needed while the people who do it are reviled. I would call it a bit of a coming-of-age story for The Witcher but I’m not sure Remy is fully adulting even by the end of the story – although he’s finally getting there.

Where I started with this review was that I still wasn’t sure whether the book was horror or fantasy. It was presented to me as horror and the scientific experimentation with zombie-like monsters who roam the countryside and infect others definitely has that vibe. There’s even a Doctor Frankenstein who is entirely too proud of his work even if he doesn’t use electricity to achieve his goals.

And then there’s the vampires, both the rogue vampires and the sexy vampire nobility. Which pushes the whole thing towards the paranormal which is an offshoot of horror.

But the form of the story reads like a big, sprawling epic fantasy. The world is huge and vastly complicated. The political agendas have political agendas and everyone is trying to knife everyone else in the back. The grudges seem to last for centuries – and not just among the vampires who have the excuse of living that long.

Basically, the politics behind everything are beyond Byzantine – as much as that is still an understatement if I ever heard one.

All of that makes the story feel epic in scope in a way that horror seldom is. And most of what is truly horrible in this story isn’t the monsters. It’s all the endless betrayals. It feels like the foundations of Remy’s world get pulled out from under him over and over as he keeps learning that under the corruption of everything if you scrape it away there’s yet another layer of, you guessed it, rot and corruption. Nothing he thinks he knows turns out to have any bearing on any truth.

That the triad relationship between Malekh, Song and Remy becomes both his only source of solace and a never-ending well of betrayal AT THE SAME TIME is just the icing on what is an utterly decadently delicious devil’s food cake of a story.

Whether it’s horror or fantasy or gothic or all of the above it’s riveting and downright compelling every step of the way. But whatever genre it falls into, I’m absolutely thrilled that the story isn’t over. Silver Under Nightfall is the first book in a projected duology, so there’s more dark, deadly and decadent delights to come!

Review: Lucky Girl by Mary Rickert

Posted on by Marlene Harris | Author : | book reviews> C Reviews
Review: Lucky Girl by Mary RickertLucky Girl: How I Became A Horror Writer: A Krampus Story by Mary Rickert
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: holiday fiction, horror
Pages: 112
Published by Tordotcom on September 13, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Lucky Girl, How I Became A Horror Writer is a story told across Christmases, rooted in loneliness, horror, and the ever-lurking presence of Krampus written by World Fantasy and Shirley Jackson Award-winning author M. Rickert.
“Smooth and ruthless, Lucky Girl is M. Rickert at her ice-cold best.”—Laird Barron
Ro, a struggling writer, knows all too well the pain and solitude that holiday festivities can awaken. When she meets four people at the local diner—all of them strangers and as lonely as Ro is—she invites them to an impromptu Christmas dinner. And when that party seems in danger of an early end, she suggests they each tell a ghost story. One that’s seasonally appropriate.
But Ro will come to learn that the horrors hidden in a Christmas tale—or one’s past—can never be tamed once unleashed.

My Review:

Once upon a time there was a girl who survived the deaths of her entire family – because she was waiting to meet a boy in a deserted park on Christmas. People called her a “lucky girl” for her survival, but if this was luck it was certainly of the perverse variety. The kind of luck that generally described as “if it wasn’t for bad luck she wouldn’t have any at all.”

Once upon a time there was a college student who met four other lonely students at a diner on Christmas and invited them back to her low-budget student apartment so they could all be lonely together. They ended the evening by telling each other creepy stories that fit the season. She took one of those ghost stories and turned it into her first novel, launching her career as a horror writer.

Considering how difficult it is to make a living as an author, receiving the seed of that story that she turned into a career could certainly be considered “lucky” for some of the better definitions of luck. At least at the time.

But the girl who survived and the student who became the horror writer of the subtitle of this book are the same person. And just as young Ro the survivor is the same person as Goth writer Ro, so too the horror of her family’s murder, and the horror of that story she turned into her first novel turned out to be continuations of all the horrors she had already experienced.

Neither of which was going to EVER be over.

Krampusz és Mikulás (Krampus and Saint Nicholas) ca. 1913

Escape Rating C: Horror is not usually my cuppa. Come to think of it, Christmas isn’t either. So these are not exactly two great tastes that go great together. The combination is a bit more like black licorice and anchovies. There are people who like both, but they are also most definitely, acquired tastes that not everyone manages to acquire. And I can’t imagine combining the two in the same dish, although I’m sure there’s someone out there who has or will try it. Hopefully far away from me.

There are two stories in Lucky Girl that also feel like they don’t quite go together. The first story is the murder of Ro’s entire family after she sneaks out of the house on Christmas to meet a boy who has been leaving her anonymous cards. She doesn’t know who he is, she doesn’t know what he looks like, but she’s a teenager and the whole thing sounds more romantic than it does dangerous.

But it’s not nearly so romantic when he doesn’t show. When she returns to her family home, her family is dead and the house has been consumed in the fire that killed them. Ro doesn’t know whether it was all a horrible coincidence, whether she’s lucky to be alive, and/or whether her mystery suitor planned on kidnapping her for sex trafficking.

Whatever the cause or the intended result, it’s a non-fiction horror that leads her to pursue a career in fictional horror.

The ghost stories that Ro and her impromptu lonely hearts club share that Christmas night at college is supposed to be some of that fake horror. Ghost stories. Just stories. But one has that haunting quality that makes it seem like it might be more.

Still, the two stories, the real-life familicide and the holiday Krampus story, don’t seem like they are part of the same thing. One is all-too-real, while the other can’t possibly be. At least not until they both turn out to be, not just real, but worse than even Ro’s gothic imaginings ever dreamed of.

Because Ro’s origin story was real-world horror, and its denouement managed to be even more horrific real-world horror I can’t help but wonder if that real-ness was intended to make the other story, the ghost story that wasn’t just a story – seem more real as well. To make it seem more real than it could have been.

Ro’s own story, as horrific as it was, creeped me out but didn’t send my willing suspension of disbelief off gibbering into the night. The horror of that story was in its plausibility. The holiday ghost story, the Krampus story, would have been mythic-type horror if told on its own, but the two looped together just didn’t gel into one horrific whole, at least not for this reader. And the combination of the two did give my willing suspension of disbelief a very bad case of the gibbers.

Your reading mileage – quite possibly while in full flight from the gruesomeness – absolutely may vary.

Review: The Seventh Bride by T. Kingfisher

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Review: The Seventh Bride by T. KingfisherThe Seventh Bride by T. Kingfisher
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook, audiobook
Genres: fantasy, horror, retellings, young adult
Pages: 236
Published by 47North on November 24, 2015
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Bookshop.org, Better World Books
Goodreads

Young Rhea is a miller’s daughter of low birth, so she is understandably surprised when a mysterious nobleman, Lord Crevan, shows up on her doorstep and proposes marriage. Since commoners don’t turn down lords—no matter how sinister they may seem—Rhea is forced to agree to the engagement.

Lord Crevan demands that Rhea visit his remote manor before their wedding. Upon arrival, she discovers that not only was her betrothed married six times before, but his previous wives are all imprisoned in his enchanted castle. Determined not to share their same fate, Rhea asserts her desire for freedom. In answer, Lord Crevan gives Rhea a series of magical tasks to complete, with the threat “Come back before dawn, or else I’ll marry you.”

With time running out and each task more dangerous and bizarre than the last, Rhea must use her resourcefulness, compassion, and bravery to rally the other wives and defeat the sorcerer before he binds her to him forever.

My Review:

I picked up The Seventh Bride because I love T. Kingfisher’s work and especially because I love her stories of young women – often very, very young – who have found themselves in a seriously large and potentially deadly pickle of epic proportions. Who, instead of whining, “oh woe is me!” or their world’s equivalent, put on the big girl panties they may not even be old enough to actually have yet and set about the business of saving themselves and everyone around them.

Just like Mona in A Wizard’s Guide to Defensive Baking and especially Marra in Nettle & Bone, Rhea is a young woman who is forced to adult really hard because the adults around her are either not up to the job (Mona) or are in positions of powerlessness relative to the evil aristocratic villain who is pulling everyone’s strings (Marra).

Rhea knows there’s something seriously wrong in the whole idea of a nobleman sweeping in to marry a miller’s daughter. Not because fairy tales don’t occasionally happen, and not that this won’t be one someday, but she knows it doesn’t happen to relatively plain girls in working-class families without some kind of magical intervention.

She’s also all too aware that no matter how the mysterious Lord Crevan might phrase his proposal, neither Rhea nor her parents have any real choice in the matter. He’s manipulating them all and he’s enjoying it.

Rhea’s just as aware that her parents are doing their best to pretend that this mess isn’t as wrong as it really is. She’s angry and frustrated because she knows there’s something rotten going on, and she’s exasperated almost beyond bearing that her parents keep trying to pretend that things might be okay after all. It takes a long time and a lot of thought for her to acknowledge that they are basically whistling past the graveyard and that they are hoping that if they pretend hard enough that things might not be quite so bad – although they probably will be.

But when Rhea arrives at Lord Crevan’s hidden country estate she discovers that actually – the whole thing is much, much worse than she imagined. That there are fates worse than death and that six of Crevan’s previous wives have all landed in those situations. And that Rhea is next unless she can find a way to stop him before its too late for her- and her hedgehog – if not for them.

Escape Rating A: The Seventh Bride is right at the crossroads between fairy tales, fantasy, horror and young adult. Or it is if there’s a skeleton buried under that crossroads.

It also reads like a bit of a ‘dress-rehearsal’ for Nettle & Bone, having been originally published eight years before Nettle. The two stories have a lot of the same elements, but as they are all elements that I love, that’s an excellent thing.

Like Marra in Nettle & Bone, Rhea is in an impossible situation, one in which she knows she’s utterly powerless. At least in any traditional sense of power. She’s low born, she’s young, she’s female, her family is dependent on the local lord’s goodwill. Even if Lord Crevan mistreats her – as she expects he will – if she refuses him her family will, at best, be thrown out of their house and livelihood. At worst, they’ll all be killed. She’s in that squeeze between the rock and the hard place. She expects the hard place to be hard, but her parents will survive her going there and it might not be AS bad as she fears. The rock will crush them all for certain if she doesn’t.

But that’s where the magic of the tale comes in, in its horrible, beneficent, and human aspects. All at once. Because if there’s one thing Rhea is good at, it’s making the best of her situation. There’s a band of sisters waiting for her at Lord Crevan’s estate – his other wives. She has allies – and she gives them hope. She finds a way to fight back that is both underhanded and subversive.

And why shouldn’t she? It’s not as if Crevan is playing fair.

The more she sees of the horror that she’ll have to endure if she submits, or is ground under, the more determined she is to find a way out. And the more she shows that he can be subverted, the more of his other wives are willing to help her do so.

The creepy factor in this one is very high. The sense of a band coming together is very strong. And the possibility of a villain getting EXACTLY what’s coming to him is EXTREMELY satisfying.

So don’t let the idea that this might be YA-ish stop you from picking up this marvelously creepy story of magic, helpfully intelligent animals (Rhea’s hedgehog friend is adorable), found sisterhood and evil getting hoist on its own pointy petard. (Especially as the ebook is currently on sale for 99 cents. It’s an absolute STEAL!)

And if the author ever writes a bonus scene of Rhea, Marra and Mona sitting down for tea in some place between the worlds, I’d love to be a fly on that wall – or at least a reader of that story!

Review: What Moves the Dead by T. Kingfisher

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
Review: What Moves the Dead by T. KingfisherWhat Moves the Dead by T. Kingfisher
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: horror
Series: Sworn Soldier #1
Pages: 176
Published by Tor Nightfire on July 12, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

From the award-winning author of The Twisted Ones comes a gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher."
When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania.
What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves.
Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.

My Review:

I always thought it was cordyceps that was generally responsible for the zombie apocalypse, but not this time. Or probably not this time. After all, even at the end, we don’t know which genus and species is making the dead move.

But there’s definitely a fungus responsible for everything that has gone wrong with the House of Usher in What Moves the Dead. Because the dead are definitely moving – even if the rational and even scientific minds of the late 19th century are having a seriously difficult time with the old Sherlock Holmes aphorism. You know the one I mean, the one that goes, “Once you eliminate the impossible, whatever remains, no matter how improbable, must be the truth.”

And the truth is that no one really wants to think about what is making so many of the animals around the house – and some of the humans inside it – move as if they are dead. Or even after they seem to be, well, dead.

Lieutenant Alex Easton, late of the Gallacian Army, has come to visit a dying friend. Whatever they expected to find in the house of Madeline and Roderick Usher, it wasn’t what they actually found. It’s been nearly 20 years since they’ve all seen each other, and there are days when Easton feels every single one of those years – but both Maddy and Roderick – who Easton knows are roughly their own age – look as if they’ve aged twice as many years as have actually passed.

And both their faces have the waxen pallor of imminent death.

Easton wants to find a cure – or at least a reprieve, and enlists the assistance of Maddy’s American doctor, a redoubtable local Englishwoman with an almost obsessive interest in mushrooms, and their own batman turned (ex-military) aide-de-camp and general factotum – who has carried them out of worse and deadlier scrapes than this one initially seems to be.

But initial impressions can be, and in this case certainly are, deceiving.

How does one even begin to fight a mushroom who wants to explore the world of humanity – one body at a time?

Escape Rating A+: This didn’t go any of the places I thought it would – even after reading a synopsis of Edgar Allan Poe’s classic short story, The Fall of the House of Usher. (I know I read it in school, but that was a long time ago.)

I’ll admit that there were points where I kind of expected Cthulhu to rise out of that damn lake. The Great Old One might honestly have been a relief. At least Cthulhu is a creature that retired soldier Easton might have a hope of fighting.

While I don’t generally like horror, I very much do like T. Kingfisher’s work, as evidenced by my reviews of Nettle & Bone, A Wizard’s Guide to Defensive Baking and Paladin’s Grace. I like her stuff even when I’m not all that fond of the genre it’s in, like this book and The Hollow Places.

What made this work for me is that it’s very much the author’s voice – which means that the story is driven by its signature characters. Not that there’s not a strong sense of creeping dread through the whole thing, but rather than the creep and the dread and the reason to keep going through both of those feelings is that the reader is invested in the characters – especially Easton and that redoubtable English mycologist, Eugenia Potter.

It’s Easton’s head that we’re in throughout the story, and it’s a fascinating place to be. For one thing, they never take themselves too seriously. And they are very good at thinking but not actually saying all the things that give the reader plenty of rueful laughs, generally at Easton’s own expense. They aren’t the hero of this tale, and they don’t pretend to be. But they ARE the person who gets things done – always with the fully acknowledged assistance of their friends, comrades and fellow travelers.

One of the bits that made them so much fun as a character is the way that their very existence both pokes fun at gender norms and exposes them for the idiocy that they frequently are at the same time. It’s not always easy for them to deal with, but it is in its own unique way simple. They are, due to a peculiarity in their native language, a soldier. And soldier is a non-gendered pronoun in Gallacian. (So what they have in their pants or what they prefer in their bed is immaterial to their address and identification – except to the impolitely curious.)

As a reader, I didn’t need the answers to those questions. I simply liked Easton, their perspective and their attitude, quite a lot and wouldn’t mind at all if they turned up in another one of the author’s works.

Because I’ll be there for it. No matter what is making the dead move the next time around. Or, for that matter, the living.

Review: Road of Bones by Christopher Golden

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: Road of Bones by Christopher GoldenRoad of Bones by Christopher Golden
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: horror
Pages: 240
Published by St. Martin's Press on January 25, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A stunning supernatural thriller set in Siberia, where a film crew is covering an elusive ghost story about the Kolyma Highway, a road built on top of the bones of prisoners of Stalin's gulag.
Kolyma Highway, otherwise known as the Road of Bones, is a 1200 mile stretch of Siberian road where winter temperatures can drop as low as sixty degrees below zero. Under Stalin, at least eighty Soviet gulags were built along the route to supply the USSR with a readily available workforce, and over time hundreds of thousands of prisoners died in the midst of their labors. Their bodies were buried where they fell, plowed under the permafrost, underneath the road.
Felix Teigland, or "Teig," is a documentary producer, and when he learns about the Road of Bones, he realizes he's stumbled upon untapped potential. Accompanied by his camera operator, Teig hires a local Yakut guide to take them to Oymyakon, the coldest settlement on Earth. Teig is fascinated by the culture along the Road of Bones, and encounters strange characters on the way to the Oymyakon, but when the team arrives, they find the village mysteriously abandoned apart from a mysterious 9-year-old girl. Then, chaos ensues.
A malignant, animistic shaman and the forest spirits he commands pursues them as they flee the abandoned town and barrel across miles of deserted permafrost. As the chase continues along this road paved with the suffering of angry ghosts, what form will the echoes of their anguish take? Teig and the others will have to find the answers if they want to survive the Road of Bones.

My Review:

The “Road of Bones” really does exist, and it really does go through some of the coldest places on Earth. And there really are bones buried under the road – the remains of the slave laborers and political prisoners who were forced to work on the road and in the mines and other extractive industries that it traveled between.

The history of this road is filled with tragedy. Whether it also harbors spirits like the ones that haunt this story – it probably depends on what you believe about ghosts, myths, legends and the supernatural.

With the knowledge that whether or not you believe in them, they still might believe in you. Or at least, might believe in killing you.

Or, more to the point that begins this story, there are plenty of people around the world who want to believe – or at least want to be titillated by the supernatural. And there are even more people who want to watch intrepid explorers venture into dangerous occupations and places from the comfort of their own cozy living rooms.

Felix Teigland produces just those kinds of “reality” TV shows – and he needs a hit to keep his company from going under. He’s decided that a TV series following the travels of a couple of intrepid explorers along the haunted and ice-bound “Road of Bones” has the potential of combining the deadly driving conditions of Ice Road Truckers with the spooky chills of Ghost Hunters into a megahit.

And Teig is all about selling the potential of things. He’s good at it – even if he’s not always good at bringing his ideas fully to profitable fruition. He always means well and he always plans to pay back all the people who believe in him.

Which is what brings his cameraman Jack Prentiss along on this journey. Jack says he’s just protecting his investment – meaning he’s watching out for Teig in the interests of getting back all the money he’s lent the man over the years.

But they are also pretty much each other’s only friend – so who else would either of them take on what will be, at best, a five day trek through a frozen hellscape that will kill them if anything happens to their vehicle or themselves.

They hoped for a great story. They expected long, dark nights and killing cold. What they found was the embodiment of the dark heart of the frozen land following behind them and picking them off – one by one in a reign of blood and terror.

And a saint blessing the dead but who had no power to save the living.

Escape Rating A-: I was willing to take this chilling drive into horror because of the author. Christopher Golden, along with Tim Lebbon, wrote one of the most haunting post-Katrina New Orleans stories to ever ride that slippery line between fantasy, history, myth and horror in The Map of Moments. I loved that book. So every once in a while I dip back into something else by either of its authors in the hopes of hitting that ‘just right’ level of chill.

Road of Bones hit that spot in a different way than I expected, but very definitely hit it. At first it reminded me of the more chilling Alaska stories that I’ve read. Fairbanks doesn’t get quite as cold as the place that Teig and Prentiss travel through, but it gets entirely too damn close – with even longer nights.

But the real chill in Road of Bones is what Teig and Prentiss experience as the darkest parts of the history of the place come to life all around them – with deadly consequences. An ancient myth, a battle between good and evil, rises up and gathers them into its grip. A myth that does not seem to care about humanity at all.

It reminded me quite a lot of Anne Bishop’s World of the Others, in that primal forces much vaster and wilder than anything humans could ever imagine are what is really in control of this world and everything in it.

All the spirits know on this Road of Bones is that something has awoken a malevolent spirit and it is their sacred duty to imprison it again – no matter who or what stands in their way. Because they are off and running.

At first, those ancient spirits of the land seem evil – at least from the perspective of the humans attempting to outrun them. All that the Teig and Prentiss initially understand is that the spirits are transforming every person they find into either a shadowy wolf or a reindeer with a rack of deadly antlers and relentlessly hunting them down.

It’s only at the end when they have a glimmer of understanding. And when it finally comes, it chills the reader to the bone.

This still isn’t my usual cup of reading tea – although I certainly needed a hot cup of something as I read it. I like to sidle up to horror rather than approaching it head on, and between the Alaska vibes, the history and the dark fantasy-type myths coming to life I was just about able to get there. I still wouldn’t want to read it alone or in a dark room – or too late at night. But I would recommend it to anyone who likes to get their chills from stories where something supernatural is very definitely out to get us.