Grade A #BookReview: The Summer Share by Jenn McKinlay

Grade A #BookReview: The Summer Share by Jenn McKinlayThe Summer Share by Jenn McKinlay
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: contemporary romance, family life fiction, friendship fiction, relationship fiction, romantic comedy, women's fiction
Pages: 368
Published by Berkley on May 26, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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When two misfits discover they’ve inherited the same beach house, sparks fly in the most unexpected ways, in this hilarious and heartfelt rom-com from the New York Times bestselling author of Summer Reading.
Free-spirited travel influencer Hannah Spencer has spent five years touring the country in her vintage van. An unexpected inheritance from her Pops brings Hannah to Cape Split, North Carolina, where she learns she’s the new owner of a worse-for-wear seaside beach house. Or, rather, fifty percent of one. Turns out Simon O’Malley inherited the other half from his Gramps.
As Simon and Hannah spend the summer tag-teaming repairs on the crumbling cottage, they discover the house was once home to a timeless love story. Soon, they begin to wonder if the house’s romantic past may be a good omen for their future together. But there’s one problem—Simon is set on selling the property at the end of the summer.
Hannah thought one summer at the Split would be enough, except it isn’t like any place she’s ever been, and Simon isn’t like any man she’s ever known—and she’s thinking about putting down some roots. She just needs Simon to see their budding relationship and this newfound community the same way or their first summer share might also be their last.

My Review:

I picked this up because I loved Witches of Dubious Origin. While I wasn’t exactly hoping for the same kind of book, because Witches is cozy fantasy and this book is more cozy small town romance/relationship, I was still hoping for some of the same sensibilities – and certainly some of the same charm.

Those things I definitely got!

The meeting between Hannah Spencer and Simon O’Malley isn’t so much of a “meet-cute” as it is a meet really, really awkward with a big surprise inside. Literally inside the beach house on the Outer Banks they each thought they’d inherited from their beloved grandfather which turns out NOT to be a solo inheritance.

Hannah inherited her HALF of the cottage from her “Pops”, while Simon inherited HIS half from his beloved “Gramps”. Now they’re stuck with each other – according to their grandfathers’ wills – for two whole months during a glorious Outer Banks summer. At the end of the two months, they can each do what they like with their half. But that assumes they’ll be on something like the same page at the end.

They sure don’t start out there, not on the same page, not even in the same book. She wants to stay. After five years of being a travel influencer, Hannah is ready to stop living out of her van. The minute she sees the cottage, she recognizes that she’s tired of running from her past griefs and traumas, and that this gift from her “Pops” is a golden opportunity to make both a home and a homebase for herself and her big, goofy, Harlequin Great Dane, Dude.

Simon needs to sell. He needs the money to support his brother Charlie’s long-term medical care – and keep their rapacious father away from Charlie’s medical conservatorship and the money invested in it. And he can’t make the kind of living he needs to on the Outer Banks to make sure he has enough to be there for both of his adult siblings, because he KNOWS their father won’t.

But the story isn’t just about Hannah and Simon and Dude. (Not that Dude doesn’t steal every scene he galumphs into.) Not even though the romance that steals up on Hannah and Simon is lovely and hesitant and hot and sweet in all the right ways.

The romance that steals the story is the one that started 60 years ago, between two young men who met and fell in love over a contested fishing spot, during one golden Outer Banks summer – before one shipped off to war and the other began the life he was expected to have. Only to find each other decades later, and return to the place they were happiest, with time enough for a second chance with the love of their lives.

A secret they both kept from their entire families for decades, leaving their grandchildren with a chance for happiness of their very own. If Hannah and Simon can step out from their own secrets and traumas and grab the opportunity with all four hands – and four paws.

Escape Rating A: I picked this up early because it looked like the precise antidote for my reading slump – which it definitely turned out to be. I had a terrific reading time, to the point where I almost wish this was the start of a series because as much as I loved the main characters and THEIR story, I’d love to go back and see more of the whole community. They were great folks AND I need to see how ‘The Dude’ is abiding.

What’s driving me crazy about this book is that I can’t decide whether it’s a romance that just happens to, well, happen in the midst of a story about family relationships, found families, family secrets and a great community – or if the shoe is on the other foot and its a relationship story in which a romance occurs in the present because a different romance occurred in the past.

I know I’m splitting hairs a bit, but for my reading group it’s a serious question and I keep waffling about the answer.

Whichever comes first, the romance or the circle of family and community relationships, the story is delightful – and not just because of Dude. Not that he’s not a HUGE spread of icing on this delicious (book) cake.

What made this book work for me is the way that different plot threads played off against each other – and that the changes and revelations happen at what feels like a realistic and human length of time – and not in an instant.

Because three stories intertwine in The Summer Share. The one at the top of the pile is the ill-advised, somewhat hesitant, emotionally complex slow-burn into conflagration romance between Hannah and Simon. They’re surprised at their joint inheritance. They’re shocked at the secret their grandfathers were keeping. They’re hurt that the person they thought they were SO very close to kept such a huge secret for so many years.

At the same time, discovering that secret – and investigating the whole story of their grandfathers’ secret life in the OBX, brings them together AND connects them with the community. A community that had taken Bobby and Billy into their hearts and is more than happy to take their grandchildren to that same place. One startling revelation at a time.

And underneath all of that are the issues and family relationships and traumas that Hannah and Simon came to the cottage with in the first place. All the things that need to be resolved before they can get to their own happy ever after.

In the end, I had a lovely reading time on the Outer Banks with Hannah and Simon. And Dude. Mustn’t forget the Dude. Their troubles felt real, their solutions felt solid, and their happiness was definitely earned. This is a book that will leave readers with a big smile on their faces, whether they come for the romance or for all the intertwined relationships that make a community and a life.

 

Grade A #BookReview: In a Dangerous Orbit by Anna Hackett

Grade A #BookReview: In a Dangerous Orbit by Anna HackettIn a Dangerous Orbit (Phoenix Adventures) by Anna Hackett
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: science fiction romance
Series: Phoenix Adventures #4
Pages: 236
Published by Anna Hackett on May 19, 2026
Purchasing Info: Author's WebsiteAmazonBarnes & Noble
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From the busy market world of Souk to the high-tech cyborg world of Centax, join these treasure hunts for priceless artifacts of old Earth. In a Dangerous Orbit contains two action-packed novellas in the Phoenix Adventures series.
These novellas were previously published and have been lightly edited.
BENEATH A TROJAN MOON: A woman with a secret she’ll kill to protect.
Fortune teller Relda Dela-Cruz hides in plain sight on the market world of Souk. She never lets anyone too close and protects her deadly secret. But when assailants attack her in pursuit of a powerful artifact, she collides with the city’s handsome new marshal.
War has left former Galactic Special Forces captain Hunt Calder tired and empty, but one look at the beautiful Relda—with her wild curls and lush curves—brings him back to life. When she’s threatened over the mysterious Trojan Moon, he won’t let anything stop him from protecting her. Even Relda herself.
As they face alien attackers and killer droids, Hunt wants all of her—body, mind, and her secret. Even if that secret has the power to destroy not only them, but the planet itself.
ON A CYBORG PLANET: Can he give a beautiful warrior cyborg the pleasure she’s never experienced?
After a vicious coup, cyborg Axton Saros, Prime of the planet of Centax, is trying to rebuild his world. A priceless artifact stolen during the attack is still missing, and he’ll do anything to get it back. Even work with the emotionless, infuriating Centax Security cyborg Commander Xenia Alexander.
Everybody knows CenSecs are deadly and so enhanced that their emotions are dampened to nothing. But Xenia’s been keeping a secret her entire life—her systems don’t function correctly. Working side-by-side with Axton to find the Codex Da Vinci makes every emotion in her flare to life.
As they follow a trail of clues, Axton and Xenia can’t fight their fierce desire. As their hunt takes a deadly turn, their powerful connection might be the only thing that can save Xenia from annihilation.

My Review:

When I first saw this as part of the author’s re-reissue of her Phoenix Adventures series the title did not look familiar. I read – and reviewed – the whole Phoenix Adventures series back when it originally came out and this wasn’t part of it. Or so I thought.

But it was – and it is – and I was delighted to read it again.

When the series was originally published, Beneath a Trojan Moon and On a Cyborg Planet were marvelous – and marvelously short – side stories to the main series and were released separately. Neither of these novellas features the Phoenix Brothers – or the OTHER Phoenix Brothers, but they ARE part of the same world.

Beneath a Trojan Moon takes place on Souk, the planet orbited BY the Phoenix Brothers’ HQ. On a Cyborg Planet is a follow up to the previous book in the series, On a Rogue Planet. It doesn’t feature any of the Phoenix clan, but it does deal with the aftermath of that story – which very much involved the Phoenix Brothers and cousins.

So linked, but not the main action in either case. Still, however, excellent. Because these stories take place in a setting that has already been somewhat established in the three previous books (At Star’s End, In the Devil’s Nebula and On a Rogue Planet) these particular stories concentrate a bit more on the romance part of science fiction romance, but still have plenty of adventure and further fill in the details of this particular ‘verse along with telling a terrific story.

The title of Beneath a Trojan Moon is a bit of a pun. A pun that fortune teller Relda Dela-Cruz takes advantage of as she hides in plain sight on Souk. ‘Trojan Moon’ is a pseudo-moon that occupies a Trojan point of a system. It’s a real thing that exists in astrophysics. The Phoenix Brothers’ base is located on a Trojan moon orbiting the planet Souk. But THE Trojan Moon in the story is an artifact that amplifies psionic power. Relda, one of the few survivors of a nearly extinct psionic race, is the owner AND more importantly the protector of that artifact.

A collector of rare objects, particularly objects related to psionic power, intends to collect both Relda and her Trojan Moon. But her friends, her found family, and most of all the Marshall who enforces the law on Souk, have no intention of letting her be taken. Hunt Calder will do anything to keep Relda safe – even if he has to open what little heart he has left.

The romance is between two people who have closed themselves off for different but equally necessary reasons. And it’s a terrific story because they both realize that it’s already too late, that they’ve already fallen for each other AND made a home for themselves on Souk. A home that this time they’ll fight to keep.

I loved On a Cyborg Planet, both originally and now, because it finished a story that I still wanted more of at the end of On a Rogue Planet. Not that the romance wasn’t complete in that earlier book, and not that Xander and Malin’s HEA wasn’t well earned, but that the thing that brought them together – the coup that nearly destroyed Xander’s planet Centax – didn’t feel as if it had been fully closed. Or rather, that the damage hadn’t been fully recovered from – that THAT process had only just begun.

So this is a story about lingering damage, to a planet, to a people, and to one person in particular, Prime Axton Saros of Centax. Axton was held prisoner when his planet was temporarily occupied by a coup. He was tortured physically and mentally, and he’s still suffering from both the physical damage and PTSD from the whole experience. And he’s neglecting taking care of himself because he feels compelled to continue suffering because he was helpless during the occupation.

So his brother Xander assigns his own second-in-command to take care of his brother one way or another. Xander guesses that Commander Xenia Alexander is both Axton’s weakness AND his strength – if he’ll just let himself see it. And if Xenia can overcome her cyborg conditioning just as Xander has, and let herself feel the emotions she’s been forced to keep hidden to survive. That Axton and Xenia manage to find another missing artifact, a whole lot of deadly traps, and their own HEA made this story exciting in more ways than one!

Escape Rating A: These two stories worked well together for a number of reasons. First, yes, well, they’re both short. Second because they’re side stories, interludes between the main events of the series. But third, and the thing I really loved about both of them, is that both are stories where the female main character is WAY more dangerous – and deadly – than the male. Relda’s psionic powers are capable of destroying an entire planet. Possibly even a solar system. Xenia Alexander is every inch the Centax Security cyborg that Xander was in the previous book. Not that her consort (although technically she’s HIS consort) can’t kick ass and take names with the best of anyone else, but Xenia is a cut above that and he knows that and loves her for it.

I loved this book even more than I did the separate parts the first time around – at least in part because this broke me out of a terrible reading slump and I’m very grateful. I’m also looking forward to the author’s next book, whether that turns out to be the next book in the Unsanctioned series, Worth the Fight, or the next up in this re-release of the Phoenix Adventures, Beyond Galaxy’s Edge. They’re both worth the wait!

A- #AudioBookReview: A Deadly Episode by Anthony Horowitz

A- #AudioBookReview: A Deadly Episode by Anthony HorowitzA Deadly Episode (Hawthorne & Horowitz, #6) by Anthony Horowitz
Narrator: Rory Kinnear
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Hawthorne and Horowitz #6
Pages: 384
Length: 8 hours and 4 minutes
Published by Harper, HarperAudio on April 28, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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From the global bestselling author of Moonflower Murders and Close to Death comes an unputdownable new mystery in the Hawthorne and Horowitz series.
‘Easily the greatest of our crime writersSunday Times'Nobody does this crime fiction better than Anthony HorowitzCrime Time FM'Anthony Horowitz is a national treasure' Ragnar Jónasson
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The Word is Murder, the first book in the Hawthorne series, is about to be made into a major feature film.
The actors have been cast, the script written, and filming has already started in Hastings.
But when Hawthorne and Anthony visit the set, they find a far from happy family.
The director’s pretentious, the screenwriter’s an eco-warrior, the two stars hate each other, and the producer has run out of money.
And things are about to get much, much worse.
In the middle of shooting, the actor playing Hawthorne is stabbed – which leaves the real Hawthorne with no choice. He has to step in and investigate his own murder.
Because the killer may not have got the right man. Was it Hawthorne himself who was meant to be the target?
A Deadly Episode is a wild ride through a world that the author knows only too well, and the most personal case Hawthorne has had to deal with so far.

My Review:

This series has been very meta from the very first book, The Word is Murder, but this sixth “episode” in the series is even more meta than the previous ones. And OMG that’s saying something.

They’ve always been meta (“A movie, book, or conversation is described as “meta” when it consciously references or comments upon its own medium or nature”) because the author, his more-or-less, somewhat sorta/kinda, real-life self is a character in the book who acknowledges all along that he’s writing the book – no matter his mixed feelings about the person/character he’s made famous, former Metropolitan Police Chief Inspector Daniel Hawthorne – AND about the way that Horowitz himself is treated by Hawthorne and pretty much everyone else when Hawthorne is around. Very much like a second banana – and an afterthought of one at that.

This time around the murder occurs on the site of a previous murder that was investigated by Hawthorne and Horowitz. In fact, on the site of their very first case, written up as The Word is Murder.

But not exactly the same site. Because this murder takes place on the set where The Word is Murder is being filmed. And this time around it’s Hawthorne himself who is the victim. Not the real Hawthorne, of course. Merely the actor playing Hawthorne in the production.

Not that there aren’t plenty of people around the set AND in Hastings where it’s being filmed who wouldn’t love to stick a knife in EITHER the real or the fictional Hawthorne. Neither of them has made a lot of friends in whichever business they’re in. Although not the same way. The real Hawthorne is a single-minded misanthrope who (mostly) pisses people off to get the job done. The actor playing Hawthorne, on the other hand, is a real piece of work with all the negative connotations of that phrase.

So Hawthorne has been murdered, and Hawthorne is investigating while Tony is, as usual, a day late and a pound short, following behind a character who will figure out whodunnit – no matter how twisted the path to getting there – without anyone giving poor Tony half the credit he’s due for getting yet another mess of a case into shape for eventual publication.

Then again, Watson didn’t get the credit he was due, either. And it hasn’t stopped a single one of us from getting caught up in THOSE cases. Or, for that matter, Hawthorne’s cases, with Tony tagging along behind and never quite catching up to the solution until Hawthorne lays it out for him – and the reader – on the proverbial silver salver – no matter how tarnished either that platter, or Hawthorne’s reputation or poor Tony’s ego, have gotten in the process of the investigation.

Escape Rating A-: This is the rating I usually end up at with this series, with the exception of The Twist of a Knife which I loved.

The reason I generally end up at A-, and why I did here, is that the initial parts of the story generally make me feel mean. Which needs a bit of an explanation.

Part of what makes the series as a whole equal parts interesting and meta is the life imitates art imitates life of the whole thing. Anthony Horowitz, the real-life author, is also Hawthorne’s very much put upon sidekick ‘Tony Horowitz’. He hates being called Tony, but he can’t get people – particularly Hawthorne – to stop doing it. He’s disregarded at every turn and it just weirds me out. Because if the real person were as much of a whiny, petulant, doormat as the character is, he wouldn’t have half the successful career that he actually has. And yet, so many of the details of the story that set up each book do mirror the author’s real life. There’s a disconnect for me in the early parts of each book in the series because it’s all Tony’s internal angst and reluctance to get involved with Hawthorne again and that part is getting a bit repetitive.

But as soon as the body drops, the story is off and running. I just find myself wanting to scream at ‘Tony’ to “get on with it already” frequently and often up to that point.

Speaking of screaming at the characters, I generally start these books in audio (in the car when I’m alone and can scream to my heart’s discontent), and the narrator, Rory Kinnear is always excellent and does a terrific job differentiating all the voices AND dragging me through the parts I’d skim in text. Once the story gets going – once that body hits the floor – NO narrator is fast enough and I switch to text because I HAVE to know whodunnit.

The series as a whole is very quirky, the sort of thing that if you like it, you like it, but if you don’t you don’t. I LOVE them once somebody dies – which sounds terrible – but I find the scene and stage-setting at the beginning to be a bit of a slog. However, I think that’s a ‘me’ thing. I want my protagonists to have more agency than Tony seems to have in his own (fictional) life, but from his perspective it’s clear that Hawthorne is the protagonist whether Tony likes it or not.

Again, meta.

The case in this one was particularly twisted because it’s wrapped up in the shared past of many of the participants in this film shoot AND it’s tied up in a surprising bit of Hawthorne’s past that he has refused to share details of with Tony – and therefore with the reader. (And he still doesn’t even when he does which is a fascinating trick in itself.)

This series is one where the detective keeps all the details VERY close to the vest and drives his sidekick crazy with it. So Tony doesn’t know and we don’t know (I didn’t) because we don’t see most of the truth behind the scattered clues because Hawthorne ALWAYS has information we don’t.

So if you’re looking for a ‘fair play’ mystery you won’t find it in the series. But if you’re looking for twisted suspense that will keep you well suspended, Hawthorne and Horowitz – but mostly Hawthorne – are going to pin you to the edge of your seat until the bitter end.

Initially, I thought that The Word is Murder was a one-trick pony. I’m thrilled that it hasn’t been, and that this series shows no sign of ending. I’ll be back for Hawthorne and Horowitz’s next case, whenever that next body drops.

A+ #AudioBookReview: Out of Her League by Ava Rani

A+ #AudioBookReview: Out of Her League by Ava RaniOut of Her League by Ava Rani
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, sports romance, STEMinist romance
Pages: 368
Length: 9 hours and 31 minutes
Published by Avon, Blackstone Publishing on May 12, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

"Ava Rani creates the perfect mix of romance and drama!" — People

To make her ex jealous, an ambitious young surgeon recruits a charming star soccer player to be her date to a lavish Parisian wedding—but love might have a game plan of its own, in this stand-alone romance from the USA Today bestselling author of the Biotech Billionaires series.

Dr. Isabelle Mercado is this close to having it all. Top of her class at the country’s most competitive orthopedic surgery residency, a dream career within reach, and a golden ticket to the wedding of the year in Paris.

There’s just one problem: her ex—the one who got away—is going to be there… with his perfect new fiancée.

Desperate to save face (and maybe spark a little jealousy), Isa enlists soccer legend and global heartthrob Austin Cade to be her fake date. It’s the perfect match: after an injury and some unfortunate encounters with the press, he needs good PR and the kind of elite connections this wedding will attract. Plus, her ex just so happens to be his #1 fan. Win-win.

But between champagne toasts, macaron baking classes, and stolen glances under the Parisian stars, pretending starts to feel a lot like the real thing. Isa’s always been all-in on her career—love was never the goal.

But maybe, just maybe… this time, the heart has its own agenda.

My Review:

What Dr. Isabelle Mercado and soccer player Austin Cade have in common at the beginning of this romance seems shallow enough to fill a thimble. Not that either of them ARE shallow, just that you would think – for that matter they both would and do think – that they’re not so much opposites as on entirely different planes of existence.

Not in any terrible or judgmental ways, either. It’s just that Isa is a senior medical resident in a high-stakes, high-pressure, even more male dominated branch of a still male dominated profession. Her focus on her career is so total that most of her friendships and all of her romantic relationships have been sacrificed to her achievement of that career since she was a child.

She’s about to reach the goal she’s been aiming for all of her life – and she can’t afford to let anything stand in her way. Like the blurry, off-kilter feeling she’s suffering from because the guy she’s spent several years believing she was in an on/off relationship that would eventually result in their happy ever after has not only moved on without telling her, he’s gotten engaged and has been invited to her best friend’s Paris wedding as a family friend’s plus-one.

Isa is utterly thrown for a loop. Which is where Austin Cade comes into the picture. Not that he hasn’t already been in the picture, but as a patient for her mentor. She’s not Austin’s doctor. Not that she hasn’t noticed him, but she’s NOT his doctor.

The story steps on the “Troperville Trolley” when she decides she needs a date to that wedding that will make her ex regret that he let her go. That will make him understand that she’s not only moved on, but that she did it with one of his biggest heroes.

It’s a fake dating scheme that benefits them both. She’s not sad, lonely and rejected in Paris, and she gets to make her ex regret his action. What Austin gets is what makes the story interesting. Because he’s 38, he’s recovering from his second major injury, and his playing days are numbered and he knows it.

He’s figuring out his second act. Which might be coaching. Being in Europe will give him a chance to talk with some teams about coaching opportunities. But it will also give him an opportunity to drum up support for his REAL goal – creating a combination training academy and coaching opportunity IN THE UNITED STATES, for kids just like he was who need a boost into the Premier League AND to create the same kind of infrastructure for the sport in the US that exist in Europe.

It’s a big, big idea. And it’s a seriously risky proposition. But when Austin and Isa team up in Paris, it starts to look like a real possibility. And so does the possibility of their relationship continuing once they return to the US.

At least until Isa’s ambitions get in the way of her happiness. Because life has taught her that women like her don’t get to “have it all” and that her heart will be a little less broken if she breaks it off while she’ll still survive the pain.

Escape Rating A+: Honestly, I picked this one up solely for one of the narrators. Vikas Adam is one of those narrators I’d be willing to listen to read a grocery list. All the grocery lists. Possibly alternated with Dion Graham and Natalie Naudus, but I wouldn’t have looked twice at this book if he hadn’t been one of the voices. (Not that the other narrator, Vanessa Vasquez, didn’t also do an excellent job, because she certainly did. I just didn’t KNOW that when I started.)

Howsomever, missing this book would have been a terrible mistake. Because this turned out to be awesome in ways I wasn’t expecting AT ALL. I was expecting a bit light and fluffy – and the blurb certainly led me to believe that this would be an express ride on the “Troperville Trolley”, but I didn’t expect the story to work for me nearly as well as it did.

Which it did. A LOT.

The story isn’t about those tropes. The tropes aren’t what’s holding it up or holding anything together. They’re just a way of setting the stage. And it’s the stage that kept me glued to either my audiobook or my book to see what happens next.

Because the story is about the myth of having it all, and the realization that women really can’t without giving something up. That’s the perspective that Isa comes into the story with because it’s the example she’s grown up with. And it’s real for women whether they are on the path to becoming orthopedic surgeons or just planning on a consuming and rewarding and above all, ambitious career in ANY field.

Isa’ parents are both surgeons. They met in medical school. Her MOTHER was the star student, but her FATHER is the one who made a big name for himself in orthopedic surgery. Because her mother put HER career on the back burner to have Isa, and her father NEVER had to face any of those compromises.

Her father has done nothing but push Isa to sacrifice everything to be the best, to follow in his footsteps and to be HIS legacy, while her mother has acted as if Isa needs to excel because she stepped off that same path. Or, at least, that’s Isa’s take on her mother.

It’s a scenario in which, no matter how hard she tries AND how much she succeeds, it’s never good enough. Because she’s always in her father’s shadow while being aware of her mother’s regrets. (If there’s a misunderstandammit in this story it’s between Isa and her mother because they’re each assuming things about the other and not ever having a conversation about the truth of the thing. Which works because we don’t have those kinds of conversations with our parents even when we should.)

Isa is all too aware that women in medicine, or in any STEM field, face judgment and consequences that men simply don’t. And she’s more than ambitious enough in her own right to question all of that, to recognize how unfair the system is, and still want to prove them all wrong and to prove she’s better.

Which is why both her best friend’s wedding and her ex’s engagement throw her for a loop. Not because she wants him back, but because the situation shines a focus on everything she’s given up to get where she is. And that she’s not sorry she made the sacrifices she’s made, and she’d do it all again, but she’s looking at her future and wondering if her life is always going to be this way because any relationship requires compromise and she can’t even think about without feeling threatened. Which a compromise might very well be.

What makes the story and the romance work is that Austin falls for her exactly as she is, ambitions, single-minded focus, and all. He doesn’t need her to be anything other than who she really is. Because his story is that his playing days are nearly over and his next act is going to be his own dream – but that’s flexible and he’s gotten all the ego validation he needed when he was a player (in multiple senses of that word).

He wants her to be happy with HER choices, and he wants them to be HER choices. He just wants those choices to include him. So the romance works, once Isa gets over freaking out about things, because Austin forces her to question herself about which of her choices are really hers and which ones are all about her father’s need for a legacy in terms that her father understands and accepts.

The story doesn’t take any of the easy ways out to get to the HEA. Isa’s dream has always been to be a surgeon. And she is ambitious and driven about it and she does have an uphill climb. But in her recognition that she doesn’t need to keep walking in her father’s footsteps, that being HIS legacy is not HER dream, and that she can invest in a future and a career and a life that is hers, may be hard to achieve but is within her reach without compromising what’s important to her with either a partner who expects her to make all the compromises or with a father who only sees her as a reflection of his own glory.

So what stuck with me, and why I enjoyed this so much even as I angsted right along with Isa, was that this was a story about adults making adult decisions about the directions of their lives together and separately. Not that the romance isn’t fan-damn-tastic and not that Isa and Austin don’t raise the temperature of any room they banter in, but because their starting places rested in important decisions their compromises – and their HEA – felt earned because they worked through their issues both separately AND together.

A+ #BookReview: Villain by Natalie Zina Walschots

A+ #BookReview: Villain by Natalie Zina WalschotsVillain (Hench, #2) by Natalie Zina Walschots
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: science fiction, superheroes, fantasy, urban fantasy
Series: Hench #2
Pages: 464
Published by William Morrow Books on May 19, 2026
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The Boys meets Starter Villain and Assistant to the Villain in Natalie Zina Walschots’s electrifying, sharp, violent, and hilarious sequel to the highly acclaimed novel, Hench, in which the Auditor must confront the near-impossible in order to right the many wrongs in the superhuman industry…or cause more of them. She’s not picky.
Anna, better known to superheroes as the Auditor, has carved out a name for herself. Any hero unlucky enough to cross her path knows her potential and powers. Surely, success should taste she has an incredible job with lots of perks, and her boss will literally annihilate anyone who crosses her, and her greatest enemy, the former hero Supercollider, has been utterly defeated and literally ground to a pulp.
But Anna still has her sights set on a greater destroying the Draft, the organization that makes, trains, and manages the world’s most powerful superheroes. These “heroes” have shown time and time again that they do more harm than good, and now is the time to stop the damage at its source.
Yet all is not well for the Auditor and her fellow evildoers. Her employer, Leviathan—the world’s most feared supervillain—is not coping well with Supercollider’s defeat at someone else’s hands. Moreover, her unlikely ally and unexpected friend, Quantum Entanglement, has vanished without a trace, leaving Anna to examine all the ways they deceived each other. Tension and uncertainty fill the air, and fear that this moment of triumph is about to crumble looms over all of them.
Anna soon finds herself facing down an opponent unlike any she’s taken on before—not another superhero, but someone like her…someone much more the Draft’s Chief Marketing Officer. This isn’t a test of physical prowess, but ideas, and as the fight spirals deeper and deeper, with new foes popping up every day—she’ll need more than just her superpower—data research—to keep ascending through the supervillain ranks.
It’s guerrilla ad warfare, and the Auditor might have finally met her match.

My Review:

The story in Villain picks up immediately where Hench left off. I mean immediately, meaning that Villain is not a standalone and you need to start with Hench. And it’s SO worth it.

But the location is, surprisingly from the Auditor’s perspective, in a complete and absolute slough of despond at Leviathan HQ. Leviathan’s arch-nemesis Supercollider has been reduced to a puddle of goo – literally – but Leviathan isn’t the one responsible for reducing his greatest enemy to a living sludge-pile. That honor goes to Quantum Entanglement. Leviathan is standing on that fine line between hate and love – because Supercollider was his lifelong nemesis, they even trained together before Leviathan turned to the darkside – and he’s grieving and can’t either admit it or deal with it.

The Auditor doesn’t actually care who disposed of the bastard, just that he’s out of the superhero business. What Quantum Entanglement’s name implies is what she actually did. Supercollider may be technically alive – but he can’t be fixed. No one is certain he can even be killed because of the nature of his superpowers.

But they are absolutely certain he is out of the game – even if Superhero HQ, AKA the Draft – is lying through their collective teeth rather than let that particular cat out of the super-secret bag.

The Auditor wants to kick the Draft while they’re down. But Leviathan is emotionally AWOL. His staff and followers believe that he died in the showdown that took Supercollider out. The Auditor is one of the few that know the truth – and it’s just about killing her to keep the secret from her own people.

Her weaponization of spreadsheets has turned into a position of crisis management – and she pretty much hates it. Nearly as much as she loves her not-exactly-human boss who isn’t exactly talking to her at the moment.

The reader feels her frustration at the delay of action in both her professional AND personal lives. Not that they aren’t pretty much one and the same by this point in her career as Leviathan’s right hand hench.

Once the Draft’s lies about Supercollider start exploding in their faces, they kick the can right down the road to Leviathan’s court. They blame him for the death of their hero, a death the Draft itself caused as either a last-ditch medical attempt to unentangle the blob – or a mercy killing.

The Draft brings Leviathan back from the metaphorically dead – and it works. It works for their PR machine, but it also works for Leviathan’s psyche. He’s back, he’s in charge, and he’s eager to let the Auditor, HIS Auditor, take up the reins of being evil to her heart’s content, yet again.

Even as the Draft makes a “Hail, Mary” pass at converting the Auditor back to their side – along with any other hench they can manage to convince that good is better. Even if, or especially because, true hench know that the Superhero side isn’t better – it’s actually worse.

Made even more so by being such sanctimonious, hypocritical, twats about the vast amount of damage that they do – especially to their own.

Escape Rating A+: Villain is an utterly compelling story about crisis management and the truly villainous power of SPREADSHEETS!

It’s also, and more notably, the follow-up to the extremely awesome Hench, which was – and still is – “decadently delicious villainous competence porn” as I said in my review of Hench back in September 2020, OMG during the pandemic, and have been hoping for a sequel for FIVE AND A HALF YEARS. I kind of gave up hope.

Which doesn’t mean that I wasn’t thrilled to see this appear, and that I didn’t gobble the whole book down in a day. (Howsomever, if the final copy of this book is REALLY the estimated 368 pages of the estimate the type is going to be miniscule. My kindle eARC had over 7000 kindle locs – which means it was approximately twice that long. I STILL finished it in a day – admittedly a long one.) (I wrote this review several months ago. The page count has been revised UPWARDS by 100 pages. Which feels a whole lot more realistic. OTOH The Draft obfuscates and hyperbolizes JUST LIKE THIS.)

However, I’m over here still trying to tone my SQUEE down and it’s not working. #sorrynotsorry

Stories about the toxicity of the superhero concept have been done – I’m thinking particularly of the TV series The Boys. Stories based on what the real world costs of superheroes among us have also been done. Hench was one of those stories, along with the Assistant to the Villain series. (Hench predates Assistant by several years. BTW.) It’s kind of an obvious idea to play with if you think about the damage to NYC in Marvel’s Avengers and wonder who the hell paid to fix it? (If you wonder a LOT there’s plenty of fanfiction that plays with THAT concept)

In Hench, Anna, now “The Auditor” embodied that damage. Literally. Supercollider broke her body, mostly by accident, and both he and the Draft ignored her – and other victims just like her. Then Supercollider targeted her – for fun.

No wonder she turned completely to the ‘dark side’. At least supervillains own the things they do.

This second book digs deeper, in multiple directions. The Auditor’s superpowered data analysis uncovers more dirt about the Draft and the damage it deliberately does to the budding superheroes it, well, drafts. She exposes their dark underbelly – and it’s very dark indeed under there.

At the same time, she’s at a crossroads in her own life – one that the Draft is more than willing to exploit after all the data analysis they’ve done on her. She became a hench, because she wanted to fight against the superheroes using the only talent available to her, data analysis. But her nemesis is out of the game. Her revenge fueled work is done. If she continues from this point, then it’s because she wants to be evil.

(This reader found herself wondering about the nature of evil in this story, because it feels like the same “evil is a matter of perspective” scenario as the Queens of Villainy fantasy series. Leviathan – and by extension his Auditor – is called evil because he regularly thwarts the plans of the supposedly good superheroes of the Draft. But the side of good is objectively not truly good. If the superheroes are not good, does that mean that the supervillains are not evil? I’m still mulling this one over. A lot.)

The one thing she’s certain she does want is Leviathan himself. There’s a romance there that I’m not sure is a good thing for the Auditor and not just because it reminds me a LOT of the very unequal power balance of the romance in But Not Too Bold – which was a borderline horror story. The physical power imbalance between Leviathan and the Auditor is inescapable, but the way that he exploits the many other facets of the power he has over her – he’s her lover and her boss, and because the perks of her job include her on-site luxury apartment he’s her landlord as well. If she gets fired, if she displeases him, she’s jobless, homeless and likely dead. But the icing on this particular squicky cake is that he has performed body modifications to her that give him the ability to see out of her eyes and hear from her ears 24/7 without her consent. She can’t even tell when he’s watching.

They do manage to negotiate a less inequitable relationship, but there was a lot of squicky non-consensual stuff going on for a while and I’m not sure whether the story as a whole was helped or hindered by it. It’s my mixed feelings on this particular score that made this an A+ review instead of an A++ review as Hench was.

Because as much as I worried over Anna’s situation, and as icky as she – and I – felt about Leviathan’s potential for constant surveillance and his overwhelming possessiveness and desire for control, I was still powerfully sucked into this story and could not tear myself away. Not that I tried terribly hard.

I think there is plenty more story in store for the Auditor. Now that she’s fully invested in being a Villain, and the superheroes and their Draft are on the ropes yet again, it’s time for her to climb the ranks of supervillain alongside Leviathan. Unless she decides to forge her own path – or it gets forged FOR her. Either way, I hope we see her again – at the top of her game – in a future book in this series. Because this one was definitely worth the wait!

Grade A #BookReview: Radiant Star by Ann Leckie

Grade A #BookReview: Radiant Star by Ann LeckieRadiant Star by Ann Leckie
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: science fiction, space opera
Series: Imperial Radch
Pages: 360
Published by Orbit on May 12, 2026
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Ann Leckie returns to the world of the Imperial Radch in this standalone.
The Temporal Location of the Radiant Star has always been a source of both conflict and hope for the people of Ooioiaa. However, the imperial Radch see it only as an inconvenience, an antiquated religious site soon to be absorbed into their own, superior culture. But local politics is complicated, and the Radch have made one last concession: One last man will be allowed to join the mummified bodies in the temporal location to become a "living saint".
But this one decision will ripple out to affect every part of the city. Amidst a slowly worsening food shortage, riots, and a communication blackout from the rest of the Radch Empire, a religious savant will entertain visions of his own sainthood, a socialite will discover zer comfortable life upended, and a young man sold into servitude will find unlikely escape.

My Review:

If you’re wondering where this fits into the chronology of the Imperial Radch, well, so was I. If you’ve not read the Imperial Radch series that begins so marvelously, with Ancillary Justice, you might want to go back and do that. Because DAMN but that opening trilogy (Ancillary Justice, Ancillary Sword and Ancillary Mercy) is AWESOME.

Also it’s the record of events elsewhere in the Radch, the events that are causing so many difficulties on Ooioiaa, the tiny, remote, mostly disregarded and still in the process of being colonized by the Radchaai, the planet on which this story about colonization, colonialism and collateral damage takes place.

In other words, Radiant Star is a bit of a side story to the main action of the series. Or, at least it is from the perspective of the Radchaai governor, her staff and all the functionaries with her on Ooioiaa.

But only until Governor Charak concludes that the weeks she has been entirely cut off from communication and resupply from the vast bureaucratic empire of the Imperial Radch represents, not a mere technical glitch, but a disaster of such epic proportions that multiple gates in the empire’s vast travel and communications network are offline – AT THE SAME TIME.

She knows something terrible must have happened – but she doesn’t have any information to tell her precisely what and how bad the disaster might be.

Without access to the resources that keep both the economy AND, more importantly, the FOOD SUPPLY on Ooioiaa stable, and without the ability to call in “the cavalry” if that stability becomes UNstable, Governor Charak knows that her mission is in trouble.

Not that she doesn’t have enough personnel and especially ancillaries from her ship, Justice of Albis, because if she is willing to be bloody-minded about it she can put down any rebellion on the part of the population. But her mission is to govern these people, not conquer them. Killing a wide swath of those people – if it can be prevented – is against her mandate.

However, between the truly weird planetary conditions on Ooioiaa, the lack of imports from well, anywhere at all to supplement the food supply, a little bit of human stupidity and a whole lot of human greed, the native food supply on Ooioiaa can’t cope with the number of people it is currently supporting.

Inflation and food shortages are not enemies that Charak can negotiate with. She can use the ancillaries to guard what’s left, but her attempts to increase that food supply don’t just fail, they make the situation catastrophically worse.

People are starving on the streets. Well, nearly all of them. If Charak’s attempt to add to the food supply marks the human stupidity that fuels this mess – and it does – then the greed of the local officials who are hoarding food and stealing the little bit that does manage to come in through bribery and outright corruption – turns the whole thing catastrophic.

Fortunately for Charak, the rank corruption of the local officials stinks so badly that a lot of the population’s ire will be turned on them instead of her, once the crisis is over. If it doesn’t end in a planet of graves.

Escape Rating A: This was a LOT. Not necessarily in pages, but in density. There’s a lot going on on Ooioiaa and there’s a lot of story to tell and a lot to think about as that story gets told. Something which was definitely true in the original Imperial Radch trilogy. I think you could start here, because this is very much a side show to the main action of the trilogy. But, but, but, Ancillary Justice sets up this universe in a way that is a bit more focused because it’s filtered through one viewpoint, from a character who is very much learning how things work as they go, so the reader gets to learn along with them.

This story, while it’s to the side of the main one, is absolutely complete unto itself – but it relies on that prior knowledge – even if that prior knowledge isn’t exactly new – to allow the reader to immerse themselves in the story. So you could start here and the story here would work but I know I’d feel the missing-to-me bits floating around the edges and it would drive me bananas. (Your reading mileage may vary on this. I fully admit to being a completist.)

I absolutely did immerse myself fully in this story. This was a one-evening – well, one evening and night – read for me. I fell under its spell in the first chapter and didn’t emerge until I was done after midnight.

Radiant Star is science fiction of the type that Lois McMaster Bujold once described as “the romance of political agency”. While this is certainly about colonialism and colonization, those themes are explored through the people and the political machinations of those people on both sides of the equation. That Ooioiaa is a planet with its own long history, that it has been established and populated for millennia means that its people understand that this is what the Radch is and it’s what the Radchaai do and that they do not have the means to stop any of it. All they can do is attempt to preserve their culture and heritage for a few more generations.

The Radchaai, on the other hand, see the Ooioiaans as mostly civilized but not quite civilized enough. That the Ooioiaan religion includes a LOT of beliefs that the Radchaai find anathema (and vice versa) doesn’t exactly help this situation. That the Ooioiaan religious hierarchy is corrupt down to its bone marrow and fighting amongst its own factions doesn’t exactly make either side more tolerant of the other – but Charak has the power to force the issue. She can’t make the Ooioiaans worship the Radchaai god, but she can co-opt the Ooioiaan religion. That’s ALSO what the Radchaai are good at.

As much as I’ve talked about the situation, because it is fascinating and the workings – and non-workings – of the levers of power fascinate me, the story is told through its characters. After all, the reader can’t FEEL for a system – however intricate – but absolutely can feel for the people being jerked around BY that system. And of course, boo and hiss at the people who are being the jerks.

Which we do. Because there are plenty of both.

One of the fascinating things that we don’t see very often in SF or Fantasy is that a lot of this story centers around the religious practices of the Ooioiaans along with the machinations of their clergy in order to maintain and expand their secular power. Admittedly, the machinations we see plenty of in SF/F, but the actual practices, not so much. In that part of the story, Radiant Star brought to mind The Cemeteries of Amalo sequel subseries for The Goblin Emperor, both because The Goblin Emperor is an SF story, although with a fantasy feel to it, that is very much about political agency and political power, and because The Cemeteries of Amalo series which begins with The Witness for the Dead, views that world through the eyes of one of the members of its religious orders, someone who is themself a true, righteous believer but sees their superiors for the humans they are and their jockeying for power and positions as the distractions from faith that they have become.

The ending of this story tied the whole thing up in a bright, shiny bow that also looped in EVERYTHING that happened in the original trilogy AND swept up all the religious and political loose ends in a way that was the best kind of deus ex machina. Because the machina isn’t deus at all – it just has really excellent timing. Bringing this fascinating epic to a grand AND hopeful conclusion.

Just as hopefully, I hope that this is not the end of the Imperial Radch sequels. Because the three we have so far, Provenance, Translation State and now Radiant Star, have all been VERY worthy successors to that landmark (maybe that should be spacemark?) award-winning series and I would love to have MORE!

A+ #BookReview: Palaces of the Crow by Ray Nayler

A+ #BookReview: Palaces of the Crow by Ray NaylerPalaces of the Crow by Ray Nayler
Format: eARC
Source: supplied by publisher via Edelweiss
Genres: historical fantasy, historical fiction, magical realism, World War II
Pages: 384
Published by MCD on May 19, 2026
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In Ray Nayler’s speculative novel of the recent past, four young teens caught between Nazis and the Red Army survive winter in the woods with the help of a flock of highly intelligent crows with a magnificent secret of their own to protect
Neriya, a young Jewish girl who dreams of becoming a biologist, has befriended a local flock of crows in her shtetl. Czeslaw is an underage Polish soldier who deserts the Red Army and runs into the freezing Lithuanian woods. Kezia is a Roma horse trader whose family is on the run from Soviet collectivization. As the German blitzkrieg crashes across the border in June 1941, all three are caught up in the onslaught. Along with Innokentiy, an abandoned boy who cannot speak, they are driven into the primeval forest, where they survive by forming an unbreakable bond with one another—and with Neriya’s intelligent crows, who for years have been bringing her intricate gifts suggesting they are no ordinary corvids.
As the war goes on, the crows warn the children of danger and help them hide from the human threats of the forest—not only the Germans but also Russian deserters, Polish partisans, fascist Lithuanian police, and the other bandits and outcasts wandering the benighted landscape.
From the Ray Bradbury Prize and Arthur C. Clarke Award finalist, and Hugo and Locus Award winner, Ray Nayler, Palaces of the Crow blends history and haunting speculative wonder into a story of survival, loyalty and the fragile beauty of life in the darkest of times.

My Review:

I picked this up expecting more of Where the Axe is Buried and/or The Tusks of Extinction. What I got was a bit more of The Mountain in the Sea, crossed with, of all things, Slaughterhouse-Five and just a touch of H is for Hawk. I wasn’t expecting that at all. If you are, check your assumptions at the door because this is an awesome, heartbreaking, riveting and frequently terrifying read – but it isn’t any of the things I thought it would be.

This is one of those “fiction is the lie that tells the truth” stories, about the parts of World War II that got buried by various governments in the post-war economic boom and the Cold War. And it feels like a truth, as it quotes from a searing collection of firsthand accounts from survivors of Belarusian villages burned by the Nazis (and looted by the partisans) during World War II. That book, variously titled “I Am from the Fiery Village” or as it is referred to in Palaces of the Crow, “The Autobiography of a Burned Village” grounds this fictional story in a reality that tears at the reader over and over – but also carries the reader over the magical realism-esq parts of the story, meaning those ‘palaces’ and the crows who built them, inhabited them, and sheltered the human protagonists of this story within them during a war that did its worst to kill them and everyone around them over and over again.

And did succeed in taking one of their lives – and leaving even bigger holes in the hearts and souls of those who survived.

The story is told from the perspective of four children who became adults in the crucible of war in the middle of territory contested between Russian and Germany in what is now the Republic of Belarus. Neriya, a Jewish girl whose shtetl was burned to the ground – like over six hundred others. Kezia, a Roma girl whose family and clan were slaughtered, like so many others. Czeslaw, an underage Polish deserter from the Russian army, and an unnamed boy whose last order from his mother was to be ‘quiet’ and hasn’t spoken a word since.

Palaces of the Crow is about their survival, all too often just barely, by the skin of their teeth, in the midst of crossfire between opposing armies and/or bands of desperate, barely human survivors, in a land laid waste by war. A survival made possible by the help and protection of a flock of preternaturally intelligent crows, who warned them of danger, herded them away from hunters, and took them inside the very heart of their vast nest to allow them to survive the war’s last, desperate winter.

That description is barebones and not enough. It doesn’t convey the desperation, the danger, the moments of joy or the love between the no-longer-children in this found family of lost souls. For that, you need to read the story, and you should. Because this isn’t a hero’s story of war. It’s a survivor’s story, and that’s the perspective that needs to be told – and remembered.

Escape Rating A+: I picked this up for the author, and that’s a good thing, because it’s both not what I expected and frankly not a story that any of the blurbs are having any luck summarizing. It’s also NOT, as some of the sites have it, in any way science fictional. It’s even dubious whether it is even in the realm of speculative fiction at all.

Which doesn’t mean that it isn’t like the author’s previous work, because it very much is. Especially The Mountain in the Sea. Their themes are surprisingly similar even though their settings are centuries apart. The Mountain in the Sea is a story about an attempt to communicate with other intelligences on Earth, set during a future period of global catastrophe when survival, any and all survival, seems to be in doubt.

Palaces of the Crow is also a story about attempting to communicate with, or understand the communications of, other intelligences on Earth, set during a historic period of global catastrophe when survival seemed to be in doubt.

If The Mountain in the Sea had been set in the world of Slaughterhouse-Five – without that classic’s science fictional elements, it might have been something like Palaces of the Crow. Only bloodier and even more horrifying albeit with a somewhat more hopeful, for certain, bleak definitions of hope, ending.

But that bleakness fits the characters, the setting and the perspective of the whole story. Because this story is not told from a Western point of view. World War II, as seen from the U.S., was a distant thing, a righteous quest for glory – whether it actually was or not. The war wasn’t HERE (except for the Aleutian Islands and the lower 48 still have a difficult time seeing any parts of Alaska as ‘here’) Even for Britain, there were lots of bombs and they suffered a terrible loss of life, but they weren’t invaded. France was invaded, but it wasn’t starving frozen as it was in Belarus. It was war and it was horrifying, but it wasn’t the frozen bleakness of Belarus and the stories of it are just different (All the Light We Cannot See might serve as an example of what this story might have been if it were set in France during the same time period). The bleakness of THIS story is very much an eastern European perspective and it’s not one we see often in Western literature.

There are two twists at the end. One I saw coming, the other led to that bit of hope in the ending that I wasn’t, but was very pleased to see. Not because it was happy – although it is if you squint a bit, but because it was home.

I’m back to where I was at the beginning, that this book is marvelous and heartbreaking as long as you check your assumptions about it at the door before you start. It’s the kind of story that you’ll be thinking about for a long time after you finish – and not just because of the crows.

Grade A #BookReview: Platform Decay by Martha Wells

Grade A #BookReview: Platform Decay by Martha WellsPlatform Decay (The Murderbot Diaries, #8) by Martha Wells
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: science fiction, space opera
Series: Murderbot Diaries #8
Pages: 256
Published by Tor Books on May 5, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Everyone's favorite lethal SecUnit is back in the next installment in Martha Wells' bestselling and award-winning Murderbot Diaries series.
Having someone else support your bad decision feels kind of good.
Having volunteered to run a rescue mission, Murderbot realises that it will have to spend significant time with a bunch of humans it doesn't know.
Including human children. Ugh.
This may well call for... eye contact!
(Emotion check: Oh, for f—)

My Review:

After the events of System Collapse – which come up fairly often in Murderbot’s consciousness in this new story even though Murderbot would rather bury those events in a dark hole in its memory somewhere – I was a bit concerned about Murderbot. Specifically concerned because the system that was collapsing throughout System Collapse seemed to be Murderbot’s own system. Those events make Murderbot certain that Barish-Estranza, the evil megacorp that Murderbot and its friends outmaneuvered in System Collapse, is STILL out to get all of them – because that’s what evil megacorps DO and Murderbot is right to be paranoid about it.

But all of that, and Murderbot’s doubts about its own capabilities throughout that story, have had me worrying since the title of this story, Platform Decay, was announced. I’ve been worried that the platform that we’d watch decay in this book would ALSO be Murderbot’s own.

In spite of having added emotions to its programming – an act that Murderbot STILL isn’t sure was a good idea – Murderbot is not the platform in the process of collapsing in this story. It could be argued that Barish-Estranza might be, but they are obviously too big to fail. Not that they’d ever admit to failing, and not that their representatives don’t fail all over the platform that IS collapsing in this story.

The actual platform that is in danger of collapsing is a transportation platform on a stupidly designed and administered torus around a mined-out planet. Along with, quite possibly and it really should, the mish-mash of megacorp governance that keeps the wide, vast, long, boring segments of the torus from even communicating with their neighbors. Murderbot hates the whole thing all throughout their long, dangerous, and occasionally outright tedious journey around the thing.

(That tediousness is entirely from Murderbot’s perspective. The READER is absolutely riveted.)

Murderbot, on the other hand, is way, way, way out of its comfort zone – if it would admit that it has such a thing. It begins on a well-planned – well, a well-planned-ish – mission to rescue members of its friend Dr. Mensah’s family from a B-E plot designed to capture someone from Dr. Mensah’s inner circle. (B-E is still VERY salty about the events in System Collapse and this whole plot is an obvious trap. Murderbot is the best representative for Dr. Mensah to send for many reasons, including the fact that Murderbot would rather deal with this mess themself AND it will really piss B-E off which is always a win.)

The plan, which was already shakier than Murderbot would have preferred, doesn’t merely not survive first contact with the enemy, it goes entirely pear-shaped. Leaving Murderbot at the beginning of a long journey with not nearly enough information facing MANY changes of transportation, all of them old and slow, to get around the huge torus in time to make a pickup on the other side.

All while protecting one of Dr. Mensah’s spouses, one of her daughters, AND the whole family’s grandmother – whether THAT relationship is by blood or adoption. As if that weren’t enough, they’ve collectively committed to a rescue along the way, getting their enemy’s children out of the clutches of the evil megacorp that their mother got them involved with in the first place.

The journey is so long and so fraught that Murderbot doesn’t have nearly enough time to watch serials to calm itself down. It’s a mess and so is the situation. But not so much of a mess that Murderbot doesn’t have a chance to get them all out in one piece.

Even if it has to sacrifice itself in the process. Then again, self-sacrifice is ALWAYS Murderbot’s plan Z – especially when the planning is so sketchy that it has skipped all the letters after B. As the planning for this mission certainly has.

Escape Rating A: This series is officially titled “The Murderbot Diaries” – and there’s a reason for that. Whether they are precisely Murderbot’s “diaries” or not, they are all told from Murderbot’s own perspective, from inside its own head, obfuscating the things it doesn’t want to think about, shying away from memories it doesn’t want to deal with, and generally being snarky about human behavior and human stupidity. (Two of the shorts, Rapport: Friendship, Solidarity, Communion, Empathy (one of this year’s Hugo contenders in the Best Novelette category) and Home: Habitat, Range, Niche, Territory are told from other perspectives. Nevertheless, consider the series to be the all Murderbot, all the time channel.)

Which means that the series rides or dies on Murderbot’s own voice. If you enjoy their perspective – particularly if Murderbot is thinking a few of the same things you would in the same situation – the series REALLY works. If epic snarkitude is not for you, then Murderbot may not be either. But you’ll be missing out because this series is fantastic.

Part of what makes Murderbot such a fascinating and fantastic character is that they are on a journey of self-awareness AND self-fulfillment. In a way, this whole saga is Murderbot’s coming-of-age and into personhood story. They learn, they change, they grow, they regress, they have impostor syndrome, they take two steps back and try again. Just like the rest of us.

But that’s the rest of us persons. The rest of us self-aware and self-willed beings. Murderbot has no desire whatsoever to become human. It thinks we’re mostly gross and stupid, and it’s not wrong most of the time. It’s not Pinocchio, and it’s not Star Trek’s Data. It does not want to become a “real boy”, or a “real girl” for that matter (it wants no part of the gender binary for itself, thankyouverymuch).

Murderbot is on the journey to discover itself, whatever form that discovery might take. But it does not desire to be human. Ever. Which is part of our collective fascination with the character.

This particular entry in the series takes the form of a rescue mission combined with a long journey. It places Murderbot in a position where it is not exactly ‘in charge’ but isn’t exactly a follower. Instead, in spite of its own doubts about itself, it’s one of the ‘adults’, using that term loosely, protecting and rescuing at first one and eventually three traumatized children.

And it’s starting to realize, not just that it needs the humans as much as the humans need it, but that it feels surprisingly good to have others support its decisions – even the potentially terrible ones. Especially the terrible ones.

What it’s going to do with that new bit of self-knowledge is something we’ll all discover, including Murderbot itself, in the next installment of the series. Hopefully in not nearly as distant a future as the future that Murderbot and their friends are living through.

A- #BookReview: L. Ron Hubbard Presents Writers of the Future, Volume 42 edited by Jody Lynn Nye

A- #BookReview: L. Ron Hubbard Presents Writers of the Future, Volume 42 edited by Jody Lynn NyeL. Ron Hubbard Presents Writers of the Future Volume 42: Illustrated Edition Featuring the Next Generation of Science Fiction & Fantasy by L. Ron Hubbard, Jody Lynn Nye, Ciruelo, Orson Scott Card, Nina Kirki Hoffman, Brian C Hailes, Larry Niven, Thomas R Eggenberger, Dorothy de Kok, Michael T Kuester, Elina Kumra, Mark McWaters, Brenda Posey, Zach Poulter, Kathleen Powell, Joseph Sidari, Thomas K. Slee, S.J. Stevenson, Mike Strickland, BAFU, Nathan Deiwert, Tracy Eire, Art Ikuta, Anna Malone, Josie Moore, Amuri Morris, Karah Richardson, Tray Streeter, Roddy Taylor, Zhang Haotian "Allen"
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: fantasy, science fiction, short stories
Series: Writers of the Future #42
Pages: 480
Published by Galaxy Press on April 28, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The Future Is Here.
If 42 is the answer to life, the universe, and everything, Volume 42 asks the questions worth thinking about.
Discover the next generation of science fiction and fantasy with twelve emerging authors and three powerhouse storytellers. These unforgettable short stories deliver everything readers love—time travel, first contact, magical realism, monsters, fairy-tale twists, and pulse-pounding science fiction and fantasy—crafted to surprise, thrill, and keep you turning pages.
Dive into a time-rescue gone wrong, a beauty treatment with a terrifying side effect, a detective battling a body-hopping killer, and a homesteader uncovering a truth that rewrites Earth itself. Explore whimsical, high-stakes fantasy as a baker braves the fairy underworld; confront supernatural horror in “Ghost Dog”; and experience the emotional and ethical tension of love trapped in virtual reality in “As Long as You Both Shall Live.” Whether you’re seeking the genre-bending innovation of “Bloom Decay,” the emotional epic of “A Girl and Her Dragon,” the humor and chaos of “The Triceratops Effect,” or the visionary mystery of “Skinny-Shins,” this volume delivers standout stories readers will recommend, review, and remember.
Featuring original stories by Orson Scott Card and Nina Kiriki Hoffman.
Perfect for fans of:
Orson Scott Card, Nina Kiriki Hoffman, Blake Crouch, Brandon Sanderson, V. E. Schwab, Naomi Novik, Michael Crichton, Ted Chiang, Ken Liu, and Black Mirror.
Includes:
*12 illustrated stories from emerging stars of speculative fiction*3 bonus stories by bestselling authors*3 articles on the craft and business of writing and illustrating from top creators
Selected from thousands of entries worldwide, Writers of the Future Volume 42 brings together a new generation of emerging authors and illustrators—your launchpad into the future of science fiction and fantasy.
Get it now.

My Review:

This is now my fourth review of the annual Writers of the Future collection, and I think I’m starting to get the hang of things. By that I mean sussing out the themes of the year’s collection. It’s not that the collection starts out having a theme – because it doesn’t. These stories were the top three in each of the quarterly Writers of the Future contests last year. But this is a Fantasy and Science Fiction collection, all of whose stories were written or at least finalized during roughly the same time period.

The world, as always, is with us, and the stories tend to speak to something about their present moment. Something that is true in this collection as well.

Among this year’s winners, there are several stories that successfully combine science fiction with mystery, particularly mystery of the hard-boiled noir school. I’m not sure whether the number of these stories in the collection means anything more than just that SF/mystery is having a moment – which it is – but I’m delighted either way. Time travel and its consequences are more widely represented this year than they have been at least in the last few collections. While this year’s collection is more weighted towards SF, there are several standout fantasy stories so there’s plenty here for every reader of short-form SF and Fantasy to love.

As I said in previous years’ review, and I’ll repeat it because it’s still absolutely true, as with most collections, there were a couple of stories that just didn’t work for me, but for the most part the stories worked and worked well. I’d be thrilled to see more work from all of these award-winning authors.

While I will do some very fudgy math at the end to come up with an overall rating for the collection, that’s not fair to the individual stories, so I have brief thoughts of a review type and a rating for each of those new, individual stories so you can see which ones were the best of the best – at least in one reviewer’s humble opinion.

“Form 14B: Application for Certification of Consciousness Transfer (Post-Mortem)” by Thomas Slee, illustrated by Art Ikuta
This didn’t go quite where I thought it would go. I thought it was going the same place as Scalzi’s “3 Days, 9 Months, 27 Years” in being a story about the bureaucratic red tape that is likely to surround the most SFnal of future possibilities when they intersect with humans. Instead, OTOH it’s a story about potential fraud, and OTOH, and much more importantly, it’s a story about a real, true, honest-to-paperwork possibility of a fresh start provided by a tired but still vigilant bureaucrat. And it’s a redemption story, even if that redemption comes secondhand. Escape Rating A-

“Saffron and Marigolds” by Kathleen Powell, illustrated by Bafu
A human, a fairy, and a dragon. It sounds like the start of a really cute story – and it could have gone that way but is better because it doesn’t. It’s a story about love (not just romantic love), a story about wanting, and a story about wishes that really do have power, especially in the sense of the kind of power that corrupts until it becomes absolute and absolutely corrupting.

Arthur’s life was saved – and damned – when he baked a gingerbread cake that the fae king coveted so much that he sent his best agent to kidnap Arthur. Only she refused, leaving Arthur and her pet dragon while she did her damndest to work off her debt to a fae king who was NEVER going to free her. Arthur – and Wandley the dragon – decide to fix that all by themselves, and find a way to get the fairy Menura out from under her debt for all their sakes. This could have been a slight and simple story about the power of friendship, but the deeper it – and Wandley – got into the faery Underearth, the better and more powerful the story became. Escape Rating A

“Bloom Decay” by Elina Kumra, illustrated by Tray Streeter
In the end, this one reminded me of Thomas Ha’s Hugo nominated novelette, The Brotherhood of Montague St. Video, mixed with a whole lot about the way that “the algorithm” narrows our individual worlds by ‘optimizing’ what we see and hear, whether that’s in service of following our own preferences and predilections, in service of optimizing profit that can be raised from us in the marketplace, or in service of the prevailing winds of government or merely the status quo.

It begins by focusing on the homogenization of art through the packaging of artists and creators, then it expands outward into the world that serves, the company that promotes it and profits from it, and then turns its eye inside out to bring those who fight against it from the shadows. Not that they fight through weapons of war, but that they resist the dying of the light of creativity by protecting those who hold its spirit. The story was utterly human, totally thought provoking, and overwhelmingly beautiful. Escape Rating A+

“Shell Game” by Zach Poulter, illustrated by Tracy Eire
This has the gritty noir sensibilities of John Scalzi’s Dispatcher series. The central concept is that there are beings among us who are more than human, who are able to wear ordinary humans as meat-suits. It’s not that gruesome, except when it is. Because those with the ability dip into our minds see the world through our eyes for just a little bit at a time – except when they take over. But they are human in the worst ways, in that some of them get greedy for power and money and ‘clients’ and experiences so they muscle in on each other’s territories – meaning us – to take what they want.

In the end, like the Dispatcher series, this is also an SFnal noir mystery series, in that one ordinary human cop joins forces with one of these beings in order to stop a killer of both kinds of ‘people’ and they form an alliance. It might be the start of a beautiful friendship. But it makes for a fascinating story even if it isn’t. Escape Rating A-

“Canary” by Brenda Posey, illustrated by Roddy Taylor
This was interesting. I’m on the horns of the dilemma that it was a good story but it just didn’t grab me personally. The idea that someone would want to live ‘off grid’, especially in the midst of an ever-worsening climate apocalypse, has been done. That she’s so aggressive about being alone, also seems sensible. That an alien race would preserve humanity as an experiment is even plausible – and in some senses has been done and reminds me a bit of And Side by Side They Wander. I do love that she worked out a deal with the aliens that preserved both her choices AND still saved humanity. But it just didn’t gel for me and I think it’s a me thing. A good story but not a fave. Escape Rating B

“The Triceratops Effect” by S.J. Stevenson, illustrated by Art Ikuta
This was just fun. Also a bit sad in its way. It combines bits of Parker’s Making History, Boy with Accidental Dinosaur, Kaiju Preservation Society, Extremity by Nicholas Binge and pretty much every story about time travel, causality and human nature’s tendency to fuck up whatever it touches.

In the same way – but opposite – that I could see that Canary was a good story but it didn’t work for me, “The Triceratops Effect” just plain worked for me BECAUSE it carried so many elements of those other stories, all of which I enjoyed for either their very charismatic megafauna or the way they played around with time travel and its inevitable consequences. It’s hard to go wrong with a dinosaur story. Escape Rating A

“A Ready-Made Bubble of Light” by Thomas Rudolf Eggenberger, illustrated by Haotian Allen Zhang
This one was just plain weird. I mean really weird. Or it didn’t work for me. Or it’s so busy trying to be mysterious that it turns out to be impenetrable. Or all of the above.

The idea is very solidly SF, and in a peculiar way it’s similar to “The Triceratops Effect” – it just doesn’t work as well. It’s also very noir in the way that “Shell Game” is noir. The idea, and we’re back to “Triceratops” again, is that humans have figured out how to play with time travel and have broken causality. But differently, because in this case they’re breaking time and causality and putting time out of sync in the process – kind of like the way that long-haul space travel at near the speed of light takes the traveler out of sync with their time. Except that’s a universal constant while in this story the lack of sync is not. To the point where it’s going to break the universe. And, much like climate change, which it’s a stand in for, no one is going to believe it’s happening until it’s too late to fix – only with universe spanning consequences.

But that story is wrapped in a story about a mega-corporation playing with the time travel mechanisms in order to understand and then break them, as the story gets told to two time technicians who KNOW a crime has been committed but don’t believe in the justification, which might not be right in the first place. Escape Rating C because this one got to be a slog long before it ended.

“Thickly” by Dorothy de Kok, illustrated by Tracy Eire
I think this story works on two levels. From one perspective, it’s about the beauty industry, and the way it convinces women that they are not “beautiful” enough to be worthy of happiness or a successful future or marriage or all of the above. Local standards of beauty may vary, but the concept itself is unfortunately universal.

And on the other hand, and much more SFnal, is that this is a story about women taking up more space in the world, about being seen, and about refusing to suppress their own voices. But the way that happens is through questionable pharmaceuticals that, at least on the surface, seem to be ‘improving’ the women but in truth is turning them into more popularly acceptable versions while reducing their original selves to ghosts on the fringes of what used to be their own lives.

This is a story that you think about a LOT after it’s finished because the implications can be taken in multiple ways and they’re all chilling. Escape Rating B+

“Ghost Dog” by Mark McWaters, illustrated by Anna Malone c2026
I loved this one because it pulled at my heartstrings really hard, and if you’ve loved and lost companion animals over the years it will yours too. On the surface, it’s a story about a haunting, along with more than a bit of a good ‘old skool’ paranormal romance. But the ghost doing the haunting isn’t human, it’s a spectral hellhound who wants to horn in on the beautiful relationship between tiny, fierce Bentley, a cute little Westie, and Mark, a human who has loved each and every one of his best dogs over the years with a fierce and wonderful affection. When the hellhound breaks in, it’s not just the little Westie that protects his person, it’s the ghosts of all the dogs who have come before him, just waiting for the chance to save their mutual best friend, beat off the interloper, and help their person get his happy ever after. Escape Rating A+ and be prepared for the dust in your eyes at the end.

“In Living Color” by Michael Thomas Kuester, illustrated by Nathan Deiwert
This is definitely noir in the same vein as another entry in the collection, “Shell Game”. It’s a police procedural investigation into a serial killer, but set in a world where ‘Talents’ are on the rise. In this particular case, it’s centered around a ‘Talent’ who helps the police with his psychometry. He can see the past of what he touches through pictures. He’s touched pictures of multiple crime scenes drenched in blood like ink with a killer who is a complete emotional and psychological void at their center. The reluctant investigator and the gleeful killer circle around each other, manifesting opposing aspects of the same Talent, until a chance encounter puts them in each other’s path for one brief and decisive moment. Escape Rating A: if you like SF mysteries, and I do, this one is terrific.

“As Long as You Both Shall Live” by Michael Strickland, illustrated by Karah Richardson
Coming close to the end of the collection, this story made me realize that there are no robots or artificial intelligence stories in the collection at all. That’s neither a good or a bad thing, more a comment on how commonplace AI stories have become in real life that they might be too ‘real’ to be SF. This story is the closest, although it’s not an AI story. It’s a story about living in a completely AI constructed world, and what that means for the humans who are living within it. It’s also a romance, but the romantic aspects made the story surprisingly predictable and made the story a bit lighter, in multiple ways, than most of the collection. A fun read but not all that deep. Escape Rating B

“A Girl and Her Dragon: A Life in Four Parts” by Joseph Sidari, illustrated by Josie Moore
This one, on the other hand, went very deep, was very nearly heartbreaking, and yet still managed to pull a light and happy ending out of a whole lot of angst. It’s a bit of alternate history, in that it takes place in our world, even in our time period, but a world where dragons and other magical creatures not only exist but have long and storied true histories.

But it’s also VERY much our world in the way that humans are gonna human – and be litigious – especially towards large, predatory animals that might be dangerous. So the last dragon is chained in the Bronx Zoo for decades, his only champion one young girl who believes in his magic and campaigns her entire life to get poor Ash unchained. It’s told from her perspective in a series of letters and letters to the editor of various newspapers and newspaper reports and ‘tweets’ and other social media posts. But the message is one that no one wants to hear because the powers-that-be have decided that Ash is dangerous and that he might hurt someone and that he needs to be chained for everyone else’s own good even if it is literally killing him. Which is when his lone champion, looking at the waning years of her own life, decides to stage a jailbreak – and find the land of Honah Lee that she’s been searching for all of her life. Escape Rating A+ and a fitting end to the collection.

Escape Rating A- for the collection as a whole, which fits as well as it did in previous years because I really do escape into these collections. Mostly one or two stories at a time – or an evening – because the whole thing is a lot. Generally delicious, but still a lot. I keep having a grand time with these collections, even though there are always one or two that don’t quite work because that’s the nature of the beast.

What it does mean is that I’ll be back next year with the 43rd volume in the series, with expectations of another collection of great stories that I expect to be fulfilled!

A- #BookReview: The Vampyre Client by Jeri Westerson

A- #BookReview: The Vampyre Client by Jeri WestersonThe Vampyre Client: An Irregular Detective Mystery, Book 4 by Jeri Westerson
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: historical fiction, historical mystery, mystery
Series: Irregular Detective #4
Pages: 283
Published by Old London Press on May 1, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

London, October, 1895. Former Baker Street Irregular Tim Badger and his colleague in crime-solving, Ben Watson, are hired by a man whose neighbours are convinced he is a vampyre and have threatened him and his home. The strange Mister Jonathan Wicker – pale, dark-haired, wearing a pair of dark glasses and claims that he is allergic to the sun, (and who spends his time in the study of bats!) – needs the detectives to prove to the villagers that he is just an ordinary scientist. He invites the duo to travel to the village of Ashwell in Herefordshire to stay at his grim manor house to assess the situation whilst he is engaged in business in London and vows to join them in a few days time. Meanwhile, Miss Ellsie Moira Littleton, reporter for the Daily Chronicle who writes Badger and Watson's acclaimed adventures, gets wind of their mission and insinuates herself into their travel plans, where the duo becomes a trio in their investigations. But once in Ashwell, tragedy strikes, and Badger and Watson find they have a case they can truly sink their teeth into.

This is BOOK 4 in An Irregular Detective Mystery Series.

My Review:

Unlike his mentor, the Great Detective himself, former Baker Street Irregular and now grown-up detective Timothy Badger reads WAY too many ‘penny dreadfuls’ and believes a bit too much in everything he reads. Or is just a bit too gullible when it comes to ghosts and ghoulies and things that go “Boo!” in the night.

Which is a HUGE problem in his latest case, as someone is doing their damndest to make people believe that their new client is a vampire. An actual, bloodsucking, coffin-sleeping, vampire. Upon meeting the client, Badger is a bit too willing to believe.

Admittedly, Jonathan Wicker’s looks ARE against him. He’s tall, sallow, skinny and pale as a ghost. Or at least as a man who shuns sunlight at all costs – to the point where he wears dark glasses even indoors.

If there was ever a man to fit the popular image of vampires, Jonathan Wicker is definitely it. That he claims to be a scientist who studies BATS of all creepy creatures seems to be the bloody icing on a very dark, winged cake. Or cape, as the case might very well be.

Nevertheless, Wicker was recommended to Badger and Watson by their mentor and benefactor, Sherlock Holmes, and the still fledgling detectives need the work AND the money. And Wicker makes a cash deposit on their fee that neither can afford to resist.

In spite of Badger’s strong misgivings. Ben Watson is considerably more scientifically inclined. He KNOWS there’s no such thing as vampires. Or ghosts. Or any of the other bloodthirsty creatures that his partner can’t seem to help himself from reading about.

The case takes them to the tiny village in Gloucestershire where Wicker has been in uncomfortable residence for several months. Caurdal Hall is perfect for his studies, and he’s more than wealthy enough to afford it. But he can’t keep a staff and he can’t make repairs. He’s shunned in the village and NO ONE is willing to work for him or on the estate because of those vampire rumors – in spite of the high wages he is willing to pay.

Not that the locals like outsiders coming in and buying up property to begin with, but combined with the vampire malarky, Wicker has no friends, no support and no help maintaining the property. His only assistant is a man he hired in London and brought with him.

Badger, Watson, and their chronicler, reporter Ellsie Littleton arrive in the village to get the lay of the land before Wicker returns from London. The next morning, they find Wicker laying ON the land, by his estate’s front gate, dead as a doornail with a long wooden spear – or stake – through his heart.

They may not have a client, but they still have an obligation to determine who murdered the man who hired them to shut down the rumor mill around Caurdal Hall. Because whoever did Wicker’s reputation in hasn’t stopped with killing the man himself. After all, there’s still a reputation left to blacken to keep anyone from investigating his death.

And the game is afoot! Or possibly a-wing, as there are clearly too many bats in Caurdal Hall and/or someone’s belfry.

Escape Rating A-: This series has been oodles of Sherlock-adjacent fun from the very beginning in An Isolated Seance, and this fourth book absolutely continues that delightful streak. If you enjoy historical mystery or Sherlock Holmes stories or both this series is a winner.

What makes this series both fun AND new is that Badger and Watson as detectives push the stories into new ground. The series takes place in the mid-1890s, so after Holmes’ and HIS Watson’s heyday but they are still around and active. (Although Dr. Watson was almost permanently misplaced in the previous book, The Misplaced Physician.) In some ways, they are even more active, as Holmes has had the opportunity to mellow just a bit AND to get much too busy to take more mundane cases even if he wanted to. Which he manifestly does not.

Badger and Watson cover a different ‘beat’ with a different perspective as a)they are both still learning the ropes although getting more experienced all the time, and b) they operate at one hell of a disadvantage. Holmes and Watson were broke when they started out – but broke is temporary. Badger and Watson were poor, and poor is likely to be a lifelong condition without intervention.

Holmes and Watson saw the upper class world they operated in as a normal they were returning to. Badger and Watson see the middle class world they’ve only just reached with Holmes’ financial backing as a gift they never expected to earn. Holmes was always at home in any room he entered. Badger always has imposter syndrome because he knows he doesn’t belong. BEN Watson is a black man who knows that no one will EVER think he belongs no matter how much he has earned or deserves it.

This case is interesting because it’s all about the power of gossip and superstition to make a man miserable. It’s about a community shunning and its devastating effects. Wicker was doomed at Caurdal Hall long before he was murdered for reasons that he had no knowledge of and no honorable ways to fight.

The investigation is fun because it forces Badger to confront his fears and superstitions and yet doesn’t beat him over the head with the logic of it. He still loves penny dreadfuls at the end. It’s not certain whether he still believes that there might be vampires, only that their client was not one.

And that following Sherlock Holmes’ methods is the key to Badger and Watson’s success, but running off half-cocked in pursuit of wild rumors is the road to failure and a return to poverty.

As always, I had a marvelously fun time with Badger and Watson on their latest case. The whole ‘vampire rumor’ was especially fun as the portrait of vampires in the story JUST predates Bram Stoker’s iconic Dracula. Wicker was unfortunately creepy – also extremely nerdy – but no one would ever have mistaken him for the Count.

The next adventure in this series – according to the Author’s Afterward – will be The Magician’s Misadventure, featuring a magic trick gone wrong, whether by human means or something more nefarious or otherworldly. I can’t wait to find out, hopefully this time next year!