Catastrophic spring flooding, blistering attacks in the media, and a mysterious disappearance greet Chief Inspector Armand Gamache as he returns to the Surete du Quebec in the latest novel by #1 New York Times bestselling author Louise Penny.

It's Gamache's first day back as head of the homicide department, a job he temporarily shares with his previous second-in-command, Jean-Guy Beauvoir. Flood waters are rising across the province. In the middle of the turmoil a father approaches Gamache, pleading for help in finding his daughter.

As crisis piles upon crisis, Gamache tries to hold off the encroaching chaos, and realizes the search for Vivienne Godin should be abandoned. But with a daughter of his own, he finds himself developing a profound, and perhaps unwise, empathy for her distraught father.

Increasingly hounded by the question, how would you feel..., he resumes the search.

As the rivers rise, and the social media onslaught against Gamache becomes crueler, a body is discovered. And in the tumult, mistakes are made.

In the next novel in this "constantly surprising series that deepens and darkens as it evolves" (New York Times Book Review), Gamache must face a horrific possibility, and a burning question.

What would you do if your child's killer walked free?

My Review:

Just as the massive spring flooding brings massive destruction and wipes all away in its wake, so does the story in A Better Man sweep away what has come before it in this series and returns much (and many characters) back to the places where they began.

So, in spite of this being the 15th book in this marvelous series, it also feels like a great place for new readers to step into Three Pines and see what it’s all about.

Chief Inspector Armand Gamache, after the harrowing events at the end of The Long Way Home, is back where he began at the beginning of the series, Chief of the Homicide Bureau of the Sûreté du Québec. But this time his position is a demotion, as he had been Chief of the entire Sûreté, until his horrendous gamble nearly put millions of dollars of drugs back on the streets.

It’s supposed to be a humbling experience for him, so humbling that he wasn’t expected to accept it. Particularly as the outgoing Homicide Chief is his son-in-law and former second-in-command Jean-Guy Beauvoir. But Jean-Guy is moving to Paris and leaving not just the Sûreté but his time as a police detective behind.

So Jean-Guy’s last case as Chief becomes Gamache’s first case, the disappearance of a battered young woman, a disappearance most likely caused by her violent, abusive husband, and most likely a fatal one.

The floodwaters are rising, Gamache’s career seems to be sinking, and the village of Three Pines stacks sandbags in a desperate hope to stem the rising tide. The solutions, to the murder, to the flood, to the seeming destruction of a storied career, and to the deep and difficult questions that always lay at the heart of ever story in this series, touch the heart at every twist and turn.

As the quote from Moby Dick that threads throughout this book goes, this is a story of “All truth with malice in it”. The truths are hard, and the malice is deadly.

Escape Rating A+: On the one hand, this entry in the series feels very much like a reset. When we began, all the way back in Still Life, Gamache was the Chief of Homicide in Montreal and Clara Morrow, one of the more interesting residents of Three Pines, was an unknown artist. When this book opens, Gamache is back to being Chief of Homicide, although he and his wife Reine-Marie now reside in Three Pines. And Clara has screwed up her once-thriving art career to the point where she’s back at her own beginning, certainly not unknown but definitely struggling again.

One of the threads of this story is Clara finally accepting that the terrible reviews she is receiving really are truth with malice in them, and that it is time to go back to the kind of brave work that she does best. Playing it safe will not serve her.

Just as playing it safe with the rising floodwaters will not save either Three Pines or Montreal, and it is up to Gamache to do the hard thing and risk his career (again) to save people’s lives.

It’s too late to save Vivienne Godin. It’s up to Gamache and Jean-Guy, together again one last time, to bring her justice. Not just for her murder, but for her life.

I’ll admit that I figured out part of the truth of Vivienne Godin’s murder fairly early on. But knowing the kernel of it did not make the story any less compelling, because as is so often the case in this series, it’s not about the murder. It’s about the human beings who are involved, the victims, the perpetrators, the bereaved family and friends AND the investigators.

It’s never just whodunnit and how they done it but more importantly why they did it – and that’s where Gamache and this series always grab the reader by the heartstrings.

One weird thought I had while reading this particular entry is that Gamache, in a very strange way, reminds me of Captain James T. Kirk. Not his swashbuckling cowboy persona, and not his lack of belief in the no-win scenario, because Gamache is all too aware that there are plenty of those, but in his eager willingness to take the demotion and return to the place where he could be his best and truest self. For Kirk it was being Captain of the Enterprise. For Gamache, it is just as clearly being Chief of Homicide of the Sûreté du Québec.

So as Jean-Guy flies off into the sunset, Gamache returns to the places where he belongs, the Homicide Bureau of the Sûreté and the town of Three Pines. And I can’t wait to go back there with him again.

The new Chief Inspector Gamache novel from the #1 New York Times bestselling author.

When a peculiar letter arrives inviting Armand Gamache to an abandoned farmhouse, the former head of the Sûreté du Québec discovers that a complete stranger has named him one of the executors of her will. Still on suspension, and frankly curious, Gamache accepts and soon learns that the other two executors are Myrna Landers, the bookseller from Three Pines, and a young builder.

None of them had ever met the elderly woman.

The will is so odd and includes bequests that are so wildly unlikely that Gamache and the others suspect the woman must have been delusional. But what if, Gamache begins to ask himself, she was perfectly sane?

When a body is found, the terms of the bizarre will suddenly seem less peculiar and far more menacing.

But it isn’t the only menace Gamache is facing.

The investigation into what happened six months ago—the events that led to his suspension—has dragged on, into the dead of winter. And while most of the opioids he allowed to slip though his hands, in order to bring down the cartels, have been retrieved, there is one devastating exception.

Enough narcotic to kill thousands has disappeared into inner city Montreal. With the deadly drug about to hit the streets, Gamache races for answers.

As he uses increasingly audacious, even desperate, measures to retrieve the drug, Armand Gamache begins to see his own blind spots. And the terrible things hiding there.

My Review:

The original quote is from the philosopher Desiderius Erasmus, “in the land of the blind, the one-eyed man is king.” There’s irony in the use of the quote, as Chief Inspector Armand Gamache, currently the Chief Superintendent of the Sûreté du Québec , albeit under suspension, would never put himself in the place of the one-eyed man. He always believes that he is one of the blind – even as he fervently prays that he is not.

This is a story where there are two cases, as there often are in this series. One case initially seems trivial, but of course turns out to be much larger than it appears. But it does not tie into the other case in this story, the one that not only starts out large, but started out in the previous book in the series, Glass Houses.

Which itself was the culmination of a story that begin several books before that. Which is a hint that this series is best read in order and from its beginning in Still Life. And that it’s worth every moment of immersion with these people and in the quirky, semi-lost village of Three Pines.

The small case seems to be the easy part, at least at first. Someone has named Gamache, his neighbor Myrna Landers, and a builder from Montreal as the liquidators, we would call them executors, of her will. None of them knew the dead woman, and have no idea why she named them in her will. But Gamache and Myrna, a psychologist turned bookstore-owner, are intrigued enough to agree, as does the young builder.

When they all get blizzard-bound in Three Pines, it provides plenty of opportunity for Gamache to investigate the possible connections between the three of them and the dead woman, and for the residents of Three Pines to pass judgment on the young man unwittingly stuck in their midst.

This case, while it turns out to be a great deal larger than it originally seemed, also provides the source of most of the lighter moments in the story – as any protracted sojourn in Three Pines generally does.

Those lighter moments are needed, as the decisions that Gamache and his team made in Glass Houses are still hanging over their heads like the proverbial Sword of Damocles. Gamache has planned that the sword will fall on his head alone, but he is still making one last desperate attempt to clean up the deadly mess he created in order to eliminate the rot in his beloved Sûreté.

That his career will end as a result of his actions is a consequence that he can live with. Leaving the deadly opioid carfentanil on the streets of Montreal is not. But the piece he has left on the chessboard to clean up that mess may not be enough.

If she is not, her death will only be the first of thousands that will be rightfully laid at his door.

Escape Rating A+: I was riveted by this story, and at the same time there were points where I had to stop and literally turn my eyes away – it was just too much. There were times when I nearly lost faith with Gamache, it seemed against the character of the character I have grown to love and admire that he would send an agent into the literal heart of darkness and that the agent would be unaware that they had been sent. I should have known better.

And yet there was a point where that had seemed to happen. That a young Sûreté cadet had either committed a heinous act or had been set up to take the fall for one, and that the agent had been sent into the hellish streets where addicts wasted their lives in pursuit of their next fix of a drug that was certainly killing them. It seemed that the cadet had been sent out into the cold, into the streets from which they had been rescued, with no resources and no backup, in the hopes that the missing drugs could be found before they hit the streets and set off a wave of death from which there could be no escape.

It didn’t seem as if Gamache could have committed such a terrible betrayal, and yet it seemed that he had. It’s only at the end of the story that we discover the truth, bitter but not black after all.

The other, initially smaller case is equally bitter, if at a slight remove – throwing the parallels into stark relief. Gamache has taught all of his agents many hard lessons, among them the lesson that betrayal can only come from those who are closest. That is what it appears has happened with the young agent sent into the wild streets, and that is also at the heart of the story of the dead woman and the three confused liquidators.

In the end, the story is brought full circle, as the betrayals are revealed, the cases are closed, and the reckonings come due. The open arcs of story that began 30 years and many books ago have finally closed. It is possible that this is the end of the series. It could conclude at this point, but I truly hope not. These characters have taken on a life of their own, and I want to see it continue with all my heart.

If it does not, I’ll be echoing Gamache’s grandson Honore’s first words, imitating Rosa the duck. “Fuck, fuck, fuck.”