Review: Untethered Sky by Fonda Lee

Review: Untethered Sky by Fonda LeeUntethered Sky by Fonda Lee
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy
Pages: 160
Published by Tordotcom on April 11, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

From World Fantasy Award-winning author Fonda Lee comes Untethered Sky, an epic fantasy fable about the pursuit of obsession at all costs.
Ester’s family was torn apart when a manticore killed her mother and baby brother, leaving her with nothing but her father’s painful silence and a single, overwhelming need to kill the monsters that took her family.
Ester’s path leads her to the King’s Royal Mews, where the giant rocs of legend are flown to hunt manticores by their brave and dedicated rukhers. Paired with a fledgling roc named Zahra, Ester finds purpose and acclaim by devoting herself to a calling that demands absolute sacrifice and a creature that will never return her love. The terrifying partnership between woman and roc leads Ester not only on the empire’s most dangerous manticore hunt, but on a journey of perseverance and acceptance.

My Review:

I picked up Untethered Sky, as I suspect many readers have or will, because I utterly adored the author’s Green Bone Saga (Jade City, Jade War, Jade Legacy and the prequel short The Jade Setter of Janloon) to the point where I’m still suffering from the book hangover a year later.

Which means I’m delighted that there is a collection of prequel short stories coming out this summer, Jade Shards. If I had the damn thing in my hands right now I’d be reading it instead of writing this review. Because WOW! And DAMN! And OMG I’m squeeing with glee because this is a world that just hasn’t let me go.

Untethered Sky is not set anywhere near Janloon. And it’s not the same kind of story. But it is still based on some of the same concepts. Love. Duty. Honor. But instead of adding criminal enterprises and gang warfare, it adds something a bit different.

Rocs. Gigantic birds that are mythical in our world, but entirely too real in Untethered Sky. As are the great birds’ great enemy, manticores.

Both rocs and manticores are monsters, but rocs are trainable, using similar principles to falconry, just on a rather grand scale. So to speak. Manticores are equally wild creatures, and equally monstrous, but unlike rocs their preferred diet is human beings. As the country grows and expands, the manticores treat each new settlement as their own version of Grubhub, at least until the rocs and their rukhers, trained by the King’s Royal Mews, sweep in to beat back the threat.

On the surface, the story here is the story of one young roc, Zahra, and the apprentice rukher Ester who has won the right to train this magnificent beast.

But the surface of the story isn’t the whole story. Because Ester loves her monster, knowing full well that the monster won’t love her back. She also comes to love the life of the rukhers, finding it a duty and a balm for the damage to her soul. And it fulfills her desire for revenge against the manticore who killed her mother and her baby brother, and broke her father’s spirit as well as her own.

‘Roc feeding its young on elephants’ by Charles Maurice Detmold (1883-1908),

She makes Zahra her life, knowing it can’t be forever. But it’s what she discovers about herself that raises Untethered Sky high on Zahra’s wings.

Escape Rating A-: At first, the story does seem to be drawing from familiar elements, beginning with Ester’s childhood trauma at the claws of a rampaging manticore. (Not that manticores seem to do much other than rampage.)

The early parts of the story take her from the grief-stricken farm to a desperate desire to strike back against the monsters that stole her family and her childhood into a deep dive into an extension of real-world falconry scaled up to work with birds that can break a monster in one dive – let alone a puny human.

Still the parts of the story where Ester bonds with Zahra AND with the life of the rukhers is both familiar and fascinating to anyone who loves a good story about training and being trained. (The falconry aspects reminded me a LOT of H is for Hawk). But it’s the friendships that Ester makes and the lessons that she learns from those friendships – both good and bad – that make the book.

Along with a disastrous military campaign against the manticores that any reader will recognize as embodying the old cliche about military intelligence being an oxymoron.

But Ester learns hard lessons on that campaign, and even harder lessons after it. Lessons that she can forge a life out of, with or without the great winged monster that lifts her high and strikes her heart.

So, the beauty of the writing certainly carries over from Janloon, but this is a story that is writ much smaller using some of the same tools. Ester’s love for the monster Zahra, but also for the found family and true – and false – friends she makes among the rukhers. Her loyalty to her true friends and her envy of the false ones. The honor of serving her bird, her people and her king – not necessarily in that order. And the duty of knowing when it serves her people best to obey, when it serves her bird best to let go, and when it serves her friends best to hang on.

Review: The Lies of the Ajungo by Moses Ose Utomi

Review: The Lies of the Ajungo by Moses Ose UtomiThe Lies of the Ajungo (Forever Desert, #1) by Moses Ose Utomi
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook
Genres: epic fantasy, fantasy
Series: Forever Desert #1
Pages: 96
Published by Tordotcom on March 21, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Moses Ose Utomi's debut novella, The Lies of the Ajungo, follows one boy’s epic quest to bring water back to his city and save his mother’s life. Prepare to enter the Forever Desert.
A Library Journal Best Book of the Month!
They say there is no water in the City of Lies. They say there are no heroes in the City of Lies. They say there are no friends beyond the City of Lies. But would you believe what they say in the City of Lies? In the City of Lies, they cut out your tongue when you turn thirteen, to appease the terrifying Ajungo Empire and make sure it continues sending water. Tutu will be thirteen in three days, but his parched mother won’t last that long. So Tutu goes to his oba and makes a deal: she provides water for his mother, and in exchange he will travel out into the desert and bring back water for the city. Thus begins Tutu’s quest for the salvation of his mother, his city, and himself.
The Lies of the Ajungo opens the curtains on a tremendous world, and begins the epic fable of the Forever Desert. With every word, Moses Ose Utomi weaves magic.

My Review:

The Lies of the Ajungo is a story that reads like a myth, and is also a story about mythmaking, sitting comfortably at the intersection of fable and fantasy and making the reader uncomfortable in its stark descriptions of how easily people can be led to believe a lie – and the lengths that the powerful will go to maintain it.

If those people are desperate enough and if their oppressors are both ruthless and clever. Very, very clever.

Tutu grew up under the incessant drumbeat of the oppressive, repressive, depressive mantras about his city. A city that has come to be known as ‘The City of Lies’. But Tutu is too desperate to let those endlessly repeated phrases keep him from his quest to be a hero for his city and find water to save his city and his mother. Mostly, to save his mother.

What he finds on his trek through the Forever Desert is that everything that has been said about his city is a lie, and that the name is the biggest lie of all.

He finds friends and companions. They help train him to become a hero – and he helps to train them as well. And they all believe in each other – because they are all from ‘The City of Lies’ and nothing about any of their cities is what they thought. Or were taught. Or believed.

They find the truth, a truth that has the possibility of setting their cities free of the lies told by their conquerors.

If only the rest of their people can set aside all the lies they have been told and tear down each city’s Palace of Lies.

Escape Rating A+: I loved this when I read it last year for a Library Journal review, and I loved it just as much when I reread it last week. It’s an awesome and thoughtful story and I don’t think I can do it justice, but I’m going to try.

The story begins as a tragic but rather typical epic fantasy-type quest. When Tutu sets out he’s the young hero, the chosen one, setting out to save his people. We’ve seen this story before, and if it had continued in that vein it would have been beautifully written but not necessarily special beyond that.

And that’s where it takes its turn into that something special, as Tutu gets a big chunk of his naivete blasted away, learns that his quest has a cost, and discovers that he and his city are not alone. That a heinous crime is being committed, and committed in such a way as to inflict maximum cruelty at minimum cost to as many people as possible.

Which is when the story shifts from epic quest for water to even more epic quest for justice. The truth sets Tutu and his companions free, even as it grieves them for everything that all of their peoples have lost over the centuries, and just how terribly they have all been betrayed.

What made this even more fascinating is that there’s no magic involved in any of it. There’s no Sauron or Palpatine. No monster and no supervillain. It’s just people behaving very, very badly and other people being at first terribly gullible and eventually just terribly downtrodden.

While Tutu learns, to his cost, that both sides are invested in maintaining that narrative, whether because they want to keep the power they have illicitly gained or because they can’t bear to have their illusions destroyed of simply because they’ve just drunk way too much of the ‘kool-aid’ and can’t let go of their beliefs.

It’s possible to read The Lies of the Ajungo as merely the epic quest it first appeared to be. But the more one thinks about it, the more the sand of that desert blows into the cracks of that initial interpretation. It’s a story that stuck with me the first time I read it, and it’s still sticking this time as well.

I always love a good story that also makes me think, and The Lies of the Ajungo is most definitely that. I highly recommend this quickly read fantasy that will leave you with a long book hangover of was and would be and might have been and might yet be kinds of thoughts.

The Forever Desert is a place that is more than capable of holding multiple legends, but when I read The Lies of the Ajungo last year it seemed as if those stories would remain untold. I’m very happy to say that is no longer the case, and a second story from the Forever Desert, The Truth of the Aleke, will be published this time next year. A story which sounds every bit as beautiful, harrowing and yes, legendary, as this first one.

Review: The Mimicking of Known Successes by Malka Older

Review: The Mimicking of Known Successes by Malka OlderThe Mimicking of Known Successes (Investigations of Mossa & Pleiti, #1) by Malka Older
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: climate fiction, mystery, science fiction, space opera, steampunk
Series: Investigations of Mossa & Pleiti #1
Pages: 176
Published by Tordotcom on March 7, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The Mimicking of Known Successes presents a cozy Holmesian murder mystery and sapphic romance, set on Jupiter, by Malka Older, author of the critically-acclaimed Centenal Cycle.
On a remote, gas-wreathed outpost of a human colony on Jupiter, a man goes missing. The enigmatic Investigator Mossa follows his trail to Valdegeld, home to the colony’s erudite university—and Mossa’s former girlfriend, a scholar of Earth’s pre-collapse ecosystems.
Pleiti has dedicated her research and her career to aiding the larger effort towards a possible return to Earth. When Mossa unexpectedly arrives and requests Pleiti’s assistance in her latest investigation, the two of them embark on a twisting path in which the future of life on Earth is at stake—and, perhaps, their futures, together.

My Review:

The Mimicking of Known Successes throws steampunk, mystery, climate fiction and planetary colonization into a blender with a soupcon of dark academia, a scintilla of romance and just a pinch of Sherlock Holmes pastiche to create a delightful story that leans hard on its central mystery and the push-pull relationship of its puzzle-solving protagonists.

It’s also a wonderful antidote to the recent spate of darkly corrupt academia. Or at least provides a much needed light at the end of some recent deeply dark tunnels in that genre. (I’m looking at Babel and both The Atlas Six and yesterday’s book, The Atlas Paradox.)

That light is in the characters, Investigator Mossa and her once and likely future lover, Scholar Pleiti. Neither of whom can resist a mystery. Or, as before and now again, each other.

The mystery begins, not with a dead body as such stories usually do, but with a missing one. It’s assumed that Scholar Bolien Trewl jumped, or was pushed off the platform at the last station on the end of the line around the gas giant moon these refugees from Earth have settled upon.

There is literally nothing else to do at that station except wait for the next train back inward, visit the four buildings on the platform, or drop off into the gas-wreathed planet below. The missing scholar isn’t still around, he didn’t board the next inbound train, so that leaves suicide or murder by plummet.

But that conclusion doesn’t make sense to Inspector Mossa. The pieces don’t add up. But those same pieces definitely lead her into temptation. The missing man was a Scholar at Valdegeld University, as is Mossa’s former flame Pleiti. Who might be of assistance in this investigation. Or the coincidence may just be an excuse to find out if the flame still burns.

As it turns out, more than a bit of both. And the game is most definitely afoot.

Escape Rating A+: This was a re-read for me. I reviewed The Mimicking of Known Successes last year for Library Journal, but I loved it so much that I kept referring to it in other reviews that I couldn’t resist giving a much longer review here.

So here we are.

At first, it was the setting that grabbed me. Mossa’s trip to that very remote station gives the reader a terrific introduction into the way this world both works and doesn’t, along with a taste of the marvelously steampunk-y nature of the whole thing.

Trains, the trains are so delightfully retro, while the planetary location is anything but. It’s not exactly a surprise that in this future view of the solar system, Earth is a painful and pined for reminder that humanity totally screwed the pooch of their home planet. Humanity is in exile, and seems caught between those who have settled down to make the most of their new home and those who are working towards a return.

That the divide reflects the town vs. gown contention that marks many college towns is just an added fillip to the whole. It’s the University that is devoted to a return, even as they spawn committees and arguments and delays and endless studies focused on the optimal way to go about it.

A process that the victim seems to have been at the heart of. As is Pleiti.

While the setting is fascinating and new, the details of academia that resemble the reader’s present provide a grounding (so to speak) a point of reference and congruence, and a whole lot of dry wit, particularly from Pleiti’s insider perspective.

As the story is told from Pleiti’s first-person perspective, we’re inside her head as she observes just how much her own profession obfuscates the important things and sweats the small stuff all the damn time.

Which lets the reader understand why Pleiti has let herself be drawn into Mossa’s investigation. It’s not just the rekindling of an old flame, it’s the need to work on something that has concrete and immediate effects that can’t be reduced to a footnote.

Even though Mossa and Pleiti nearly are reduced, not so much to a footnote as to a smear of grease on a cracked launchpad as the conspiracy and the mystery reach their explosive conclusion.

I initially picked this one up for its SF mystery blend, a combination that is having a marvelous moment right now. (If you want more of this combo, I highly recommend Station Eternity by Mur Lafferty, The Spare Man by Mary Robinette Kowal and Drunk on All Your Strange New Words by Eddie Robson along with John Scalzi’s Lock In.)

What grabbed me and kept me sucked in, TWICE, was the introduction to this quirky colony and its Sherlock and Watson investigative duo as they pursued the mystery to its surprising end. What kept me smiling and even chuckling all along the way were Pleiti’s wry observations of the familiar world of academe wrapped inside an utterly fascinating but not nearly so familiar setting.

When I first read The Mimicking of Known Successes last fall, it seemed to be a standalone book and I was a bit sad about that because I loved the characters and their world and the way they work together in it. So I was really pleased to discover that Mossa and Pleiti will return in February, 2024 in The Imposition of Unnecessary Obstacles. I’m looking forward to finding out what that title will mean for their relationship and their necessary investigations.

Review: The Crane Husband by Kelly Barnhill

Review: The Crane Husband by Kelly BarnhillThe Crane Husband by Kelly Barnhill
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook
Genres: fantasy, horror, magical realism, retellings
Pages: 128
Published by Tordotcom on February 28, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Award-winning author Kelly Barnhill brings her singular talents to The Crane Husband, a raw, powerful story of love, sacrifice, and family.
“Mothers fly away like migrating birds. This is why farmers have daughters.
A fifteen-year-old teenager is the backbone of her small Midwestern family, budgeting the household finances and raising her younger brother while her mom, a talented artist, weaves beautiful tapestries. For six years, it’s been just the three of them—her mom has brought home guests at times, but none have ever stayed.
Yet when her mom brings home a six-foot tall crane with a menacing air, the girl is powerless to prevent her mom letting the intruder into her heart, and her children’s lives. Utterly enchanted and numb to his sharp edges, her mom abandons the world around her to weave the masterpiece the crane demands.
In this stunning contemporary retelling of “The Crane Wife” by the Newbery Medal-winning author of The Girl Who Drank the Moon, one fiercely pragmatic teen forced to grow up faster than was fair will do whatever it takes to protect her family—and change the story.

My Review:

There is a group of tales in Japanese folklore about a crane who returns a favor to a man. The best known of those tales is The Crane Wife. This story isn’t exactly that one for any number of reasons, quite possibly the least of which is that in this case it’s the husband who is the crane. The question of whether this crane husband is or is not returning anything remotely like a favor to the woman who makes herself his wife is open to one hell of a lot of questions.

Questions that her teenage daughter is left behind to answer – after her mother flies away.

The story in The Crane Husband perches almost gracefully at the sharp, pointy end of the pyramid between magical realism, fantasy and horror. Alternatively, it’s just plain horror about a teenager coping with too many adult issues by processing them through mythmaking.

Or both.

On the surface, it’s the story told by a nameless teenage girl as she watches her mother become enraptured by a crane who turns into a man in the dark of night. Her mother, an artist who has always seemed to be barely in touch with the real world, gives her every waking attention and her every thought and care to her crane husband. She turns so deeply inward as well as orients so totally on the shapeshifting crane that she stops doing any of the tasks necessary to keep their tiny household barely afloat.

Her daughter does her best, just as she has been doing since her father died, to manage the sales of her mother’s stockpiled art – of which there is little – as well as managing the food and the finances in general just to keep the lights on and to keep both herself and her little brother fed and clothed and sent to school.

Even as she watches her mother self-destruct. Until the girl finally comes to the pragmatic and necessary conclusion that her mother can’t be helped and that she herself is probably too damaged to save but that her adorable, winsome, six-year-old brother still has a chance.

If she acts before it is too late for them all. Unless it already is.

Escape Rating B+: The story on the surface may or may not be the real story, and that’s the part that keeps the reader guessing – or at least kept this reader guessing – even after the last page was turned.

It could be myth coming to life, meaning that the surface story is the true story. That her mother gave herself over to the crane in the hopes of finding a magical escape from the farm and the children that she should have taken long ago. And can’t resist now that she has found another way.

Very much on my other hand, this is also a story about a teenage girl keeping her family together in the face of her only remaining parent’s criminal neglect. While she is stuck watching her mother’s abuse at the hands of a charismatic and dangerous man who will certainly turn to her once he tears and beats her mother into an early grave.

That the girl turns to the language of myth to tell the story to herself as a coping mechanism would be as reasonable a solution as anything can be in the situation she’s enduring. Especially as the version we’re reading is the version she’s telling herself twenty years after her mother left. Or died.

Or turned into a crane and flew away.

Whether her story is an exercise in rationalization, a tale of outright horror or something in the middle haunts the reader as the tale draws to its conclusion. Along with the now adult girl’s still plaintive search for the brother she failed to save after all.

Review: Dead Country by Max Gladstone

Review: Dead Country by Max GladstoneDead Country (Craft Wars, #1) by Max Gladstone
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: fantasy, horror, urban fantasy
Series: Craft Wars #1, Craft Sequence #7
Pages: 256
Published by Tordotcom on March 7, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Since her village chased her out with pitchforks, Tara Abernathy has resurrected gods, pulled down monsters, averted wars, and saved a city, twice. She thought she'd left her dusty little hometown forever. But that was before her father died.
As she makes her way home to bury him, she finds a girl, as powerful and vulnerable and lost as she once was. Saving her from the raiders that haunt the area, twisted by a remnant of the God Wars, Tara changes the course of the world.
Max Gladstone's world of the Craft is a fantasy setting like no other. When Craftspeople rose up to kill the gods, they built corporate Concerns from their corpses and ushered in a world of rapacious capital. Those who work the Craft wield laws like knives and weave chains from starlight and soulstuff. Dead Country is the first book in the Craft Wars Trilogy, a tight sequence of novels that will bring the sprawling saga of the Craft to its end, and the perfect entry point for this incomparable world.

My Review:

Home may be the place that when you have to go there, they have to take you in. But just because they have to take you in, it doesn’t mean they have to let you stay. As Tara Abernathy discovered back when she was young and desperate, scared and hurting,  abused mentally, emotionally and magically. She came home to tiny Edgemont, on the edge of the Badlands, looking for a place to heal and recover.

What she found back then was an increasing tide of raids by the hungry, cursed Raiders, and a town that was too hidebound to do what was really necessary to fight back. So, in her youth and arrogance, she tried to do it for them. They forced her out with torches and pitchforks.

She can’t go home again – not after what she – and they – did. Or so she believes. And she’s probably right.

But when she receives a message from her mother that her father is dead, she goes anyway. To find out what happened. For the funeral. For closure of one kind or another – even if it’s at the pointy ends of a new set of pitchforks.

It should be different now. After years of life-altering practice in the necromantic contracting of the Craft, Tara has not merely power but the knowledge of when to – and more importantly when not to – use that power in the face of people who are mostly just plain afraid of what she can do.

Edgemont, and the entire Badlands, are under siege by the hungry, infected, cursed Raiders, at the end of their collective rope and facing inevitable absorption by a curse that consumes everything it touches including the bodies of its victims. Victims who are compelled to hunt for more grist for the mill of a curse that has become more voracious and deadly in Tara’s absence.

Edgemont needs someone to save it, and Tara needs to strike back at everyone who ran her out of town back when she needed them most – but who, conversely and perversely – made her the power she has become.

She’ll spit in their collective eye by saving them all. Whether they want her to or believe she can – or not. All while she attempts to train an apprentice, protect her mother and fight off a curse. Only to discover that she is returning to the beginning of all things just at the point where the end is entirely too nigh.

Escape Rating A: Once upon a time (back in 2012) there was a book titled Three Parts Dead, the first book in the Craft Sequence, set in a world where Craft equals magic, and where that magic is rooted – often literally – in a combination of contract law and necromancy.

Yes, all lawyers are necromancers in this world. It’s still a WOW concept and seems totally and utterly RIGHT, both at the same time.

In that utterly awesome opening book, Tara Abernathy – yes, the same Tara Abernathy, pictured on that cover of Three Parts Dead to the left – was at the beginning of her career, fairly fresh out of the whole torches and pitchforks experience.

Dead Country is the golden opportunity I didn’t know I was waiting for to return to the world of the Craft Sequence without needing to remember every detail of this intricately detailed world. (Contract law, remember? LOTS of details. Positively – and negatively – entire metric buttloads of details – generally arising from the dead bodies – including butts – of gods.) The whole thing is intensely fascinating and I loved the series but I got a bit lost at the end and didn’t finish. I’ll probably go back.

But Dead Country is a starting over kind of book. While Tara comes home with all her years of experience and power, she is returning back to her point of origin – in more ways than she believes as she’s on her way back for her father’s funeral. That return kicks off Craft Wars, a new sequence in the Craft Sequence, and provides the perfect place for new readers to get themselves stuck right in – as well as giving returning readers a way of coming back to a place once loved but not remembered in detail. Just as Tara herself does.

In Three Parts Dead, Tara was still a neophyte, giving readers the opportunity to learn about her world and her Craft right along with her. In Dead Country, she is older and sadder, if not always wiser, just as the readers (and probably the author) are, making her yet again a character that the reader can identify with.

Her parents’ home and village have gotten smaller, she has gotten bigger, and the world has gotten darker and more dangerous, as it does as we move further into adulthood. At the same time, the old fears and the old grudges are all still very much active, and it’s all too easy to slip back into the same old patterns of thought and action. As Tara does. As we do.

The overarching story of the series is a huge one – as it should be. Tara discovers that saving the world is part of some old business she thought she’d finished. She faces traumas both old and new, driven to clean up the messes she left behind, and it nearly kills her.

But death is not an ending when you’re a necromancer. Unless it’s the death of her entire world. Or her soul. Hopefully, we’ll all find out in the second book of the Craft Wars, equally hopefully in the not too terribly distant future.

Review: The Keeper’s Six by Kate Elliott

Review: The Keeper’s Six by Kate ElliottThe Keeper's Six by Kate Elliott
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy, portal fantasy, urban fantasy
Pages: 208
Published by Tordotcom on January 17, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Kate Elliott's action-packed The Keeper's Six features a world-hopping, bad-ass, spell-slinging mother who sets out to rescue her kidnapped son from a dragon lord with everything to lose.
There are terrors that dwell in the space between worlds.
It’s been a year since Esther set foot in the Beyond, the alien landscape stretching between worlds, crossing boundaries of space and time. She and her magical travelling party, her Hex, haven’t spoken since the Concilium banned them from the Beyond. But when she wakes in the middle of the night to her son’s cry for help, the members of her Hex are the only ones she can trust to help her bring him back from wherever he has been taken.
Esther will have to risk everything to find him. Undercover and hidden from the Concilium, she and her Hex will be tested by dragon lords, a darkness so dense it can suffocate, and the bones of an old crime come back to haunt her.

My Review:

There’s a popular image in science fiction – fostered by pretty much all of Star Trek (apropos of yesterday’s book) where Earth and Earth humans seem to be the center of the galaxy no matter how many other races and species might populate it.

(And now I’m wondering if that attitude might have been at least part of the reason why Star Trek: Enterprise didn’t do so well. Because it showed us being on the back foot and under someone else’s thumb. I seriously digress.)

But in fantasy, when Earth gets connected to the rest of the ‘verse, whatever that ‘verse might be, we’re often considered a backward place whose population can’t be trusted to accept that we’re not alone, we’re not on top, and we don’t have anything like a manifest destiny at all.

We’re a protectorate – or at least a protected world of some kind. Because most of us can’t handle the truth that is out there and that we’re not in charge of it and never would be.

That’s the situation in the Wayward Children series, particularly in its most recent entry, Lost in the Moment and Found. And it’s very much the case in Ilona Andrews’ Innkeeper Chronicles, which the universe of The Keeper’s Six rather strongly resembles – and not just for that.

Daniel Green is a Keeper. Certainly his mother Esther and his spouse Kai would both agree. But in the context of this universe, being a Keeper is a specific and rather uncommon thing to be. Keepers maintain Keeps, and Keeps are the structures that straddle the line between the realm of that place’s “real” world and the dangerous and limitless Beyond that links the worlds together.

The Keeps and their Keepers are essential to maintaining trade routes between the worlds. But Keepers themselves don’t generally travel. Trade is conducted by special groups of talented magic users called Hexes because there are six specific talents required to navigate the Beyond. More than six in any single group invites death and destruction. Less is theoretically possible but likely to get itself killed because the group doesn’t have the necessary when the feces hits the oscillating device.

Esther Green is the Lantern, or light maker, of the freelance Hex that operates out of Daniel’s Keep. But she’s also Daniel’s mother. So when she gets a call that he’s been kidnapped, she drops everything – including the restriction against her Hex returning to the Beyond for ten years – to ride to his rescue.

A rescue that is going to be fraught with even more danger than Esther initially imagined – and she imagined a LOT.

But as Esther and the rest of her Hex get back together to storm the one place they’re not supposed to return to, we get to see just how this world does and doesn’t work, we get introduced to a fascinating group of people and an even more fascinating kind of magic.

While Esther has to go head-to-head and toe-to-toe with obstreperous bureaucrats, nefarious smugglers and villainous slave traders while chasing down old clues and new betrayals on her quest to rescue her son from the dragon who thinks that he’s running the show AND Esther.

He’s not. He just doesn’t know it – yet.

Escape Rating A-: Like the author’s previous novella, Servant Mage, The Keeper’s Six introduces us to a world that is much larger than the relatively small slice we get. Howsomever, very much unlike that previous book, The Keeper’s Six feels like it is just the right length for this story. It would be fantastic to have more, and there are certainly hints in what we have that there could be a more at some future point – but we don’t need that more to feel like this story doesn’t come to a lovely and satisfactory conclusion – because it absolutely does.

But this universe is fascinating and seems to have so much more to explore and I’d love to go back. To the point where this is my second reading of the book. I read this for a Library Journal review during the summer and liked it so much that I wanted to visit the world again and liked it even more on the second trip.

Part of what made me pick this back up again was that Esther would fit right into Never Too Old To Save the World, a collection of stories about people in midlife – or a bit later – who get called to be the ‘Chosen One’ for fantasy or SFnal worlds and how their change in fate melds and conflicts – sometimes at the same time – with the life they have already built.

(Never Too Old To Save the World will be out next month. I’ve already read it and it’s wonderful. Review to come!)

Esther is in her mid-60s in The Keeper’s Six. She’s been part of a Hex for most of her adult life, leading expeditions into untracked places, facing untold dangers, never knowing whether she’ll make it back or not. She’s addicted to the adrenaline of the work but aware that her days at it are numbered. The mind and spirit may be willing but time is taking its toll. Her quest has her between the proverbial rock and the opposing hard place. A dragon has kidnapped her son, and what that dragon wants in return is her son’s spouse and the co-parent of their four children.

This dragon eats books – literally not figuratively. But when he does, people – not necessarily humans but people – arise out of nowhere in the midst of his hoard as living representations of the books he’s consumed. I’m amazed and appalled in equal measure – and so is Esther.

There’s just so much going on in The Keeper’s Six. The way the Beyond is stable and unstable at the same time, keeps the Hex on their toes and the reader guessing what will come next. The juxtaposition of the Hex’ utter trust in each other with their interpersonal conflicts makes every situation precarious.

That there are wheels within wheels spinning around their suspension, this quest, the dragon’s questionable motives and their own group dynamics keeps all the plates spinning in their air in a way that kept me riveted through both readings.

The icing on this lovely little cake was that Esther is Jewish and that it wasn’t just window dressing. Her religion and her practice of it mattered both to the story and to the way she conducted herself within it. (That representation also mattered to me on a personal level.) That there is just a touch of romantic possibility between Esther and the dragon’s lieutenant, a man who seems to be the embodiment of the 14th Century Judeo-Persian poet Shahin who wrote about Queen Esther, the biblical queen for whom Esther Green was named provided just the right amount of rueful sweetness in the midst of all the danger and the necessary and important derring do required to fix it.

On top of everything else that made The Keeper’s Six so much fun was the way that it seemed to link to so many other wonderful books. Not just the previously mentioned Innkeeper Chronicles by Ilona Andrews, Never Too Old to Save the World and Lost in the Moment and Found by Seanan McGuire, but also Under the Whispering Door by TJ Klune and even a bit of The Merchant Princes by Charles Stross. Portal fantasy seems to be having a moment these days, and I’m absolutely here for it. Because I still want my own door to open.

In the end The Keeper’s Six was a terrific story set in a world that I’d love to visit again. But if that never happens I’ll still be very satisfied with the trip I did get to take.

Review: Lost in the Moment and Found by Seanan McGuire

Review: Lost in the Moment and Found by Seanan McGuireLost in the Moment and Found (Wayward Children, #8) by Seanan McGuire
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy, portal fantasy, urban fantasy, young adult
Series: Wayward Children #8
Pages: 160
Published by Tordotcom on January 10, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A young girl discovers an infinite variety of worlds in this standalone tale in the Hugo and Nebula Award-winning Wayward Children series from Seanan McGuire, Lost in the Moment and Found.
Welcome to the Shop Where the Lost Things Go.

If you ever lost a sock, you’ll find it here.If you ever wondered about favorite toy from childhood... it’s probably sitting on a shelf in the back.And the headphones that you swore that this time you’d keep safe? You guessed it….
Antoinette has lost her father. Metaphorically. He’s not in the shop, and she’ll never see him again. But when Antsy finds herself lost (literally, this time), she finds that however many doors open for her, leaving the Shop for good might not be as simple as it sounds.
And stepping through those doors exacts a price.
Lost in the Moment and Found tells us that childhood and innocence, once lost, can never be found.

My Review:

If you’ve ever wondered where the odd socks or the missing Tupperware lids go, well, that’s where Antsy finds herself on the other side of that door. The Shop Where the Lost Things Go. Which is completely, totally and utterly appropriate, because Antsy is certainly lost herself. And has lost herself, along with some things that she wasn’t aware of, like her belief that adults would keep her safe, along with her innocence of all the horrors the world has to offer.

In that shop she finds two “people”, the intelligent magpie Hudson and the old woman Vineta. She also finds safety, purpose and the joy of discovery, not just by helping in the shop but by venturing out into all the new doors that open every morning leading out of the shop to worlds of wonder.

It’s a good, happy, fulfilling life. It’s the life she might have chosen for herself, if only she knew it was available to choose. But she thinks she’s paying for her safety and her happiness, along with her room and board, through her work in the shop AND in venturing through the various doors to help keep it stocked.

And she is. But not in the way that she believes she is. Perhaps in a way she might have chosen anyway – perhaps not. But the choice was taken away from her because the magic of the Doors didn’t want her to know – and knows just how to punish her when she discovers the terrible truth.

Escape Rating A-: Considering that the author spoils this in an Author’s Note at the very front of the book, I don’t feel at all bad about doing it here as well. Because honestly, if she hadn’t told me up front that Antsy was going to rescue herself from the grooming, gaslighting monster in her own house I wouldn’t have made it through the first chapter.

Other strange, wondrous and terrible things happen to Antsy after she gets herself through that door marked “Be Sure”, but that particular horror is NOT among them. After all, this is a book about the Wayward Children and many of those children have passed through some very dark places. Antsy will not be an exception.

But be both warned and reassured – she will get herself out of that first, most terrible place. And all the terrible and wonderful things that happen to her in the story are able to happen because she was able to get herself out and onto the road that leads her to this story.

Antsy’s story is about everything having a price, a realization that is part of everyone’s loss of innocence. At seven, as Antsy is when she steps through that door, while her loss of some innocence is what made her run in the first place, she’s still naive enough not to realize that prices can be levied even when one is not aware that a bargain has been struck.

For an adult, the price of most things is often simply that we never get to know what might have been down the road less taken or the other leg of the trousers of time. Some costs are more explicit, whether it’s the choice of a profession of service that may cost one’s life, a decision to or not to have children, or even the famous one posited by Benjamin Franklin, that, “Those who would give up essential Liberty, to purchase a little temporary Safety, deserve neither Liberty nor Safety.” But we generally know the bargain we’re making when we make it – or at least we think we do.

When Antsy opens the door to The Shop Where the Lost Things Go, and starts opening all the fascinating doors that open within the shop to all those fascinating places, she too is making a bargain and paying a price for it. But she’s only seven years old, she’s lost, alone and scared, and not nearly savvy enough to understand that the price she’s paying may or may not be something she’s willing to give.

But it’s not an unknown price. Both Vineta and Hudson are perfectly aware of what Antsy is giving away, even though she is not. They are all too aware that they are using her for their own purposes – and choose not to tell her, not even when she matures enough to understand.

In a way, the woman and the bird are using Antsy just as much as someone in her original world intended to use her. Which intent was worse or more heinous is one the reader will have to decide for themselves.

What’s fascinating about Antsy’s trip through the Doors is the way that the Doors are revealed to be much closer to full sentience than was apparent in the earlier stories. Antsy’s door took her to the Shop because that’s where the Doors wanted her to go. And they’ve deliberately obscured her awareness of what’s happening to her because the Doors want her to stay – no matter what it will cost her.

That they have the wherewithal to punish her when she tries to break free is a shock – both to Antsy and to the reader. It makes us rethink some of the events of the previous books in the series and quite possibly makes the whole thing more dark and even less of a lark than it previously appeared to be.

Which won’t stop me from reading the next book in the series, still untitled but scheduled for publication next January. In the meantime, I still have one previous book to read, Come Tumbling Down, and quite possibly a re-read of the whole marvelous thing now that I know a whole lot more about the Doors and their universe work – although I’m certain there’s more to discover.

This award winning series began with Every Heart a Doorway, which means it starts at the end of a whole bunch of the Wayward Children’s stories. Lost in the Moment and Found ends in the place if not the time where that story begins, and would be a perfect place to get into the series if you haven’t already found your way to the reading door that leads to it. Wherever you begin, it’s an awfully wonderful journey, particularly in the sense that it is chock-full of both awe and wonder.

Review: Into the Windwracked Wilds by A. Deborah Baker

Review: Into the Windwracked Wilds by A. Deborah BakerInto the Windwracked Wilds (The Up-and-Under, #3) by A. Deborah Baker
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy, portal fantasy, young adult
Series: Up-and-Under #3
Pages: 224
Published by Tordotcom on October 25, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Adventurous readers of Kelly Barnhill and Cat Valente's Fairyland books will be sure to soar among the dark marvels that can be found in Into the Windwracked Wilds, by Seanan McGuire's latest open pseudonym, A. Deborah Baker.
When the improbable road leaves Avery and Zib in the land of Air and at the mercy of the Queen of Swords, escape without becoming monsters may be impossible. But with the aid of the Queen's son, the unpredictable Jack Daw, they may emerge with enough of their humanity to someday make it home. Their journey is not yet over; the dangers are no less great.

My Review:

Looking back at my review of the first book in the Up-and-Under series, Over the Woodward Wall, I discovered that one of my early guesses was wrong. One of Zib and Avery’s companions does need to find a heart – a particular heart – after all.

They all need to find more than a bit of ‘the nerve’ by the time the Improbable Road whisks them off again, further away from who they were when they first climbed that wall but hopefully closer to getting home. Or deciding that they are already there.

Into the Windwracked Wilds makes no bones (although there are bones) about the fact that it is a middle book, with pretty much all of the darkness such books generally hold. A darkness that is not toned down all that much in spite of the series being theoretically aimed at middle grade and young adult readers.

Don’t let that fool you. The trappings of the story may make it seem like a book for younger readers – and it certainly can be read that way. BUT, like a more overtly dark version of Rocky and Bullwinkle, the seriousness of its story appeals equally, if not perhaps a bit more, to adults.

Well, certainly to this adult. Although adulting is both in the eye of the beholder and can be seriously overrated.

Howsomever, the lovely thing about the book acknowledging that it’s in the middle of a much longer story is that it does an equally lovely job of explaining why middle books are important for the journey of the protagonists – as well as giving the reader enough details about what came before to be going on with.

After climbing Over the Woodward Wall and traveling Along the Saltwise Sea with the pirates, Zib, Avery, Niamh the Drowned Girl and the Crow Girl with no name begin their journey Into the Windwracked Wilds by making the Improbable Road angry enough to dump them back into the Sea. And disappear – at least until they manage to do something improbable enough to bring it back.

Which is how they find themselves blown towards the Queen of Swords’ castle in the Land of Air. Doing their level best not to get turned into monsters. Or at least, Avery and Zib need to do their best, because monsterization has already happened to both Niamh and the Crow Girl.

In fact, the Crow Girl, whatever her name used to be, was turned into a monster by the very same Queen of Swords who has just swept them into her castle. And wants to keep them there.

This is the story of how this ragtag band of lost souls were forced into a castle of nightmares – and managed to find their way out again. With just a little bit of help from a new friend – by finding the one thing that none of them had thought to look for – the Crow Girl’s missing heart.

Escape Rating A-: From the beginning, it has seemed as if the direct progenitors of the Up-and-Under were Oz and Narnia. The similarities between the ‘Yellow Brick Road’ and the ‘Improbable Road’ are a bit hard to miss, after all.

But this particular entry in the series makes me think of Narnia. A lot. Not the Narnia of the great lion and Aslan saving the day, but the Narnia of choices of consequence made by uninformed children, and the lesson that adults are often cruel and that words and actions may have terrible consequences even if the words are said or the deeds are committed in ignorance of those consequences. The world where the kindly Mr. Tumnus plans to betray the children, refuses to do so, and is tortured for it. The island where dreams come true – and the realization that it does NOT refer to daydreams, but rather the monsters summoned from deep in the subconscious.

A place where children have to pay their own debts and forfeits – no matter how much they hurt or how often the adults cheat. The Up-and-Under feels like it’s filled with those same kinds of hard lessons – no matter how magical and even beautiful it might sometimes be.

But I think the return from the Up-and-Under to Zib and Avery’s ‘real’ world is going to be a lot more difficult than what the Pevensies encountered. Because the point of Zib and Avery’s journey in the Up-and-Under seems as if the entire point of it is change, not just for the Up-and-Under to impact them, but for them to impact it, as well.

Unlike Along the Saltwise Sea, which felt very much like a rest stop along their journey, Into the Windwracked Wilds reads like they are really getting somewhere – even if that somewhere is not the return home that Zib and Avery were originally seeking. This may eventually turn out to be a ‘There and Back Again’ story, but at this middle point it’s starting to feel like their journey and the changes it brings is infinitely more important than the destination.

As much as their travels have been clearly changing Avery and Zib all along, Avery and Zib are also changing the people and even the structure of the Up-and-Under in ways that we’ll probably only see the full picture of at the end. Which was originally planned to be the fourth book, which was originally planned to be published in October 2023. I hope that all holds true. At least that the next book comes out this time next year. If we get a bit more story in this world than was originally intended, this reader, for one, would not be in the least disappointed.

Review: Lucky Girl by Mary Rickert

Review: Lucky Girl by Mary RickertLucky Girl: How I Became A Horror Writer: A Krampus Story by Mary Rickert
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: holiday fiction, horror
Pages: 112
Published by Tordotcom on September 13, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Lucky Girl, How I Became A Horror Writer is a story told across Christmases, rooted in loneliness, horror, and the ever-lurking presence of Krampus written by World Fantasy and Shirley Jackson Award-winning author M. Rickert.
“Smooth and ruthless, Lucky Girl is M. Rickert at her ice-cold best.”—Laird Barron
Ro, a struggling writer, knows all too well the pain and solitude that holiday festivities can awaken. When she meets four people at the local diner—all of them strangers and as lonely as Ro is—she invites them to an impromptu Christmas dinner. And when that party seems in danger of an early end, she suggests they each tell a ghost story. One that’s seasonally appropriate.
But Ro will come to learn that the horrors hidden in a Christmas tale—or one’s past—can never be tamed once unleashed.

My Review:

Once upon a time there was a girl who survived the deaths of her entire family – because she was waiting to meet a boy in a deserted park on Christmas. People called her a “lucky girl” for her survival, but if this was luck it was certainly of the perverse variety. The kind of luck that generally described as “if it wasn’t for bad luck she wouldn’t have any at all.”

Once upon a time there was a college student who met four other lonely students at a diner on Christmas and invited them back to her low-budget student apartment so they could all be lonely together. They ended the evening by telling each other creepy stories that fit the season. She took one of those ghost stories and turned it into her first novel, launching her career as a horror writer.

Considering how difficult it is to make a living as an author, receiving the seed of that story that she turned into a career could certainly be considered “lucky” for some of the better definitions of luck. At least at the time.

But the girl who survived and the student who became the horror writer of the subtitle of this book are the same person. And just as young Ro the survivor is the same person as Goth writer Ro, so too the horror of her family’s murder, and the horror of that story she turned into her first novel turned out to be continuations of all the horrors she had already experienced.

Neither of which was going to EVER be over.

Krampusz és Mikulás (Krampus and Saint Nicholas) ca. 1913

Escape Rating C: Horror is not usually my cuppa. Come to think of it, Christmas isn’t either. So these are not exactly two great tastes that go great together. The combination is a bit more like black licorice and anchovies. There are people who like both, but they are also most definitely, acquired tastes that not everyone manages to acquire. And I can’t imagine combining the two in the same dish, although I’m sure there’s someone out there who has or will try it. Hopefully far away from me.

There are two stories in Lucky Girl that also feel like they don’t quite go together. The first story is the murder of Ro’s entire family after she sneaks out of the house on Christmas to meet a boy who has been leaving her anonymous cards. She doesn’t know who he is, she doesn’t know what he looks like, but she’s a teenager and the whole thing sounds more romantic than it does dangerous.

But it’s not nearly so romantic when he doesn’t show. When she returns to her family home, her family is dead and the house has been consumed in the fire that killed them. Ro doesn’t know whether it was all a horrible coincidence, whether she’s lucky to be alive, and/or whether her mystery suitor planned on kidnapping her for sex trafficking.

Whatever the cause or the intended result, it’s a non-fiction horror that leads her to pursue a career in fictional horror.

The ghost stories that Ro and her impromptu lonely hearts club share that Christmas night at college is supposed to be some of that fake horror. Ghost stories. Just stories. But one has that haunting quality that makes it seem like it might be more.

Still, the two stories, the real-life familicide and the holiday Krampus story, don’t seem like they are part of the same thing. One is all-too-real, while the other can’t possibly be. At least not until they both turn out to be, not just real, but worse than even Ro’s gothic imaginings ever dreamed of.

Because Ro’s origin story was real-world horror, and its denouement managed to be even more horrific real-world horror I can’t help but wonder if that real-ness was intended to make the other story, the ghost story that wasn’t just a story – seem more real as well. To make it seem more real than it could have been.

Ro’s own story, as horrific as it was, creeped me out but didn’t send my willing suspension of disbelief off gibbering into the night. The horror of that story was in its plausibility. The holiday ghost story, the Krampus story, would have been mythic-type horror if told on its own, but the two looped together just didn’t gel into one horrific whole, at least not for this reader. And the combination of the two did give my willing suspension of disbelief a very bad case of the gibbers.

Your reading mileage – quite possibly while in full flight from the gruesomeness – absolutely may vary.

Review: Buffalo Soldier by Maurice Broaddus

Review: Buffalo Soldier by Maurice BroaddusBuffalo Soldier by Maurice Broaddus
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook
Genres: alternate history, steampunk
Pages: 144
Published by Tordotcom on April 25, 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Having stumbled onto a plot within his homeland of Jamaica, former espionage agent, Desmond Coke, finds himself caught between warring religious and political factions, all vying for control of a mysterious boy named Lij Tafari.
Wanting the boy to have a chance to live a free life, Desmond assumes responsibility for him and they flee. But a dogged enemy agent remains ever on their heels, desperate to obtain the secrets held within Lij for her employer alone.
Assassins, intrigue, and steammen stand between Desmond and Lij as they search for a place to call home in a North America that could have been.

My Review:

As yesterday’s book was a fictionalized story of a world that was, then today’s is a leap into world that might have been.

A leap somewhat like being dropped into a roller coaster just as its about to crest that first big hill and then a wild, screaming ride all the way to the end of the ride. Only to discover that, while the ride may be over, the story is just beginning.

Although the historical turning points that created the steampunk-fueled world of Buffalo Soldier are different, in some ways the feel of the story is similar to Cherie Priest’s Clockwork Century that begins with Boneshaker. As well as, come to think of it, A Master of Djinn by P. Djèlí Clark as all three take the world down different legs of the trousers of time, and yet some forces of history seem immutable in the face of huge changes of circumstances.

The United States, well, isn’t. Not that the manifest destiny ambitions of “Albion”, the English colony that encompasses at least the East Coast and Midwest, aren’t entirely too similar. But Albion hasn’t succeeded by this point in this world’s late 19th or early 20th century.

So this story opens in independent Tejas, caught between Albion on one side and the Five Civilized Tribes on the other, as Jamaican fugitive Desmond Coke finds himself and the boy he’s guarding caught in the crosshairs between the Pinkertons, the agents of Albion, and the agents of his own truly pissed-off government as he attempts to cross the contested border.

Everyone is out to get him. Actually, only his own government really wants him all that badly. But everyone wants the boy he calls Lij. Because Lij is entirely too many things to entirely too many people.

A symbol. An experiment. An abomination. A resource. Even all of the above.

But Desmond just sees him as a little boy who deserves the chance to BE a little boy and determine his own path when he grows up. If Desmond can keep them both alive and on the run long enough to have that chance.

Unless he can find them a sanctuary. Or he dies trying.

Escape Rating A: This is one of those stories where the reader is dropped into the midst of a world that has already been fully created. We just don’t know exactly what that world is, so it comes into focus through the characters, particularly the point-of-view character Desmond Coke.

We’re not in his head, but the action follows his perspective, so we’re not omniscient. We see what he sees and know what he knows. And he knows a lot about the world in which he lives as once upon a time he was an espionage agent for his home country of Jamaica.

At least until he scooped up Lij and ran away into the predicament in which we find him as the story opens.

While the hints of how his world differs from ours and how it got that way are absolutely fascinating – at least to this reader – what kept me turning the pages was the quick, sharp peeks into his out of the frying pan into the fire journey. He’s desperate, he didn’t plan things out nearly as well as he should have, and no plan survives contact with the enemy.

Or, in this case, no plan survives contact with situations where there are enemies on every side with their weapons pointing at each other while Desmond is caught in the crossfire. Sometimes literally.

The story is a thrill-a-minute ride as every time Desmond tries to take them a little further away, he just ends up in a bigger mess, his steps dogged at every turn by agents from pretty much every power involved in North America. Some are hunting him down, some are using him as bait to hunt each other down, and some are using him as a distraction while they go after their real goals.

And in the middle, there’s a little boy who deserves the chance to grow up and become his own man instead of just the sum of all the things he was created to be. The truth of which is revealed over the course of the story and manages to catch at both the heart and the throat at the same time.

So, come to this one for the wild ride. Shake your head in rueful recognition at the ways that the powers-that-be are exactly the same as they are even in an entirely new world. Stay for the story, and the stories about stories, at its heart.

Whatever brings you on this steampunk journey, I believe you’ll find it well worth the trip.

Initially, I picked this up because I needed a couple of really short books this week and this looked like fun. Which it was! So I’m really glad I read it because it made for a terrific reading pick-me-up. It also made me look and see what else the author has available and now Sweep of Stars has moved considerably up the virtually towering TBR pile. There are so many books, and so little time, but now that I’ve read something of his work I can’t wait to dive into his latest!